Dead in the Water by Benkei
Go, go, GO!
My father ran to the quay, his white hair dishevelled, being chased by a mob of silent people.
We looked up from the boat towards him: Look out! Behind you, dad!
Instead of defending himself with his knife, he cut the line and we drifted free. James rammed the bow thruster to maximum and swung the rudder around as the rest of us pushed anyone trying to get on board into the water. While some of them jumped, breaking bones as they landed with dull thuds on the iron deck of the Marie Gallante, I looked back through the chaos at my dad.
I dropped to my knees, yelling in anguish, as teeth sank through his red sailing jacket and his blue jeans. He yelps in pain but with a faint smile on his lips - knowing wed cast off. And then, rather than being turned into one of them, he lets himself fall into the water to drown.
Then one of them grabs me, I want to scream but I cant. Fuck.
I wake up. James holds his hand over my mouth, his eyes big. Another nightmare, another scream. Ive had a lot of those.
Shhh shes coming this way, he whispers. James used to be big, with a smile larger than life. Now his eyes are dark-rimmed and glum. An unkempt, red-white beard mostly hides a permanent snarl. Hes skinny, dirty and smelly just like me. And she is whatever is left of his wife.
Peeepe-peepswish-thump. A shadow passes over the cabinet. She shuffles into the cabin. We both freeze. White noise erupts in my ears, heart thudding. A headache flares, terrified as I am to make a noise. I notice Im holding my breath and ever so slowly, I open my mouth and breath out. I move my hand towards the knife next to me. James, painstakingly slow, shakes his head. I leave the knife alone. A replay of each time she passed. I dont begrudge James his aversion to killing the remaining semblance of his wife. God knows whats left of mine down below.
Erin, or whats left of her, shambles in front of the cabinet. Through a crack we see a dirty, bloody tennis shoe dragging across the floor with syncopated. A hushed swish of clothing, followed by a thump as she limps through the bridge. Peeepe-peepswish-thump. Peeepe-peepswish-thump. Like Pavlovian dogs that sound now inspires dread, which is only interrupted by the wallowing shift of the ship causing her to tumble. The dead are silent, until a sound triggers them into motion.
Weve been hiding in this cabinet for weeks, reduced to eating dry noodles with cold water when the rest of the food we could reach ran out. I roll the noodles around endlessly in my mouth to avoid making a sound, until its soft enough to swallow. We shit where we sit and use a stained rag to push it in a corner. Thank God the dead cant smell, or they wouldve found us weeks ago.
She leaves the bridge but my anxiety doesnt.
Nightmare?, whispers James. I nod. He holds his thumb and pinkie outstretched next to his ear, twists his hand in that universal signal. I pick up the black mirror and hold the power button. It switches on, still some percentage left and I quickly swipe to Maps, it takes a minute to pick up the GPS. Water everywhere. I zoom out. "Still East." I give the phone to him. He looks, swipes right, zooms in. He holds up two fingers. Two days left.
We dont dare to talk so we're left to our own thoughts and fears.
I reflect that it was my wifes paranoia that saved us. Ever since the war in Ukraine, she had a flight bag ready. Passports, basic necessities, birth certificates - I dont know what else she packed but we moved the moment things went south. Yoan and Frankie in tow; we got in our car and I called James to ask if he could get us aboard a seagoing vessel. The UK, and probably Europe, was lost by my estimation.
James could but the problem was we had to go to London - densely populated and therefore a problem. He sent me the address. I called my mum and dad second and my mum didnt want to fight anymore - she wasnt going to run. We drove past Rita's mums house, who lives around the corner, but she wasnt there. Rita was frantically calling her parents and thats when the mobile connections dropped out. There was no way to communicate anymore.
I stopped at my parents house to discover my dad didnt just think about fleeing. He dumped several knives, a baseball bat and a couple of two-by-fours in the trunk and got in. Rita and I fought all the way to London. Rita was yelling, the kids were crying in the back and my dad was trying to calm the kids, until I screamed: Fuck your mum! as I refused to detour to look for her. The fighting lasted right up until we saw a plane crash into London City Airport, balls of flame exploding to the left of us as it rammed through several parked planes. Then we were all silent driving into the tunnel, staring at the blaze for as long as we could. I clench my fists in frustration, remembering the last safe moment in my life.
I shake my head, trying not to think about the past. But the present is just as bleak and the future isnt going to be much better. I try to empty my mind and let myself drift off to sleep.
"Alright, listen up. There're four bridges between here and the sea. We need to be ready if any more of them try to get on board. Grab some weapons, anything you can hit or push with.", yelled James over the caterwauling kids as he grabbed a two-by-four. Lex, another childhood friend, was taping a knife to a broom handle, making a rudimentary spear.
"What about the kids?", I asked. "They've already seen enough horror, don't you think?" I stroke Yoan's and Frankie's hair, keeping them close. Rita, youre the smallest so it makes sense if you stay with them. You wont be much help out here.
And with that, Lexs two daughters and Yoan and Frankie go into a cabin below decks. Ritas voice lilts, just as it always does when shes faking her mood but the kids stay muted despite her attempts at cheering them up. I grab the metal baseball bat my dad brought and give it two practice swings. I look out for the first bridge in the distance. Were not the only boat in the water and from a distance I see people throwing themselves onto a barge. Not much later it veers under an angle against the quay. More souls lost.
Closing my eyes for a moment, I want to give up as I start thinking ahead: How to get out? How long to survive at sea? How to get to a place thats safe? Is there even such a thing? How to rebuild? But then as I open my eyes at the warning shout from James and the first dead lands in front of me, I swing anyways. The simultaneous squelch and crunch as I connect with her face sickens me. A soft and sweet face, probably a teenager or student. Only greyed out large pupils and discolouration in her whites betraying her infection. That, and the fact she just hurled herself down from the bridge breaking a leg. I push the memory away as my stomach roils again.
We get past those bridges but not without losses. Yu An, Lexs wife, was pregnant of a third and she gets infected at one of our panicked defences. The stress of everything now causes her to go into early labour. Luckily, Erin is a general practitioner that helps her deliver the baby. We restrain Yu An and bring the baby to Rita and the other kids.
I try to stop them from bringing the baby to the cabin. I try to warn them but they dont hear me. I scratch at the door, ram it with my baseball bat. Anything to open it but it wont budge. Finally, the door opens. A black hole into nothing. Then Rita is at my throat like a cheap jump-scare Hollywood movie, trying to bite me as I block her with the bat. I fall on my back, the kids biting my shins, tearing the flesh in bloody clumps from me as I scream.
I shudder awake again. Im left thinking about the kids. Tears well up in my eyes. I picture Frankies goofy smiles, bigger than anyone elses. I never understood how he could be that exuberant but I smile through welling tears, vicariously experiencing the depth of his unique, quirky happiness. Yoan was always more complicated, more critical and with that incredibly strong sense of justice. Shed stand up for others and fight and scream if she was treated unfairly. Brave and self-assured at such a young age that I couldnt be prouder. And Id been with Rita for over 12 years and even if much of married life became normal over time, wed have our sparkling moments, dancing late evenings when the kids were asleep. Passionate sex that somehow reserved itself for warm holiday evenings in Burgundy. And while losing the kids is like losing a limb: acute, heart-rending pain that comes in starts and shudders, losing that Normal is like no longer being able to breath. Its a suffocating loss that is constant and somehow more fundamental.
The horror didnt stop there of course. Only Erin got out of that cabin but she was infected all the same. Shit. After I lost everything, Lex just took up Yu An and walked from board in the middle of the sea. I was so angry; I lost everything because of him. I still want to yell at him, beat him, just hurt him. I feel that tension rise again, a need to hit out against the wall, scream, anything to let go of all the hurt and anger. And then I realise I cant because she is still there.
James was a captain to us for many trips during the years and he ran a tight ship. A ship needs order to function well, he would always say with a theatrical flourish and a smile, First theres me, the captain, and after that comes the abyss. Should you ever cross it, youll find God but hell never deign to speak to any of you heathens. Not much further beyond God youll find the first mate. Thats the order in which you will listen on board my ship. I heard it a million times. So when he decided we wouldnt kill his wife Erin, I argued against it, but accepted it. His ship, his rules. He said we could hole up and let the currents take us over Scotland to the Caribbean where the islands were most likely to remain free from the infected. We cut the engine, lowered the sails and retreated to the bridge before his wife fully turned.
And here we are. After weeks drifting on the current, we are now two more days away from escaping this ship from hell, that carries every vile terror plaguing my sleep.
On the last day I keep my phone on as long as possible but eventually it winks out without an island nearby. Its hard for James to project where exactly we will drift too. The wind still has a grip on the ship, potentially blowing us off course but with no way of telling which way its blowing hes simply extrapolating from the direction weve been moving. We agree to wait another two hours and then run for it. We will split up, hopefully slowing down any reaction from Erin and then swim to whatever land we can see.
James peers at his watch. Our focus finally banishes all the nightmares of the past weeks. We work our muscles as much as we can in the cramped space and then James raises his fingers, counting down: three, two, one go!. The cabinet slams open, Erins head twists towards the sound but were already moving both, bursting out of the side entrance unto the deck. I run and stumble with weak legs on the steel-gray deck, the long way around to the leeway, scanning the horizon for land as I do so. There!, I yell, Land at 7 oclock! I see James staring at Erin as she rushes for him but before she reaches him he throws himself over board.
I dive over the railing into the blessedly warm water. The stink of fear and shit washing off me. I realise its warm enough to survive a couple of hours. I cant see James though. James! James!, I call out, but I get no answer. Another splash and it's Erin chasing the sound. I'm pretty sure they can't swim but I don't take any chances and shut up. James is strong and hell swim to the same island as me. Well meet there. The island disappears behind each wave as I start with steady strokes. Its far away but I can make it. I think.
My father ran to the quay, his white hair dishevelled, being chased by a mob of silent people.
We looked up from the boat towards him: Look out! Behind you, dad!
Instead of defending himself with his knife, he cut the line and we drifted free. James rammed the bow thruster to maximum and swung the rudder around as the rest of us pushed anyone trying to get on board into the water. While some of them jumped, breaking bones as they landed with dull thuds on the iron deck of the Marie Gallante, I looked back through the chaos at my dad.
I dropped to my knees, yelling in anguish, as teeth sank through his red sailing jacket and his blue jeans. He yelps in pain but with a faint smile on his lips - knowing wed cast off. And then, rather than being turned into one of them, he lets himself fall into the water to drown.
Then one of them grabs me, I want to scream but I cant. Fuck.
I wake up. James holds his hand over my mouth, his eyes big. Another nightmare, another scream. Ive had a lot of those.
Shhh shes coming this way, he whispers. James used to be big, with a smile larger than life. Now his eyes are dark-rimmed and glum. An unkempt, red-white beard mostly hides a permanent snarl. Hes skinny, dirty and smelly just like me. And she is whatever is left of his wife.
Peeepe-peepswish-thump. A shadow passes over the cabinet. She shuffles into the cabin. We both freeze. White noise erupts in my ears, heart thudding. A headache flares, terrified as I am to make a noise. I notice Im holding my breath and ever so slowly, I open my mouth and breath out. I move my hand towards the knife next to me. James, painstakingly slow, shakes his head. I leave the knife alone. A replay of each time she passed. I dont begrudge James his aversion to killing the remaining semblance of his wife. God knows whats left of mine down below.
Erin, or whats left of her, shambles in front of the cabinet. Through a crack we see a dirty, bloody tennis shoe dragging across the floor with syncopated. A hushed swish of clothing, followed by a thump as she limps through the bridge. Peeepe-peepswish-thump. Peeepe-peepswish-thump. Like Pavlovian dogs that sound now inspires dread, which is only interrupted by the wallowing shift of the ship causing her to tumble. The dead are silent, until a sound triggers them into motion.
Weve been hiding in this cabinet for weeks, reduced to eating dry noodles with cold water when the rest of the food we could reach ran out. I roll the noodles around endlessly in my mouth to avoid making a sound, until its soft enough to swallow. We shit where we sit and use a stained rag to push it in a corner. Thank God the dead cant smell, or they wouldve found us weeks ago.
She leaves the bridge but my anxiety doesnt.
Nightmare?, whispers James. I nod. He holds his thumb and pinkie outstretched next to his ear, twists his hand in that universal signal. I pick up the black mirror and hold the power button. It switches on, still some percentage left and I quickly swipe to Maps, it takes a minute to pick up the GPS. Water everywhere. I zoom out. "Still East." I give the phone to him. He looks, swipes right, zooms in. He holds up two fingers. Two days left.
We dont dare to talk so we're left to our own thoughts and fears.
I reflect that it was my wifes paranoia that saved us. Ever since the war in Ukraine, she had a flight bag ready. Passports, basic necessities, birth certificates - I dont know what else she packed but we moved the moment things went south. Yoan and Frankie in tow; we got in our car and I called James to ask if he could get us aboard a seagoing vessel. The UK, and probably Europe, was lost by my estimation.
James could but the problem was we had to go to London - densely populated and therefore a problem. He sent me the address. I called my mum and dad second and my mum didnt want to fight anymore - she wasnt going to run. We drove past Rita's mums house, who lives around the corner, but she wasnt there. Rita was frantically calling her parents and thats when the mobile connections dropped out. There was no way to communicate anymore.
I stopped at my parents house to discover my dad didnt just think about fleeing. He dumped several knives, a baseball bat and a couple of two-by-fours in the trunk and got in. Rita and I fought all the way to London. Rita was yelling, the kids were crying in the back and my dad was trying to calm the kids, until I screamed: Fuck your mum! as I refused to detour to look for her. The fighting lasted right up until we saw a plane crash into London City Airport, balls of flame exploding to the left of us as it rammed through several parked planes. Then we were all silent driving into the tunnel, staring at the blaze for as long as we could. I clench my fists in frustration, remembering the last safe moment in my life.
I shake my head, trying not to think about the past. But the present is just as bleak and the future isnt going to be much better. I try to empty my mind and let myself drift off to sleep.
"Alright, listen up. There're four bridges between here and the sea. We need to be ready if any more of them try to get on board. Grab some weapons, anything you can hit or push with.", yelled James over the caterwauling kids as he grabbed a two-by-four. Lex, another childhood friend, was taping a knife to a broom handle, making a rudimentary spear.
"What about the kids?", I asked. "They've already seen enough horror, don't you think?" I stroke Yoan's and Frankie's hair, keeping them close. Rita, youre the smallest so it makes sense if you stay with them. You wont be much help out here.
And with that, Lexs two daughters and Yoan and Frankie go into a cabin below decks. Ritas voice lilts, just as it always does when shes faking her mood but the kids stay muted despite her attempts at cheering them up. I grab the metal baseball bat my dad brought and give it two practice swings. I look out for the first bridge in the distance. Were not the only boat in the water and from a distance I see people throwing themselves onto a barge. Not much later it veers under an angle against the quay. More souls lost.
Closing my eyes for a moment, I want to give up as I start thinking ahead: How to get out? How long to survive at sea? How to get to a place thats safe? Is there even such a thing? How to rebuild? But then as I open my eyes at the warning shout from James and the first dead lands in front of me, I swing anyways. The simultaneous squelch and crunch as I connect with her face sickens me. A soft and sweet face, probably a teenager or student. Only greyed out large pupils and discolouration in her whites betraying her infection. That, and the fact she just hurled herself down from the bridge breaking a leg. I push the memory away as my stomach roils again.
We get past those bridges but not without losses. Yu An, Lexs wife, was pregnant of a third and she gets infected at one of our panicked defences. The stress of everything now causes her to go into early labour. Luckily, Erin is a general practitioner that helps her deliver the baby. We restrain Yu An and bring the baby to Rita and the other kids.
I try to stop them from bringing the baby to the cabin. I try to warn them but they dont hear me. I scratch at the door, ram it with my baseball bat. Anything to open it but it wont budge. Finally, the door opens. A black hole into nothing. Then Rita is at my throat like a cheap jump-scare Hollywood movie, trying to bite me as I block her with the bat. I fall on my back, the kids biting my shins, tearing the flesh in bloody clumps from me as I scream.
I shudder awake again. Im left thinking about the kids. Tears well up in my eyes. I picture Frankies goofy smiles, bigger than anyone elses. I never understood how he could be that exuberant but I smile through welling tears, vicariously experiencing the depth of his unique, quirky happiness. Yoan was always more complicated, more critical and with that incredibly strong sense of justice. Shed stand up for others and fight and scream if she was treated unfairly. Brave and self-assured at such a young age that I couldnt be prouder. And Id been with Rita for over 12 years and even if much of married life became normal over time, wed have our sparkling moments, dancing late evenings when the kids were asleep. Passionate sex that somehow reserved itself for warm holiday evenings in Burgundy. And while losing the kids is like losing a limb: acute, heart-rending pain that comes in starts and shudders, losing that Normal is like no longer being able to breath. Its a suffocating loss that is constant and somehow more fundamental.
The horror didnt stop there of course. Only Erin got out of that cabin but she was infected all the same. Shit. After I lost everything, Lex just took up Yu An and walked from board in the middle of the sea. I was so angry; I lost everything because of him. I still want to yell at him, beat him, just hurt him. I feel that tension rise again, a need to hit out against the wall, scream, anything to let go of all the hurt and anger. And then I realise I cant because she is still there.
James was a captain to us for many trips during the years and he ran a tight ship. A ship needs order to function well, he would always say with a theatrical flourish and a smile, First theres me, the captain, and after that comes the abyss. Should you ever cross it, youll find God but hell never deign to speak to any of you heathens. Not much further beyond God youll find the first mate. Thats the order in which you will listen on board my ship. I heard it a million times. So when he decided we wouldnt kill his wife Erin, I argued against it, but accepted it. His ship, his rules. He said we could hole up and let the currents take us over Scotland to the Caribbean where the islands were most likely to remain free from the infected. We cut the engine, lowered the sails and retreated to the bridge before his wife fully turned.
And here we are. After weeks drifting on the current, we are now two more days away from escaping this ship from hell, that carries every vile terror plaguing my sleep.
On the last day I keep my phone on as long as possible but eventually it winks out without an island nearby. Its hard for James to project where exactly we will drift too. The wind still has a grip on the ship, potentially blowing us off course but with no way of telling which way its blowing hes simply extrapolating from the direction weve been moving. We agree to wait another two hours and then run for it. We will split up, hopefully slowing down any reaction from Erin and then swim to whatever land we can see.
James peers at his watch. Our focus finally banishes all the nightmares of the past weeks. We work our muscles as much as we can in the cramped space and then James raises his fingers, counting down: three, two, one go!. The cabinet slams open, Erins head twists towards the sound but were already moving both, bursting out of the side entrance unto the deck. I run and stumble with weak legs on the steel-gray deck, the long way around to the leeway, scanning the horizon for land as I do so. There!, I yell, Land at 7 oclock! I see James staring at Erin as she rushes for him but before she reaches him he throws himself over board.
I dive over the railing into the blessedly warm water. The stink of fear and shit washing off me. I realise its warm enough to survive a couple of hours. I cant see James though. James! James!, I call out, but I get no answer. Another splash and it's Erin chasing the sound. I'm pretty sure they can't swim but I don't take any chances and shut up. James is strong and hell swim to the same island as me. Well meet there. The island disappears behind each wave as I start with steady strokes. Its far away but I can make it. I think.
Comments (17)
The most twisted or complex part is when we perceive the virus become more and more of a threat. This moment was intense.
I loved the action, and the grotesqueries that are required of the genre. And the sense of apocalypse, which to me was best captured by the spectacle of the airplane exploding into the others at the airport.
However, it was rough around the edges, some of the flashbacks were awkward. Some of the impact was muted by what I felt was awkward writing. To pick on a random example:
"After I lost everything, Lex just took up Yu An and walked from board in the middle of the sea."
"Took up".. picked up? "walked from board" walked overboard? This one overcompressed sentence both tries to describe a significant event and relay the protagonists resentment at taking such an easy way out, and yet still has unnecessary fat: "in the middle of the sea".
The accumulation of poorly edited sentences like this weigh the story down, and yet it is also laden with excess reminiscing. The author put a lot of effort into communicating the grief and despair one would experience in this scenario, but I only partly connected with this. I agree with @javi2541997 that it felt long, parts could have been cut, and the story would have been tighter.
All said however, I enjoyed it. Very nice work, and cute title!
Exactly. I meant that this story seemed to be "long" for just me, because I am not a native-speaker and it is a tough task to read such long paragraphs in a row. I agree, some parts could be cut off and the story would be better because it is already a good plot. I liked the imagination of the author on this one.
Me, for one! But I'll give it a go...
Quoting hypericin
Agree.
Quoting Noble Dust
I feel the fear.
The mind conjures up more than words can ever do. Imagination is a wonderful thing. Sometimes.
Quoting Noble Dust
Nice. But the dead can and do smell. Quite badly.
Quoting What does a dead body smell like
***
I've got it now, thanks.
Well done to an imaginative story teller!
I wonder if this closing line intentionally echoes the closing line of Michael Rockefeller, scion of the Rockefeller American fortune, perhaps eternally disappearing in 1961 off the island of New Guinea or perhaps corporeally integrating into the native New Guinea culture that same year.
Good story telling. The writer put a lot of effort into the details of the story. This is not a subject matter that's easy to write for the readers' enthusiasm -- films about zombies have saturated the media that it's impossible now to come up with an original plot, or an exciting one at that. (Not to mention, zombie stories are best portrayed in films).
Usually, the ending is what I wait for. And here, the narrator gives us a first hand account of the uncertainty of living: if he survives it this time, he doesn't know how long next time. It looks like James is gone, but the narrator is sure that James is still around. And now he has to swim to safety, but he's not sure if he makes it.
I do not feel it has a long finish like a good drink has. I liked the read but it will not stick with me.
The title suggests he may not have made it after all or worse that he did but not anymore 'alive...'. Voted it up.
I agree. Despite my initial lack of enthusiasm and dismissive attitude, I've read this story a few times now. It is good. The last paragraph with its final line. Wow.
Quoting Noble Dust
The uncertainty and hope for a happy ending...
[quote= Dead in the Water]I fall on my back, the kids biting my shins, tearing the flesh in bloody clumps from me as I scream.[/quote]
If he was bitten and a substantial amount of time has passed what gives. Is this not how zombies are made in this story and how does this square with the rapid infection from the baby? This is no explanation given such a notable event (the bite) after his kids turn. I thought it must be a dream but it tells us how folks were lost.
[quote=Dead in the Water]Weve been hiding in this cabinet for weeks.[/quote]
If Erin, James' wife, is the only danger left on the boat this scenario is bullshit (looking at James). I feel like hunkering down for so long in the cabinet with shit and piss is unsustainable. All they have to do is push Erin into the water, or let her fall in from pursuit. I'm pissed off at James here for his selfishness. Can't imagine these zombies can swim.
I think that's right, considering the next sentence of the next paragraph.
Quoting Noble Dust
Just makes for a little bit of confusion when the recollection is mixed with events that did not happen.
I'm always happy you like my stories, whether it's sci-fi or zombies! I'll get back on this ambiguity below.
Acutely aware of the problems in it and happy you enjoyed it despite that.
Thanks for reading it twice and glad it grew a bit on you. Funny how you like that last sentence and 180 Proof doesn't dig it. :smile:
I like open-ended endings but this was too much on the nose then?
The idea of this story was that I was tired of zombie-shit that's only about the gore and the scares. I wanted something that was more psychological, how you're being ground down by everything that happens, how the worst is on repeat in your head (I would imagine), how you retreat into yourself and despite all that there's some sort of biological imperative that just says "survive!". A lot of that I couldn't get in, which interestingly turned it a bit into what I didn't want it to be: an action story. Also, first story II ever wrote that has no symbolism, so that was a new experience as well.
I was under time constraint, and probably also constraints in length for the full idea, but the ship was to have several turned friends allowing for more reflection on my relationships with them. But I had two hours on holidays to finish it and at that time had written up to "What about the kids?". More time would've solved the issue of the ship not really being dangerous, which I realised and caused me to include this: "I dont begrudge James his aversion to killing the remaining semblance of his wife. God knows whats left of mine down below."
Hui Yin, the kids, my wife, Lex were all supposed to still be on board as zombies but I couldn't manage that in the time I had. So Lex's removal and Hui Yin was cheap (and badly written) and I simply left my family locked up. There was to be more division in "remembering" and "dreaming" as well than I managed. I did want it to merge into each other but not where readers get confused. I'm intimately familiar with the Marie Gallante, it's a real ship I've sailed on often, and the doors I could break with my fists. That should've clued readers in but wasn't included anywhere in the end. I hope someday to return to this story and finish it for real and incorporate the valuable pointers everyone made.
:up:
The merge could actually be quite interesting if the narrator was suffering from delirium from the stress of the ordeal. He could be paranoid that he was bitten since he recollects through a dream.
One can never have enough zombie-shit.
Erin roaming on the deck at sunset.