Unbecoming by unenlightened
The cellar door opened on stone steps that went down too far. The ceiling sloped down with them, from which hung a few nondescript lights without shades. She glided down them almost as if they were an escalator; and down, and down.
The room clearly extended beyond the boundaries of the house, perhaps even beyond the whole terrace. Where there should have been walls, there were gaps and corners that opened on to other spaces, some quite brightly lit, and others full of shadow.
Here, a pair of candelabra burned steady and un-flickering on a table set with the makings of a simple meal; bread, butter, cheese and some apples, and red wine in a cut-glass decanter. She shook her head in disbelief, and moved on without touching anything into a brightly lit corridor with rooms on either side at intervals with what looked like hospital beds. The corridor darkened, and the rooms became more cell-like. She shivered, and suddenly regretted not having picked up a piece of bread or an apple.
At the end of the corridor, a flight of wide institutional stairs took her down again to a bright hallway where a man of indeterminate age sat behind a desk, above which hung a large sign: Enquiries.
Can I help you?, he asked looking up from the screen in front of him.
Her mouth opened and closed several times, as if she was about to speak, but couldnt quite decide what to say. He waited.
Im not sure where I am she finally managed, and then in a confused rush, I was at home, and I just went to the cellar because the electric went off, and I was looking for the junction box, and she trailed off, and then I was here.
Ah, I see. he replied noncommittally, Is there anyone you can contact - friends, or relatives?
My phone she gestured vaguely towards the stairs she had just come down.
Well, if youre going out, youd better take a hat., he reached under the desk, and produced a straw hat, pleasant enough, and laid it on the desk in front of her. And with that, he abruptly turned and disappeared through a door behind the desk that swung shut behind him with a staff only sign on it.
The hat was in her hand as she turned towards the patterned glass doors that looked like a hotel entrance. But outside, instead of the suburban landscape she was expecting, was a dry and dusty wilderness of scrub grasses amongst a litter of reddish stones, and a blast of heat that declared this was not remotely the temperate zone. She turned to go back in, and almost fell over - the glass doors and any sign of a building had vanished and the scrubland continued uninterrupted in all directions.
Confusion and disbelief overwhelmed her, and she collapsed onto the ground and wept, sobbing loudly, blindly pulling the straw hat onto her head as the sun beat down.
By the time they came by, the sun was lower, she was quieter, and looking around blankly, unsure if she was mad, or dead, or what? A very ordinary, somewhat scruffy bunch of children with an older woman, were just padding along in amiable silence. The children stood around the huddled figure in silence while their leader put down her stick and her bundle and settled down next to the crying woman.
My name is Ailsa, I think you have fallen out of reality. Can you tell me your name?
The woman looked at her in blank terror for a long moment; I went to the cellar because the lights had gone, and then there was a hotel and then I was just here and . She trailed off in disbelief of her own words. Agnes, she whispered. I think I was called Agnes, I was living in Aberdeen, near the university. What happened, where am I?
Youd better come along with us for now, Agnes, theres not much for you here, is there? Ailsa stood up again, and reached her hand down to pull Agnes to her feet. Picking up her bundle and stick, and still holding Agnes by the hand she set out again, the children following in silence.
Where are we going? Agnes asked in a small voice.
Forwards, my dear, said Ailsa, theres no going back any more.
Agnes turned her head, and saw a place she did not recognise, of looming trees, and something grey and shadowy moving. She blinked hard and looked fixedly in front of her. She shuddered, and they moved on slowly across the dry plain.
TPresently, there was a hum of distant traffic, and as they started to descend into a valley, a highway came into view over to the left lifting up as if to cross the sluggish river that meandered along the valley floor. But the highway stopped in mid air at the river. As the party came closer, they could see that the traffic was all one way, heading at speed towards the river and then just winking out of existence with a little popping sound.
Agnes stared open-mouthed. She was exhausted and traumatised, and the world she thought she knew, had gone mad. By now she was hungry for sure and very thirsty, and such a long, long way from home. As they reached the riverbank, she sank to her knees, her fingers digging into the soil in a desperate attempt to hold onto the world she knew.
Ailsa looked at her for a long moment, and, putting her hand gently on Agness shoulder, she said Well have to leave you here. Its a good place. She paused. You can rest here, we must go on.
Agnes could not move, or speak, and watched despairing as the group moved away, walking calmly across the river as if it were solid ice. It occurred to her that she had never heard the children speak, or heard their names, and as they passed from view, she was unsure even how many there had been. Three? Seven? More?
The sun had set, and it was almost dark. Agness fingers had reached into the soil and found some dampness there, and she was no longer quite so thirsty. She leaned forwards over the water to see her reflection in the moonlit river. Her skin was cracked and her hair hung down almost to the surface of the water. Willow she thought as she fell into a blessed sleep.
In the morning, or in some morning thereafter, there was the intermittent sound of chainsaws, along the riverbank with a deal of men shouting, but Agnes Willow slept on.
Rab Willow had given his lectures in the morning, and had been ploughing through the seemingly endless admin and emails ever since. By four-thirty he had had enough, and gathering a few papers to look through at home, he abandoned his office and jumped on his bike, heading home.
Leaving the bike in the hallway, he wandered from room to room, wondering where his wife had got to. She was usually home before him, but not today. He called out a couple of times, Agnes?, and then shrugged and went to the kitchen to make a cup of tea, but the kettle wasnt working. Then he noticed the cellar door ajar.
He had at the back of his mind a slight notion that he had never noticed before that they had a cellar at all. But they had been there nearly five years; he dismissed the thought, and pulled the door open, and peered at the steps, that seemed to go an awfully long way down. She must be down there, he thought. He started down, and gradually realised he was on an escalator. Below him he could hear the sound of an underground train.
The room clearly extended beyond the boundaries of the house, perhaps even beyond the whole terrace. Where there should have been walls, there were gaps and corners that opened on to other spaces, some quite brightly lit, and others full of shadow.
Here, a pair of candelabra burned steady and un-flickering on a table set with the makings of a simple meal; bread, butter, cheese and some apples, and red wine in a cut-glass decanter. She shook her head in disbelief, and moved on without touching anything into a brightly lit corridor with rooms on either side at intervals with what looked like hospital beds. The corridor darkened, and the rooms became more cell-like. She shivered, and suddenly regretted not having picked up a piece of bread or an apple.
At the end of the corridor, a flight of wide institutional stairs took her down again to a bright hallway where a man of indeterminate age sat behind a desk, above which hung a large sign: Enquiries.
Can I help you?, he asked looking up from the screen in front of him.
Her mouth opened and closed several times, as if she was about to speak, but couldnt quite decide what to say. He waited.
Im not sure where I am she finally managed, and then in a confused rush, I was at home, and I just went to the cellar because the electric went off, and I was looking for the junction box, and she trailed off, and then I was here.
Ah, I see. he replied noncommittally, Is there anyone you can contact - friends, or relatives?
My phone she gestured vaguely towards the stairs she had just come down.
Well, if youre going out, youd better take a hat., he reached under the desk, and produced a straw hat, pleasant enough, and laid it on the desk in front of her. And with that, he abruptly turned and disappeared through a door behind the desk that swung shut behind him with a staff only sign on it.
The hat was in her hand as she turned towards the patterned glass doors that looked like a hotel entrance. But outside, instead of the suburban landscape she was expecting, was a dry and dusty wilderness of scrub grasses amongst a litter of reddish stones, and a blast of heat that declared this was not remotely the temperate zone. She turned to go back in, and almost fell over - the glass doors and any sign of a building had vanished and the scrubland continued uninterrupted in all directions.
Confusion and disbelief overwhelmed her, and she collapsed onto the ground and wept, sobbing loudly, blindly pulling the straw hat onto her head as the sun beat down.
By the time they came by, the sun was lower, she was quieter, and looking around blankly, unsure if she was mad, or dead, or what? A very ordinary, somewhat scruffy bunch of children with an older woman, were just padding along in amiable silence. The children stood around the huddled figure in silence while their leader put down her stick and her bundle and settled down next to the crying woman.
My name is Ailsa, I think you have fallen out of reality. Can you tell me your name?
The woman looked at her in blank terror for a long moment; I went to the cellar because the lights had gone, and then there was a hotel and then I was just here and . She trailed off in disbelief of her own words. Agnes, she whispered. I think I was called Agnes, I was living in Aberdeen, near the university. What happened, where am I?
Youd better come along with us for now, Agnes, theres not much for you here, is there? Ailsa stood up again, and reached her hand down to pull Agnes to her feet. Picking up her bundle and stick, and still holding Agnes by the hand she set out again, the children following in silence.
Where are we going? Agnes asked in a small voice.
Forwards, my dear, said Ailsa, theres no going back any more.
Agnes turned her head, and saw a place she did not recognise, of looming trees, and something grey and shadowy moving. She blinked hard and looked fixedly in front of her. She shuddered, and they moved on slowly across the dry plain.
TPresently, there was a hum of distant traffic, and as they started to descend into a valley, a highway came into view over to the left lifting up as if to cross the sluggish river that meandered along the valley floor. But the highway stopped in mid air at the river. As the party came closer, they could see that the traffic was all one way, heading at speed towards the river and then just winking out of existence with a little popping sound.
Agnes stared open-mouthed. She was exhausted and traumatised, and the world she thought she knew, had gone mad. By now she was hungry for sure and very thirsty, and such a long, long way from home. As they reached the riverbank, she sank to her knees, her fingers digging into the soil in a desperate attempt to hold onto the world she knew.
Ailsa looked at her for a long moment, and, putting her hand gently on Agness shoulder, she said Well have to leave you here. Its a good place. She paused. You can rest here, we must go on.
Agnes could not move, or speak, and watched despairing as the group moved away, walking calmly across the river as if it were solid ice. It occurred to her that she had never heard the children speak, or heard their names, and as they passed from view, she was unsure even how many there had been. Three? Seven? More?
The sun had set, and it was almost dark. Agness fingers had reached into the soil and found some dampness there, and she was no longer quite so thirsty. She leaned forwards over the water to see her reflection in the moonlit river. Her skin was cracked and her hair hung down almost to the surface of the water. Willow she thought as she fell into a blessed sleep.
In the morning, or in some morning thereafter, there was the intermittent sound of chainsaws, along the riverbank with a deal of men shouting, but Agnes Willow slept on.
Rab Willow had given his lectures in the morning, and had been ploughing through the seemingly endless admin and emails ever since. By four-thirty he had had enough, and gathering a few papers to look through at home, he abandoned his office and jumped on his bike, heading home.
Leaving the bike in the hallway, he wandered from room to room, wondering where his wife had got to. She was usually home before him, but not today. He called out a couple of times, Agnes?, and then shrugged and went to the kitchen to make a cup of tea, but the kettle wasnt working. Then he noticed the cellar door ajar.
He had at the back of his mind a slight notion that he had never noticed before that they had a cellar at all. But they had been there nearly five years; he dismissed the thought, and pulled the door open, and peered at the steps, that seemed to go an awfully long way down. She must be down there, he thought. He started down, and gradually realised he was on an escalator. Below him he could hear the sound of an underground train.
Comments (31)
I enjoyed this as well. The writing felt fairly effortless, although there were also some snags if I recall. I plan on giving more detailed feedback to as many stories as I can, but just wanted to add my agreement, in part to get things jump started.
Quoting Noble Dust
The situation is established right there. This is not her accustomed cellar, nor a mundane form of descent. Then there is a set table, a hospital corridor which turns into dungeon: now we're sure it's a dream. This is how dreams unfold. We are no longer surprised at the next abrupt change or the discontinuity of sequence.
A nitpick, if i may. I don't think by now we need this:
Quoting Noble Dust
This far into a dream, we usually accept its illogic.
Quoting Noble Dust
I like this very much: the turning point. A hint that perhaps the surreal events are not imaginary; that the dreamer may not wake, after all. This is where the reader becomes uneasy.
Quoting Noble Dust
And again: it's not only Agnes whose fate is sealed; her world may be ending, as well.
But I don't think we need to be told this:
Quoting Noble Dust
The story would flow more smoothly without reference to her state of mind.
I might also do with another proofreading, with particular attention to punctuation. Did the author rush to finish in time?
No matter, it's still a solid 5.
It's not a short story per se in that it has no fully developed plot or resolution, meaning it is just as likely that this woman has been abducted by a cult, has stumbled upon an alien compound, is part of a government experiment, or has fallen victim to an evil doctor's newly discovered drug regimen. What we do suspect is something sinister.
I think the suggestion that she is dreaming doesn't work because the husband stumbled upon this previously unknown stairwell as well, independent of his wife, and to have her suddenly awake would spoil the author's work with a deus ex machina.
It is well written and captivating. The test to this author is if he/she can continue over more chapters to where an explanation is provided as to how this cellar got there, why it was previously unknown, who those people are who are down there, and what the purpose of it is, etc.
I probably won't be a good reader and comment on all of the entries, but this one really struck a chord.
I also appreciate how it is structured, because it makes the reading more pleasant.
What I can't understand is the title of the story: Unbecoming. I just don't see if it follows the plot, but maybe it is me who is lost.
They start as ordinary suburbanites and end in a vegetative state - that is, lose their conscious life in a dream-state, which devolves from modernity through to the medieval, then they are admitted through a portal to the the surreal landscape, where their reality is stripped away; then they lose their humanity in nature, and finally their new form in death.
Regardless, I enjoyed it quite a bit, very well done! :clap:
Needless to say it leaves plenty to the imagination, especially if one is a subscriber to the possibility of other realms, universes, planes, life after death, etc. Was it merely a descent into madness? Tired of the brutish antics of an abusive husband to the point her mind cracked one day while in the cellar leading her to leave the house and wonder about to all the places described (the office, the hotel, and finally the wilderness outskirts)? Was it a literal supernatural journey, perhaps one we might all face one day, featuring a friendly yet not noncommittal spirit guide into the realm after this? Is it all symbolism? Is Agnes the child, the average person, and the old woman symbolizing adulthood or maturity that inevitably meets us and beckons us to "move forward, for the past is no more", the mute, forgettable children being those who could not?
It's definitely a good primer, but someone looking for a traditional story "problem, climax, solution", might find themself disappointed, as I was (in the bleakness of the conclusion, that is).
At one point I entertained the idea Agnes' journey into a strange land with nothing but a straw hat was a political allegory to the plight of refugees.
Again, fantastic writing. If only there was, even just a little, more. That said, compliments have never bettered a man. So to leave this review on a critical if not cynical note, one might do well to be reminded of the following quote: "You will always be, at least somewhat, fascinated by that which you simply do not understand."
(and no I specifically went out of my way to avoid reading any of the other comments prior to posting my own, I am not just parroting/piggybacking off of Hanover's) :lol:
That's if I read it correctly.
Quoting hypericin
She hasn't died yet, and won't until the men with chainsaws arrive. (And maybe not then, since willows regrow from stumps; so it may be kind of rebirth.)
Quoting hypericin
That's because she's gone into their non-existent basement. Now he follows her. Their surname is Willow. Guess what happens next.
Though I maybe afraid of leaving my room today and walking through any suspicious doors. New irrational fear unlocked: entraphobia/exitphobia. What just happened to Agnes can't possibly happen to me. Right? Though if it does happen... will I adaptively surrender to it?
Will we know we've entered the Bardo? Am rooting for Agnes, as anyone. Be brave!
My interpretation of the story was as a metaphor for the way life can take marriages apart, and that it is a story of a marriage unbecoming (as in the opposite of "become husband and wife").
Good point. I admit that I haven't seen it that way because I was focused on the role of the woman, not the husband, who appears at the end. Thanks to your comment, I can see the plot differently. This is the positive experience of this activity, sharing our thoughts and impressions.
I read the contrast between the experience of the wife beginning to head downstairs, and that of the husband, as suggesting they are on separate paths leading to separate destinations.
Ties with The Story of Thing.
The ending retains the consistency of the story.
I can see how this scores the highest.
I don't think I can add much to previous excellent interpretations and exchanges.
It's an easy glide into a spirit dream world:
Quoting Noble Dust
Reminds me of Alice in Wonderland:
Quoting Noble Dust
Enquiries for the curious or lost or both. Searching in a dream for answers to life problems.
Quoting Noble Dust
A hat for protection against natural or supernatural elements. A boundary between substance and air.
Quoting Noble Dust
The reader is immersed in the kaleidoscopic landscape. Disorientation rules.
Next up, the sun is going down. Time orientation. It seems to move on in a straight line. With figures stepping into the framework. To help or harm?
Quoting Noble Dust
The older woman seems to know what is happening. Is she some kind of spirit guide? Where is she leading them to? Reminiscent of 'The Pilgrim's Progress'.
Quoting Noble Dust
Onwards and upwards?
Quoting Noble Dust
The crossing of paths and important, wise people. They know where and when to leave you to rest.
The story has progressed. Again, the author orientates and creates this beautiful image:
Quoting Noble Dust
Agnes is given the shape of nature. The magic of the willow tree. A powerful symbol.
Quoting Better Place Forests
The dream continues, turning from peace to danger:
Quoting Noble Dust
Another turn of the story. Back to reality? Introducing the mundane husband of Agnes. Another Willow.
Quoting Noble Dust
He returns home but is confused by the absence of his wife. A change from the norm:
Quoting Noble Dust
Not too concerned at having to make his own tea. But even a simple tea-making/taking ritual is strangely halted by an upset kettle. The cellar door is open and beckons. Is he now part of Agnes' dream or will he be led down his own path?
Quoting Noble Dust
How awake or aware has he been. Is this a case of humdrum habit. A 'dead' life.
He is following Agnes but it's a different dream. Perhaps within an overall domestic dilemma. Both Willows have distinct problems to be addressed. Perhaps the 'Unbecoming' refers to things coming apart.
A transition from a 'fitting state' (personal/social) to one either less or more. Different modes of travel. Destination unknown.
Will they meet in their dreams. Are they both being cut down to live again? Separately. Together?
***
Thank you for this enchanting story. Many Congratulations! 5. :clap: :flower: :sparkle:
Quoting Nils Loc
Wondering about 'the Bardo', and your intriguing question, I've just looked it up. There's a lot to read but this excerpt seemed relevant:
Quoting Wiki - Bardo
Dream Yoga.
Quoting Wiki - Dream Yoga
Still not read enough to answer your question. But wondering if any dreamers here have a notion.
Or how they interpret their dreams, then turn them into stories.
What spiritual, psychological, philosophical beliefs or theories, if any, gives dreams significance?
Might have to pose that question in the other Dream stories...
There are many questions and I'm not sure they all fit together well, but there's enough to make an interesting world building. I would have liked the protagonist to be a little more active as opposed to the passive nature, but the story is short and may have been clogged with irrelevant stuff because of that. I do however would have liked to have some kind of premise that informs why she ended up in this place, not her stated reason, but some hint at a reason, however vague it might be. But it's enough in this one to reach a weak 4 since its so vivid and effective. Good job!
Your own unbecoming may differ.
There is a beauty in death that I tried to convey, right from the beginning.
Congratulations! This was my 2nd favorite story of the contest as a captivating read on the same theme as my own tale, though in a more fantastical, even Borges-like, way. :cool:
:clap: I don't want to rank or pick favorites, but don't mind saying this was my favorite this time around. The simplicity of the language paired with the vivid imagery sucked me in and made it easy to read. I think I can learn a lot from this style, as the surrealism is akin to what I like to write, but the effortless simplicity is what I need to work on. Bravo.
Anyway, I'm not going to pretend it's anything but gratifying to be a joint winner. I might even write another story one day. This one was written in about 2 hours, and unedited except for a quick spell-check, and hurriedly submitted before I lost my nerve. (To the extent that there is still an errant "T" uncorrected.) It was based on a dream that had a different basement to get lost in and never resolved itself but dissolved into wakefulness.
I am one who lives with a real writer, and I function as first reader/ editor/ therapist/analyst of her work. So I can offer a general piece of advice to any writer - to avoid any attempt at style, except for the purpose of parody. The simple reason for this is that style is cliché. So when one adopts a style deliberately, it is second-hand and uncreative. Rather, consider the style of any author to be the accidental literary fingerprints that they leave on their work - let your own accidental fingerprints muddy your own communications, and leave those of others well alone. Style will emerge; aim for clarity.
Thank you for that and sharing the link. Who knew that 'Cellar Door' could mean so much?
Quoting unenlightened
Many Congratulations! It fascinates me to hear of authors whose works just flow from them.
Perhaps from sources deep within, lying dormant until something clicks and doors open. Or from an accumulation of years of reading and living a creative life. Or from being inspired by something, someone or a theme that has taken over your mind! Immersion.
Quoting unenlightened
Thank you again for this beautiful story. Look forward to your next one :sparkle:
Quoting unenlightened
I find that every story suggests the style best suited to it.