Unbecoming by unenlightened

Noble Dust January 01, 2024 at 02:17 525 views 31 comments
The cellar door opened on stone steps that went down too far. The ceiling sloped down with them, from which hung a few nondescript lights without shades. She glided down them almost as if they were an escalator; and down, and down.

The room clearly extended beyond the boundaries of the house, perhaps even beyond the whole terrace. Where there should have been walls, there were gaps and corners that opened on to other spaces, some quite brightly lit, and others full of shadow.

Here, a pair of candelabra burned steady and un-flickering on a table set with the makings of a simple meal; bread, butter, cheese and some apples, and red wine in a cut-glass decanter. She shook her head in disbelief, and moved on without touching anything into a brightly lit corridor with rooms on either side at intervals with what looked like hospital beds. The corridor darkened, and the rooms became more cell-like. She shivered, and suddenly regretted not having picked up a piece of bread or an apple.

At the end of the corridor, a flight of wide institutional stairs took her down again to a bright hallway where a man of indeterminate age sat behind a desk, above which hung a large sign: Enquiries.

“Can I help you?”, he asked looking up from the screen in front of him.

Her mouth opened and closed several times, as if she was about to speak, but couldn’t quite decide what to say. He waited.

“I’m not sure where I am…” she finally managed, and then in a confused rush, I was at home, and I just went to the cellar because the electric went off, and I was looking for the junction box, and… she trailed off, … and then I was here.

“Ah, I see.” he replied noncommittally, “Is there anyone you can contact - friends, or relatives?”

“My phone…” she gestured vaguely towards the stairs she had just come down.

“Well, if you’re going out, you’d better take a hat.”, he reached under the desk, and produced a straw hat, pleasant enough, and laid it on the desk in front of her. And with that, he abruptly turned and disappeared through a door behind the desk that swung shut behind him with a ‘staff only’ sign on it.

The hat was in her hand as she turned towards the patterned glass doors that looked like a hotel entrance. But outside, instead of the suburban landscape she was expecting, was a dry and dusty wilderness of scrub grasses amongst a litter of reddish stones, and a blast of heat that declared this was not remotely the temperate zone. She turned to go back in, and almost fell over - the glass doors and any sign of a building had vanished and the scrubland continued uninterrupted in all directions.

Confusion and disbelief overwhelmed her, and she collapsed onto the ground and wept, sobbing loudly, blindly pulling the straw hat onto her head as the sun beat down.


By the time they came by, the sun was lower, she was quieter, and looking around blankly, unsure if she was mad, or dead, or what? A very ordinary, somewhat scruffy bunch of children with an older woman, were just padding along in amiable silence. The children stood around the huddled figure in silence while their leader put down her stick and her bundle and settled down next to the crying woman.

“My name is Ailsa, I think you have fallen out of reality. Can you tell me your name?”

The woman looked at her in blank terror for a long moment; “I went to the cellar because the lights had gone, and then there was a hotel and then I was just here and…”. She trailed off in disbelief of her own words. “Agnes”, she whispered. “I think I was called Agnes, I was living in Aberdeen, near the university. What happened, where am I?”
“You’d better come along with us for now, Agnes, there’s not much for you here, is there?” Ailsa stood up again, and reached her hand down to pull Agnes to her feet. Picking up her bundle and stick, and still holding Agnes by the hand she set out again, the children following in silence.

“Where are we going?” Agnes asked in a small voice.

Forwards, my dear,” said Ailsa, “there’s no going back any more.”

Agnes turned her head, and saw a place she did not recognise, of looming trees, and something grey and shadowy moving. She blinked hard and looked fixedly in front of her. She shuddered, and they moved on slowly across the dry plain.

TPresently, there was a hum of distant traffic, and as they started to descend into a valley, a highway came into view over to the left lifting up as if to cross the sluggish river that meandered along the valley floor. But the highway stopped in mid air at the river. As the party came closer, they could see that the traffic was all one way, heading at speed towards the river and then just winking out of existence with a little popping sound.

Agnes stared open-mouthed. She was exhausted and traumatised, and the world she thought she knew, had gone mad. By now she was hungry for sure and very thirsty, and such a long, long way from home. As they reached the riverbank, she sank to her knees, her fingers digging into the soil in a desperate attempt to hold onto the world she knew.

Ailsa looked at her for a long moment, and, putting her hand gently on Agnes’s shoulder, she said “We’ll have to leave you here. It’s a good place.” She paused. “You can rest here, we must go on.”

Agnes could not move, or speak, and watched despairing as the group moved away, walking calmly across the river as if it were solid ice. It occurred to her that she had never heard the children speak, or heard their names, and as they passed from view, she was unsure even how many there had been. Three? Seven? More?

The sun had set, and it was almost dark. Agnes’s fingers had reached into the soil and found some dampness there, and she was no longer quite so thirsty. She leaned forwards over the water to see her reflection in the moonlit river. Her skin was cracked and her hair hung down almost to the surface of the water. “Willow” she thought as she fell into a blessed sleep.

In the morning, or in some morning thereafter, there was the intermittent sound of chainsaws, along the riverbank with a deal of men shouting, but Agnes Willow slept on.

Rab Willow had given his lectures in the morning, and had been ploughing through the seemingly endless admin and emails ever since. By four-thirty he had had enough, and gathering a few papers to look through at home, he abandoned his office and jumped on his bike, heading home.

Leaving the bike in the hallway, he wandered from room to room, wondering where his wife had got to. She was usually home before him, but not today. He called out a couple of times, “Agnes?”, and then shrugged and went to the kitchen to make a cup of tea, but the kettle wasn’t working. Then he noticed the cellar door ajar.

He had at the back of his mind a slight notion that he had never noticed before that they had a cellar at all. But they had been there nearly five years; he dismissed the thought, and pulled the door open, and peered at the steps, that seemed to go an awfully long way down. “She must be down there,” he thought. He started down, and gradually realised he was on an escalator. Below him he could hear the sound of an underground train.

Comments (31)

Vera Mont January 01, 2024 at 04:09 #867230
I like it! Convincingly dreamlike while also supernatural.
Noble Dust January 01, 2024 at 04:38 #867239
Reply to Vera Mont

I enjoyed this as well. The writing felt fairly effortless, although there were also some snags if I recall. I plan on giving more detailed feedback to as many stories as I can, but just wanted to add my agreement, in part to get things jump started.
Vera Mont January 01, 2024 at 04:42 #867240
Yes. I'm taking time out from Star trek marathon to get this underway. So far, it looks like quality stuff!
Vera Mont January 01, 2024 at 14:06 #867325
I had time last night only for a cursory first glance. I'm coming back for a close reading of each story today and in the next several days.

Quoting Noble Dust
The cellar door opened on stone steps that went down too far. The ceiling sloped down with them, from which hung a few nondescript lights without shades.She glided down them almost as if they were an escalator; and down, and down.


The situation is established right there. This is not her accustomed cellar, nor a mundane form of descent. Then there is a set table, a hospital corridor which turns into dungeon: now we're sure it's a dream. This is how dreams unfold. We are no longer surprised at the next abrupt change or the discontinuity of sequence.

A nitpick, if i may. I don't think by now we need this:
Quoting Noble Dust
Confusion and disbelief overwhelmed her,

This far into a dream, we usually accept its illogic.

Quoting Noble Dust
Forwards, my dear,” said Ailsa, “there’s no going back any more.”

I like this very much: the turning point. A hint that perhaps the surreal events are not imaginary; that the dreamer may not wake, after all. This is where the reader becomes uneasy.

Quoting Noble Dust
As the party came closer, they could see that the traffic was all one way, heading at speed towards the river and then just winking out of existence with a little popping sound.

And again: it's not only Agnes whose fate is sealed; her world may be ending, as well.
But I don't think we need to be told this:
Quoting Noble Dust
Agnes stared open-mouthed. She was exhausted and traumatised, and the world she thought she knew, had gone mad.

The story would flow more smoothly without reference to her state of mind.
I might also do with another proofreading, with particular attention to punctuation. Did the author rush to finish in time?
No matter, it's still a solid 5.







ToothyMaw January 01, 2024 at 15:27 #867363
Got a five from me. Loved it.
Hanover January 02, 2024 at 01:46 #867679
Very well written. I would describe it as a first installment of a seriel, where the mystery is set out at first and with each additional installment, the reader learns more and that develops an intensity of growing interest. It is of the Netflix genre of Stranger Things and the like, and it is why those shows are so addictive. The viewer wants to know what comes next.

It's not a short story per se in that it has no fully developed plot or resolution, meaning it is just as likely that this woman has been abducted by a cult, has stumbled upon an alien compound, is part of a government experiment, or has fallen victim to an evil doctor's newly discovered drug regimen. What we do suspect is something sinister.

I think the suggestion that she is dreaming doesn't work because the husband stumbled upon this previously unknown stairwell as well, independent of his wife, and to have her suddenly awake would spoil the author's work with a deus ex machina.

It is well written and captivating. The test to this author is if he/she can continue over more chapters to where an explanation is provided as to how this cellar got there, why it was previously unknown, who those people are who are down there, and what the purpose of it is, etc.
Vera Mont January 02, 2024 at 03:11 #867700
I don't think there can be any more chapters. They're turning into trees and there are men with chainsaws coming.
wonderer1 January 03, 2024 at 03:13 #868187
Loved it.

I probably won't be a good reader and comment on all of the entries, but this one really struck a chord.
javi2541997 January 03, 2024 at 20:31 #868443
I like it, and I endorse the comments and opinions of the rest of the mates. It is very well written. I must admit I needed a second read to understand a bit what's going on with the plot of the story. I am not used to read stories where surrealism or fiction is the main role or prompt. I read others that reminded them of Stranger Things, but I never saw this TV show. The last part is very enjoyable and exciting. I think the combination between the reality (where the husband plays) and the paranormal or fiction (where the wife stays) is interesting.

I also appreciate how it is structured, because it makes the reading more pleasant.

What I can't understand is the title of the story: Unbecoming. I just don't see if it follows the plot, but maybe it is me who is lost.
Vera Mont January 03, 2024 at 20:38 #868449
Quoting javi2541997
What I can't understand is the title of the story: Unbecoming. I just don't see if it follows the plot, but maybe it is me who is lost.


They start as ordinary suburbanites and end in a vegetative state - that is, lose their conscious life in a dream-state, which devolves from modernity through to the medieval, then they are admitted through a portal to the the surreal landscape, where their reality is stripped away; then they lose their humanity in nature, and finally their new form in death.
javi2541997 January 03, 2024 at 20:45 #868452
Reply to Vera Mont Ah, thank you for the explanation. I was a bit lost because I hadn't seen the story in that way... So, I truly appreciate how you clarified the plot for me, helping me perceive its greatness better. :smile:
hypericin January 03, 2024 at 20:49 #868455
If indeed she had died and this was represented by becoming a tree in this limbo shadowland, it would have been nice for there to be some hint of this in the real world. Perhaps a smell of gas, explaining why both husband and wife expired. As it is she is simply absent from the house when the husband returns, and so I am not totally sure of what to make of it.

Regardless, I enjoyed it quite a bit, very well done! :clap:
Outlander January 03, 2024 at 21:50 #868480
Very well written. 5/5 on the imagery/attention to detail/ "it's like I was there" aspect. Though I couldn't help but feel robbed/ripped off of a greater story by the end of it. I can honestly say I was a bit disappointed knowing I had reached the end, so there's that which can be said if nothing else.

Needless to say it leaves plenty to the imagination, especially if one is a subscriber to the possibility of other realms, universes, planes, life after death, etc. Was it merely a descent into madness? Tired of the brutish antics of an abusive husband to the point her mind cracked one day while in the cellar leading her to leave the house and wonder about to all the places described (the office, the hotel, and finally the wilderness outskirts)? Was it a literal supernatural journey, perhaps one we might all face one day, featuring a friendly yet not noncommittal spirit guide into the realm after this? Is it all symbolism? Is Agnes the child, the average person, and the old woman symbolizing adulthood or maturity that inevitably meets us and beckons us to "move forward, for the past is no more", the mute, forgettable children being those who could not?

It's definitely a good primer, but someone looking for a traditional story "problem, climax, solution", might find themself disappointed, as I was (in the bleakness of the conclusion, that is).

At one point I entertained the idea Agnes' journey into a strange land with nothing but a straw hat was a political allegory to the plight of refugees.

Again, fantastic writing. If only there was, even just a little, more. That said, compliments have never bettered a man. So to leave this review on a critical if not cynical note, one might do well to be reminded of the following quote: "You will always be, at least somewhat, fascinated by that which you simply do not understand."

(and no I specifically went out of my way to avoid reading any of the other comments prior to posting my own, I am not just parroting/piggybacking off of Hanover's) :lol:
Vera Mont January 03, 2024 at 22:22 #868490
Reply to javi2541997
That's if I read it correctly.

Quoting hypericin
If indeed she had died and this was represented by becoming a tree in this limbo shadowland,


She hasn't died yet, and won't until the men with chainsaws arrive. (And maybe not then, since willows regrow from stumps; so it may be kind of rebirth.)

Quoting hypericin
As it is she is simply absent from the house when the husband returns,


That's because she's gone into their non-existent basement. Now he follows her. Their surname is Willow. Guess what happens next.
180 Proof January 04, 2024 at 04:46 #868609
Captivating fable. Well done! :up:
Nils Loc January 04, 2024 at 19:20 #868818
A short surreal journey of life in unexpected transition, walking through a door/gate, involuntarily leaving the past behind, with an open end. A gentle river boat story with a good economy of words. We get into the canoe, gondola, tire tube and the gentle current takes us down stream into another world, the author doing the work of navigation.

Though I maybe afraid of leaving my room today and walking through any suspicious doors. New irrational fear unlocked: entraphobia/exitphobia. What just happened to Agnes can't possibly happen to me. Right? Though if it does happen... will I adaptively surrender to it?

Will we know we've entered the Bardo? Am rooting for Agnes, as anyone. Be brave!




wonderer1 January 07, 2024 at 11:32 #869913
Quoting javi2541997
What I can't understand is the title of the story: Unbecoming. I just don't see if it follows the plot, but maybe it is me who is lost.


My interpretation of the story was as a metaphor for the way life can take marriages apart, and that it is a story of a marriage unbecoming (as in the opposite of "become husband and wife").
javi2541997 January 07, 2024 at 11:36 #869914
Reply to wonderer1 :up:

Good point. I admit that I haven't seen it that way because I was focused on the role of the woman, not the husband, who appears at the end. Thanks to your comment, I can see the plot differently. This is the positive experience of this activity, sharing our thoughts and impressions.
wonderer1 January 07, 2024 at 11:41 #869915
Reply to javi2541997

I read the contrast between the experience of the wife beginning to head downstairs, and that of the husband, as suggesting they are on separate paths leading to separate destinations.
L'éléphant January 07, 2024 at 23:16 #870131
Score to date: 47

Ties with The Story of Thing.
L'éléphant January 08, 2024 at 06:19 #870228
I just now read this story. This is one of those that uses another dimension of reality in a nondescript life of two people. Horror drama. Very good skill of the author to just dive deep into the story, unapologetic of the implausibility of the situation, and make it work.
The ending retains the consistency of the story.

I can see how this scores the highest.
Amity January 08, 2024 at 14:23 #870302
Unbecoming

I don't think I can add much to previous excellent interpretations and exchanges.
It's an easy glide into a spirit dream world:

Quoting Noble Dust
The cellar door opened on stone steps that went down too far. The ceiling sloped down with them, from which hung a few nondescript lights without shades. She glided down them almost as if they were an escalator; and down, and down.


Reminds me of Alice in Wonderland:

Quoting Noble Dust
The corridor darkened, and the rooms became more cell-like. She shivered, and suddenly regretted not having picked up a piece of bread or an apple.
[...] a flight of wide institutional stairs took her down again to a bright hallway where a man of indeterminate age sat behind a desk, above which hung a large sign:Enquiries.


Enquiries for the curious or lost or both. Searching in a dream for answers to life problems.

Quoting Noble Dust
“Well, if you’re going out, you’d better take a hat.”,


A hat for protection against natural or supernatural elements. A boundary between substance and air.

Quoting Noble Dust
...a blast of heat that declared this was not remotely the temperate zone. She turned to go back in, and almost fell over - the glass doors and any sign of a building had vanished and the scrubland continued uninterrupted in all directions.

Confusion and disbelief overwhelmed her, and she collapsed onto the ground and wept, sobbing loudly, blindly pulling the straw hat onto her head as the sun beat down.


The reader is immersed in the kaleidoscopic landscape. Disorientation rules.

Next up, the sun is going down. Time orientation. It seems to move on in a straight line. With figures stepping into the framework. To help or harm?
Quoting Noble Dust
The children stood around the huddled figure in silence while their leader put down her stick and her bundle and settled down next to the crying woman.

“My name is Ailsa, I think you have fallen out of reality. Can you tell me your name?


The older woman seems to know what is happening. Is she some kind of spirit guide? Where is she leading them to? Reminiscent of 'The Pilgrim's Progress'.

Quoting Noble Dust
“Where are we going?” Agnes asked in a small voice.

Forwards, my dear,” said Ailsa, “there’s no going back any more


Onwards and upwards?

Quoting Noble Dust
As they reached the riverbank, she sank to her knees, her fingers digging into the soil in a desperate attempt to hold onto the world she knew.

Ailsa looked at her for a long moment, and, putting her hand gently on Agnes’s shoulder, she said “We’ll have to leave you here. It’s a good place.” She paused. “You can rest here, we must go on.”


The crossing of paths and important, wise people. They know where and when to leave you to rest.
The story has progressed. Again, the author orientates and creates this beautiful image:

Quoting Noble Dust
The sun had set, and it was almost dark. Agnes’s fingers had reached into the soil and found some dampness there, and she was no longer quite so thirsty. She leaned forwards over the water to see her reflection in the moonlit river. Her skin was cracked and her hair hung down almost to the surface of the water. “Willow” she thought as she fell into a blessed sleep.


Agnes is given the shape of nature. The magic of the willow tree. A powerful symbol.
Quoting Better Place Forests
Many see it as inspiring and symbolic of humans’ capability to withstand hardship, loss, humans’ capability to withstand hardship, loss, and difficult emotions. Thanks to its long life and the ease with which new trees can be rooted from cuttings, the willow tree is also seen as a survivor and a symbol of rebirth.


The dream continues, turning from peace to danger:
Quoting Noble Dust
In the morning, or in some morning thereafter, there was the intermittent sound of chainsaws, along the riverbank with a deal of men shouting, but Agnes Willow slept on.


Another turn of the story. Back to reality? Introducing the mundane husband of Agnes. Another Willow.

Quoting Noble Dust
Rab Willow had given his lectures in the morning, and had been ploughing through the seemingly endless admin and emails ever since

He returns home but is confused by the absence of his wife. A change from the norm:
Quoting Noble Dust
He called out a couple of times, “Agnes?”, and then shrugged and went to the kitchen to make a cup of tea, but the kettle wasn’t working. Then he noticed the cellar door ajar.


Not too concerned at having to make his own tea. But even a simple tea-making/taking ritual is strangely halted by an upset kettle. The cellar door is open and beckons. Is he now part of Agnes' dream or will he be led down his own path?

Quoting Noble Dust
He had at the back of his mind a slight notion that he had never noticed before that they had a cellar at all. But they had been there nearly five years; he dismissed the thought, and pulled the door open, and peered at the steps, that seemed to go an awfully long way down. “She must be down there,” he thought. He started down, and gradually realised he was on an escalator. Below him he could hear the sound of an underground train.


How awake or aware has he been. Is this a case of humdrum habit. A 'dead' life.
He is following Agnes but it's a different dream. Perhaps within an overall domestic dilemma. Both Willows have distinct problems to be addressed. Perhaps the 'Unbecoming' refers to things coming apart.
A transition from a 'fitting state' (personal/social) to one either less or more. Different modes of travel. Destination unknown.

Will they meet in their dreams. Are they both being cut down to live again? Separately. Together?

***

Thank you for this enchanting story. Many Congratulations! 5. :clap: :flower: :sparkle:














Amity January 14, 2024 at 18:17 #872253
Rowing back upstream to this:

Quoting Nils Loc
A short surreal journey of life in unexpected transition, walking through a door/gate, involuntarily leaving the past behind, with an open end. A gentle river boat story with a good economy of words. We get into the canoe, gondola, tire tube and the gentle current takes us down stream into another world, the author doing the work of navigation. [...]

Will we know we've entered the Bardo?


Wondering about 'the Bardo', and your intriguing question, I've just looked it up. There's a lot to read but this excerpt seemed relevant:

Quoting Wiki - Bardo
Shugchang, et al. (2000: p. 5) discuss the Zhitro (Tibetan: Zhi-khro) cycle of teachings of Karma Lingpa which includes the Bardo Thodol and list the Six Bardo: "The first bardo begins when we take birth and endures as long as we live. The second is the bardo of dreams.

1. Kyenay bardo (skye gnas bar do) is the first bardo of birth and life. This bardo commences from conception until the last breath, when the mindstream withdraws from the body.
2. Milam bardo (rmi lam bar do) is the second bardo of the dream state. The Milam Bardo is a subset of the first Bardo. Dream Yoga develops practices to integrate the dream state into Buddhist sadhana.


Dream Yoga.
Quoting Wiki - Dream Yoga


Excerpt: Tilopa's oral instructions state:

Know dreams as dreams, and constantly meditate on their profound significance. Visualize the seed syllables of the five natures with the drop, the nada and so forth. One perceives buddhas and buddhafields. The time of sleep is the time for the method that brings realization of great bliss. This is the instruction of Lawapa.


Still not read enough to answer your question. But wondering if any dreamers here have a notion.
Or how they interpret their dreams, then turn them into stories.

What spiritual, psychological, philosophical beliefs or theories, if any, gives dreams significance?

Might have to pose that question in the other Dream stories...
Christoffer January 15, 2024 at 13:20 #872462
I think this one had its strengths in its writing quality and the surreal imagery. It felt a bit like The Dark Tower in its portrayal of this otherworldly place. I'm not sure what the point of the story was, what was going on, but its enough there to produce interpretations that are valuable for the reader. Did she die for real in the real world? What was the significance of the train he heard? Why did she walk down the stairs "gliding almost like on an escalator" but the husband actually found himself on an escalator?

There are many questions and I'm not sure they all fit together well, but there's enough to make an interesting world building. I would have liked the protagonist to be a little more active as opposed to the passive nature, but the story is short and may have been clogged with irrelevant stuff because of that. I do however would have liked to have some kind of premise that informs why she ended up in this place, not her stated reason, but some hint at a reason, however vague it might be. But it's enough in this one to reach a weak 4 since its so vivid and effective. Good job!
unenlightened January 15, 2024 at 22:54 #872610
It's a dream of death, but of a universal death. You don't get an explanation, except the hint that it is universal and yet solitary. It's always moving downwards.

Your own unbecoming may differ.

There is a beauty in death that I tried to convey, right from the beginning.
180 Proof January 17, 2024 at 23:06 #873147
@unenlightened

Congratulations! This was my 2nd favorite story of the contest as a captivating read on the same theme as my own tale, though in a more fantastical, even Borges-like, way. :cool:
Noble Dust January 18, 2024 at 00:00 #873171
Reply to unenlightened

:clap: I don't want to rank or pick favorites, but don't mind saying this was my favorite this time around. The simplicity of the language paired with the vivid imagery sucked me in and made it easy to read. I think I can learn a lot from this style, as the surrealism is akin to what I like to write, but the effortless simplicity is what I need to work on. Bravo.
unenlightened January 18, 2024 at 13:13 #873303
Thanks for the kind words and good advice, everyone. Apart from sporadic and secret poems, this is my second attempt at a story ever. the first was many years ago, a much extended version of Gentle Reader that worked a little better, because it presumed a paper version that could be more tightly limited, and allowed for more extensive mind reading.

Anyway, I'm not going to pretend it's anything but gratifying to be a joint winner. I might even write another story one day. This one was written in about 2 hours, and unedited except for a quick spell-check, and hurriedly submitted before I lost my nerve. (To the extent that there is still an errant "T" uncorrected.) It was based on a dream that had a different basement to get lost in and never resolved itself but dissolved into wakefulness.

I am one who lives with a real writer, and I function as first reader/ editor/ therapist/analyst of her work. So I can offer a general piece of advice to any writer - to avoid any attempt at style, except for the purpose of parody. The simple reason for this is that style is cliché. So when one adopts a style deliberately, it is second-hand and uncreative. Rather, consider the style of any author to be the accidental literary fingerprints that they leave on their work - let your own accidental fingerprints muddy your own communications, and leave those of others well alone. Style will emerge; aim for clarity.
Amity January 19, 2024 at 08:48 #873664
Quoting unenlightened
It's a dream of death, but of a universal death. You don't get an explanation, except the hint that it is universal and yet solitary. It's always moving downwards.

Your own unbecoming may differ.

There is a beauty in death that I tried to convey, right from the beginning.


Thank you for that and sharing the link. Who knew that 'Cellar Door' could mean so much?

Quoting unenlightened
Anyway, I'm not going to pretend it's anything but gratifying to be a joint winner. I might even write another story one day. This one was written in about 2 hours, and unedited except for a quick spell-check, and hurriedly submitted before I lost my nerve.


Many Congratulations! It fascinates me to hear of authors whose works just flow from them.
Perhaps from sources deep within, lying dormant until something clicks and doors open. Or from an accumulation of years of reading and living a creative life. Or from being inspired by something, someone or a theme that has taken over your mind! Immersion.

Quoting unenlightened
I am one who lives with a real writer, and I function as first reader/ editor/ therapist/analyst of her work.


Thank you again for this beautiful story. Look forward to your next one :sparkle:


Vera Mont January 20, 2024 at 00:41 #873842
I think this was my favourite. The dream imagery is beautifully rendered. Of course you have to write more - without trepidation. And if you put this one aside for a couple of months and come back to it, you may find a meaning that was in the back of your mind - or in another dream - all along.

Quoting unenlightened
The simple reason for this is that style is cliché. So when one adopts a style deliberately, it is second-hand and uncreative.


I find that every story suggests the style best suited to it.
Janus January 20, 2024 at 23:45 #874031
An evocative allegory: mysterious, vaguely disturbing, unresolved and perhaps unresolvable—human life writ small. Loved it! I give it a 5.