I Dream of Simon by Baden
I am holding in my hand a much larger hand. Its a wax hand.
Thats Simons hand, my uncle tells me.
He tells me Simon lives in the attic. Ive never been to the attic. The attic seems miles away. I look up at the ceiling. Im not sure Simon really lives there. But I can see him in my mind, luminous and smooth, bending over in the dark and peering down. Maybe he opens the trapdoor. Maybe sometimes
Sometimes he comes down into the house. Only at night though. When you're asleep. My uncle smiles, pats me on the head, and walks away.
This house is my grandfathers house. Hes a short stout man who sneaks up on me and presses coins into my palm and walks off as if nothings happened. He says things I dont understand like Be the hokey man!. The house has three stories and winding steps. My room is on the third floor. We all live there. Me, my mum, and my brother. I sleep in a bed with my brother.
Do you believe in Simon?, he says to me. He looks scared.
Yes, I say, satisfied by his widening eyes.
I dont know if I really believe in Simon. But I dream of Simon.
Simon is pure and white and soft and large and moves like a cat among the beams. He doesnt eat or drink or laugh or cry. He needs nothing but his lofty space and sometimes to come down into the house and see how people live. Every time he comes its as if he has never come before. He opens the trapdoor and peers into our room. He sees our little bodies sleeping. He feels for us no hatred nor love, only that he must be among us. And he creeps down into our room and walks around and stares at my sleeping eyes and puts his one hand close to my brow and sees how white it is against my pink skin and wonders.
He has done this many times.
But now I move in my bed and put my hands over the covers and he sees I have two and he wonders again and looks at his stump and becomes unhappy and envies me and moves away.
I awake and look around. Everyone is sleeping. Its too early to get up for school because its still dark. I wonder where Simons hand is. I wonder if he found his hand. Then, after a time, the room brightens and I think of getting up and I wonder if I really believe in Simon.
*
My father doesnt live here. Hes a computer programmer. He works in Saudi Arabia. He told us some strange things about there.
My uncle is younger than my father and lives on the second floor of the house. He goes to college. He gives me the hand again. My brother tries to take it from me and I bat him away. He skulks off.
What happened? I ask combatively How did Simon lose his hand?
Nobody knows.
Youre fooling us.
My uncle bends down and looks me straight in the face.
Am I? he says and takes the hand. Yknow, we shouldnt play with his hand too much. He might get jealous.
Did Simon steal something? I say boldly. Is that why they cut it off?
My uncle bursts into laughter, then quietens.
Maybe. But nobody knows. Nobody knows how Simon lost his hand. Not even Simon.
Will he take it back?
If he finds it.
Why dont you give it back to him?
My uncle thinks about this for a moment and cant seem to come up with a good answer.
Maybe I will, he says eventually.
Dont!
He looks at me curiously.
I run off to tell my brother.
Why dont you want him to have his hand back?
Hed be spoilt.
My brother nods. Oh.
Then he looks at me sadly.
You didnt let me have it.
*
I dream of Simon lying on his back and looking at his stump. Now he knows its a stump. Now he knows something isnt there. But does he know that whats missing is down here? Its hard to tell. He doesnt swing so much now. He is not so much a cat. He lumbers. He stoops. He trudges. Theres one small window in the attic and he looks out. The moon is the same colour as him. He feels something. He reaches one hand up to it. If he had two hands maybe he could climb out onto the roof. Maybe he could walk across it and climb down the drainpipe and walk through the streets and out into the woods. But he cant pull himself up. You cant pull yourself up with only one hand.
How can he get back into the attic then?
What? I dont like my brothers question.
You said he cant pull himself up to get out onto the roof. How can he get back into the attic after he comes down then?
Well he steps on a chair. And its not so hard then as up there. There arent any chairs in the attic to help. Theres nothing.
Isnt there? But I thought
Im not going to tell you about Simon any more.
My brother pauses for a moment. Do you really believe in Simon?
Yes, I say firmly.
*
My father comes back for Christmas. Hes a big man. A distant man. When he says something everyone has to listen. My mother doesnt like him. One time she spat on the ground right in front of him and walked off. He always brings us nice presents though. Its hard to know what to make of my father.
*
Simon bangs his stump against the attic wall and looks dolefully at the trapdoor. Then he marches over to it, opens it, and quickly lowers himself into our bedroom. He looks at me with steely eyes and raises his hand into a fist and then opens it again. I move furtively in my bed as he searches in and around me. I dont know why he thinks I have it. He thinks I stole it from him.
Where have you put it? he says wordlessly and sweeps out the bedroom and down the stairs and through the hall and past the picture of Mary the Blessed Virgin, who he glares at angrily. He rifles through drawers and desks and dives under the stairs and into the tiny kitchen and screams noiselessly in frustration. His soft solid body shudders; his pale lips, forever shuttered, quiver. Where. Is. It? Then he stops and thinks and his eyes turn to ice. He takes a knife from the kitchen drawer and turns and walks back up the stairs, up one winding staircase and then two and to my bedroom door and I writhe in my bed trying to wake before he gets to me and he opens the door and raises the knife and strides towards me. He stands over me and pins one of my arms with his stump and stares with mad envy at my hand
You were shouting, my mother says.
Huh?
Shouting in your sleep.
I had a nightmare.
Come on into my bed.
What was it about.
Simon.
Hm. My mother looks annoyed, then says kindly, Theres no such thing as Simon. Go on off to sleep now.
*
Its gone. My uncle says.
What do you mean? I want to see it.
Its gone. Just forget about it. Sure, I was only joking anyway. He pats me on the head and walks off.
*
Hes not real then.
He is.
Mum says hes not.
She doesnt want you to be scared.
Youre just trying to scare me. You always do that. Youre mean.
My brother looks really angry. I jump him and get him down on the floor.
Hes real. I shout. Hes real! Say it!
I push down on him with my hands, push his face into the floor.
Say it!
My brother starts crying. Hes real, hes real.
I let him up and he runs off.
*
My father comes back for Christmas. I didnt know he was coming back that day. Its a surprise.
Hello, he says in a big voice.
Oh! Hi, Dad.
He laughs and walks off.
Later, I hear noises and look out into the hall. My mother is saying something from upstairs to my father. My father is looking upstairs at her from downstairs.
I hear her say stupid.
My fathers face goes red and he marches angrily upstairs. He shouts at my mother and she runs up to the third floor, to our bedroom, and runs inside and closes the door and he runs after her and pushes the door in on her and she screams. Me and my brother run upstairs and shout at him Get out! get out!
My father stops and turns and leaves.
Youre lucky you have your children to protect you, he tells my mother.
*
I dream of Simon lying in the attic and staring up through the window into the moonless night. The hand is gone, he says to himself, Ill never find it.
Tell me a story and you can have it. another voice says.
Whats a story? says Simon.
Its anything you want it to be, says the voice.
Who are you? says Simon.
The voice keeps talking but Simon doesnt understand it and he stares at his stump and the emptiness there and wonders if hell melt away in sadness at his loss.
I want to tell him the hand isnt gone. I want to tell him hell find it. I want to say Im sorry I didnt want him to have it and that I believe in him. But I don't know.
I dont know if I really believe in Simon.
But I must dream of Simon.
Thats Simons hand, my uncle tells me.
He tells me Simon lives in the attic. Ive never been to the attic. The attic seems miles away. I look up at the ceiling. Im not sure Simon really lives there. But I can see him in my mind, luminous and smooth, bending over in the dark and peering down. Maybe he opens the trapdoor. Maybe sometimes
Sometimes he comes down into the house. Only at night though. When you're asleep. My uncle smiles, pats me on the head, and walks away.
This house is my grandfathers house. Hes a short stout man who sneaks up on me and presses coins into my palm and walks off as if nothings happened. He says things I dont understand like Be the hokey man!. The house has three stories and winding steps. My room is on the third floor. We all live there. Me, my mum, and my brother. I sleep in a bed with my brother.
Do you believe in Simon?, he says to me. He looks scared.
Yes, I say, satisfied by his widening eyes.
I dont know if I really believe in Simon. But I dream of Simon.
Simon is pure and white and soft and large and moves like a cat among the beams. He doesnt eat or drink or laugh or cry. He needs nothing but his lofty space and sometimes to come down into the house and see how people live. Every time he comes its as if he has never come before. He opens the trapdoor and peers into our room. He sees our little bodies sleeping. He feels for us no hatred nor love, only that he must be among us. And he creeps down into our room and walks around and stares at my sleeping eyes and puts his one hand close to my brow and sees how white it is against my pink skin and wonders.
He has done this many times.
But now I move in my bed and put my hands over the covers and he sees I have two and he wonders again and looks at his stump and becomes unhappy and envies me and moves away.
I awake and look around. Everyone is sleeping. Its too early to get up for school because its still dark. I wonder where Simons hand is. I wonder if he found his hand. Then, after a time, the room brightens and I think of getting up and I wonder if I really believe in Simon.
*
My father doesnt live here. Hes a computer programmer. He works in Saudi Arabia. He told us some strange things about there.
My uncle is younger than my father and lives on the second floor of the house. He goes to college. He gives me the hand again. My brother tries to take it from me and I bat him away. He skulks off.
What happened? I ask combatively How did Simon lose his hand?
Nobody knows.
Youre fooling us.
My uncle bends down and looks me straight in the face.
Am I? he says and takes the hand. Yknow, we shouldnt play with his hand too much. He might get jealous.
Did Simon steal something? I say boldly. Is that why they cut it off?
My uncle bursts into laughter, then quietens.
Maybe. But nobody knows. Nobody knows how Simon lost his hand. Not even Simon.
Will he take it back?
If he finds it.
Why dont you give it back to him?
My uncle thinks about this for a moment and cant seem to come up with a good answer.
Maybe I will, he says eventually.
Dont!
He looks at me curiously.
I run off to tell my brother.
Why dont you want him to have his hand back?
Hed be spoilt.
My brother nods. Oh.
Then he looks at me sadly.
You didnt let me have it.
*
I dream of Simon lying on his back and looking at his stump. Now he knows its a stump. Now he knows something isnt there. But does he know that whats missing is down here? Its hard to tell. He doesnt swing so much now. He is not so much a cat. He lumbers. He stoops. He trudges. Theres one small window in the attic and he looks out. The moon is the same colour as him. He feels something. He reaches one hand up to it. If he had two hands maybe he could climb out onto the roof. Maybe he could walk across it and climb down the drainpipe and walk through the streets and out into the woods. But he cant pull himself up. You cant pull yourself up with only one hand.
How can he get back into the attic then?
What? I dont like my brothers question.
You said he cant pull himself up to get out onto the roof. How can he get back into the attic after he comes down then?
Well he steps on a chair. And its not so hard then as up there. There arent any chairs in the attic to help. Theres nothing.
Isnt there? But I thought
Im not going to tell you about Simon any more.
My brother pauses for a moment. Do you really believe in Simon?
Yes, I say firmly.
*
My father comes back for Christmas. Hes a big man. A distant man. When he says something everyone has to listen. My mother doesnt like him. One time she spat on the ground right in front of him and walked off. He always brings us nice presents though. Its hard to know what to make of my father.
*
Simon bangs his stump against the attic wall and looks dolefully at the trapdoor. Then he marches over to it, opens it, and quickly lowers himself into our bedroom. He looks at me with steely eyes and raises his hand into a fist and then opens it again. I move furtively in my bed as he searches in and around me. I dont know why he thinks I have it. He thinks I stole it from him.
Where have you put it? he says wordlessly and sweeps out the bedroom and down the stairs and through the hall and past the picture of Mary the Blessed Virgin, who he glares at angrily. He rifles through drawers and desks and dives under the stairs and into the tiny kitchen and screams noiselessly in frustration. His soft solid body shudders; his pale lips, forever shuttered, quiver. Where. Is. It? Then he stops and thinks and his eyes turn to ice. He takes a knife from the kitchen drawer and turns and walks back up the stairs, up one winding staircase and then two and to my bedroom door and I writhe in my bed trying to wake before he gets to me and he opens the door and raises the knife and strides towards me. He stands over me and pins one of my arms with his stump and stares with mad envy at my hand
You were shouting, my mother says.
Huh?
Shouting in your sleep.
I had a nightmare.
Come on into my bed.
What was it about.
Simon.
Hm. My mother looks annoyed, then says kindly, Theres no such thing as Simon. Go on off to sleep now.
*
Its gone. My uncle says.
What do you mean? I want to see it.
Its gone. Just forget about it. Sure, I was only joking anyway. He pats me on the head and walks off.
*
Hes not real then.
He is.
Mum says hes not.
She doesnt want you to be scared.
Youre just trying to scare me. You always do that. Youre mean.
My brother looks really angry. I jump him and get him down on the floor.
Hes real. I shout. Hes real! Say it!
I push down on him with my hands, push his face into the floor.
Say it!
My brother starts crying. Hes real, hes real.
I let him up and he runs off.
*
My father comes back for Christmas. I didnt know he was coming back that day. Its a surprise.
Hello, he says in a big voice.
Oh! Hi, Dad.
He laughs and walks off.
Later, I hear noises and look out into the hall. My mother is saying something from upstairs to my father. My father is looking upstairs at her from downstairs.
I hear her say stupid.
My fathers face goes red and he marches angrily upstairs. He shouts at my mother and she runs up to the third floor, to our bedroom, and runs inside and closes the door and he runs after her and pushes the door in on her and she screams. Me and my brother run upstairs and shout at him Get out! get out!
My father stops and turns and leaves.
Youre lucky you have your children to protect you, he tells my mother.
*
I dream of Simon lying in the attic and staring up through the window into the moonless night. The hand is gone, he says to himself, Ill never find it.
Tell me a story and you can have it. another voice says.
Whats a story? says Simon.
Its anything you want it to be, says the voice.
Who are you? says Simon.
The voice keeps talking but Simon doesnt understand it and he stares at his stump and the emptiness there and wonders if hell melt away in sadness at his loss.
I want to tell him the hand isnt gone. I want to tell him hell find it. I want to say Im sorry I didnt want him to have it and that I believe in him. But I don't know.
I dont know if I really believe in Simon.
But I must dream of Simon.
Comments (51)
The narrative, however, transcends mere whimsy, incorporating a nuanced exploration of the family dynamics and a looming marital crisis...
The character of Simon becomes a poignant metaphor, offering solace and companionship in the face of familial discord. (It is just my opinion, maybe the author or other readers disagree with me on this point.)
Quoting Noble Dust
In this first part, our character (whose name is missing) doesn't actually believes in Simon. But...
Quoting Noble Dust
He or she ended up truly believing in Simon's existence as a cause of life. Otherwise, if Simon were an invention, it would be a devastation to her or him.
Quoting Noble Dust
Beautiful.
What's really going on? We may never find out, because the narrator himself won't fully understand it until much later. But he is beginning to. We see that in the development of Simon, his increasing solidity and reality, and his demand for attention.
There is a lot of story here; much that is important, unstated but implied. I'll need to come back and read it gain before I can comment any further.
Generally, the story was pleasant to read. It's missing clarity for me, I think, to understand what this is about.
The underlying reality of this story of which Im most confident is a coming-of-age story of an especially imaginative person, probably a writer.
The central question of the questing protagonist is: What is reality? Second to the central question is the question of the protagonists fathers presence and role in the formers life. There is an intriguing resonance between the two questions. Im resisting the temptation to conclude Waxman sometimes is a Frankenstein-like stand-in for father.
As they are discovering answers, the journey of the protagonist affords the reader a meaningfulness richly complex and mysterious. The story, like the experience of life it presents, has no easy and final answers.
And then something changes. He fails to conceal himself and Simon is displeased. There is the byplay with the hand: the uncle's attitude has also changed. Is this really about a dummy hand?
Simon also changes. He's discontented; he's become handicapped. And he's become a threat. Why?
Then the father comes "home" and we wonder: he must be making pots of money, so why don't they have their own house? And he's a 'distant' man. We realize: so is the mother. She doesn't seem to have much of a role in the narrator's life. There is something very wrong with this marriage, with this whole family.
Now, Simon is more solid than before and more dangerous. He's got a personal issue with the narrator. The mother makes a grudging show of concern, but sends him away as soon as Simon is mentioned. So - she knows what's going on and denies it.
Then:
Quoting Noble Dust
Why is this repeated? The father's arrival is significant. But when there is a confrontation between the parents, neither expresses concern for the children: the mother uses them as a shield, rather than trying to shield them, as one might expect. For his part, the father doesn't seem to realize that they're involved in whatever is going on, or very much care.
Quoting Noble Dust
After this, Simon changes again, to someone who elicits not fear but pity. Whoever he's been standing in for has lost something precious, and the narrator is unable to help him regain it. My uninformed guess is the uncle, but I'll never know. The narrator, otoh, will eventually figure it out. He's the sympathetic keeper of the Simon persona.
It's a cryptic story, beautifully told.
[s]So, the boy is presumably fatherless, yet naturally the boy views the uncle in similar light.[/s] Said uncle created a monster in the boy's imagination and he dreams about it regularly? Or is Simon physically real? I'm a bit confused is all. I'll revisit this one later I'm sure.
Just reread it. The boy has a father who is away often, and the boy's ever-present uncle is either a psychopath or Simon is real? That's the question in my mind at present.
He doesn't start out as a monster; he only becomes menacing near the end, when his hand has disappeared. I wonder if the game Simon Says plays a part in this: an element of coercion with tacit agreement from the victim. It's not very clear to me, either, but it sure is a compelling story!
Reminds me of a song:
"A Dragon lives forever, but not so little boys
Painted wings and giant's rings make way for other toys
One gray night it happened, Jackie Paper came no more
And Puff, that mighty dragon, he ceased his fearless roar."
And no, that song is not about smoking reefer.
Oh, thanks a bunch! The earworm I finally replaced with Red Sails in the Sunset is back.
Amen. I mean ... why "must" he/I/we "dream"?
The tale seems an allegory for awakening religious fantasy (re: "the hand of" ... Simon) in children. Also, the world-house and winding stair reminds me of Gormenghast (which I've reread but never finished). I don't know how I finished this tale because it didn't hold me until the very last two sentences; the second read, however, grabbed me by (the) why ...
What I did enjoy was the strong, confident voice. The story had consistency and wholeness.
I wonder if this was an actual account of the author's childhood. Details like grandfather's "Be the hokey man!" seem random enough to be true.
Quoting Noble Dust
The uncle was fucking with him.
In an impressionable young mind, I can see how this can trigger years of haunting.
Quoting Noble Dust
My favorite paragraph. Inspired.
Quoting Noble Dust
This seems to be written partially in a young boy's voice, like here with the short sentences, or a bunch of 'and's strung together like the previous paragraph's final sentence. And yet the writing both flows and has depth.
If I had to guess, this is at least partially autobiographical, about the intersection between a family falling apart and a childhood haunt whose personality the author escapes into, as a defense mechanism against the stress of family strife. The kid at least partially knows he is doing this, hence the repeated wondering if he really believes in Simon, and at the end, the necessity of escaping into that personality.
Probably wrong.
Quoting Noble Dust
Hooked right away by a wax hand and its source, a dummy or mannequin? Given the name 'Simon' - to make it more alive. The narrator certainly brings this character to life with his wild imagination and questionings:
Quoting Noble Dust
The uncertainty - is the uncle telling the truth when he tells the story of Simon in the attic. Is he attempting to scare the boy by sowing the seeds of a night-time horror, then walking away.
The author gives a useful summary of the house and occupants. The house with its 3 stories and attic perhaps a dream symbol of the mind and its level of interaction, from low to high. Growth and transition from the material (hand) to the spiritual (imagination/belief system). Is there a cellar?
Quoting Noble Dust
Again, a sense of unease is introduced. The boy given money from the furtive grandfather - a transaction for something that has happened between them. With or without the boy's consent, we can only imagine.
'Be the hokey man!' - what does this mean? It reminds me of 'Do the hokey cokey and turn around' - to enjoy this dance, both hands come into play. There are also religious connotations - seen by some to be anti-catholic.
https://www.dailyrecord.co.uk/news/scottish-news/singing-the-hokey-cokey-could-land-1002751
So, is the grandfather of the Catholic faith or is he for singing against. Or just talking rubbish. A song and dance man.
Next up, a dialogue of brotherly love. Sibling scariness. The narrator's turn to frighten and get his reward in controlling another's emotions. When asked if he believes in Simon he gives a definite 'Yes', even though he is still unsure. Even if you don't believe in someone/thing you can still dream of them. They are a presence in your subconscious.
The description of Simon is vivid. The reader joins in the dream.
Quoting Noble Dust
A recurring dream in which there seems to be a spiritual relationship. Simon is almost like an objective god who wants to know what it's like to be human. He compares skin colour and wonders. Repeatedly. Is this the author's nod not only to religious differences but that of race? Processing life and its problems.
The narrator continues still in the dream to show more difference. He shows Simon his loss, of which he was previously unaware. He is disabled. Comparisons between what we have and haven't can lead to unhappiness. There is a separation. Envy and identity issues arise; the inequalities or stumping of growth and development. Is the narrator being intentionally cruel to Simon or is he just teaching him/self about human life.
The author in describing the father brings in the religious/ justice system of Saudi Arabia. [for thieves, a hand is removed] Is the father of a different faith to his mother?
So many questions arise - it is a fascinating puzzle. With so much carefully written dialogue, this story can be read time and time again, like the dream it can be interpreted in so many different ways.
The dream continues, becoming more nightmarish:
Quoting Noble Dust
Ah, here we see the Catholicism of the house. Simon a spirit meeting a holy spirit. There is a hostility.
The narrator shows us the searching mind, wanting answers.
Back to a kind of reality with the father showing up. The interesting perspectives of the characters.
Mum is higher than Dad. She seems to be more intellectual and not as absolute or angry in her feelings or beliefs. The children are affected by this and their traumatic confrontations. Perhaps this story is semi-autobiographical; the telling of it a response to personal issues. The value of relating and connecting to real people, readers who will wonder alongside.
Quoting Noble Dust
A physical/mental story returning power and energy to the mind. The need to share and compare.
The final:
Quoting Noble Dust
The uncertainty remains as to belief. What is real?
Combined with the compulsion to seek and find answers.
***
Substantial and mental! I love this story. Many Congratulations. Thank you. 5. :sparkle:
Yes, I think so. It is similar to the song/dance 'Do the Hokey-Cokey' I mentioned.
Waving hands in the air.
More symbolism comes from the house, which, I agree with @Amity, seems to represent a Freudian overview of the psyche. Notice its from the lower floors where the most intense anger is generated. Its from there Simon finds the knife and the father sees red while looking up to the mother. The uncle on the second floor represents something of a mediator. On his second floor there is some balance and here the hand is found. But Simon is either stuck in the superego(?) position in the attic / bedroom or flung into the ID of the lower floor and cannot find that balance (hes never said to be on the 2nd floor). It seems then he represents the typical member of society trapped in a milieu not of their own making and not having the imaginative power to transcend it, not being able toas its symbolically put in the storyto escape onto the roof and out into the woods because they cant pull themselves up with only one hand. Only the balanced psyche has the power of imagination and only with that power can the social world be transcended. The message seems to be that only the artist is truly free.
Theres some nice mirroring in the relationships depicted. E.g. The child bullies his brother (pins him down) the way that the father bullies the mother and this is reflected onto Simon who in the childs nightmare pins the child down in his bed threatening to amputate his hand. It seems again that anger and the unhinged emotional self threatens the possibility of imagination, is antithetical to the inner child, and, if it becomes dominant and gets passed on, results in a trapped adult like Simon (living behind the trapdoor of the attic). The implication is that the father is such a trapped adult. He works for money and seems to have plenty of it but he is distant, isolated and, it seems, unloved both by the child (who doesnt know what to make of him) and the mother.
The story ends on a less than optimistic note. Emotional conflict is rife and as the boys emotional life is threatened by the violent father, the boy is threatening his brothers emotional stability with his bullying. His brother complains that he doesnt want him to have the hand and he has also told his uncle he doesnt want Simon to have it. If Simon is symbolic of his possible future self then that would represent a kind of progressive self-destructiveness setting in, again maybe passed down from the father. In the end we are left with an ambiguity. Simon seems to have lost hope but the child hasnt. Though he is still in the transition state between belief and disbelief, he hasnt fully given up on his future self. He knows still that he must dream. And maybe that will be enough.
Quoting Baden
Thanks for a clarification and articulation of my slow but not sure thought process :cool:
Expansive.
The author made me think of the very real aspects of disability or disadvantages (physical, mental and social). How they can affect a child's ability to fit in and dance with the crowd. The initial shock and realisation of acute differences in life. The accompanying fears and desires.
How our story emerges, the way we tell it or not. Self relative to others. Belonging.
How we cope with our own and each other's strangeness - how we learn our humanity...or not.
By writing and reading. With imagination and empathy. And escapism. The reaching for the magic of the moon:
Quoting Noble Dust
Well, sure. But at that point why not just listen to a YouTube video of "10 hours of jingling keys" all day on repeat.
People want a message. They need a message. Without a purpose, we are little more than advanced, oversized amoeba. People deserve more than to be little more than amoeba.
I meant sometimes, as in poetry, the sound, rhythm and flow of words is enough in a first, simple reading. You go where it takes you, or not.
Then, if you wish and are curious, you can travel further, deeper with increasing delight. If you like.
I type this as I am listening to the keys jingling.
This story gets better on a second reading. I used to know a media guy who made good money filming beheadings and stuff. His children were a bit fucked up too. Could be a coincidence...
You like hypnotic jangling? Fine. But consider unclipping one of the keys. Who knows what mental door it might unlock...or not.
Could be. :lol:
I can relate to the college age uncle telling the little narrator about the wax hand whose owner lives in the attic. Spooky little details like that were fun for them. The uncle keeps up the story about the made-up entity because it's fun to watch kids turn it into actuality. I was the kid whose uncle made up ghost stories to entertain me.
I think the wax hand is the metaphor for the absentee father? -- Sometimes it's there, sometimes it's gone. Is Simon the narrator's self, whose missing hand made him sad?
I gave it a 5.
Score to date is 50.
I thought the same, and ended up with a similar conclusion when I finished reading the story.
Quoting L'éléphant
It is clever, indeed. But why do you consider it 'effortlessly'? Did you miss more details or characterization of the plot and protagonists? Or does your view go on grammar and writing style?
"Effortlessly written" -- the author is a natural born writer.
Personally I found the writing style to be very effortless. Some stories are easier to read than others, and for me this was one of the easiest to read. By the way, I consider my own entry to be not that easy to read, and I don't consider that to be a good thing. Just for the sake of clarity.
I still don't understand why you see it that way.
But I absolutely respect your opinion. It is just I see it well written and easy to follow, but after reading @Noble Dust's point, I think you are close to his opinion.
Did you read my last comment before this? I am trying to explain that when something is effortlessly done, while not easy to do, it's because someone has a natural talent.
Just to explain further -- this story is not easy to write because most attempts would not be able to pull off that first-person narrative of what seems to be a mundane telling of a kid. But didn't you experience reading this story as a captivating one?
I'm not sure how to say this, but I think for native English speakers who are avid readers, and probably literature nerds, the sort of writing found in this story is just very effortless in it's reading; it flows. I'm not sure what else to say; I don't think it's anything to take personally as a non-native English speaker. I'm sure there are Spanish writers who's work I couldn't fathom as a non-native Spanish speaker. I hope you find that respectful and that it makes sense.
Okay, I'm sorry. I realized that you might not have understood what is to be "effortless".
It means not exerting much to accomplish something which others find daunting and needing a lot of effort to do for the same result.
Thank you for your explanation and clarification, friends. I understand you now.
I sadly got into a 'false friend' word trap again. If I literally translate effortlessly into Spanish, it means when someone does a task without any interest. I mean when the writer or author didn't take the story or contest seriously. This is why it surprised me when I read the comment about the @L'éléphant at the beginning.
I can only say thank you so much for teaching me this. When I searched on Google effortlessly, the results were not convincing, and Google just translated literally, which made me fall into an error of misinterpretation. :smile:
Quoting Noble Dust
I always find very respectful your teaching in my English learning lessons, friend. :smile:
I think it does that.
Cheers! :up:
Guide me...
Hah! I knew it was yours. Very well done. Congratulations! :sparkle:
Really? You're good. :cool: And thank you!
Yeah, you're a star in the bright sky :sparkle:
The wax hand was real and belonged to my uncle who invented the Simon character.. The house is real and some of the details are autobiographical (e.g. my grandfather used to say "Be the hokey man!", which is (was?) an Irish way of saying "By the holy man" or "By God"). I thought about Simon a lot as a child and at times believed in him, but I never remember dreaming of him, so the dream parts are made up and more related to the symbolism of the story (see the exegesis) than the "history" of Simon, except notably he did live in the attic.
It was really nice to write this story and I would not have written it except for the desire to write something for this competition and that I put myself in a kind of meditative state in order to do so. It was really nice especially because I have a lot of nostalgia for my childhood, which was overall very enjoyable and often magical and so finding a way back there that allowed me also to say something about art and love and anger and sadness has been an invaluable experience as has reading the thoughts of others who enjoyed the story.
Thank you all. :sparkle:
Exactly as I said. Puff the Magic Dragon.
"A dragon lives forever, but not so little boys
Painted wings and giant's rings make way for other toys
One gray night it happened, Jackie Paper came no more
And Puff, that mighty dragon, he ceased his fearless roar
His head was bent in sorrow, green scales fell like rain
Puff no longer went to play along the cherry lane
Without his lifelong friend, Puff could not be brave
So Puff, that mighty dragon, sadly slipped into his cave."
Children losing fantasy, growing into adults, from the perspective of the dragon, slipping back into his cave, having no friends to bring him forth.
Quoting Baden
My correlation between your story and the nostalgia for childhood comes not from my own but from my two boys, who grew into men, no longer talking about painted wings and giant's rings.
Struck a chord with me.
Quoting Baden
Yeah, I had no idea. The style gave me no indication, other than quality. Baden is versatile, I was stuck on Jack Doe for him.
I've completely embarrassed myself with "guess the author", I resign.
I hadn't thought of that connection until you mentioned it but it's definitely there. And it's a song that I heard many times when I was around the age of the protagonist here, so the resonance is clear.
Quoting hypericin
I didn't do much better. I was confident on Hanover and you and that was it.
Thanks for a good story! :cheer: I think this one was my second favorite after story of THING.
Thank you for this reveal. I loved hearing how a 'seed-line' works:
Quoting Baden
So, 'I dream of Simon' came at night.
Quoting Baden
You did so well to capture the Irishness and religious aspects. That came through for me as I read the dialogue. Slipping it in...
Quoting Noble Dust
Quoting Baden
Your writing is deeply touching. I followed the votes for this, wondering if it would win.
I think if only one more person had managed to read it, it would have been a 3-way first!
Still a winner in more ways than one :sparkle:
Thank you both. :smile: