I Dream of Simon by Baden

Noble Dust January 01, 2024 at 02:19 575 views 51 comments
I am holding in my hand a much larger hand. It’s a wax hand.

“That’s Simon’s hand”, my uncle tells me.

He tells me Simon lives in the attic. I’ve never been to the attic. The attic seems miles away. I look up at the ceiling. I’m not sure Simon really lives there. But I can see him in my mind, luminous and smooth, bending over in the dark and peering down. Maybe he opens the trapdoor. Maybe sometimes…

“Sometimes he comes down into the house. Only at night though. When you're asleep”. My uncle smiles, pats me on the head, and walks away.

This house is my grandfather’s house. He’s a short stout man who sneaks up on me and presses coins into my palm and walks off as if nothing’s happened. He says things I don’t understand like “Be the hokey man!”. The house has three stories and winding steps. My room is on the third floor. We all live there. Me, my mum, and my brother. I sleep in a bed with my brother.

“Do you believe in Simon?”, he says to me. He looks scared.

“Yes,” I say, satisfied by his widening eyes.

I don’t know if I really believe in Simon. But I dream of Simon.

Simon is pure and white and soft and large and moves like a cat among the beams. He doesn’t eat or drink or laugh or cry. He needs nothing but his lofty space and sometimes to come down into the house and see how people live. Every time he comes it’s as if he has never come before. He opens the trapdoor and peers into our room. He sees our little bodies sleeping. He feels for us no hatred nor love, only that he must be among us. And he creeps down into our room and walks around and stares at my sleeping eyes and puts his one hand close to my brow and sees how white it is against my pink skin and wonders.

He has done this many times.

But now I move in my bed and put my hands over the covers and he sees I have two and he wonders again and looks at his stump and becomes unhappy and envies me and moves away.

I awake and look around. Everyone is sleeping. It’s too early to get up for school because it’s still dark. I wonder where Simon’s hand is. I wonder if he found his hand. Then, after a time, the room brightens and I think of getting up and I wonder if I really believe in Simon.

*

My father doesn’t live here. He’s a computer programmer. He works in Saudi Arabia. He told us some strange things about there.

My uncle is younger than my father and lives on the second floor of the house. He goes to college. He gives me the hand again. My brother tries to take it from me and I bat him away. He skulks off.

“What happened?’ I ask combatively “How did Simon lose his hand?”

“Nobody knows.”

“You’re fooling us.”

My uncle bends down and looks me straight in the face.

“Am I?” he says and takes the hand. “Y’know, we shouldn’t play with his hand too much. He might get jealous.”

“Did Simon steal something?” I say boldly. “Is that why they cut it off?”

My uncle bursts into laughter, then quietens.

“Maybe. But nobody knows. Nobody knows how Simon lost his hand. Not even Simon.”

“Will he take it back?”

“If he finds it.”

“Why don’t you give it back to him?’”

My uncle thinks about this for a moment and can’t seem to come up with a good answer.

“Maybe I will,” he says eventually.

“Don’t!”

He looks at me curiously.

I run off to tell my brother.

“Why don’t you want him to have his hand back?”

“He’d be spoilt.”

My brother nods. “Oh”.

Then he looks at me sadly.

“You didn’t let me have it.”

*

I dream of Simon lying on his back and looking at his stump. Now he knows it’s a stump. Now he knows something isn’t there. But does he know that what’s missing is down here? It’s hard to tell. He doesn’t swing so much now. He is not so much a cat. He lumbers. He stoops. He trudges. There’s one small window in the attic and he looks out. The moon is the same colour as him. He feels something. He reaches one hand up to it. If he had two hands maybe he could climb out onto the roof. Maybe he could walk across it and climb down the drainpipe and walk through the streets and out into the woods. But he can’t pull himself up. You can’t pull yourself up with only one hand.

“How can he get back into the attic then?”

“What?” I don’t like my brother’s question.

“You said he can’t pull himself up to get out onto the roof. How can he get back into the attic after he comes down then?”

“Well… he steps on a chair. And it’s not so hard then as up there. There aren’t any chairs in the attic to help. There’s nothing.”

“Isn’t there? But I thought…”

“I’m not going to tell you about Simon any more.”

My brother pauses for a moment. “Do you really believe in Simon?”

“Yes”, I say firmly.

*

My father comes back for Christmas. He’s a big man. A distant man. When he says something everyone has to listen. My mother doesn’t like him. One time she spat on the ground right in front of him and walked off. He always brings us nice presents though. It’s hard to know what to make of my father.

*

Simon bangs his stump against the attic wall and looks dolefully at the trapdoor. Then he marches over to it, opens it, and quickly lowers himself into our bedroom. He looks at me with steely eyes and raises his hand into a fist and then opens it again. I move furtively in my bed as he searches in and around me. I don’t know why he thinks I have it. He thinks I stole it from him.

“Where have you put it?” he says wordlessly and sweeps out the bedroom and down the stairs and through the hall and past the picture of Mary the Blessed Virgin, who he glares at angrily. He rifles through drawers and desks and dives under the stairs and into the tiny kitchen and screams noiselessly in frustration. His soft solid body shudders; his pale lips, forever shuttered, quiver. “Where. Is. It?” Then he stops and thinks and his eyes turn to ice. He takes a knife from the kitchen drawer and turns and walks back up the stairs, up one winding staircase and then two and to my bedroom door and I writhe in my bed trying to wake before he gets to me and he opens the door and raises the knife and strides towards me. He stands over me and pins one of my arms with his stump and stares with mad envy at my hand…

“You were shouting”, my mother says.

“Huh?”

“Shouting in your sleep.”

“I had a nightmare.”

“Come on into my bed.”

“What was it about.”

“Simon.”

“Hm.” My mother looks annoyed, then says kindly, “There’s no such thing as Simon. Go on off to sleep now.”

*

“It’s gone.” My uncle says.

“What do you mean? I want to see it.”

“It’s gone. Just forget about it. Sure, I was only joking anyway.” He pats me on the head and walks off.

*

“He’s not real then.”

“He is.”

“Mum says he’s not.”

“She doesn’t want you to be scared.”

“You’re just trying to scare me. You always do that. You’re mean.”

My brother looks really angry. I jump him and get him down on the floor.

“He’s real.” I shout. “He’s real! Say it!”

I push down on him with my hands, push his face into the floor.

“Say it!”

My brother starts crying. “He’s real, he’s real.”

I let him up and he runs off.

*

My father comes back for Christmas. I didn’t know he was coming back that day. It’s a surprise.

“Hello,” he says in a big voice.

“Oh! Hi, Dad.”

He laughs and walks off.

Later, I hear noises and look out into the hall. My mother is saying something from upstairs to my father. My father is looking upstairs at her from downstairs.

I hear her say “stupid”.

My father’s face goes red and he marches angrily upstairs. He shouts at my mother and she runs up to the third floor, to our bedroom, and runs inside and closes the door and he runs after her and pushes the door in on her and she screams. Me and my brother run upstairs and shout at him “Get out! get out!”

My father stops and turns and leaves.

“You’re lucky you have your children to protect you,” he tells my mother.

*

I dream of Simon lying in the attic and staring up through the window into the moonless night. “The hand is gone”, he says to himself, “I’ll never find it.”

“Tell me a story and you can have it.” another voice says.

“What’s a story?” says Simon.

“It’s anything you want it to be,” says the voice.

“Who are you?” says Simon.

The voice keeps talking but Simon doesn’t understand it and he stares at his stump and the emptiness there and wonders if he’ll melt away in sadness at his loss.

I want to tell him the hand isn’t gone. I want to tell him he’ll find it. I want to say I’m sorry I didn’t want him to have it and that I believe in him. But I don't know.

I don’t know if I really believe in Simon.

But I must dream of Simon.

Comments (51)

javi2541997 January 01, 2024 at 14:13 #867329
Good one. Captures the reader from the first paragraph. It is well written, and is enjoyable. The author shows skills and technique to develop a story where fantasy and dreams are attached.

The narrative, however, transcends mere whimsy, incorporating a nuanced exploration of the family dynamics and a looming marital crisis...

The character of Simon becomes a poignant metaphor, offering solace and companionship in the face of familial discord. (It is just my opinion, maybe the author or other readers disagree with me on this point.)


Quoting Noble Dust
“Do you believe in Simon?”, he says to me. He looks scared.

“Yes,” I say, satisfied by his widening eyes.

I don’t know if I really believe in Simon. But I dream of Simon.


In this first part, our character (whose name is missing) doesn't actually believes in Simon. But...

Quoting Noble Dust
“I’m not going to tell you about Simon any more.”

My brother pauses for a moment. “Do you really believe in Simon?”

“Yes”, I say firmly.


He or she ended up truly believing in Simon's existence as a cause of life. Otherwise, if Simon were an invention, it would be a devastation to her or him.


Quoting Noble Dust
The voice keeps talking but Simon doesn’t understand it and he stares at his stump and the emptiness there and wonders if he’ll melt away in sadness at his loss.


Beautiful.
Vera Mont January 01, 2024 at 14:52 #867349
Beautifully done! A confident and self-consistent depiction of a child's viewpoint.
What's really going on? We may never find out, because the narrator himself won't fully understand it until much later. But he is beginning to. We see that in the development of Simon, his increasing solidity and reality, and his demand for attention.

There is a lot of story here; much that is important, unstated but implied. I'll need to come back and read it gain before I can comment any further.
Benkei January 01, 2024 at 19:31 #867465
At this point I feel there's some symbolism I'm missing. His uncle tells him about Simon, but the protagonist also tells his little brother about Simon. Things that don't seem to come from his uncle but made up by the protagonist? And there's a "disembodied" voice answering Simon's question as to what a story is. Is the protagonist switching to the author in the end? Is Simon a metaphor for a story? I'm sort of settling in that direction.

Generally, the story was pleasant to read. It's missing clarity for me, I think, to understand what this is about.
ucarr January 01, 2024 at 22:38 #867592
Life in this story is filled with appearances, suggestions, intimations and some fantastic possibilities, depending upon the subject doing the perceiving.

The underlying reality of this story of which I’m most confident is a coming-of-age story of an especially imaginative person, probably a writer.

The central question of the questing protagonist is: What is reality? Second to the central question is the question of the protagonist’s father’s presence and role in the former’s life. There is an intriguing resonance between the two questions. I’m resisting the temptation to conclude Waxman sometimes is a Frankenstein-like stand-in for father.

As they are discovering answers, the journey of the protagonist affords the reader a meaningfulness richly complex and mysterious. The story, like the experience of life it presents, has no easy and final answers.

Vera Mont January 02, 2024 at 00:00 #867645
I think that the youthful uncle, being in possession of a replica human hand, made up the story of Simon to entertain the children and the narrator appropriated that mysterious character as his nocturnal visitor. Or perhaps the uncle makes up the story to cover his own unhealthy interest in the boys. At first, Simon is benign and vaguely curious... I imagine the narrator as eight or nine years old, an age when boys become inquisitive about the secret life of grownups. And then I wonder about the grandfather's odd behaviour (pretend man?) and think maybe the child is younger - young enough not to realize that something is wrong, that Simon's visits are sinister in some undefined way.

And then something changes. He fails to conceal himself and Simon is displeased. There is the byplay with the hand: the uncle's attitude has also changed. Is this really about a dummy hand?
Simon also changes. He's discontented; he's become handicapped. And he's become a threat. Why?

Then the father comes "home" and we wonder: he must be making pots of money, so why don't they have their own house? And he's a 'distant' man. We realize: so is the mother. She doesn't seem to have much of a role in the narrator's life. There is something very wrong with this marriage, with this whole family.

Now, Simon is more solid than before and more dangerous. He's got a personal issue with the narrator. The mother makes a grudging show of concern, but sends him away as soon as Simon is mentioned. So - she knows what's going on and denies it.
Then:
Quoting Noble Dust
My father comes back for Christmas. I didn’t know he was coming back that day. It’s a surprise.

Why is this repeated? The father's arrival is significant. But when there is a confrontation between the parents, neither expresses concern for the children: the mother uses them as a shield, rather than trying to shield them, as one might expect. For his part, the father doesn't seem to realize that they're involved in whatever is going on, or very much care.
Quoting Noble Dust
“You’re lucky you have your children to protect you,” he tells my mother.


After this, Simon changes again, to someone who elicits not fear but pity. Whoever he's been standing in for has lost something precious, and the narrator is unable to help him regain it. My uninformed guess is the uncle, but I'll never know. The narrator, otoh, will eventually figure it out. He's the sympathetic keeper of the Simon persona.

It's a cryptic story, beautifully told.



Noble Dust January 03, 2024 at 23:53 #868522
This was a favorite of mine; a shame it hasn't received more attention. The writing is excellent and conveys the ambiguity of childhood fantasy really well. Not that I remember what it felt like to believe in Santa Claus or what have you, but I do remember the creative enterprises me and my brother would embark on, whether acted out outside, or written down as stories or worlds we created. It all felt very real because you're so much closer to the pure, undistorted creative wellspring of being human without the hindrance of the personal avatar of the "artist" that grows with age. So I suppose this story reminds me of that in some way. I don't know how real or unreal Simon is or what he represents, but I was totally captivated by the story, I think for the reasons I mentioned. I have no idea if any of that is anywhere near where the author was coming from, but that's my two cents.
Outlander January 04, 2024 at 00:46 #868552
Definitely a bit above my head, at least on the first read...

[s]So, the boy is presumably fatherless, yet naturally the boy views the uncle in similar light.[/s] Said uncle created a monster in the boy's imagination and he dreams about it regularly? Or is Simon physically real? I'm a bit confused is all. I'll revisit this one later I'm sure.

Just reread it. The boy has a father who is away often, and the boy's ever-present uncle is either a psychopath or Simon is real? That's the question in my mind at present.
Vera Mont January 04, 2024 at 02:17 #868584
Quoting Outlander
Said uncle created a monster in the boy's imagination and he dreams about it regularly?


He doesn't start out as a monster; he only becomes menacing near the end, when his hand has disappeared. I wonder if the game Simon Says plays a part in this: an element of coercion with tacit agreement from the victim. It's not very clear to me, either, but it sure is a compelling story!
Hanover January 04, 2024 at 03:52 #868601
Simon represents the slowly eroding childhood innocence being replaced by the stark reality of the pending divorce. That's my psychoanalysis I project upon the author at least.

Reminds me of a song:

"A Dragon lives forever, but not so little boys
Painted wings and giant's rings make way for other toys
One gray night it happened, Jackie Paper came no more
And Puff, that mighty dragon, he ceased his fearless roar."

And no, that song is not about smoking reefer.
Vera Mont January 04, 2024 at 05:00 #868611
Quoting Hanover
"A Dragon lives forever, but not so little boys
Painted wings and giant's rings make way for other toys
One gray night it happened, Jackie Paper came no more
And Puff, that mighty dragon, he ceased his fearless roar."


Oh, thanks a bunch! The earworm I finally replaced with Red Sails in the Sunset is back.
180 Proof January 05, 2024 at 07:43 #869074
Quoting Noble Dust
I don’t know if I really believe in Simon.

But I must dream of Simon.

Amen. I mean ... why "must" he/I/we "dream"?

The tale seems an allegory for awakening religious fantasy (re: "the hand of" ... Simon) in children. Also, the world-house and winding stair reminds me of Gormenghast (which I've reread but never finished). I don't know how I finished this tale because it didn't hold me until the very last two sentences; the second read, however, grabbed me by (the) why ...
hypericin January 06, 2024 at 23:24 #869789
I really really liked this one. So far, that's what I have to say.
hypericin January 07, 2024 at 05:12 #869860
I don't know if there was some kind of psychoanalytic puzzle with a definite answer. If so, I don't know it, and so it wasn't relevant to my enjoyment.

What I did enjoy was the strong, confident voice. The story had consistency and wholeness.

I wonder if this was an actual account of the author's childhood. Details like grandfather's "Be the hokey man!" seem random enough to be true.

Quoting Noble Dust
“Sometimes he comes down into the house. Only at night though. When you're asleep”. My uncle smiles, pats me on the head, and walks away.


The uncle was fucking with him.
In an impressionable young mind, I can see how this can trigger years of haunting.

Quoting Noble Dust
Simon is pure and white and soft and large and moves like a cat among the beams. He doesn’t eat or drink or laugh or cry. He needs nothing but his lofty space and sometimes to come down into the house and see how people live. Every time he comes it’s as if he has never come before. He opens the trapdoor and peers into our room. He sees our little bodies sleeping. He feels for us no hatred nor love, only that he must be among us. And he creeps down into our room and walks around and stares at my sleeping eyes and puts his one hand close to my brow and sees how white it is against my pink skin and wonders.


My favorite paragraph. Inspired.

Quoting Noble Dust
My father doesn’t live here. He’s a computer programmer. He works in Saudi Arabia. He told us some strange things about there.


This seems to be written partially in a young boy's voice, like here with the short sentences, or a bunch of 'and's strung together like the previous paragraph's final sentence. And yet the writing both flows and has depth.

If I had to guess, this is at least partially autobiographical, about the intersection between a family falling apart and a childhood haunt whose personality the author escapes into, as a defense mechanism against the stress of family strife. The kid at least partially knows he is doing this, hence the repeated wondering if he really believes in Simon, and at the end, the necessity of escaping into that personality.

Probably wrong.
Amity January 07, 2024 at 10:22 #869894
I Dream of Simon

Quoting Noble Dust
I am holding in my hand a much larger hand. It’s a wax hand.

“That’s Simon’s hand”, my uncle tells me.


Hooked right away by a wax hand and its source, a dummy or mannequin? Given the name 'Simon' - to make it more alive. The narrator certainly brings this character to life with his wild imagination and questionings:

Quoting Noble Dust
I’m not sure Simon really lives there. But I can see him in my mind, luminous and smooth, bending over in the dark and peering down. Maybe he opens the trapdoor. Maybe sometimes…


The uncertainty - is the uncle telling the truth when he tells the story of Simon in the attic. Is he attempting to scare the boy by sowing the seeds of a night-time horror, then walking away.

The author gives a useful summary of the house and occupants. The house with its 3 stories and attic perhaps a dream symbol of the mind and its level of interaction, from low to high. Growth and transition from the material (hand) to the spiritual (imagination/belief system). Is there a cellar?

Quoting Noble Dust
This house is my grandfather’s house. He’s a short stout man who sneaks up on me and presses coins into my palm and walks off as if nothing’s happened. He says things I don’t understand like “Be the hokey man!”. The house has three stories and winding steps. My room is on the third floor. We all live there. Me, my mum, and my brother. I sleep in a bed with my brother.


Again, a sense of unease is introduced. The boy given money from the furtive grandfather - a transaction for something that has happened between them. With or without the boy's consent, we can only imagine.

'Be the hokey man!' - what does this mean? It reminds me of 'Do the hokey cokey and turn around' - to enjoy this dance, both hands come into play. There are also religious connotations - seen by some to be anti-catholic.
https://www.dailyrecord.co.uk/news/scottish-news/singing-the-hokey-cokey-could-land-1002751

So, is the grandfather of the Catholic faith or is he for singing against. Or just talking rubbish. A song and dance man.

Next up, a dialogue of brotherly love. Sibling scariness. The narrator's turn to frighten and get his reward in controlling another's emotions. When asked if he believes in Simon he gives a definite 'Yes', even though he is still unsure. Even if you don't believe in someone/thing you can still dream of them. They are a presence in your subconscious.

The description of Simon is vivid. The reader joins in the dream.

Quoting Noble Dust


Simon is pure and white and soft and large and moves like a cat among the beams. He doesn’t eat or drink or laugh or cry. He needs nothing but his lofty space and sometimes to come down into the house and see how people live. Every time he comes it’s as if he has never come before. He opens the trapdoor and peers into our room. He sees our little bodies sleeping. He feels for us no hatred nor love, only that he must be among us. And he creeps down into our room and walks around and stares at my sleeping eyes and puts his one hand close to my brow and sees how white it is against my pink skin and wonders.

He has done this many times.


A recurring dream in which there seems to be a spiritual relationship. Simon is almost like an objective god who wants to know what it's like to be human. He compares skin colour and wonders. Repeatedly. Is this the author's nod not only to religious differences but that of race? Processing life and its problems.

The narrator continues still in the dream to show more difference. He shows Simon his loss, of which he was previously unaware. He is disabled. Comparisons between what we have and haven't can lead to unhappiness. There is a separation. Envy and identity issues arise; the inequalities or stumping of growth and development. Is the narrator being intentionally cruel to Simon or is he just teaching him/self about human life.

The author in describing the father brings in the religious/ justice system of Saudi Arabia. [for thieves, a hand is removed] Is the father of a different faith to his mother?
So many questions arise - it is a fascinating puzzle. With so much carefully written dialogue, this story can be read time and time again, like the dream it can be interpreted in so many different ways.

The dream continues, becoming more nightmarish:

Quoting Noble Dust
“Where have you put it?” he says wordlessly and sweeps out the bedroom and down the stairs and through the hall and past the picture of Mary the Blessed Virgin, who he glares at angrily. He rifles through drawers and desks and dives under the stairs and into the tiny kitchen and screams noiselessly in frustration.


Ah, here we see the Catholicism of the house. Simon a spirit meeting a holy spirit. There is a hostility.
The narrator shows us the searching mind, wanting answers.

Back to a kind of reality with the father showing up. The interesting perspectives of the characters.
Mum is higher than Dad. She seems to be more intellectual and not as absolute or angry in her feelings or beliefs. The children are affected by this and their traumatic confrontations. Perhaps this story is semi-autobiographical; the telling of it a response to personal issues. The value of relating and connecting to real people, readers who will wonder alongside.

Quoting Noble Dust
I dream of Simon lying in the attic and staring up through the window into the moonless night. “The hand is gone”, he says to himself, “I’ll never find it.”

“Tell me a story and you can have it.” another voice says.

“What’s a story?” says Simon.

“It’s anything you want it to be,” says the voice.


A physical/mental story returning power and energy to the mind. The need to share and compare.

The final:

Quoting Noble Dust
I don’t know if I really believe in Simon.

But I must dream of Simon.


The uncertainty remains as to belief. What is real?
Combined with the compulsion to seek and find answers.

***
Substantial and mental! I love this story. Many Congratulations. Thank you. 5. :sparkle:





















Amity January 07, 2024 at 10:30 #869896
Quoting Vera Mont
I wonder if the game Simon Says plays a part in this:


Yes, I think so. It is similar to the song/dance 'Do the Hokey-Cokey' I mentioned.
Waving hands in the air.




Baden January 07, 2024 at 13:39 #869945
My interpretation is that Simon is the boy’s future self whose creative imagination symbolized by his hand (the artist / writer’s tool) has been amputated / lost. The child’s dreams of Simon are his premonitory understanding of the process of exiting childhood and the dangers this presents to his imaginative self. As a child he believed and thus could imagine any sort of fantasy. As an adult he won’t believe in fantasies but may or may not retain the power to create them. The danger is that with the loss of belief, the loss of the creative imagination will follow. The child repeats several times that he doesn’t know if he really believes showing that he is in this transition state. His fractured home life gives a retroactive reason for a future fractured self and his dreams of Simon’s shifting emotions seem to highlight the fragility of the childhood psyche in the face of familial conflict.

More symbolism comes from the house, which, I agree with @Amity, seems to represent a Freudian overview of the psyche. Notice it’s from the lower floors where the most intense anger is generated. It’s from there Simon finds the knife and the father sees red while looking up to the mother. The uncle on the second floor represents something of a mediator. On his second floor there is some balance and here the hand is found. But Simon is either stuck in the superego(?) position in the attic / bedroom or flung into the ID of the lower floor and cannot find that balance (he’s never said to be on the 2nd floor). It seems then he represents the typical member of society trapped in a milieu not of their own making and not having the imaginative power to transcend it, not being able to–as it’s symbolically put in the story–to escape onto the roof and out into the woods because they can’t pull themselves up “with only one hand”. Only the balanced psyche has the power of imagination and only with that power can the social world be transcended. The message seems to be that only “the artist is truly free”.

There’s some nice mirroring in the relationships depicted. E.g. The child bullies his brother (pins him down) the way that the father bullies the mother and this is reflected onto Simon who in the child’s nightmare pins the child down in his bed threatening to amputate his hand. It seems again that anger and the unhinged emotional self threatens the possibility of imagination, is antithetical to the inner child, and, if it becomes dominant and gets passed on, results in a trapped adult like Simon (living behind the “trapdoor” of the attic). The implication is that the father is such a trapped adult. He works for money and seems to have plenty of it but he is distant, isolated and, it seems, unloved both by the child (who doesn’t know “what to make of” him) and the mother.

The story ends on a less than optimistic note. Emotional conflict is rife and as the boy’s emotional life is threatened by the violent father, the boy is threatening his brother’s emotional stability with his bullying. His brother complains that he “doesn’t want him to have the hand” and he has also told his uncle he doesn’t want Simon to have it. If Simon is symbolic of his possible future self then that would represent a kind of progressive self-destructiveness setting in, again maybe passed down from the father. In the end we are left with an ambiguity. Simon seems to have lost hope but the child hasn’t. Though he is still in the transition state between belief and disbelief, he hasn’t fully given up on his future self. He knows still that he must dream. And maybe that will be enough.

Amity January 07, 2024 at 14:22 #869955
Wow! Now that's what you call deep and polished writing :clap:

Quoting Baden
More symbolism comes from the house, which, I agree with Amity, seems to represent a Freudian overview of the psyche.


Thanks for a clarification and articulation of my slow but not sure thought process :cool:
Expansive.

The author made me think of the very real aspects of disability or disadvantages (physical, mental and social). How they can affect a child's ability to fit in and dance with the crowd. The initial shock and realisation of acute differences in life. The accompanying fears and desires.

How our story emerges, the way we tell it or not. Self relative to others. Belonging.
How we cope with our own and each other's strangeness - how we learn our humanity...or not.
By writing and reading. With imagination and empathy. And escapism. The reaching for the magic of the moon:

Quoting Noble Dust
The moon is the same colour as him. He feels something. He reaches one hand up to it. If he had two hands maybe he could climb out onto the roof. Maybe he could walk across it and climb down the drainpipe and walk through the streets and out into the woods. But he can’t pull himself up. You can’t pull yourself up with only one hand


Lionino January 07, 2024 at 14:41 #869957
I like the writing, but I agree with others that I did not understand what the story was getting at, or what some events or characters are supposed to represent.
Amity January 07, 2024 at 15:13 #869966
Reply to Lionino Sometimes you don't need to understand or even interpret. Just enjoy :sparkle:

Outlander January 07, 2024 at 15:15 #869968
Reply to Amity

Well, sure. But at that point why not just listen to a YouTube video of "10 hours of jingling keys" all day on repeat.

People want a message. They need a message. Without a purpose, we are little more than advanced, oversized amoeba. People deserve more than to be little more than amoeba.
Amity January 07, 2024 at 15:25 #869971
Reply to Outlander I think you are taking my reply to @Lionino and running with it to a different playing field.
I meant sometimes, as in poetry, the sound, rhythm and flow of words is enough in a first, simple reading. You go where it takes you, or not.
Then, if you wish and are curious, you can travel further, deeper with increasing delight. If you like.

Lionino January 07, 2024 at 16:19 #869987
Reply to Amity Right. Though in this case the prose was not enough to make up for the lack of clarity.
I type this as I am listening to the keys jingling.
L'éléphant January 07, 2024 at 23:32 #870135
STD: 40
unenlightened January 08, 2024 at 12:49 #870286
Quoting Noble Dust
My father doesn’t live here. He’s a computer programmer. He works in Saudi Arabia. He told us some strange things about there.


This story gets better on a second reading. I used to know a media guy who made good money filming beheadings and stuff. His children were a bit fucked up too. Could be a coincidence...
Amity January 08, 2024 at 13:03 #870290
Quoting Lionino
Though in this case the prose was not enough to make up for the lack of clarity.
I type this as I am listening to the keys jingling.


You like hypnotic jangling? Fine. But consider unclipping one of the keys. Who knows what mental door it might unlock...or not.
180 Proof January 08, 2024 at 18:38 #870394
Quoting unenlightened
I used to know a media guy who made good money filming beheadings and stuff. His children were a bit fucked up too. Could be a coincidence...

Could be. :lol:
L'éléphant January 11, 2024 at 04:50 #871290
Effortlessly written, and clever.

I can relate to the college age uncle telling the little narrator about the wax hand whose owner lives in the attic. Spooky little details like that were fun for them. The uncle keeps up the story about the made-up entity because it's fun to watch kids turn it into actuality. I was the kid whose uncle made up ghost stories to entertain me.

I think the wax hand is the metaphor for the absentee father? -- Sometimes it's there, sometimes it's gone. Is Simon the narrator's self, whose missing hand made him sad?

I gave it a 5.

Score to date is 50.
javi2541997 January 11, 2024 at 05:21 #871294
Quoting L'éléphant
I think the wax hand is the metaphor for the absentee father? -- Sometimes it's there, sometimes it's gone.


I thought the same, and ended up with a similar conclusion when I finished reading the story.

Quoting L'éléphant
Effortlessly written, and clever.


It is clever, indeed. But why do you consider it 'effortlessly'? Did you miss more details or characterization of the plot and protagonists? Or does your view go on grammar and writing style?
L'éléphant January 11, 2024 at 05:37 #871298
Quoting javi2541997
It is clever, indeed. But why do you consider it 'effortlessly'? Did you miss more details or characterization of the plot and protagonists? Or does your view go on grammar and writing style?

"Effortlessly written" -- the author is a natural born writer.
Noble Dust January 11, 2024 at 05:38 #871299
Quoting javi2541997
Or does your view go on grammar and writing style?


Personally I found the writing style to be very effortless. Some stories are easier to read than others, and for me this was one of the easiest to read. By the way, I consider my own entry to be not that easy to read, and I don't consider that to be a good thing. Just for the sake of clarity.
javi2541997 January 11, 2024 at 06:04 #871303
Quoting L'éléphant
"Effortlessly written"


I still don't understand why you see it that way.

But I absolutely respect your opinion. It is just I see it well written and easy to follow, but after reading @Noble Dust's point, I think you are close to his opinion.
L'éléphant January 11, 2024 at 06:07 #871304
Quoting javi2541997
I still don't understand why you see it that way.

Did you read my last comment before this? I am trying to explain that when something is effortlessly done, while not easy to do, it's because someone has a natural talent.

Just to explain further -- this story is not easy to write because most attempts would not be able to pull off that first-person narrative of what seems to be a mundane telling of a kid. But didn't you experience reading this story as a captivating one?
Noble Dust January 11, 2024 at 06:14 #871305
Reply to javi2541997

I'm not sure how to say this, but I think for native English speakers who are avid readers, and probably literature nerds, the sort of writing found in this story is just very effortless in it's reading; it flows. I'm not sure what else to say; I don't think it's anything to take personally as a non-native English speaker. I'm sure there are Spanish writers who's work I couldn't fathom as a non-native Spanish speaker. I hope you find that respectful and that it makes sense.
L'éléphant January 11, 2024 at 06:32 #871306
Reply to javi2541997
Okay, I'm sorry. I realized that you might not have understood what is to be "effortless".

It means not exerting much to accomplish something which others find daunting and needing a lot of effort to do for the same result.
javi2541997 January 11, 2024 at 06:58 #871311
Reply to Noble Dust Reply to L'éléphant

Thank you for your explanation and clarification, friends. I understand you now.

I sadly got into a 'false friend' word trap again. If I literally translate effortlessly into Spanish, it means when someone does a task without any interest. I mean when the writer or author didn't take the story or contest seriously. This is why it surprised me when I read the comment about the @L'éléphant at the beginning.

I can only say thank you so much for teaching me this. When I searched on Google effortlessly, the results were not convincing, and Google just translated literally, which made me fall into an error of misinterpretation. :smile:

Quoting Noble Dust
I hope you find that respectful and that it makes sense.


I always find very respectful your teaching in my English learning lessons, friend. :smile:
Vera Mont January 11, 2024 at 16:52 #871422
No matter how long and how much work it took to master the craft; no matter how meticulous the care it took to polish the final product, any performance has to seem effortless to convince the audience.
I think it does that.
L'éléphant January 12, 2024 at 03:35 #871649
Quoting javi2541997
If I literally translate effortlessly into Spanish, it means when someone does a task without any interest. I mean when the writer or author didn't take the story or contest seriously. This is why it surprised me when I read the comment about the L'éléphant at the beginning.

Cheers! :up:
Christoffer January 15, 2024 at 16:42 #872511
This story is something in need of decoding, there's a lot to unpack, but I don't think it is without substance. There's a lot going on and I really like these kinds of stories which put an element of uncertainty into what is going on. It reads perfectly in the perspective of a child, the short sentences that sounds exactly like a child reasoning about their surroundings. The child fantasy and imagination, the horror imagery and uncertainty about Simon's nature. It's something I need to think about some more to get a grasp on what it's really about, but it's well written and tells as much as is needed and no more or too little. Good job! A 4 from me
180 Proof January 17, 2024 at 23:15 #873150
Well done, @Baden, and congratulations! Besides the writing (of course), I quite enjoyed puzzling through this one a few of times. :up:
Noble Dust January 17, 2024 at 23:57 #873169
Looking forward to hearing details from @Baden. I love the viewpoint and the world in this story and want to know more.
Baden January 19, 2024 at 09:05 #873666
Really appreciate the positive feedback on this one. My exegesis is here: https://thephilosophyforum.com/discussion/comment/869945 .

Reply to Noble Dust

Guide me...
Amity January 19, 2024 at 09:12 #873668
Quoting Baden
Really appreciate the positive feedback on this one. My exegesis is here: https://thephilosophyforum.com/discussion/comment/869945 .


Hah! I knew it was yours. Very well done. Congratulations! :sparkle:
Baden January 19, 2024 at 09:14 #873669
Reply to Amity

Really? You're good. :cool: And thank you!
Amity January 19, 2024 at 09:18 #873671
Quoting Baden
Really?


Yeah, you're a star in the bright sky :sparkle:
Baden January 19, 2024 at 11:37 #873695
Just a few things to say. Firstly, yes, the writing was fairly effortless because I had a "seed line", the first line that acts for me (when it works) like a wrapper that when unraveled contains the whole story (e.g. it begins the voice and character of the child plus it links to my own memories of childhood). I got the line at night and wrote the story from it the next morning and did a bit of editing after that. I was in the right mood so it mostly just flowed.

The wax hand was real and belonged to my uncle who invented the Simon character.. The house is real and some of the details are autobiographical (e.g. my grandfather used to say "Be the hokey man!", which is (was?) an Irish way of saying "By the holy man" or "By God"). I thought about Simon a lot as a child and at times believed in him, but I never remember dreaming of him, so the dream parts are made up and more related to the symbolism of the story (see the exegesis) than the "history" of Simon, except notably he did live in the attic.

It was really nice to write this story and I would not have written it except for the desire to write something for this competition and that I put myself in a kind of meditative state in order to do so. It was really nice especially because I have a lot of nostalgia for my childhood, which was overall very enjoyable and often magical and so finding a way back there that allowed me also to say something about art and love and anger and sadness has been an invaluable experience as has reading the thoughts of others who enjoyed the story.

Thank you all. :sparkle:

Hanover January 19, 2024 at 21:31 #873807
Quoting Baden
The child’s dreams of Simon are his premonitory understanding of the process of exiting childhood and the dangers this presents to his imaginative self. As a child he believed and thus could imagine any sort of fantasy. As an adult he won’t believe in fantasies but may or may not retain the power to create them. The danger is that with the loss of belief, the loss of the creative imagination will follow.


Exactly as I said. Puff the Magic Dragon.

"A dragon lives forever, but not so little boys
Painted wings and giant's rings make way for other toys
One gray night it happened, Jackie Paper came no more
And Puff, that mighty dragon, he ceased his fearless roar

His head was bent in sorrow, green scales fell like rain
Puff no longer went to play along the cherry lane
Without his lifelong friend, Puff could not be brave
So Puff, that mighty dragon, sadly slipped into his cave."

Children losing fantasy, growing into adults, from the perspective of the dragon, slipping back into his cave, having no friends to bring him forth.

Quoting Baden
. It was really nice especially because I have a lot of nostalgia for my childhood, which was overall very enjoyable and often magical and so finding a way back there that allowed me also to say something about art and love and anger and sadness has been an invaluable experience as has reading the thoughts of others who enjoyed the story.


My correlation between your story and the nostalgia for childhood comes not from my own but from my two boys, who grew into men, no longer talking about painted wings and giant's rings.

Struck a chord with me.
hypericin January 20, 2024 at 02:07 #873859
Quoting Amity
Hah! I knew it was yours. Very well done. Congratulations! :sparkle:

Quoting Baden
Really? You're good. :cool: And thank you!


Yeah, I had no idea. The style gave me no indication, other than quality. Baden is versatile, I was stuck on Jack Doe for him.

I've completely embarrassed myself with "guess the author", I resign.

Baden January 20, 2024 at 11:28 #873905
Reply to Hanover

I hadn't thought of that connection until you mentioned it but it's definitely there. And it's a song that I heard many times when I was around the age of the protagonist here, so the resonance is clear.

Quoting hypericin
I've completely embarrassed myself with "guess the author", I resign.


I didn't do much better. I was confident on Hanover and you and that was it.
Christoffer January 20, 2024 at 16:15 #873946
Reply to Baden

Thanks for a good story! :cheer: I think this one was my second favorite after story of THING.
Amity January 21, 2024 at 09:52 #874089
Reply to Baden

Thank you for this reveal. I loved hearing how a 'seed-line' works:
Quoting Baden
like a wrapper that when unraveled contains the whole story (e.g. it begins the voice and character of the child plus it links to my own memories of childhood)


So, 'I dream of Simon' came at night.

Quoting Baden
The wax hand was real and belonged to my uncle who invented the Simon character.. The house is real and some of the details are autobiographical (e.g. my grandfather used to say "Be the hokey man!", which is (was?) an Irish way of saying "By the holy man" or "By God")


You did so well to capture the Irishness and religious aspects. That came through for me as I read the dialogue. Slipping it in...

Quoting Noble Dust
“It’s gone.” My uncle says.

“What do you mean? I want to see it.”

“It’s gone. Just forget about it. Sure, I was only joking anyway.” He pats me on the head and walks off.


Quoting Baden
finding a way back there that allowed me also to say something about art and love and anger and sadness has been an invaluable experience as has reading the thoughts of others who enjoyed the story.


Your writing is deeply touching. I followed the votes for this, wondering if it would win.
I think if only one more person had managed to read it, it would have been a 3-way first!
Still a winner in more ways than one :sparkle:








Baden January 21, 2024 at 11:04 #874095
Reply to Christoffer Reply to Amity

Thank you both. :smile: