Yuletide Justice by Benkei
A murmured echo drifts up in Lawrences mind, the words stammering out like a frightened whisper in the dark. "It's all wrong. Ma and Pa... they... they arent there no more." Little Larrys eyes, wide with shock and trauma, reluctantly shift towards Nicholas, his gaze clouded by distress. Nicholas placed a comforting hand on Larrys quivering shoulder, instilling a sense of security. Youre safe now, son. Take a deep breath, in and out. Thats it, good job, he encouraged. "I understand it's terrifying. But I'm here with you, Larry. Together, we'll face this," Nicholas reassured him.
Larrys voice trembles, a primal fear underpinning every word he utters. "I-I found 'em by the Christmas tree between the boxes. Their eyes closed, but not like sleepin'. Blood on the floor and on their clothes. Theyre gone. Theyre not moving. Just... just gone."
Lawrences heart races, his breath hitching as he remembers. "Im scared., Larry tells Nicholas, But... but its also... like a weight liftin', like I can finally breathe, even though I dont wanna." I know, Larry. I know.
Lawrence remembers the terror, a vivid memory threading through his thoughts. His limbic system provides the words raw and stripped of any sophistication, a primal scream from the depths of a tormented child. "Its not right, but I hate them. Pas beatin, Mas screamin. And A door closes on the memory. Lawrence clenches his fists, suppressing these dark emotions and memories. Nick the neighbour was first to the scene and he would stay with Larry until he had to leave with Child Protective Services. Nick visited him daily until he was finally placed in a foster home. That, at least, is a fond memory. Lawrence always felt happy and safe around neighbour Nick.
The death of his parents never really let Lawrence go, inspiring him to become a detective and one day solve his parents murder. Years passed, and the connection with Nicholas deepened over time. Nick had become a surrogate father. Each year he would visit Lawrence on Christmas Day. Most years the conversation would turn to the murder of the night before because the death of Lawrences parents was one in a string of yearly murders.
One chilly December afternoon, while investigating a seemingly unrelated case, Larry found himself at an antique store that housed an impressive collection of Santa Claus figurines. As he perused the various displays, an assortment of Santas in different shapes, sizes, and eras caught his eye.
Lost in the nostalgic charm of the collection, Lawrences instincts suddenly stirred. Among the array of Santas, there was an uncanny resemblance to the tiny figurine Nick had once gifted him years ago. His mind, ever sharp, began drawing connections, stirring a flicker of suspicion that brought forth memories of the past.
Just as the wheels of suspicion began turning, a familiar voice disrupted Lawrences thoughts, "Fancy seeing you here, Lawrence." Lawrence turned to find Nicholas standing a few paces away, a warm smile lighting up his weathered face.
"Nick! I didn't expect to run into you here," Lawrence replied, momentarily caught off guard by the chance encounter. Nick chuckled softly, his eyes twinkling with a familiar kindness. "I bought this antique store when I sold my business. You know, this place is a treasure trove for those who appreciate the magic of the holiday season."
Lawrence nodded, his gaze shifting back to the collection of Santas. His detective instincts lingered, questioning the coincidence. "Interesting collection you have here," Larry remarked casually, though a subtle undertone of curiosity underscored his words.
Nick followed Lawrences gaze and chuckled again. "Ah, my humble obsession. Can't resist the jolly old man and his entourage, can I?"
A momentary pause hung in the air, as Lawrence weighed his thoughts carefully, his mind tiptoeing between past memories and present suspicions. Yet, as he observed Nick's genuine enthusiasm and the unabashed fondness in his eyes, a wave of familiarity washed over him.
"I've always found something fascinating about Santas," Nick continued, unaware of the underlying gears turning in Lawrences mind. "Each one tells a story, don't you think?"
Lawrence nodded, a slight smile playing at the corners of his lips. The tension in the air slowly dissipated, replaced by a sense of ease and the comfort of a familiar presence. For a moment, Lawrences suspicions waned, overshadowed by the warmth of an unexpected reunion.
In that brief encounter amidst the twinkling lights and nostalgic charm of the antique store, Larry realized that sometimes appearances could deceive on many more levels than the superficial. And in that fleeting moment, the tendrils of trust and camaraderie between Nick and Lawrence broke, weaving an unspoken mistrust that lingered long after their chance encounter.
All this flits through Lawrences mind as he floats at the edge of that fading dream, his mind attached to elusive thoughts. The faint stirrings of reality seep into his mind like tendrils of awakening, muffled by the remnants of barely processed trauma. Abruptly, the harsh symphony of police radios, the staccato chatter of officers, and the blaring sirens slice through the haze, jerking him back to reality. His senses snap to attention, a rapid blink dissipating the lingering emotions of a helpless child, as he finds himself thrust back into yet another haunting crime scene, the investigation already unfolding around him.
The sun is still low in the east. Dust particles glint in its light. The scene sprawls before Lawrence like a grim tableau, awash in the rhythmic hues of flashing police lights. He stands in a living room, all the doors open letting the chill December air inside. His breath forms fleeting puffs of mist, a silent observer amidst the chaos. Past memories superimpose over the reality of this murder. The same but different. For one, Lawrence is no child anymore.
The faint aroma of pine intermingles with the metallic tang of tragedy. Lawrences trained eye takes in the scenethe eerie familiarity of this bloody theatre sends a shiver down his spine. Another Christmas, another murder. The daughter, trembling but resolute, sits in the kitchen away from the scene, eyes wide with shock. Lawrence notes her fear, the unshed tears, and the unspoken horror etched in her gaze - a silent testament to relief masked in the guise of terror.
Lawrences mind races, dissecting the environment with a seasoned precision born of countless investigations. From the alignment of the furniture to the placement of the crushed gifts, the awkward angle of the dead parents, the clutter of fallen items soaking in blood, the pungent stink of faeces; he could visualise the unfolding of the murder, each fragment holding a piece of the puzzle.
Counting the spent shells scattered around and determining their type (.22), he discerns there had been only one shooter. His gaze moves to the wallthe impact mark and bodies suggest three shots fired, but only two had hit the targets. The parents are lying against the tree, which fell under an angle against the wall. Presents crushed. Their eyes are closed. The killer closes them for reasons that continue to escape him. Everything echoes the pattern of previous murders dead parents, a scared child, guns and Lawrence searches for that last element tying it to the previous cases.
There it is. As the officers scour the scene for evidence, Lawrences attention fixates on a single, as of yet overlooked clue. A tiny figurine of Santa Claus left on the mantelpiece. He absentmindedly rubs his keychain, holding the same figurine hes owned since he was six. Identical.
A smudge darkens Santas left leg. Lawrence whips out a plastic evidence bag, shakes it twice and with a tweezer drops Santa Claus into the bag. He zips it closed. He hands it off to one of the forensic investigators with instructions: Check for prints and gunpowder residue. Will do, Detective.
Satisfied he hasnt missed anything, Lawrence leaves the scene and gets into his 1967 Lincoln Continental. His first and only car, which he bought with the money the insurance company paid out when his parents died. He puts the keys in the ignition and looks down at a damaged and worn Santa jangling beneath them; round belly, ruddy cheeks with a red hat and clothes. Lawrence grabs it, reading the embossed base: Kringle Toys. Clutching it, he returns to the past.
Nick extends a hand, offering the figurine to Larry, while the other is open, beckoning Larry to place what hes holding in it. Larry hesitates before tentatively reaching out to the tiny Santa.
I I dont want this any more, little Larry stammers, his voice barely audible in the night. Nick nods in understanding that resonates through the murky atmosphere, accepting something else in exchange, something weightier. Larry feels safe. Thats my boy, Nick says, You really helped. Nick's gloved hand moves towards Larry, a finger wiping his cheek. As the shadow of his hand moves over Larrys eyes, the memory lingers like an elusive spectre, a fragment of an enigmatic trade that Lawrence struggles to comprehend.
Lawrence feels the tendrils of that recurring clue drawing him back to Nicholas whos former business turned out to be Kringle Toys and who seems to hold the keys to the mystery he has been chasing for years. Lawrence starts the car and drives off. About half an hour later he knocks on Nicks door. Lawrence questions himself again, not sure what hes doing here. Nick is Lawrences main suspect and at the same time hes Lawrences closest thing to family. The only one who ever helped him, when he was still helpless.
Nick is getting on in years, a kind-hearted, elderly man. To everyone else, hes a local philanthropist and generous during the holiday season. Lawrence hears Nick shuffling behind the door, the locks turn and the bolt clicks. Nick greets him: Larry! What a wonderful surprise. Come in, come in.
Lawrence walks through the vestibule into the hallway, hangs his coat and upon entering the living room briefly stops at Nicks weapon display. Twelve guns. Lawrence once again goes over them: Desert Eagle, Derringer, Pistol, Vector SMG, Colt Mustang ,CZ 52, Dan Wesson, Beretta, Remington, OTs, Browning and Colt Delta Elite. Nick pushes up his glasses, waiting for Lawrence. Lawrence looks at Nick. Hejust cant imagine Nick with guns. He checks Nicks hands but of course theres nothing to see. Its the same ritual every time Lawrence visits since that chance meeting in the antique store: Nick is always friendly and Lawrence hides his suspicions. Nick smiles affably. Tea? Yes, that would be lovely.
As Nick pours, he asks, What brings you here today, Larry?
Another murder, Im afraid.
Really? Is it that time of the year already?
It is. But this time he made a mistake.
Did he now?
Yes. I found gunpowder residue on his calling card.
Well, thats excellent news, isnt it? You can finally crack the case now. Nick sips his tea, looking at Lawrence intently.
In the quiet, Lawrence senses a palpable tension, an undercurrent lurking beneath Nicks friendly demeanour. As he sips his tea, the weight of suspicion reveals itself to Lawrence, amplified by the subtle but undeniable hints scattered over the years and now the faint residue of gunpowder on the Santa figurine, that Lawrence is sure would be found on one of the guns in the display. And yet, Lawrence still hesitates.
The weapons mounted in the display seem innocuous at first glance, yet Lawrence cant shake off the sense of something more to them. The atmosphere crackles with an inexplicable energy, a subtle blend of mysticism and the trappings of the holiday season. Lawrences gaze flits once more to the weapons.
Nick shuffles closer to them, his fingers grazing the guns with a reverential touch. "They've served me well, these dear companions," Nick murmurs cryptically, his words tinged with a mystical resonance that sends a shiver down Lawrences spine. Lawrences gaze shifts from the guns to Nick. There, in the depths of Nick's eyes, Lawrence discerns an understanding behind Nicks benevolent gaze that Lawrence struggles to fathom.The weight of his revelation juxtaposes against the warmth and kindness Lawrence has received from Nick over the years, fostering an inner conflict that demands resolution.
"Nick," Lawrences voice quivers, the accusing tone laced with dread. "I've been to the crime scene. I've connected the dots, and it all points to you."
Nick's countenance remains stoic, a mask of inscrutable calm. "I understand why you'd think that, Lawrence," Nick replies, his words resonating in the quiet of his old-fashioned home. "But sometimes, the truth isn't what it appears to be."
A haunting silence envelopes them, punctuated only by the weight of Lawrences accusation and the unsettling realisation that the man he trusted might be responsible for the atrocities echoing Lawrences own suppressed past. The men sip their tea. As Lawrences gaze wanders across the room, it settles upon the innocuous Derringer pistol which fires .22 mm rounds, mirroring the casings he had found at the crime scene. A flicker of recognition surges through him.
Memories, long suppressed, claw their way to the surface with a chilling clarity. Flashes of his childhood, the familiar echoes of gunfire, and the haunting scenes intermingled with the evidence. In a moment of disorientation, Lawrence gets up not sure what to do, clutching at the damning understanding that the Derringer pistol has become a catalyst.
Nick regards Lawrence with a serene composure, his eyes holding an empathetic understanding that transcends the dire circumstances. "The truth has a way of revealing itself, Lawrence. Sometimes, our past returns to claim us."
In a surreal moment of mania, Lawrence presses the Derringer to his nose, his hands quivering as he inhales deeply. A faint, smoky scent wafts from the barrel. The telltale odour of spent gunpowder lingering, which brings him right back. Right back to little Larry. A puff of smoke and his parents falling and right after that that smell. That smell is showing him what he didnt want to remember. Lawrence closes his eyes as a tear rolls down his cheek.
Larrys wrists ache. His shoulder hurts as if a mule kicked him. Dad still mouths why but it doesnt register after Larrys ears ring like a cymbal. Nick bends over his dead parents, closing their eyes, while speaking reassuringly to Larry: Well done, boy. Youre safe. Youre free. Here, youve earned this. Nick holds out a small figurine of Santa Claus. Larry takes it. Thats my boy. Youve really helped. Nicks gloved hand moves towards Larry, a finger wiping his cheek.
As Lawrence opens his eyes, Nick stands in front of him. A finger wipes the tears away.
Larrys voice trembles, a primal fear underpinning every word he utters. "I-I found 'em by the Christmas tree between the boxes. Their eyes closed, but not like sleepin'. Blood on the floor and on their clothes. Theyre gone. Theyre not moving. Just... just gone."
Lawrences heart races, his breath hitching as he remembers. "Im scared., Larry tells Nicholas, But... but its also... like a weight liftin', like I can finally breathe, even though I dont wanna." I know, Larry. I know.
Lawrence remembers the terror, a vivid memory threading through his thoughts. His limbic system provides the words raw and stripped of any sophistication, a primal scream from the depths of a tormented child. "Its not right, but I hate them. Pas beatin, Mas screamin. And A door closes on the memory. Lawrence clenches his fists, suppressing these dark emotions and memories. Nick the neighbour was first to the scene and he would stay with Larry until he had to leave with Child Protective Services. Nick visited him daily until he was finally placed in a foster home. That, at least, is a fond memory. Lawrence always felt happy and safe around neighbour Nick.
The death of his parents never really let Lawrence go, inspiring him to become a detective and one day solve his parents murder. Years passed, and the connection with Nicholas deepened over time. Nick had become a surrogate father. Each year he would visit Lawrence on Christmas Day. Most years the conversation would turn to the murder of the night before because the death of Lawrences parents was one in a string of yearly murders.
One chilly December afternoon, while investigating a seemingly unrelated case, Larry found himself at an antique store that housed an impressive collection of Santa Claus figurines. As he perused the various displays, an assortment of Santas in different shapes, sizes, and eras caught his eye.
Lost in the nostalgic charm of the collection, Lawrences instincts suddenly stirred. Among the array of Santas, there was an uncanny resemblance to the tiny figurine Nick had once gifted him years ago. His mind, ever sharp, began drawing connections, stirring a flicker of suspicion that brought forth memories of the past.
Just as the wheels of suspicion began turning, a familiar voice disrupted Lawrences thoughts, "Fancy seeing you here, Lawrence." Lawrence turned to find Nicholas standing a few paces away, a warm smile lighting up his weathered face.
"Nick! I didn't expect to run into you here," Lawrence replied, momentarily caught off guard by the chance encounter. Nick chuckled softly, his eyes twinkling with a familiar kindness. "I bought this antique store when I sold my business. You know, this place is a treasure trove for those who appreciate the magic of the holiday season."
Lawrence nodded, his gaze shifting back to the collection of Santas. His detective instincts lingered, questioning the coincidence. "Interesting collection you have here," Larry remarked casually, though a subtle undertone of curiosity underscored his words.
Nick followed Lawrences gaze and chuckled again. "Ah, my humble obsession. Can't resist the jolly old man and his entourage, can I?"
A momentary pause hung in the air, as Lawrence weighed his thoughts carefully, his mind tiptoeing between past memories and present suspicions. Yet, as he observed Nick's genuine enthusiasm and the unabashed fondness in his eyes, a wave of familiarity washed over him.
"I've always found something fascinating about Santas," Nick continued, unaware of the underlying gears turning in Lawrences mind. "Each one tells a story, don't you think?"
Lawrence nodded, a slight smile playing at the corners of his lips. The tension in the air slowly dissipated, replaced by a sense of ease and the comfort of a familiar presence. For a moment, Lawrences suspicions waned, overshadowed by the warmth of an unexpected reunion.
In that brief encounter amidst the twinkling lights and nostalgic charm of the antique store, Larry realized that sometimes appearances could deceive on many more levels than the superficial. And in that fleeting moment, the tendrils of trust and camaraderie between Nick and Lawrence broke, weaving an unspoken mistrust that lingered long after their chance encounter.
All this flits through Lawrences mind as he floats at the edge of that fading dream, his mind attached to elusive thoughts. The faint stirrings of reality seep into his mind like tendrils of awakening, muffled by the remnants of barely processed trauma. Abruptly, the harsh symphony of police radios, the staccato chatter of officers, and the blaring sirens slice through the haze, jerking him back to reality. His senses snap to attention, a rapid blink dissipating the lingering emotions of a helpless child, as he finds himself thrust back into yet another haunting crime scene, the investigation already unfolding around him.
The sun is still low in the east. Dust particles glint in its light. The scene sprawls before Lawrence like a grim tableau, awash in the rhythmic hues of flashing police lights. He stands in a living room, all the doors open letting the chill December air inside. His breath forms fleeting puffs of mist, a silent observer amidst the chaos. Past memories superimpose over the reality of this murder. The same but different. For one, Lawrence is no child anymore.
The faint aroma of pine intermingles with the metallic tang of tragedy. Lawrences trained eye takes in the scenethe eerie familiarity of this bloody theatre sends a shiver down his spine. Another Christmas, another murder. The daughter, trembling but resolute, sits in the kitchen away from the scene, eyes wide with shock. Lawrence notes her fear, the unshed tears, and the unspoken horror etched in her gaze - a silent testament to relief masked in the guise of terror.
Lawrences mind races, dissecting the environment with a seasoned precision born of countless investigations. From the alignment of the furniture to the placement of the crushed gifts, the awkward angle of the dead parents, the clutter of fallen items soaking in blood, the pungent stink of faeces; he could visualise the unfolding of the murder, each fragment holding a piece of the puzzle.
Counting the spent shells scattered around and determining their type (.22), he discerns there had been only one shooter. His gaze moves to the wallthe impact mark and bodies suggest three shots fired, but only two had hit the targets. The parents are lying against the tree, which fell under an angle against the wall. Presents crushed. Their eyes are closed. The killer closes them for reasons that continue to escape him. Everything echoes the pattern of previous murders dead parents, a scared child, guns and Lawrence searches for that last element tying it to the previous cases.
There it is. As the officers scour the scene for evidence, Lawrences attention fixates on a single, as of yet overlooked clue. A tiny figurine of Santa Claus left on the mantelpiece. He absentmindedly rubs his keychain, holding the same figurine hes owned since he was six. Identical.
A smudge darkens Santas left leg. Lawrence whips out a plastic evidence bag, shakes it twice and with a tweezer drops Santa Claus into the bag. He zips it closed. He hands it off to one of the forensic investigators with instructions: Check for prints and gunpowder residue. Will do, Detective.
Satisfied he hasnt missed anything, Lawrence leaves the scene and gets into his 1967 Lincoln Continental. His first and only car, which he bought with the money the insurance company paid out when his parents died. He puts the keys in the ignition and looks down at a damaged and worn Santa jangling beneath them; round belly, ruddy cheeks with a red hat and clothes. Lawrence grabs it, reading the embossed base: Kringle Toys. Clutching it, he returns to the past.
Nick extends a hand, offering the figurine to Larry, while the other is open, beckoning Larry to place what hes holding in it. Larry hesitates before tentatively reaching out to the tiny Santa.
I I dont want this any more, little Larry stammers, his voice barely audible in the night. Nick nods in understanding that resonates through the murky atmosphere, accepting something else in exchange, something weightier. Larry feels safe. Thats my boy, Nick says, You really helped. Nick's gloved hand moves towards Larry, a finger wiping his cheek. As the shadow of his hand moves over Larrys eyes, the memory lingers like an elusive spectre, a fragment of an enigmatic trade that Lawrence struggles to comprehend.
Lawrence feels the tendrils of that recurring clue drawing him back to Nicholas whos former business turned out to be Kringle Toys and who seems to hold the keys to the mystery he has been chasing for years. Lawrence starts the car and drives off. About half an hour later he knocks on Nicks door. Lawrence questions himself again, not sure what hes doing here. Nick is Lawrences main suspect and at the same time hes Lawrences closest thing to family. The only one who ever helped him, when he was still helpless.
Nick is getting on in years, a kind-hearted, elderly man. To everyone else, hes a local philanthropist and generous during the holiday season. Lawrence hears Nick shuffling behind the door, the locks turn and the bolt clicks. Nick greets him: Larry! What a wonderful surprise. Come in, come in.
Lawrence walks through the vestibule into the hallway, hangs his coat and upon entering the living room briefly stops at Nicks weapon display. Twelve guns. Lawrence once again goes over them: Desert Eagle, Derringer, Pistol, Vector SMG, Colt Mustang ,CZ 52, Dan Wesson, Beretta, Remington, OTs, Browning and Colt Delta Elite. Nick pushes up his glasses, waiting for Lawrence. Lawrence looks at Nick. Hejust cant imagine Nick with guns. He checks Nicks hands but of course theres nothing to see. Its the same ritual every time Lawrence visits since that chance meeting in the antique store: Nick is always friendly and Lawrence hides his suspicions. Nick smiles affably. Tea? Yes, that would be lovely.
As Nick pours, he asks, What brings you here today, Larry?
Another murder, Im afraid.
Really? Is it that time of the year already?
It is. But this time he made a mistake.
Did he now?
Yes. I found gunpowder residue on his calling card.
Well, thats excellent news, isnt it? You can finally crack the case now. Nick sips his tea, looking at Lawrence intently.
In the quiet, Lawrence senses a palpable tension, an undercurrent lurking beneath Nicks friendly demeanour. As he sips his tea, the weight of suspicion reveals itself to Lawrence, amplified by the subtle but undeniable hints scattered over the years and now the faint residue of gunpowder on the Santa figurine, that Lawrence is sure would be found on one of the guns in the display. And yet, Lawrence still hesitates.
The weapons mounted in the display seem innocuous at first glance, yet Lawrence cant shake off the sense of something more to them. The atmosphere crackles with an inexplicable energy, a subtle blend of mysticism and the trappings of the holiday season. Lawrences gaze flits once more to the weapons.
Nick shuffles closer to them, his fingers grazing the guns with a reverential touch. "They've served me well, these dear companions," Nick murmurs cryptically, his words tinged with a mystical resonance that sends a shiver down Lawrences spine. Lawrences gaze shifts from the guns to Nick. There, in the depths of Nick's eyes, Lawrence discerns an understanding behind Nicks benevolent gaze that Lawrence struggles to fathom.The weight of his revelation juxtaposes against the warmth and kindness Lawrence has received from Nick over the years, fostering an inner conflict that demands resolution.
"Nick," Lawrences voice quivers, the accusing tone laced with dread. "I've been to the crime scene. I've connected the dots, and it all points to you."
Nick's countenance remains stoic, a mask of inscrutable calm. "I understand why you'd think that, Lawrence," Nick replies, his words resonating in the quiet of his old-fashioned home. "But sometimes, the truth isn't what it appears to be."
A haunting silence envelopes them, punctuated only by the weight of Lawrences accusation and the unsettling realisation that the man he trusted might be responsible for the atrocities echoing Lawrences own suppressed past. The men sip their tea. As Lawrences gaze wanders across the room, it settles upon the innocuous Derringer pistol which fires .22 mm rounds, mirroring the casings he had found at the crime scene. A flicker of recognition surges through him.
Memories, long suppressed, claw their way to the surface with a chilling clarity. Flashes of his childhood, the familiar echoes of gunfire, and the haunting scenes intermingled with the evidence. In a moment of disorientation, Lawrence gets up not sure what to do, clutching at the damning understanding that the Derringer pistol has become a catalyst.
Nick regards Lawrence with a serene composure, his eyes holding an empathetic understanding that transcends the dire circumstances. "The truth has a way of revealing itself, Lawrence. Sometimes, our past returns to claim us."
In a surreal moment of mania, Lawrence presses the Derringer to his nose, his hands quivering as he inhales deeply. A faint, smoky scent wafts from the barrel. The telltale odour of spent gunpowder lingering, which brings him right back. Right back to little Larry. A puff of smoke and his parents falling and right after that that smell. That smell is showing him what he didnt want to remember. Lawrence closes his eyes as a tear rolls down his cheek.
Larrys wrists ache. His shoulder hurts as if a mule kicked him. Dad still mouths why but it doesnt register after Larrys ears ring like a cymbal. Nick bends over his dead parents, closing their eyes, while speaking reassuringly to Larry: Well done, boy. Youre safe. Youre free. Here, youve earned this. Nick holds out a small figurine of Santa Claus. Larry takes it. Thats my boy. Youve really helped. Nicks gloved hand moves towards Larry, a finger wiping his cheek.
As Lawrence opens his eyes, Nick stands in front of him. A finger wipes the tears away.
Comments (59)
"Yuletide Justice" (it is the first time I have read this word) intricately weaves a tale of suspense and retribution, immersing readers in the world of detectives and the pursuit of justice during the festive season. A story of revenge in a period of time which friendship and family are key. The yuletide backdrop adds a unique flavor to the narrative, juxtaposing the joyous holiday atmosphere with the darker undertones of justice sought and revenge pursued.
While I was reading the story, I highlighted the following quotes:
Quoting Noble Dust
I liked how the author connects us with the main character using empathy for his trauma. Larry never forgets why he is a detective now and why he is at the current point of his life. A skilled and brilliant detective, but due to the murder of his parents, sadly.
Quoting Noble Dust
I didn't get it the first time I read this paragraph, but the author is actually referring to a revolver.
Quoting Noble Dust
It is beautifully written. The last part was emotional. Here the author showed great technique to touch the reader's feelings.
Quoting Noble Dust
Odd thing to do during an investigation :razz:
Quoting Noble Dust
I am calling it now that Nicholas is the murderer.
Quoting Noble Dust
It is being strongly hinted that it is the case now. Maybe a set up for a double plot twist?
Quoting Noble Dust
So every case before had the same figurine, the figurine that Nick gave him, and that was never brought up before? Well, it could be that (Lawrence thought) Nick found it on the scene and gave it to him.
Quoting Noble Dust
Nick is the murderer, Lawrence just remembered the face of the murderer. But what did Nick mean by "truth is not always what it seems". Did Lawrence instead kill his parents under some sort of spell?
Very well written, nice short story about a serial killer, but I think the plot is lacking a bit. Though I wonder why Yuletide instead of Christmas. Is there some reference to Nordic mythology?
It doesn't seem like Nick pulled the trigger though, with Larry's wrists and shoulder aching. I think Larry shot his own parents with Nick there. I'm also wondering why he's listing all twelve guns when only one is relevant. It's weird.
I think Larry did all the murders. The first one was to stop his parents fighting. Nick arrived first on the scene and protected him by taking the gun, for which he offered a little Santa in trade - as adults often do, to persuade a small child to relinquish something they shouldn't have. As a policeman, he had access to weapons and was called to cases of domestic violence all the time, and he chose Christmas to mete out frontier justice (hence the title). He did this in fugue state and shut the memory deep in his subconscious. He would ten leave a Santa figurine and give the gun to Nick for safekeeping against the day Larry recovered his memory.
Eleven other murders: there are twelve different weapons in the display. He always does it at Christmas, like a tradition.
Quoting Noble Dust
My guess is, he's come across some abusive parents during the year and saves up their punishment until Christmas to commemorate his own liberation. And he doesn't remember any of it until all the pieces suddenly fall into place.
Quoting Noble Dust
That suggests the guns were Nick's all along. Maybe he's in on it as well?
Not really: he has them on display, yet they're incongruous in his house:
Quoting Noble Dust
But a police detective has access to all manner of weapons seized in raids. After each crime, Nick offered Larry a little Santa, which Larry leaves at the scene (the killer's calling card) in return for the latest gun. He's been keeping the guns in plain sight, waiting for Larry to remember.
I did get snagged on the sequence of events. Either Nick was there at the scene with him every time, or followed him there, or else Larry came to visit him immediately after the crime, in which case he would have to leave last year's Santa figurine. But then, he's kept the original one, so he'd be one short. So how did the most recent gun get to Nick's before Larry did, but is not cleaned?
This a technicality I'd want to delve into during a proper investigation, but let it slide, for the sake of an otherwise very good story.
Seems like Nick, after all, is a protective uncle, more of a father than his own ever was, who saved the narrator (his nephew) from a lifetime of prison or the orphanage by cleaning up the evidence so his brother's son could be free and live anew without the maladies that ailed his father and own brother.
Sweet, in a way. Ha. That is to say my conclusion is that the boy killed his own parents for being abusive, repressed the memory, and his uncle, knowing the boy more than his own father, expected this and arrived when he knew tensions would be most high strung (the holidays), and protected his nephew and brother's son in ways he knew his own father never could. Bittersweet.
Very solemn yet sobering theme at the end, which makes up for any less than eloquent writing or fanciful yet unneeded magniloquence in words or plot formation. A very poignant and thoughtful author submitted this, no doubt. Of course, easily borrowed from past masters. :wink:
A murder mystery. Whodunnit and Why?
Starting with a flashback to the first killing of parents with their distressed child as witness or...
In this case, the adult Lawrence's mind flutters to his younger self, Little Larry being comforted by Nicholas at Christmas.
A shared intimacy between a father figure and 'son'. An understanding shown for the act and terror. Together they are facing it. How complicit is neighbourly Nick? Is he a Santa or a Devil?
Then 2 short dialogues between them. First, as Larry with trembling description of the crime scene.
Quoting Noble Dust
This is etched deep in his mind. It will play out later over the years until present day Lawrence realises:
Quoting Noble Dust
The way the story unfolds to get to this point is the stuff of television detective procedurals.
The serial murderer wants it to end. The smudge is deliberately left on the 12th gun (12 days of Christmas). Nick and/or Lawrence has previously worn gloves.
After the final murder:
Quoting Noble Dust
He lies. It can't surprise him. It has happened annually.
A murder replicated from a sense of justice. The reward of a Santa. The ritual.
Quoting Noble Dust
I love the insertion of the civilised tea ceremony. As the game plays out. To the final flashback, the author's revelation of Larry as Santa's little helper, and the repetition:
Quoting Noble Dust
***
A good entertaining story. Scenes very well described. 5.
We see, hear, taste and smell the scene; the feelings they arouse in Lawrence. So well described:
Quoting Noble Dust
Lawrence has empathy with the daughter. He knows the whys and wherefores:
Quoting Noble Dust
Terror relieved.
Did Nick provide Larry with the first gun and the gift of meting out a dark justice without legal consequence. He then took it back and rewarded him with Santa. A replica of himself. Nick then protected his 'son', after congratulating him on a deed well done. A strange relationship.
Again, the author talks of exchange of something 'weightier' - perhaps Larry's soul?
Quoting Noble Dust
An enigmatic trade, indeed. Tis a mystery...I wonder what happens next. Perhaps Larry kills Nick?!
Or will he take the fall for him...the tide ebbs and flows. I don't know. Therein lies the beauty.
Only because he hasn't quite recalled the gun yet. That's what he gave Nick in return for the figurine, so that Nick could get rid of the evidence against him. Nick, as next-door neighbour, would have heard the shots, as he had previously heard the family fight, been first on the scene and called the police, once he'd reassured the child. Nobody would have thought to test a scared little kid's hands - he would have needed both - for powder residue, or notice that his arms hurt from the recoil. They would assume the killer was an adult home-invader who took his gun when he got away.
Quoting Amity
I think they just keep their life-long conspiracy a secret. The murders stop but I don't think their friendship does. And it's not likely Lawrence turns himself in: he feels he was doing the right thing: meting out justice, as per the title.
I couldn't give it a rating because I clicked on results accidentally. I give it a 4/5.
Just click on "poll" and you can vote.
The beer I just had really did a number on me.
The "results" button you clicked turns into "poll" when you click it. Just click it again.
Well, it is not undeserved either way.
Thanks for the help.
Sorry, but I do not get what you mean by 'score to date'. I see you posted it in other stories too. It doesn't make sense to me. You say '18' but this story only got 4 votes: 1 vote went to a '3' mark (25 %) and the other 3 votes went for '5' mark (75 %). So, where does your score measure come from?
That's how you get all scores to count.
Yes. For sure, they are in cahoots.
Quoting Vera Mont
Yes, perhaps lazy and traditional procedures would include that assumption. However, I think that the assumption that children can't be killers of parents is long gone. Lawrence knows the daughter is the killer. There are 5 paragraphs dedicated to the crime scene.
Lawrence saw and covered it all:
Quoting Noble Dust
And left: Quoting Noble Dust
He has evidence which will perhaps lead to him:
Quoting Noble Dust
However, where do we read of the evidence/tests ( powder residue) which would incriminate the girl.
There is nothing.
A blind eye is turned. How many people are let off the hook because of 'frontier justice'.
Remember our wonderful discussion of @180 Proof's 'Duct Tape'? The ethics involved. The heat.
I miss @Tobias. Even if I didn't always agree with him. There was passion in the meaningful exchanges.
https://thephilosophyforum.com/discussion/14566/duct-tape-by-180-proof
Quoting Vera Mont
Yes, I understand the title. And perhaps Lawrence can justify his actions, morally. He can live with it.
But 'Santa Claus' is being processed...will that be spoiled or corrupt...or simply not enough.
All 12 shootings were done by children? All at Christmas? No hysterical confessions? And no weapon at any of the scenes? What are the odds?
No, I think either Larry did them all, and Nick took away all the weapons, just as he had taken away that first one, so there was no reason to suspect the child in any instance. Or else Larry did the first one and Nick did all the rest, but this seems to me less credible both psychological grounds and because he doesn't have the same unlimited access to anonymous weapons or to relevant information about cases of child abuse. A deliberate collusion beforehand is even less likely while Lawrence can't recall the incidents.
Quoting Noble Dust
This seems a bit odd, in light of this - Lawrence going to Nick's:
Quoting Noble Dust
Quoting Noble Dust
Oh! Ah! That penny just dropped while I was editing. He went there immediately his memory started returning and didn't wait for Nick's visit the next day. He needed to see the gun collection and test his suspicion right away.
Quoting Amity
There was reason it should. No weapon. She's just shocked and horrified. When children do something really, really bad, they usually break down and babble it all out at the earliest opportunity. Nor would it incriminate her anyway, since she's innocent.
Quoting Amity
No weapon for comparison, no fingerprints. Lawrence is the only one who knows its significance. He alone sees the gun, at Nick's house, later.
As I said, my only problem with this is logistical: how do the guns get to Nick's house and if Larry is leaving them and still has the first one on his key-chain, where did he get the figurines? Nick must be getting to the crime scenes before the police, so he must have prior knowledge.
(I do like murder stories!)
Yeah well. It's fiction, innit?
Quoting Vera Mont
Yeah, all in one cosy (English) village...hah! Any Spanish ones @javi2541997?
I loved the Italian series: Inspector Montalbano. Beautiful settings - Vigàta, Sicily.
Quoting Vera Mont
Oh God, yeah!
Quoting Vera Mont
I bow to your excellent powers of observation! But how is she innocent? If this is a replica murder. She will have fired the shots, no? There will be powder residue on her hand.
Quoting Vera Mont
The 'Santa Claus' appears to have a smudge - DNA or print? If good enough, can't they be matched to a national database. Or are only criminals on such files? Hmm.
OK. Giving up now. Hasn't the author done well!?
No. I'm pretty sure Lawrence did. He did all of them.
Quoting Amity
Just powder. From a glove. The kid is has no police record. Anyway, she's clean. They all are: Lawrence, in his alter-ego as young Larry did it to save them.
My current bedtime viewing is Prime Brit Box - they have both of my favourites : Waking the Dead and Silent Witness . For the realistic depiction of forensic investigation, in which I had a small part, back in the pre-DNA era.
OK. I surrender. Hands up. You win. Hands down.
Quoting Vera Mont
You written your autobiography yet?
Nobody wants to read all my past lives. But my first finished novel was, appropriately enough, a murder story. I fell in with Margery Allingham and Dorothy Sayers at age 19 and barely looked at Christie until 1910, but that was down to the splendid television adaptation of Poirot.
That is where you are wrong.
'until 1910'?
I've been re-enjoying David Suchet as Poirot. Not quite covered the 13 series...
https://www.itv.com/watch/agatha-christies-poirot/L0830
Easy on the brain and senses. Nostalgia and history. I watched one set in Rhodes, Greece (? Triangle at Rhodes) and wondered why the police were Italian. Guess the year?
Agatha Christie investigated. Over 3 episodes by Lucy Worsley. Her English poshness can grate at times but her enthusiasm and knowledge cannot be denied. Fascinating insight.
Quoting Amity
And wonderful Art Deco architecture (my fourth love). She's terrific on background and atmosphere, but she does sometimes cheat on the plot and clues.
A skillfully written, fun, suspenseful dark comedy.
Oh yes. That whole vibe.
'Fourth love'? Do you have a list of 10? What's your criteria? Have I asked this before. I'm getting a weird sense of déjà vu. Time to chill.
Do tell.
Hmmm cosy :chin:
I am thinking about Cee in northwestern Spain. My family used to spend the holidays there when I was a kid.
Cee, Spain
Because he's blocked out the memory - as people often do with childhood trauma.
Quoting Nils Loc
Yup. Because he is the regular police now, and they rarely suspect one another. Quoting Nils Loc
His self-appointed guardian and protector. Secret Santa.
You understand, I don't know any of this; it's just my reading of the story.
Quoting Amity
I've never counted. Growing up, I loved animals, nature, then literature, then, architecture... chronological order, I guess.
Quoting Amity
It's called A Tidy Killing and I'm not very proud of it. I think I got better at the craft.
I loved boobs first and then I got bored with it for about 15 years but it will always be my first love.
The hero is the villain, but I cannot call Lawrence a villain, unfortunately. In this story, repressed memory is the excuse. Notice that the murders are the background noise while we wait to discover something awful about Nick.
I gave it a 4.
Score to date is 22.
Quoting Amity
Welcome back! :hearts: :cool:
Quoting Noble Dust
The shift in tense here threw me. I think it's a good idea to describe the memory of the murder in present tense, but the whole scene should stay in that tense.
Quoting Noble Dust
I think this important aspect of the story would be stronger if it could be introduced somehow in the opening scene. Plus the coincidence of Larry stumbling upon the store that Nicholas happened to buy is perhaps a bit much.
In that chance encounter, I found these descriptions to be a bit repetitive:
Quoting Noble Dust
Quoting Noble Dust
Quoting Noble Dust
This only needs to be said once.
Quoting Noble Dust
This is a perfect sentence!
Quoting Noble Dust
But then tendrils, such a great word, is used again too soon, and again a third time.
Quoting Tobias
I didn't pick up on this at first. Good eye. This definitely adds a nice depth.
What is it you don't you understand about the santa connection?
How about:
Nick accompanies or follows Lawrence on each of his missions of revenge/liberation. Lawrence has acquired a firearm from police stores and is, of course, wearing leather gloves. In his Larry hurt child persona, he shoots the bad parents. Nick then closes their eyes, offers Larry a Santa figurine and takes the gun away. Larry leaves the Santa at the scene.
Lawrence recalls nothing of these events: when he's called out, he attends the crime in his present, detective persona, and investigates as per routine. He later pays his annual Christmas visit to his old friend and neighbour... whose gun collection has increased by one.
His memory only started to return when he - in connection with a different matter - happened upon the curio shop and recognized a Santa figurine as identical to the one he has on his key-chain, which he had not hitherto associated with Nick. Now he begins to making connections like a proper detective.
There. That's it, all tied up for me. To quote a perceptive woman, "Well, it's fiction, innit?" But it's solid, consistent, plausible fiction. (Geez, I hope I got it right this time!)
:heart: Absolutely. Well done. You've put the case to rest. Yay! :sparkle:
Only one thing:
Quoting Vera Mont
Why leather and why 'of course'? What if dear Lawrence is a vegan?
However, while it's ok as a story trope to have the main character not remembering a trauma, becoming obsessed with it in his adult years, it seems far fetched that there's been these many killings with the same modus. That each and every child would just forget and never tell any further details that would hint at Nick being the killer. It's not like amnesia due to trauma is always happening in every person. Unless there's a supernatural aspect to all of this. Nick is of course reminiscent of St Nicolas, and has been pointed out, carrying out justice. So maybe he's actually Santa, carrying out "Christmas miracles" in the form of justice for these children, but in a very dark way. That would explain all children not remembering anything. But then again, it's presented as a traditional serial killer story with Christmas and Santa as a theme, so I'm not sure what to make of it.
Also, while it can be good to have different names for characters in speech and text, it becomes a little jarring that it shifts between Lawrence and Larry, Nick and Nicholas. It's obviously easy to get that they're the same, but at first it made the story start out very confusing, as if there were four people until everything clicked. Not doing so would have made it cleaner and more easy to follow, at least set up the differences in names in a way that is easier to follow, right now, the first paragraphs became very confusing until the name-thing clocked into place.
Was thinking a 4, but the rough edges rounded it down to 3. It may also be a story that may have needed to be longer, to move into Nick being the suspect a bit later to build up their relation more so that the transition felt more impactful as it does for Lawrence. So it was decent. :up:
He's a cop. He doesn't have to chew on them.
Hah! That takes me back to the hoots of laughter when my friends and I spotted the M&S sign:
'Vegan-friendly shoes'. We were in Edinburgh passing the time, before going on for a celebratory dinner and drinks. Silly and in high spirits, trying on hats we would never wear. No cops about. :smile:
Santa (Nick) gets the kids to commit the murders. Those are his little helpers. That's why there's "a silent testament to relief masked in the guise of terror." with the girl. She's happy they're dead and obviously terrorised by having done it herself.
The 12 guns are his "dear companions".
There's a hint of the supernatural to keep readers guessing whether it's Santa or just a guy.
I wanted to write a story with a plot twist, inspired by Death Note, to practise for the larger story I'm writing which has a few twists and I want to make sure people can follow it. So I purposefully made it more difficult by shifting between various times and memories and the present to see if I could pull it off.
@Noble Dust I had spotted the past tense in the beginning when it was up and was tempted to edit is but didn't want to undermine the competition. The other criticisms are good. The coincidence of Nick buying that store was totally unnecessary and now it looks like a really dumb decision to put it in. Didn't have a proofreader this time either, which makes it harder to spot things that in the writing flow seem like a fine idea. :) Same with the "tendrils". Anyhoo, helpful feedback.
Yes! I knew it woz the kids wot dunnit :smile: Shoulda stuck to my guns :wink:
Very well done to keep us all guessing. Good luck with the bigger story. Yay :clap:
Cool, this was my interpretation, but I don't know if I ever stated that.
Quoting Benkei
:up: I'm sure it didn't influence people's scoring. Thanks for following my request to not ask for edits, but in hindsight something that small isn't significant. Unfortunately it's just the principle of the thing; give an inch and all that.
Quoting Benkei
I wonder how you could bring the Santa figurine in at that spot without the store. I have no idea, but something to brainstorm on if it's a story you want to revise.
Quoting Benkei
Yours was one of the only stories I went into detailed criticism of (mostly due to time constraints), which I felt bad about, so I'm glad it helped; obviously that was the goal. I enjoyed it and found it to be an interesting departure from your other entries.
He could have a selection simply at home, for instance. I don't know why in my head there had to be such a convoluted reason for introducing the figurines. The mind makes weird hops and assumptions at time.