Contingent (The Brain Stays) by ToothyMaw

Noble Dust January 01, 2024 at 02:28 425 views 24 comments
They say time runs in a single direction.

I say time is contingent.

What is the ticking of a clock, a revolution around a sun, if not change? And if time is indistinguishable from change, then what distinguishes the chaotic movements of a well-thrown knuckleball from its own future state after being struck soundly with a bat?

Magnitude.

This is my manifesto, and I record it in the moments after my capture. I never would have thought I would be the type to write such a thing, but I find that I have been surprising myself quite a bit lately - severe frontal lobe damage and all that.

For example, it is surprising to find that you suddenly and intensely desire to hear women scream in pain and to set dogs on fire, but to find that you were in love with a woman that you couldn’t bring yourself to approach? Of course, we all know each other on the ship, but I didn’t tell her my feelings yet. Well, I seize life by the balls. Or at least I do now. And no amount of early twenty-first century power metal will teach one to do so - much to my former self’s detriment.

[i]That seems to resonate somewhere deep down - power metal. That’s what Frank used to listen to. Serenity. Kamelot. The names come to my lips, yet they are unfamiliar. I also do not know who Frank is, but vivid images are conjured into my mind: he is tall, broad-shouldered, and dark-haired. He wears military fatigues and is saluting. His broad, easy smile betrays his kindness, a sincere farewell. He looks like…Erika?

I shake off the memories and the accompanying sensations - nostalgia tinged with nausea - and keep writing.[/i]

So, what did I do once I figured out just how much I used to love this Erika? I worked myself into her good graces. I brought coffee and dessert rations to the doctor’s office when my janitorial work took me there. Like checking items off a list, I endeared myself to this unknowing bitch just so I could fuck her.

She came to my unit last night crying, makeup smeared. She told me her father was arrested and charged with terrorism, that he had plotted to blow up the big statue of Mackey in Folger’s Square back on Earth. She said she knew he was anti-federation, but also that he loved her and that he wouldn’t leave her after sobering up. She asked me to never abandon her like the rest had.

[i]“Sure, turn your back on me,” says a deep, rough voice. “That’s all you’re good for anyways. You never could deal with the consequences of your actions, you little whore.” It is father, drunk again. He leans in and grabs me. I can smell his fetid breath. “Your brother is in hell, you know. Broke your mama’s heart dyin’ in that war and now he’s in hell. I say good riddance.” I start to sob and break free from his grasp, then rush out the front door. I run along the cornfields until the bones in my feet hurt. Eventually I stop and stare at the stars. How I wish I could escape to some distant Eden, so far from the cruelties of this world.

I recoil from the intruding memory. Is this Erika’s past or mine? Why…? Anyways:[/i]

I didn’t know if I was going to laugh or vomit. Her fifty-year-old dad was going to strap a bomb to his fat ass to destroy a statue?

I told her I would always be there for her and took her head in my hands and kissed her lightly on the forehead. Then I read her a poem I wrote on a napkin sometime prior:

“WINGS:

Blackened and white, four wings flitting

Supersensory signals, not quite committing

In one moment no longer two birds of a feather

In another moment both tethered

To the same stake

Until time has sate

This skein”

Erika began crying again and nestled her head against my chest. She told me it was the most beautiful poem she had ever heard. Then we had sex.

When it was over we laid on my bed and talked and smoked cigarettes until the early hours of the morning. Eventually Erika fell asleep. I eyed her ample curves outlined under the loose white sheets. She seemed at peace. Serene. She would awaken the same person, the same clingy bitch. I grew agitated, stinging doubts crawling through my mind like fire ants. I got up and looked at myself in the bathroom mirror.

I didn’t recognize the man I saw, but I knew he was dead, although not empty, inside. A monster. A created monster.

I returned to the bedroom, lit another cigarette, and studied Erika’s gentle breathing. How easily her innocence - the tempo of her very life - could be snuffed out. I put out my cigarette and wondered what it would feel like to wrap my hands around her slender neck. A little surprised, I looked at those calloused hands. Whose were they really?

Then I saw it clearly - Erika’s was a false love, a long line of displacements. I would kill this woman merely to make a point: no one escapes tragedy unscathed. The universe had provided no such succor for me.

So I did it. I strangled her and then vented her out of an airlock.

Is that what all of you secretly wanted to hear? That I used her for sex and then murdered her? Does that upset you?

If so, here’s a poem for you:

“War criminals kill tens of millions

I killed one bitch

Fuck you”

[i]I can’t really tell time or remember certain types of things for long since the accident, but I’m not too worried. They’ll let me out of here eventually. I just wish I had my watch to tell the passage of time.

I regret what I did. I really do. I wish to god I could be free, free to love, but father made sure that that wasn’t an option. It couldn’t have been any other way.

Well, I’d better post this file on the net, lest it be read and deleted. The people will eat this shit up. I should’ve thought to do something like this sooner.

I hear something. Oh shit - they’re going to vent the unit! They’re -

…

Holy shit. So that’s what it's like to be spaced. Why am I back here? Oh god…they wouldn’t.

The sim pods. I’m totally -

…

FUCKING GODDAMN MOTHERFUCKER

If they space me again, I’m going to fucking lose it. I can’t do this. One hour in a sim is, what? One minute in the real world? Fucking bastards. Must have knocked me out or edited my memory.

But someone had a roll of being spaced?

Erika?

Cock sucking vigilante motherfuckers. I get it. Your bosses wanted to see if I was a liability. Oldest play in the book. Well, you sure as fuck -

…

Why is this happening? Why me? Why can’t I just die? Godammit Erika, why can’t you stop being so fucking easy?

…

Oh god, I understand now. Is that not enough? Can we stop reliving it? I’m not my father. I swear I’m not my father. I’m just me. And I want this to end. So stop the memories. The changes.

…

[b]A catfish nailed to a barn-door. It flails in desperation.

…[/b]

I FUCKING KILLED HER AND I FUCKING ENJOYED IT! FUCK ALL OF YOU!

[b]…

A catfish nailed to a barn-door. Father strips off its smooth skin while it flails in desperation.

…[/b]

I’m better-sorry. I’m always sorry. Please stop. Just stop. I can’t take any more. I’m always so sorry. But I did what I did. And I’m still always me - and I’m always Erika, too. But who am I really? A trick, that’s what it is. Time tricked me. Tricked me into believing I could make the world bend to my will. Of course I did, but was it worth it? Is this what people want when they talk about justice? Oh god, I’ve done it again, Lady Justice. I used your forever-name; a constant. Like Erika.

[b]…

A catfish nailed to a barn-door. Father strips off its smooth skin with a long, skinny filet knife while it flails in desperation. Once it is done, he turns around and smiles at me. “This is a good catch, Erika. Your mother will be impressed.” I struggle to contain my unease as I look into his eyes. They are two deep black holes.

…[/b]

The brain stays. The body is…immaculate. Erika and I have become something more but less, some horrible abomination. The memories won’t stop, and I suspect they never will. I was so wrong, yet so right…[/i]

I can’t stand. I can’t think. Over and over. I have no idea how many times I’ve died. I think I am dead. I crawl on the floor and write this with quivering hands. Is this proportionate? All I know is:

the brain stays.

Comments (24)

hypericin January 01, 2024 at 22:59 #867608
Intriguing, and well written, but I'm honestly not sure exactly what's going on. I'll come back to this one, after some of the more astute readers here have had a go.
Hanover January 02, 2024 at 03:14 #867702
So what I gather is that a madman murdered his girlfriend and someone is screwing with his memories and cognitive function and that's driving him even crazier.

I could have that wrong. Not sure.

I liked when he drifted into poetry. I totally get why she had sex with him after the Wings poem. Super hot. I also liked the war criminal poem, but it was less a poem than just a fuck you, but I liked its unapologetic bluntness. We need more of that in this world. Or maybe not.

The catfish was either a metaphor or a disjointed memory of a loony tune. Regardless, the author felt more sympathy for the catfish than Erika, perhaps because he has empathy for bottom feeders because he's cuckoo for cocoa puffs and well deserving of whatever box he's locked in and whatever electrodes he might have in his head.

Whether this was a short-story or an experiment in how to sound like a murderer who's been electro shocked 1 or 8 too many times, it worked in its own way.

On a 1 to 6 point scale where 4 is highest and 8.7 the lowest, I give it a 3.8. My frontal lobe is totally fucked, so my score might be hard to follow.

Amity January 02, 2024 at 08:04 #867743
Contingent (The Brain Stays)

An intriguing and captivating intro for mad philosophers everywhere. The eternal exchange of thoughts, questions, mysteries wrapped up in a game or experiment. Time, space, change - identity.

They say...
I say...

The narrator through all the changes and uncertainties seems sharp with a clear view and definite position as to the concept of time. With a conditional: 'If...then...'
A big 'If'. And a twisty sequence of events, experiences, states of mind and body.

Quoting Noble Dust
if time is indistinguishable from change, then what distinguishes the chaotic movements of a well-thrown knuckleball from its own future state after being struck soundly with a bat?


OK. Putting a wiki here for future reference. There might be a time when I don't recall what a 'knuckleball' is: https://en.wikipedia.org/wiki/Knuckleball

Time is taken to handle the ball with care and precision. Time for both sides of a game to wonder as to the outcome. Time to enjoy the chase of success and even what might be perceived as 'failure'.
There is more to time than change. When is it time to say: 'A ball is a ball is a ball'?
As experienced by humans, time on Earth is limited but some say that there is eternal life. Who needs or wants all this time? What for? To fuck virgins?

Moving on... Time is money for some. Time management.

The narrator answers his questions with a single word sentence. 'Magnitude'. Effective.
What distinguishes time from change lies in its measurement. Quantity not quality?
A great slice of time can hold many changes. With degrees of importance to those handling them or being handled. Handle with care. Even a moment has value.

The narrator is capturing his thoughts after his capture. Surprised at the way he manages to transform feelings, emotions to words. Not his usual self, he has experienced brain damage. Severe frontal lobe.
Was he hit by someone playing hard ball?

He calls his writing a 'manifesto'. He engages with his imagined audience, the reader, in a variety of formats, form and voice. How our minds spin. If we still follow the trail. If we still play along.
We are constrained by time, space and energy. We hope it will be worth our effort.

The reader welcomes the signposts and the examples. A way into the mind of the writer.
Some might say it is tortured and tortuous. But delicious.

My phone sounds the reminder. Time to go. Later...

































Amity January 02, 2024 at 10:39 #867772
Contingent

The writing continues, along with memories and thoughts of self, changing.

Quoting Noble Dust
Of course, we all know each other on the ship, but I didn’t tell her my feelings yet. Well, I seize life by the balls. Or at least I do now. And no amount of early twenty-first century power metal will teach one to do so - much to my former self’s detriment.


Listening to power metal or any kind of music might not teach anyone to 'seize life by the balls' but music has power; it affects and effects. Just as a piece of writing. Plain, complicated, single or multi voice and tones. Changes in brain patterns, in harmony or out of synch. Choral.

The narrator shows his own changes in a way almost symphonic. A long piece with different sections, a creative combination.

This is a substantial mix and manipulation of poetry to surprise, impress, seduce and shock:

Quoting Noble Dust
So I did it. I strangled her and then vented her out of an airlock.

Is that what all of you secretly wanted to hear? That I used her for sex and then murdered her? Does that upset you?

If so, here’s a poem for you:

“War criminals kill tens of millions

I killed one bitch

Fuck you”


There's more to be said. I enjoyed the bold changes. Expanding from the simple Quoting Noble Dust
A catfish nailed to a barn-door. It flails in desperation.
to Quoting Noble Dust
A catfish nailed to a barn-door. Father strips off its smooth skin with a long, skinny filet knife while it flails in desperation. Once it is done, he turns around and smiles at me. “This is a good catch, Erika. Your mother will be impressed.” I struggle to contain my unease as I look into his eyes. They are two deep black holes.


Almost like a lesson in creative writing. Start simple and add on. But keep the bones intact. The repetition of core phrases: 'A catfish nailed to a barn-door' and 'it flails in desperation'. Is this a real memory of a traumatic event or are we still in game-mode? The author keeps us guessing. The story has power in its movements.

Quoting Noble Dust
Oh god, I understand now. Is that not enough? Can we stop reliving it? I’m not my father. I swear I’m not my father. I’m just me. And I want this to end. So stop the memories. The changes.


The tormented torments.

Quoting Noble Dust
I can’t stand. I can’t think. Over and over. I have no idea how many times I’ve died. I think I am dead. I crawl on the floor and write this with quivering hands. Is this proportionate? All I know is:

the brain stays.


Over and over. How many times has the narrator died in reality or where? In his pitiful state, he asks the final question: 'Is this proportionate?' Back to quantity and magnitude. Of what? The story, the life, the time, the changes. The fairness. The balance. The judgement and belief:

Quoting Noble Dust
I’m better-sorry. I’m always sorry. Please stop. Just stop. I can’t take any more. I’m always so sorry. But I did what I did. And I’m still always me - and I’m always Erika, too. But who am I really? A trick, that’s what it is. Time tricked me. Tricked me into believing I could make the world bend to my will. Of course I did, but was it worth it? Is this what people want when they talk about justice? Oh god, I’ve done it again, Lady Justice. I used your forever-name; a constant. Like Erika.


Always sorry. And always me and someone else. The trickery of the mind. Justifying action or inaction.
Being sorry for what? For being a changing or unchanging you? In violence or in peace. For ever and ever, amen. Is there a forever-name. Why the appeal to a 'Lady Justice' - some kind of a mythical and unattainable goodness?

All he knows is: the brain stays.

But, of course, it doesn't. It changes, it is harmed, it deteriorates. Where would it stay...? Pinned?

***

Lost for words. This story is a masterful weaving of all kinds of everything. It rings and sings.
My brain hurts. Cells clanging. More felt than said. *Applause*. 5.


























ToothyMaw January 02, 2024 at 12:45 #867796
Reply to Hanover

Yes, gather ye pitchforks! This author deserves to be tortured!
ucarr January 02, 2024 at 18:50 #867955
I recoil from the intruding memory. Is this Erica's past or mine? Why…? Always.


In one moment no longer two birds of a feather
In another moment no longer tethered
To the same stake
Until time has sate
This skein


In order to give coherence to the proffered parts, I took recourse to thinking of this being the story of two cyborgs forced into a mind-meld experiment. As with accounts I’ve heard re: split personality disorder, internal to the mind there’s a struggle by each personality to dominate the mental space as if a solo. In this account, the narrator has won.

The catfish nailed to the door is a visceral metaphor for the brutality of scientific experimentation with living entities.

The mind remains because knowing who you are and what’s happening in an ever-changing world is mind knowing everything slips, thus knowing mind is the only thing remaining.
hypericin January 03, 2024 at 22:34 #868494
Quoting Hanover
I totally get why she had sex with him after the Wings poem. Super hot.


:rofl:
Benkei January 04, 2024 at 07:29 #868628
Seems like he's being punished by reliving the murder of his victim in a sim pod. The second poem seems to break the fourth wall though because he only later realises he's in a sim. I thought the style was a bit inconsistent at times, the flippancy didn't really belong there.
javi2541997 January 04, 2024 at 20:06 #868849
Interesting. Provocative. A bit of bellicose. It is well written, and I like how the author separated everything between them and used a cursive style for the inner dialogue of the protagonist. This makes me follow the plot easily. I only have one critique on this story, and it is the obscene language. It is my personal view, but I am not used to reading a lot of words such as 'b***' or 'wh**' or 'f*ck'. For example:

Quoting Noble Dust
Like checking items off a list, I endeared myself to this unknowing bitch just so I could fuck her.


Quoting Noble Dust
Her fifty-year-old dad was going to strap a bomb to his fat ass to destroy a statue?


Quoting Noble Dust
She would awaken the same person, the same clingy bitch.


I am aware that this is how most people express themselves, but I am a snowflake. Ah, and I see sex repulsive in literature and out of place. But, this is not the author's fault but mine.

Good job and kudos, by the way.
180 Proof January 06, 2024 at 03:56 #869484
A well-written, hot mess. Doesn't work from me (even after reading the comments and rereading the narrative). I liked the 'futuristic' details juxtaposed with mad murder poetry. Finished the piece with the second reading. In the end, not my cuppa.
Lionino January 06, 2024 at 19:28 #869688
I didn't quite understand what was going on. 2 avant-garde 4 me.

No rating.
Outlander January 06, 2024 at 20:10 #869710
It's readable. Definitely not short on details, though I question their relevance to the story. Nonetheless.

Seems to be a constant "surreal" or "confusion" factor shared by both the protagonist and at least in my case the reader which is quite a valid plot dynamic that could easily have led to a great story. I just feel this one fell a bit short of that.

I can definitely relate to the human side of the narrator, if not again due to the nature of heavy details that seem to simply be mentioned for the sake of doing so.

Read it once and skimmed it over twice but it seems like he's in some sort of space jail where they have phased out traditional solitude or static confinement as punishment and instituted new psychological/technological methods instead. So, the narrator now lives his crimes over and over each day or to some similar effect one would assume.

Again there's a lot of human character development and familiarity it just seemed to have went nowhere or at least fizzled short of what I was expecting. It's not bad.
L'éléphant January 07, 2024 at 23:33 #870137
STD: 25
L'éléphant January 12, 2024 at 03:30 #871647
This piece made me chuckle in several parts. The Wings poem, this below,

I get it. Your bosses wanted to see if I was a liability.
( I laughed at this)

and catfish incantation -- repeated like a rosary prayer.

Erika and the narrator are one and the same -- was the sim fucking with his mind?, his memory? It reads like a raging lunatic. But somehow, it's riveting.

I gave it a 4.

Score to date is 29.
Amity January 14, 2024 at 16:20 #872225
Revisiting this with an eye to its strangeness. The mix of different forms and style. I called it a:

Quoting Amity
masterful weaving of all kinds of everything.


I am now wondering if ChatGPT has been used a creative tool.
Looking forward to the author's feedback.




Christoffer January 15, 2024 at 13:43 #872469
Good writing in terms of craft, no problems there. I'm not sure what to make of the story, it almost reads like a mind torture on some future prison colony in space. Melding together his and his victim's memories in order to force him to experience both Erika's perspective and his own, making his experience a mixture of his violent nature and getting to feel that violence back onto him. But I'm not sure at all and there's very little else for making some alternative interpretation as the language is violent in itself. For the writing craft alone it gets points, but it would have helped to be slightly a bit less of a scrambled brain in order to find some more points. So a 3 from me.
hypericin January 15, 2024 at 19:05 #872548
My interpretation is that this is a unique form of torture of Erika, daughter of a dissident in a futuristic authoritarian state. Erika is forcibly put in a sim, which feeds her sensory inputs, including memories, as if she was her lover. Her lover, according to the fabrication of the sim, is a psychopath, uses her for sex, and murders her. Erika is forced to experience his disdain, his murder of her, and her own evacuation into space, endlessly. Even though all sensory inputs are hijacked by the sim, her brain remains, hence the confusing clash of memories and personalities.

Maybe, I dunno. that's the best I could do. The story is intriguing, and well written, but I found it quite confusing, and due to the subject matter and POV, actively unpleasant to read. Yet, I appreciate the innovation, and pushing boundaries, so I gave it a 4.
Jack Cummins January 15, 2024 at 19:52 #872565
I did enjoy reading this. If anything, I wondered about how it works as a short story or something else, such as part of a novel. I see it as having so much potential, especially in relation to the idea of the nature of time. So, I see this as an incomplete piece of work, but as having so much potential for development.
Noble Dust January 18, 2024 at 00:36 #873192
I don't know that I commented on this either, @ToothyMaw so apologies. I enjoyed it actually, as you're a quite skilled writer. Short, enigmatic phrases like "A catfish nailed to a barn door", while disturbing, are crack cocaine to me, probably because I'm a songwriter/poet more than a story writer. So this was a fascinating read for me, even if I don't quite understand all of it. I also thought the murderer seemingly experiencing his victims childhood (?) memories was very intense and powerful. Well done.
hypericin January 18, 2024 at 22:39 #873545
@ToothyMaw, we await your exegesis.
Amity January 19, 2024 at 09:23 #873672
Congratulations @ToothyMaw. Another excellent story :sparkle:

Quoting hypericin
we await your exegesis.


I'd love that too but not sure it will come. Previously:

https://thephilosophyforum.com/discussion/13746/cruelty-by-toothymaw

ToothyMaw January 20, 2024 at 21:39 #873998
Reply to Amity Reply to hypericin Reply to Noble Dust

No one had the intended interpretation of the story, and Hanover's unhinged rant made me wish I hadn't submitted anything. But thanks for the reasonable feedback everyone else. Do you guys have any specific questions?
hypericin January 21, 2024 at 02:26 #874059
Reply to ToothyMaw He is a comedian, I wouldn't take it too seriously.

What was the intended interpretation?

Were you surprised or frustrated that no one found it?
ToothyMaw January 23, 2024 at 15:18 #874874
Quoting hypericin
He is a comedian, I wouldn't take it too seriously.


Yes, well, I guess torture is kind of funny sometimes. Oh, wait, no, it isn't.

Quoting hypericin
What was the intended interpretation?


That the narrator killed Erika and a time loop was initiated when he was first vented into space and died that consists of him killing Erika, finding himself in the unit, and then being vented again. I wanted people to figure out that the narrator relived the murder of Erika over and over when he would die. What exactly was keeping him in the time loop or that created it is open to speculation.

Over the iterations he crafted his manifesto, including the poem WINGS that hints that he is in a time loop and stuff. The fact that the memories he was having while writing the manifesto actually affected what he did in the manifesto is supposed to indicate that it wasn't his first go around. What one actually reads in the manifesto may or may not be true, as the narrator is unreliable. For instance: that he had to manipulate Erika to have sex with her outside of reading his poem to her is highly likely.

Not to mention his arrogant assertion that time is contingent on human perception is ultimately confirmed in the worst way possible by having him be tortured by piling distorted memories on him across the never-ending temporal cycle that he experiences after the time loop initiates.

Quoting hypericin
Were you surprised or frustrated that no one found it?


A little, but I should have expected people not to get it without committing a lot of time to understanding it - more time than can be reasonably expected probably.