Contingent (The Brain Stays) by ToothyMaw
They say time runs in a single direction.
I say time is contingent.
What is the ticking of a clock, a revolution around a sun, if not change? And if time is indistinguishable from change, then what distinguishes the chaotic movements of a well-thrown knuckleball from its own future state after being struck soundly with a bat?
Magnitude.
This is my manifesto, and I record it in the moments after my capture. I never would have thought I would be the type to write such a thing, but I find that I have been surprising myself quite a bit lately - severe frontal lobe damage and all that.
For example, it is surprising to find that you suddenly and intensely desire to hear women scream in pain and to set dogs on fire, but to find that you were in love with a woman that you couldnt bring yourself to approach? Of course, we all know each other on the ship, but I didnt tell her my feelings yet. Well, I seize life by the balls. Or at least I do now. And no amount of early twenty-first century power metal will teach one to do so - much to my former selfs detriment.
[i]That seems to resonate somewhere deep down - power metal. Thats what Frank used to listen to. Serenity. Kamelot. The names come to my lips, yet they are unfamiliar. I also do not know who Frank is, but vivid images are conjured into my mind: he is tall, broad-shouldered, and dark-haired. He wears military fatigues and is saluting. His broad, easy smile betrays his kindness, a sincere farewell. He looks like Erika?
I shake off the memories and the accompanying sensations - nostalgia tinged with nausea - and keep writing.[/i]
So, what did I do once I figured out just how much I used to love this Erika? I worked myself into her good graces. I brought coffee and dessert rations to the doctors office when my janitorial work took me there. Like checking items off a list, I endeared myself to this unknowing bitch just so I could fuck her.
She came to my unit last night crying, makeup smeared. She told me her father was arrested and charged with terrorism, that he had plotted to blow up the big statue of Mackey in Folgers Square back on Earth. She said she knew he was anti-federation, but also that he loved her and that he wouldnt leave her after sobering up. She asked me to never abandon her like the rest had.
[i]Sure, turn your back on me, says a deep, rough voice. Thats all youre good for anyways. You never could deal with the consequences of your actions, you little whore. It is father, drunk again. He leans in and grabs me. I can smell his fetid breath. Your brother is in hell, you know. Broke your mamas heart dyin in that war and now hes in hell. I say good riddance. I start to sob and break free from his grasp, then rush out the front door. I run along the cornfields until the bones in my feet hurt. Eventually I stop and stare at the stars. How I wish I could escape to some distant Eden, so far from the cruelties of this world.
I recoil from the intruding memory. Is this Erikas past or mine? Why ? Anyways:[/i]
I didnt know if I was going to laugh or vomit. Her fifty-year-old dad was going to strap a bomb to his fat ass to destroy a statue?
I told her I would always be there for her and took her head in my hands and kissed her lightly on the forehead. Then I read her a poem I wrote on a napkin sometime prior:
WINGS:
Blackened and white, four wings flitting
Supersensory signals, not quite committing
In one moment no longer two birds of a feather
In another moment both tethered
To the same stake
Until time has sate
This skein
Erika began crying again and nestled her head against my chest. She told me it was the most beautiful poem she had ever heard. Then we had sex.
When it was over we laid on my bed and talked and smoked cigarettes until the early hours of the morning. Eventually Erika fell asleep. I eyed her ample curves outlined under the loose white sheets. She seemed at peace. Serene. She would awaken the same person, the same clingy bitch. I grew agitated, stinging doubts crawling through my mind like fire ants. I got up and looked at myself in the bathroom mirror.
I didnt recognize the man I saw, but I knew he was dead, although not empty, inside. A monster. A created monster.
I returned to the bedroom, lit another cigarette, and studied Erikas gentle breathing. How easily her innocence - the tempo of her very life - could be snuffed out. I put out my cigarette and wondered what it would feel like to wrap my hands around her slender neck. A little surprised, I looked at those calloused hands. Whose were they really?
Then I saw it clearly - Erikas was a false love, a long line of displacements. I would kill this woman merely to make a point: no one escapes tragedy unscathed. The universe had provided no such succor for me.
So I did it. I strangled her and then vented her out of an airlock.
Is that what all of you secretly wanted to hear? That I used her for sex and then murdered her? Does that upset you?
If so, heres a poem for you:
War criminals kill tens of millions
I killed one bitch
Fuck you
[i]I cant really tell time or remember certain types of things for long since the accident, but Im not too worried. Theyll let me out of here eventually. I just wish I had my watch to tell the passage of time.
I regret what I did. I really do. I wish to god I could be free, free to love, but father made sure that that wasnt an option. It couldnt have been any other way.
Well, Id better post this file on the net, lest it be read and deleted. The people will eat this shit up. I shouldve thought to do something like this sooner.
I hear something. Oh shit - theyre going to vent the unit! Theyre -
Holy shit. So thats what it's like to be spaced. Why am I back here? Oh god they wouldnt.
The sim pods. Im totally -
FUCKING GODDAMN MOTHERFUCKER
If they space me again, Im going to fucking lose it. I cant do this. One hour in a sim is, what? One minute in the real world? Fucking bastards. Must have knocked me out or edited my memory.
But someone had a roll of being spaced?
Erika?
Cock sucking vigilante motherfuckers. I get it. Your bosses wanted to see if I was a liability. Oldest play in the book. Well, you sure as fuck -
Why is this happening? Why me? Why cant I just die? Godammit Erika, why cant you stop being so fucking easy?
Oh god, I understand now. Is that not enough? Can we stop reliving it? Im not my father. I swear Im not my father. Im just me. And I want this to end. So stop the memories. The changes.
[b]A catfish nailed to a barn-door. It flails in desperation.
[/b]
I FUCKING KILLED HER AND I FUCKING ENJOYED IT! FUCK ALL OF YOU!
[b]
A catfish nailed to a barn-door. Father strips off its smooth skin while it flails in desperation.
[/b]
Im better-sorry. Im always sorry. Please stop. Just stop. I cant take any more. Im always so sorry. But I did what I did. And Im still always me - and Im always Erika, too. But who am I really? A trick, thats what it is. Time tricked me. Tricked me into believing I could make the world bend to my will. Of course I did, but was it worth it? Is this what people want when they talk about justice? Oh god, Ive done it again, Lady Justice. I used your forever-name; a constant. Like Erika.
[b]
A catfish nailed to a barn-door. Father strips off its smooth skin with a long, skinny filet knife while it flails in desperation. Once it is done, he turns around and smiles at me. This is a good catch, Erika. Your mother will be impressed. I struggle to contain my unease as I look into his eyes. They are two deep black holes.
[/b]
The brain stays. The body is immaculate. Erika and I have become something more but less, some horrible abomination. The memories wont stop, and I suspect they never will. I was so wrong, yet so right [/i]
I cant stand. I cant think. Over and over. I have no idea how many times Ive died. I think I am dead. I crawl on the floor and write this with quivering hands. Is this proportionate? All I know is:
the brain stays.
I say time is contingent.
What is the ticking of a clock, a revolution around a sun, if not change? And if time is indistinguishable from change, then what distinguishes the chaotic movements of a well-thrown knuckleball from its own future state after being struck soundly with a bat?
Magnitude.
This is my manifesto, and I record it in the moments after my capture. I never would have thought I would be the type to write such a thing, but I find that I have been surprising myself quite a bit lately - severe frontal lobe damage and all that.
For example, it is surprising to find that you suddenly and intensely desire to hear women scream in pain and to set dogs on fire, but to find that you were in love with a woman that you couldnt bring yourself to approach? Of course, we all know each other on the ship, but I didnt tell her my feelings yet. Well, I seize life by the balls. Or at least I do now. And no amount of early twenty-first century power metal will teach one to do so - much to my former selfs detriment.
[i]That seems to resonate somewhere deep down - power metal. Thats what Frank used to listen to. Serenity. Kamelot. The names come to my lips, yet they are unfamiliar. I also do not know who Frank is, but vivid images are conjured into my mind: he is tall, broad-shouldered, and dark-haired. He wears military fatigues and is saluting. His broad, easy smile betrays his kindness, a sincere farewell. He looks like Erika?
I shake off the memories and the accompanying sensations - nostalgia tinged with nausea - and keep writing.[/i]
So, what did I do once I figured out just how much I used to love this Erika? I worked myself into her good graces. I brought coffee and dessert rations to the doctors office when my janitorial work took me there. Like checking items off a list, I endeared myself to this unknowing bitch just so I could fuck her.
She came to my unit last night crying, makeup smeared. She told me her father was arrested and charged with terrorism, that he had plotted to blow up the big statue of Mackey in Folgers Square back on Earth. She said she knew he was anti-federation, but also that he loved her and that he wouldnt leave her after sobering up. She asked me to never abandon her like the rest had.
[i]Sure, turn your back on me, says a deep, rough voice. Thats all youre good for anyways. You never could deal with the consequences of your actions, you little whore. It is father, drunk again. He leans in and grabs me. I can smell his fetid breath. Your brother is in hell, you know. Broke your mamas heart dyin in that war and now hes in hell. I say good riddance. I start to sob and break free from his grasp, then rush out the front door. I run along the cornfields until the bones in my feet hurt. Eventually I stop and stare at the stars. How I wish I could escape to some distant Eden, so far from the cruelties of this world.
I recoil from the intruding memory. Is this Erikas past or mine? Why ? Anyways:[/i]
I didnt know if I was going to laugh or vomit. Her fifty-year-old dad was going to strap a bomb to his fat ass to destroy a statue?
I told her I would always be there for her and took her head in my hands and kissed her lightly on the forehead. Then I read her a poem I wrote on a napkin sometime prior:
WINGS:
Blackened and white, four wings flitting
Supersensory signals, not quite committing
In one moment no longer two birds of a feather
In another moment both tethered
To the same stake
Until time has sate
This skein
Erika began crying again and nestled her head against my chest. She told me it was the most beautiful poem she had ever heard. Then we had sex.
When it was over we laid on my bed and talked and smoked cigarettes until the early hours of the morning. Eventually Erika fell asleep. I eyed her ample curves outlined under the loose white sheets. She seemed at peace. Serene. She would awaken the same person, the same clingy bitch. I grew agitated, stinging doubts crawling through my mind like fire ants. I got up and looked at myself in the bathroom mirror.
I didnt recognize the man I saw, but I knew he was dead, although not empty, inside. A monster. A created monster.
I returned to the bedroom, lit another cigarette, and studied Erikas gentle breathing. How easily her innocence - the tempo of her very life - could be snuffed out. I put out my cigarette and wondered what it would feel like to wrap my hands around her slender neck. A little surprised, I looked at those calloused hands. Whose were they really?
Then I saw it clearly - Erikas was a false love, a long line of displacements. I would kill this woman merely to make a point: no one escapes tragedy unscathed. The universe had provided no such succor for me.
So I did it. I strangled her and then vented her out of an airlock.
Is that what all of you secretly wanted to hear? That I used her for sex and then murdered her? Does that upset you?
If so, heres a poem for you:
War criminals kill tens of millions
I killed one bitch
Fuck you
[i]I cant really tell time or remember certain types of things for long since the accident, but Im not too worried. Theyll let me out of here eventually. I just wish I had my watch to tell the passage of time.
I regret what I did. I really do. I wish to god I could be free, free to love, but father made sure that that wasnt an option. It couldnt have been any other way.
Well, Id better post this file on the net, lest it be read and deleted. The people will eat this shit up. I shouldve thought to do something like this sooner.
I hear something. Oh shit - theyre going to vent the unit! Theyre -
Holy shit. So thats what it's like to be spaced. Why am I back here? Oh god they wouldnt.
The sim pods. Im totally -
FUCKING GODDAMN MOTHERFUCKER
If they space me again, Im going to fucking lose it. I cant do this. One hour in a sim is, what? One minute in the real world? Fucking bastards. Must have knocked me out or edited my memory.
But someone had a roll of being spaced?
Erika?
Cock sucking vigilante motherfuckers. I get it. Your bosses wanted to see if I was a liability. Oldest play in the book. Well, you sure as fuck -
Why is this happening? Why me? Why cant I just die? Godammit Erika, why cant you stop being so fucking easy?
Oh god, I understand now. Is that not enough? Can we stop reliving it? Im not my father. I swear Im not my father. Im just me. And I want this to end. So stop the memories. The changes.
[b]A catfish nailed to a barn-door. It flails in desperation.
[/b]
I FUCKING KILLED HER AND I FUCKING ENJOYED IT! FUCK ALL OF YOU!
[b]
A catfish nailed to a barn-door. Father strips off its smooth skin while it flails in desperation.
[/b]
Im better-sorry. Im always sorry. Please stop. Just stop. I cant take any more. Im always so sorry. But I did what I did. And Im still always me - and Im always Erika, too. But who am I really? A trick, thats what it is. Time tricked me. Tricked me into believing I could make the world bend to my will. Of course I did, but was it worth it? Is this what people want when they talk about justice? Oh god, Ive done it again, Lady Justice. I used your forever-name; a constant. Like Erika.
[b]
A catfish nailed to a barn-door. Father strips off its smooth skin with a long, skinny filet knife while it flails in desperation. Once it is done, he turns around and smiles at me. This is a good catch, Erika. Your mother will be impressed. I struggle to contain my unease as I look into his eyes. They are two deep black holes.
[/b]
The brain stays. The body is immaculate. Erika and I have become something more but less, some horrible abomination. The memories wont stop, and I suspect they never will. I was so wrong, yet so right [/i]
I cant stand. I cant think. Over and over. I have no idea how many times Ive died. I think I am dead. I crawl on the floor and write this with quivering hands. Is this proportionate? All I know is:
the brain stays.
Comments (24)
I could have that wrong. Not sure.
I liked when he drifted into poetry. I totally get why she had sex with him after the Wings poem. Super hot. I also liked the war criminal poem, but it was less a poem than just a fuck you, but I liked its unapologetic bluntness. We need more of that in this world. Or maybe not.
The catfish was either a metaphor or a disjointed memory of a loony tune. Regardless, the author felt more sympathy for the catfish than Erika, perhaps because he has empathy for bottom feeders because he's cuckoo for cocoa puffs and well deserving of whatever box he's locked in and whatever electrodes he might have in his head.
Whether this was a short-story or an experiment in how to sound like a murderer who's been electro shocked 1 or 8 too many times, it worked in its own way.
On a 1 to 6 point scale where 4 is highest and 8.7 the lowest, I give it a 3.8. My frontal lobe is totally fucked, so my score might be hard to follow.
An intriguing and captivating intro for mad philosophers everywhere. The eternal exchange of thoughts, questions, mysteries wrapped up in a game or experiment. Time, space, change - identity.
They say...
I say...
The narrator through all the changes and uncertainties seems sharp with a clear view and definite position as to the concept of time. With a conditional: 'If...then...'
A big 'If'. And a twisty sequence of events, experiences, states of mind and body.
Quoting Noble Dust
OK. Putting a wiki here for future reference. There might be a time when I don't recall what a 'knuckleball' is: https://en.wikipedia.org/wiki/Knuckleball
Time is taken to handle the ball with care and precision. Time for both sides of a game to wonder as to the outcome. Time to enjoy the chase of success and even what might be perceived as 'failure'.
There is more to time than change. When is it time to say: 'A ball is a ball is a ball'?
As experienced by humans, time on Earth is limited but some say that there is eternal life. Who needs or wants all this time? What for? To fuck virgins?
Moving on... Time is money for some. Time management.
The narrator answers his questions with a single word sentence. 'Magnitude'. Effective.
What distinguishes time from change lies in its measurement. Quantity not quality?
A great slice of time can hold many changes. With degrees of importance to those handling them or being handled. Handle with care. Even a moment has value.
The narrator is capturing his thoughts after his capture. Surprised at the way he manages to transform feelings, emotions to words. Not his usual self, he has experienced brain damage. Severe frontal lobe.
Was he hit by someone playing hard ball?
He calls his writing a 'manifesto'. He engages with his imagined audience, the reader, in a variety of formats, form and voice. How our minds spin. If we still follow the trail. If we still play along.
We are constrained by time, space and energy. We hope it will be worth our effort.
The reader welcomes the signposts and the examples. A way into the mind of the writer.
Some might say it is tortured and tortuous. But delicious.
My phone sounds the reminder. Time to go. Later...
The writing continues, along with memories and thoughts of self, changing.
Quoting Noble Dust
Listening to power metal or any kind of music might not teach anyone to 'seize life by the balls' but music has power; it affects and effects. Just as a piece of writing. Plain, complicated, single or multi voice and tones. Changes in brain patterns, in harmony or out of synch. Choral.
The narrator shows his own changes in a way almost symphonic. A long piece with different sections, a creative combination.
This is a substantial mix and manipulation of poetry to surprise, impress, seduce and shock:
Quoting Noble Dust
There's more to be said. I enjoyed the bold changes. Expanding from the simple Quoting Noble Dust to Quoting Noble Dust
Almost like a lesson in creative writing. Start simple and add on. But keep the bones intact. The repetition of core phrases: 'A catfish nailed to a barn-door' and 'it flails in desperation'. Is this a real memory of a traumatic event or are we still in game-mode? The author keeps us guessing. The story has power in its movements.
Quoting Noble Dust
The tormented torments.
Quoting Noble Dust
Over and over. How many times has the narrator died in reality or where? In his pitiful state, he asks the final question: 'Is this proportionate?' Back to quantity and magnitude. Of what? The story, the life, the time, the changes. The fairness. The balance. The judgement and belief:
Quoting Noble Dust
Always sorry. And always me and someone else. The trickery of the mind. Justifying action or inaction.
Being sorry for what? For being a changing or unchanging you? In violence or in peace. For ever and ever, amen. Is there a forever-name. Why the appeal to a 'Lady Justice' - some kind of a mythical and unattainable goodness?
All he knows is: the brain stays.
But, of course, it doesn't. It changes, it is harmed, it deteriorates. Where would it stay...? Pinned?
***
Lost for words. This story is a masterful weaving of all kinds of everything. It rings and sings.
My brain hurts. Cells clanging. More felt than said. *Applause*. 5.
Yes, gather ye pitchforks! This author deserves to be tortured!
In order to give coherence to the proffered parts, I took recourse to thinking of this being the story of two cyborgs forced into a mind-meld experiment. As with accounts Ive heard re: split personality disorder, internal to the mind theres a struggle by each personality to dominate the mental space as if a solo. In this account, the narrator has won.
The catfish nailed to the door is a visceral metaphor for the brutality of scientific experimentation with living entities.
The mind remains because knowing who you are and whats happening in an ever-changing world is mind knowing everything slips, thus knowing mind is the only thing remaining.
:rofl:
Quoting Noble Dust
Quoting Noble Dust
Quoting Noble Dust
I am aware that this is how most people express themselves, but I am a snowflake. Ah, and I see sex repulsive in literature and out of place. But, this is not the author's fault but mine.
Good job and kudos, by the way.
No rating.
Seems to be a constant "surreal" or "confusion" factor shared by both the protagonist and at least in my case the reader which is quite a valid plot dynamic that could easily have led to a great story. I just feel this one fell a bit short of that.
I can definitely relate to the human side of the narrator, if not again due to the nature of heavy details that seem to simply be mentioned for the sake of doing so.
Read it once and skimmed it over twice but it seems like he's in some sort of space jail where they have phased out traditional solitude or static confinement as punishment and instituted new psychological/technological methods instead. So, the narrator now lives his crimes over and over each day or to some similar effect one would assume.
Again there's a lot of human character development and familiarity it just seemed to have went nowhere or at least fizzled short of what I was expecting. It's not bad.
( I laughed at this)
and catfish incantation -- repeated like a rosary prayer.
Erika and the narrator are one and the same -- was the sim fucking with his mind?, his memory? It reads like a raging lunatic. But somehow, it's riveting.
I gave it a 4.
Score to date is 29.
Quoting Amity
I am now wondering if ChatGPT has been used a creative tool.
Looking forward to the author's feedback.
Maybe, I dunno. that's the best I could do. The story is intriguing, and well written, but I found it quite confusing, and due to the subject matter and POV, actively unpleasant to read. Yet, I appreciate the innovation, and pushing boundaries, so I gave it a 4.
Quoting hypericin
I'd love that too but not sure it will come. Previously:
https://thephilosophyforum.com/discussion/13746/cruelty-by-toothymaw
No one had the intended interpretation of the story, and Hanover's unhinged rant made me wish I hadn't submitted anything. But thanks for the reasonable feedback everyone else. Do you guys have any specific questions?
What was the intended interpretation?
Were you surprised or frustrated that no one found it?
Yes, well, I guess torture is kind of funny sometimes. Oh, wait, no, it isn't.
Quoting hypericin
That the narrator killed Erika and a time loop was initiated when he was first vented into space and died that consists of him killing Erika, finding himself in the unit, and then being vented again. I wanted people to figure out that the narrator relived the murder of Erika over and over when he would die. What exactly was keeping him in the time loop or that created it is open to speculation.
Over the iterations he crafted his manifesto, including the poem WINGS that hints that he is in a time loop and stuff. The fact that the memories he was having while writing the manifesto actually affected what he did in the manifesto is supposed to indicate that it wasn't his first go around. What one actually reads in the manifesto may or may not be true, as the narrator is unreliable. For instance: that he had to manipulate Erika to have sex with her outside of reading his poem to her is highly likely.
Not to mention his arrogant assertion that time is contingent on human perception is ultimately confirmed in the worst way possible by having him be tortured by piling distorted memories on him across the never-ending temporal cycle that he experiences after the time loop initiates.
Quoting hypericin
A little, but I should have expected people not to get it without committing a lot of time to understanding it - more time than can be reasonably expected probably.