The Story of THING by hypericin
*1*
Lord lay swaddled in velvet luxury high in his aerie, glazed eyes staring sightlessly out panoramic floor-to-ceiling windows that overlooked clouds which themselves soared over the megalopolis far below. Holographic munchkins cavorted in the large space; laughing, skipping, clapping, dancing, doing somersaults and cartwheels; fucking like frenzied imps in improbably fanciful contortions; torturing one another, with knives, hot pokers, and little medieval racks, to elicit piping cries of dismay. Their seeming solidity was given the lie when Lord exhaled an enormous plume of freebase cocaine, causing them to flicker in and out of existence.
Valmira never lost her sense of shock. She had known some formidable wastrels indeed in her small Albanian hometown, yet she felt certain they would succumb to a small fraction of the stimulants and depressants Lord consumed daily.
Valmira's trajectory in Lord's circle of playgirls had crested and begun its inevitable descent. Her role increasingly reduced to spectator, Valmira watched without envy as Svetlana, whose star was still in its ascendancy, worked hard to stimulate Lord's ardor. The other eight girls were arranged in a semi-circle around Lord, recumbent among luxuriously piled cushions, frolicking with each other and with themselves, making "oohs", "ahhhs", and other lascivious expressions which ranged authenticity's full spectrum.
Swimming in a sea of simulated bliss, Lord hardly took notice.
*2*
Impaled figurehead, vanguard of the rumbling war wagons... living totem, thrashing and moaning... watching his intestines dangling onto the dusty platform... whoops of shiny-skulled barbarians, emerging from fire and smoke... immobilized, writhing in agony, as hapless remainders of humanity succumbed one by one to the bald barbarians and their cruelty.
But... But! They too, like all things, had passed.
Wanderer entered the valley, musing on traumas long past, with a weariness which innumerable years lent credibility. He sat down under a copse of stunted trees, taking slender shade against the fierce noon sun. A pool of water, while stagnant, at least showed its bottom. Wanderer drank deeply.
A crow, that most cunning of survivors, cawed forlornly on a ridge, announcing Wanderer's arrival to its compatriots. Though famished, he knew he could never snare so wily a prey. A glossy brush covered the valley floor. Hardly appetizing, but hunger made the meanest meals seem palatable. Wanderer gathered handfuls of the broad, tough leaves, and chewed the bitter, fibrous plants without pleasure.
Ominous rumbles of his stomach soon announced this was likely a mistake. Briefly nodding off, he awakened and retched violently, spraying the ground with the meager contents of his stomach.
The sound, or perhaps scent, of his vomit triggered a rattling hum from deeper in the valley. It was a sound Wanderer had long ago learned to dread. Crying out, he scrambled up and lurched back in the direction he had come. But illness washed over him, and with horror he uncontrollably bent over and retched again. Soon enough, the cloud of carnivorous moths was upon him, fat-bodied things with orange painted wings spreading larger than the full extent of a big man's hand. He swatted desperately, crushing a few. This was futile, and their stings injected a paralytic poison, robbing him of motion but cruelly sparing sensation. He subsided, unable even to scream. With the faint scraping sounds of tearing mandibles, they feasted on his living flesh.
*3*
Thing was pierced eternally by luminous daggers. Not poetry, rather a sad matter-of-fact. Cosmic rays perpetually tore through its body, leaving microscopic trails of wreckage behind. Tender lungs, squeezed shut by vacuum, recoiled from merciless absolute zero temperatures. Eyes struggled to escape twin bony prisons. Eardrums perpetually burst and reformed, wavering in a state of partial repair. Sunward skin burned, raising angry boils; starward, it stiffened and froze, cracking open with every motion.
These agonizing hurts were mere peccadilloes next to soul-crushing boredom and the blackest despair. Forbidden breath and wracked by pain, sleep was forever elusive, and it was compelled to attend every tedious instant. Thing was uniquely privy to God's own masterpiece, the sprawling, impossibly beautiful panorama of space without atmosphere, foregrounded by innumerable shards of the shattered Earth. But every star, constellation, and nebulae had burned itself long ago into its memory.
Every thought it was capable of thinking had been thought, and thought again. It had stood trial for every self-recrimination, was found guilty, and sentenced to retrial, with a prosecution that gained in power by force of repetition. It's mind was a Byzantine maze with countless twists, turns, and side-passages, lacking only an exit.
In the suffocating panic of breathlessness and the perfect silence of space, heartbeats pounded like timpani drums. Counting them offered a kind of respite, though even the most furious concentration wavered and broke well before a million. With grim determination it would return to one, and start again.
Thing resided in the largest open air prison in history. Surrounded by endless space, it could only follow the current of its orbit. True escape was found only in the endless memories...
*4*
Valmira had definitively fallen outside of Lord's orbit of favorites. That impassive face, so startling in its preternatural beauty, made no sign of registering her existence when by some chance it happened to turn her way. Any morning now Matron would knock on her door, enter without awaiting her answer, and flatly inform that her term of service has ended. That a supersonic shuttle ticket to a destination of her choice would be provided, assuming she vacated the premises by nightfall. The prospect filled her with dread. She had money now but she knew of no place but here and Albania, where she was loathe to return.
As Lord spent his days diddling his favorite girls, inducing his munchkins to creative amusements, drinking, and smoking, snorting, and injecting staggering quantities of hard drugs, Valmira spent most of her time ensconced in a cushioned corner with a tablet, talking to Albanian friends and browsing news sites, particularly around the ever-looming Eurasian conflict which threatened to suck in even Albania. In the tedium of long, solitary afternoons, she even managed to locate some older pictures of the notoriously reclusive Lord, whereupon she discovered that he was far older than she had presumed. Twenty years ago he was the same stunningly handsome, youthful Adonis, the same pristine skin and perfectly sculpted body, a living rival to any marble statue. This was impressive even by the standards of today's rejuvenatory tech, doubly so when accounting for his hedonistic habits.
Valmira was awed by Lord when the starry-eyed small town Albanian girl arrived in his aerie. Any illusions she held were long ago vanquished by the time spent in his company. What divine caprice matched utter physical perfection with his hollow, vain, childish soul? Learning of his eerie longevity only increased her sense of revulsion. Watching him unawares she couldn't restrain herself from sneering openly, feeling such contempt as she did for this sorry excuse of a man.
*5*
Wanderer returned to the valley. He wondered if he had managed to circumnavigate the earth. More likely, his travels had taken him back by some circuitous route.
No crow announced him this time. The inedible scrub that made him to retch so violently was gone. The earth here, as in most places, was denuded.
Against all odds a carnivorous moth was perched on a stone in front of him, perhaps the final representative of its wretched race. It seemed desultory, depressed even, not troubling at the scent of his flesh, now a scarce commodity indeed. With a rage born of long entrenched trauma Wanderer crushed it underfoot, delighting in the faint squeak of expiring moths.
Wanderer was tired, and made "camp"; that is, he found a flat area free of stones, set down his bundle of leaves and rags as a pillow and laid on his back. That night he was treated to a nonpareil display of pyrotechnics. The moon suddenly erupted in a blaze of fire and light, brighter than the noonday sun. The valley was lit hellishly orange, with stark black shadows.
Wanderer was awestruck, and the sight of him, starkly nude under the orange brilliance of the sky, jumping, howling, yelping, would have impressed upon a witness, were there any left, that here was humanity at its most primordial. The lunar fireball slowly subsided, and the sky resumed its natural darkness. Hours later it was lit anew as thousands of comets streaked across the firmament. The horizon glowed deep red as the bass rumble of distant impacts shook the earth.
Wanderer was awake all night, entranced. He felt excitement, anticipation, qualities his paltry life had lacked for a very long time. This was more than mere omen, it had the air of finality.
*6*
Thing was wakened from its reverie by a chunk of rock smashing it in the face. Glittering teeth and frozen globules of blood drifted slowly away. The rock, splattered with his blood, mockingly floated in front of its face.
Raging silently, Thing picked up the rock and sent it sailing into the void. As it did so, it felt a slight inertial sensation. A cluster of rocks beneath it (that is, nearer to the sun) seemed some modicum closer. This was something new!
Intrigued by its alien environment for the first time in ages, Thing started experimenting with the many rocks at hand. Through long trial and error, it learned these basic principles:
Depression had vanished. No longer helpless, Thing had agency again. Its brain hummed with the energies of newfound hope. Quickly (as months were on Thing's timescale), it gained mastery of this peculiar stone-based locomotion.
No aimless drifter anymore, Thing now has a destination, shining in newfound glory. With industry and ambition, it gathered stones and threw them always forward, sending It down, down, towards the sun, and blessed oblivion.
*7*
The day had finally come; Matron caught Valmira in a side hall, and in her doleful way told her that she was was neither needed nor wanted. However, both women were distracted, and it seemed likely that Matron would forget her announcement tomorrow anyway.
Everyone's attention was fixated on the Eurasian conflict: simmering for years, it seemed to boil over suddenly into total war. Valmira's curiosity turned to alarm, and as the situation devolved, alarm became terror. On that day, she sat in her customary nook, watching the dreadful news unfold on her tablet. Holy Rus had blanketed the Amur River region with tactical nukes, annihilating the New Chinese armored battalions occupying the area. Alongside 3D captures of the devastation, Patriarch Kiril was vociferously explaining that Rus was doing God's work, that the radioactive dust kicked into the atmosphere was the only way to reverse the still accelerating global heating. This was abruptly cut, and a video of the port city of Vladivostok was shown enveloped in a mushroom cloud. American Federation fighter jets were engaging Indian Migs over Kazakhstan, alongside a newscaster's commentary made incoherent by unconcealed panic.
Valmira looked up, and was aghast at Lord's expression. That face, a mask of bored contempt in every circumstance save orgasm and drug high, suddenly worked itself into the unfamiliar contours of terror. All went white with a shocking clap of thunder, windows burst inward with a roar, and Valmira, Lord, girls, Matron, tower, all tumbled together, down, down, down...
*8*
In the years following the lunar apocalypse a sense of normalcy resumed, albeit a much colder one, under a sky blanketed in a cocoon of dust. Wanderer trudged, shivering, on his aimless perambulations through an ashen landscape where life of any kind was conspicuously absent. Hunger and thirst had long ago receded into a background hum of need.
Once the dust finally settled and the moon was visible again, Wanderer saw that it had taken on a drastically different aspect. First, a giant blackened pockmark dominated its surface. Fine cracks radiated outward from the crater like a broken china dish. Second, and perhaps more concerning, the moon seemed to hang far larger in the sky than Wanderer thought reasonable.
Wanderer initially attributed this to some kind of optical aberration related to the dust in the sky. But the effect only increased. Soon the moon was very visible during the day, and it occupied a region of the sky which vastly exceeded its long-observed custom.
Gale force winds buffeted Wanderer one day, then for several days in succession; finally, they blew without relent. The roar of distant tsunamis became constant, and walls of blue framed the horizon. The blue barriers loomed larger until they enveloped everything; all was water, and Wanderer was swept out to sea. He rolled, tumbled, descended to aqueous depths not meant for men, before another tsunami finally deposited him back on solid ground.
The moon was now monstrously titanic, the predominant feature of the entire sky, exceeding the remainder it did not occupy. Volcanic eruptions fumed upwards in multiple directions. The moon, suffused in an orange glow, grew larger still, seemingly on a trajectory straight towards Wanderer. He stood, arms outstretched, shouting soundlessly into howling winds, embracing the finality of a journey of eons.
*9*
Thing spent many happy years, hardly perturbed by even the painful rigors of hard-vacuum living. Once absent, purpose was now in abundance, neatly summed up in one word: Down!
Thing learned that the rocks were not uniformly distributed. Rather, there were clusters, oases of abundance surrounded by deserts of stone scarcity. Thing would cling to the former, carefully gathering the best rocks until it felt ready to journey to the next downward cluster. In this way it carefully traversed vast, floating landscapes, entire nations of stone.
As joyous years progressed a worrying trend emerged, first a nuisance in the periphery of awareness, then a real problem. The populations of stones, once thickly abundant, began to thin. At first Thing hardly minded. It was past master of stone navigation and relished testing its mettle against more difficult conditions. Thing was easily equal to the challenge of this bracing game. But inexorably the stones continued thinning.
Thing arrived at something of a lonely outpost. The next oasis was too far down for its liking. Another was only a few days to the left. Lateral motion maintained velocity and was thereby easy, and Thing zipped over to inspect. Sadly, downward prospects here were more dismal still, and it pensively made the rightward return journey.
Thing spent a year in furious concentration, gathering the very best stones, finding the most advantageous ways to lodge them in arms, between clenched legs, even one in the mouth.
Thus prepared, it began the most challenging inter-oasis transit yet. The trip went smoothly at first. But, somewhere in the middle, a miscast rock sent it spinning at an odd cant. In a moment of panic its clenched legs loosened, and several precious rocks floated free. It regathered them frantically, but three drifted above it, beyond reach. It retrieved two, at the cost of a smaller stone and some depth. The third required another stone to fetch, not worth it. It continued the journey with a deep sense of dread.
Thing neared the outskirts of the next oasis. The first rocks floated invitingly, several feet down. Only two small stones remained in its possession. It threw one after the other, both perfect tosses. The next stone was still several inches below. Just like that, it was stranded forever.
Had any trace of air remained in Thing's vacuum-clenched lungs, it would have expelled them in a scream of frustration and despair the likes of which the universe hadn't yet heard. Air was but a distant memory, and lacking this release, it had nothing. And so, it began the final, longest, most tedious sojourn through endless time, spinning in a celestial tomb, awaiting the end of the universe.
*10*
Laird W. Farthing was reeling, covered in sweat. "I can't fucking believe it! I can't fucking believe it! I can't..", repeated like a Buddhist mantra. Fifty. Fucking. Billion. Exactly like he asked. Sitting in his account, free and clear.
Laird had spent the day in bed, looking at his shockingly beautiful face and body in a mirror, masturbating to exhaustion. The sight of such a prodigious number in his account stirred his tired sex and jubilant soul. He was in heaven!
He tore open his drawer and grabbed the desiccated monkey paw, the provider of his nirvana. For a long time, he had mapped out various altruistic schemes, noble fantasies of worldwide peace and happiness, were he to acquire the paw. But now that he had it... well, what else was there to say, but... "FUCK THAT SHIT!" he shouted aloud. One of the paw's fingers was still outstretched, indicating the one wish that remained. There was no other real choice.
"Time to lock it in, baby!"
He held the paw aloft and shouted:
"I wish to live forever, in perfect health!"
Lord lay swaddled in velvet luxury high in his aerie, glazed eyes staring sightlessly out panoramic floor-to-ceiling windows that overlooked clouds which themselves soared over the megalopolis far below. Holographic munchkins cavorted in the large space; laughing, skipping, clapping, dancing, doing somersaults and cartwheels; fucking like frenzied imps in improbably fanciful contortions; torturing one another, with knives, hot pokers, and little medieval racks, to elicit piping cries of dismay. Their seeming solidity was given the lie when Lord exhaled an enormous plume of freebase cocaine, causing them to flicker in and out of existence.
Valmira never lost her sense of shock. She had known some formidable wastrels indeed in her small Albanian hometown, yet she felt certain they would succumb to a small fraction of the stimulants and depressants Lord consumed daily.
Valmira's trajectory in Lord's circle of playgirls had crested and begun its inevitable descent. Her role increasingly reduced to spectator, Valmira watched without envy as Svetlana, whose star was still in its ascendancy, worked hard to stimulate Lord's ardor. The other eight girls were arranged in a semi-circle around Lord, recumbent among luxuriously piled cushions, frolicking with each other and with themselves, making "oohs", "ahhhs", and other lascivious expressions which ranged authenticity's full spectrum.
Swimming in a sea of simulated bliss, Lord hardly took notice.
*2*
Impaled figurehead, vanguard of the rumbling war wagons... living totem, thrashing and moaning... watching his intestines dangling onto the dusty platform... whoops of shiny-skulled barbarians, emerging from fire and smoke... immobilized, writhing in agony, as hapless remainders of humanity succumbed one by one to the bald barbarians and their cruelty.
But... But! They too, like all things, had passed.
Wanderer entered the valley, musing on traumas long past, with a weariness which innumerable years lent credibility. He sat down under a copse of stunted trees, taking slender shade against the fierce noon sun. A pool of water, while stagnant, at least showed its bottom. Wanderer drank deeply.
A crow, that most cunning of survivors, cawed forlornly on a ridge, announcing Wanderer's arrival to its compatriots. Though famished, he knew he could never snare so wily a prey. A glossy brush covered the valley floor. Hardly appetizing, but hunger made the meanest meals seem palatable. Wanderer gathered handfuls of the broad, tough leaves, and chewed the bitter, fibrous plants without pleasure.
Ominous rumbles of his stomach soon announced this was likely a mistake. Briefly nodding off, he awakened and retched violently, spraying the ground with the meager contents of his stomach.
The sound, or perhaps scent, of his vomit triggered a rattling hum from deeper in the valley. It was a sound Wanderer had long ago learned to dread. Crying out, he scrambled up and lurched back in the direction he had come. But illness washed over him, and with horror he uncontrollably bent over and retched again. Soon enough, the cloud of carnivorous moths was upon him, fat-bodied things with orange painted wings spreading larger than the full extent of a big man's hand. He swatted desperately, crushing a few. This was futile, and their stings injected a paralytic poison, robbing him of motion but cruelly sparing sensation. He subsided, unable even to scream. With the faint scraping sounds of tearing mandibles, they feasted on his living flesh.
*3*
Thing was pierced eternally by luminous daggers. Not poetry, rather a sad matter-of-fact. Cosmic rays perpetually tore through its body, leaving microscopic trails of wreckage behind. Tender lungs, squeezed shut by vacuum, recoiled from merciless absolute zero temperatures. Eyes struggled to escape twin bony prisons. Eardrums perpetually burst and reformed, wavering in a state of partial repair. Sunward skin burned, raising angry boils; starward, it stiffened and froze, cracking open with every motion.
These agonizing hurts were mere peccadilloes next to soul-crushing boredom and the blackest despair. Forbidden breath and wracked by pain, sleep was forever elusive, and it was compelled to attend every tedious instant. Thing was uniquely privy to God's own masterpiece, the sprawling, impossibly beautiful panorama of space without atmosphere, foregrounded by innumerable shards of the shattered Earth. But every star, constellation, and nebulae had burned itself long ago into its memory.
Every thought it was capable of thinking had been thought, and thought again. It had stood trial for every self-recrimination, was found guilty, and sentenced to retrial, with a prosecution that gained in power by force of repetition. It's mind was a Byzantine maze with countless twists, turns, and side-passages, lacking only an exit.
In the suffocating panic of breathlessness and the perfect silence of space, heartbeats pounded like timpani drums. Counting them offered a kind of respite, though even the most furious concentration wavered and broke well before a million. With grim determination it would return to one, and start again.
Thing resided in the largest open air prison in history. Surrounded by endless space, it could only follow the current of its orbit. True escape was found only in the endless memories...
*4*
Valmira had definitively fallen outside of Lord's orbit of favorites. That impassive face, so startling in its preternatural beauty, made no sign of registering her existence when by some chance it happened to turn her way. Any morning now Matron would knock on her door, enter without awaiting her answer, and flatly inform that her term of service has ended. That a supersonic shuttle ticket to a destination of her choice would be provided, assuming she vacated the premises by nightfall. The prospect filled her with dread. She had money now but she knew of no place but here and Albania, where she was loathe to return.
As Lord spent his days diddling his favorite girls, inducing his munchkins to creative amusements, drinking, and smoking, snorting, and injecting staggering quantities of hard drugs, Valmira spent most of her time ensconced in a cushioned corner with a tablet, talking to Albanian friends and browsing news sites, particularly around the ever-looming Eurasian conflict which threatened to suck in even Albania. In the tedium of long, solitary afternoons, she even managed to locate some older pictures of the notoriously reclusive Lord, whereupon she discovered that he was far older than she had presumed. Twenty years ago he was the same stunningly handsome, youthful Adonis, the same pristine skin and perfectly sculpted body, a living rival to any marble statue. This was impressive even by the standards of today's rejuvenatory tech, doubly so when accounting for his hedonistic habits.
Valmira was awed by Lord when the starry-eyed small town Albanian girl arrived in his aerie. Any illusions she held were long ago vanquished by the time spent in his company. What divine caprice matched utter physical perfection with his hollow, vain, childish soul? Learning of his eerie longevity only increased her sense of revulsion. Watching him unawares she couldn't restrain herself from sneering openly, feeling such contempt as she did for this sorry excuse of a man.
*5*
Wanderer returned to the valley. He wondered if he had managed to circumnavigate the earth. More likely, his travels had taken him back by some circuitous route.
No crow announced him this time. The inedible scrub that made him to retch so violently was gone. The earth here, as in most places, was denuded.
Against all odds a carnivorous moth was perched on a stone in front of him, perhaps the final representative of its wretched race. It seemed desultory, depressed even, not troubling at the scent of his flesh, now a scarce commodity indeed. With a rage born of long entrenched trauma Wanderer crushed it underfoot, delighting in the faint squeak of expiring moths.
Wanderer was tired, and made "camp"; that is, he found a flat area free of stones, set down his bundle of leaves and rags as a pillow and laid on his back. That night he was treated to a nonpareil display of pyrotechnics. The moon suddenly erupted in a blaze of fire and light, brighter than the noonday sun. The valley was lit hellishly orange, with stark black shadows.
Wanderer was awestruck, and the sight of him, starkly nude under the orange brilliance of the sky, jumping, howling, yelping, would have impressed upon a witness, were there any left, that here was humanity at its most primordial. The lunar fireball slowly subsided, and the sky resumed its natural darkness. Hours later it was lit anew as thousands of comets streaked across the firmament. The horizon glowed deep red as the bass rumble of distant impacts shook the earth.
Wanderer was awake all night, entranced. He felt excitement, anticipation, qualities his paltry life had lacked for a very long time. This was more than mere omen, it had the air of finality.
*6*
Thing was wakened from its reverie by a chunk of rock smashing it in the face. Glittering teeth and frozen globules of blood drifted slowly away. The rock, splattered with his blood, mockingly floated in front of its face.
Raging silently, Thing picked up the rock and sent it sailing into the void. As it did so, it felt a slight inertial sensation. A cluster of rocks beneath it (that is, nearer to the sun) seemed some modicum closer. This was something new!
Intrigued by its alien environment for the first time in ages, Thing started experimenting with the many rocks at hand. Through long trial and error, it learned these basic principles:
- Throw a rock up, away from the sun, and Thing would bob down for a bit and then pop back up, resuming its prior altitude like a cork submerged under a bit of water and released.
- Throwing a rock down towards the sun had the opposite effect, sending it up then right back down.
- Rocks thrown to the left or right of its orbital direction would send Thing moving at a constant speed, proportional to strength of throw and size of rock, in the opposite direction.
- Throwing a rock forward, that being the direction of Thing's orbit, lowered its altitude a bit, matching its initial rage-driven throw.
- Rocks thrown away from its orbital direction lifted Thing, ever so slightly, away from the sun.
Depression had vanished. No longer helpless, Thing had agency again. Its brain hummed with the energies of newfound hope. Quickly (as months were on Thing's timescale), it gained mastery of this peculiar stone-based locomotion.
No aimless drifter anymore, Thing now has a destination, shining in newfound glory. With industry and ambition, it gathered stones and threw them always forward, sending It down, down, towards the sun, and blessed oblivion.
*7*
The day had finally come; Matron caught Valmira in a side hall, and in her doleful way told her that she was was neither needed nor wanted. However, both women were distracted, and it seemed likely that Matron would forget her announcement tomorrow anyway.
Everyone's attention was fixated on the Eurasian conflict: simmering for years, it seemed to boil over suddenly into total war. Valmira's curiosity turned to alarm, and as the situation devolved, alarm became terror. On that day, she sat in her customary nook, watching the dreadful news unfold on her tablet. Holy Rus had blanketed the Amur River region with tactical nukes, annihilating the New Chinese armored battalions occupying the area. Alongside 3D captures of the devastation, Patriarch Kiril was vociferously explaining that Rus was doing God's work, that the radioactive dust kicked into the atmosphere was the only way to reverse the still accelerating global heating. This was abruptly cut, and a video of the port city of Vladivostok was shown enveloped in a mushroom cloud. American Federation fighter jets were engaging Indian Migs over Kazakhstan, alongside a newscaster's commentary made incoherent by unconcealed panic.
Valmira looked up, and was aghast at Lord's expression. That face, a mask of bored contempt in every circumstance save orgasm and drug high, suddenly worked itself into the unfamiliar contours of terror. All went white with a shocking clap of thunder, windows burst inward with a roar, and Valmira, Lord, girls, Matron, tower, all tumbled together, down, down, down...
*8*
In the years following the lunar apocalypse a sense of normalcy resumed, albeit a much colder one, under a sky blanketed in a cocoon of dust. Wanderer trudged, shivering, on his aimless perambulations through an ashen landscape where life of any kind was conspicuously absent. Hunger and thirst had long ago receded into a background hum of need.
Once the dust finally settled and the moon was visible again, Wanderer saw that it had taken on a drastically different aspect. First, a giant blackened pockmark dominated its surface. Fine cracks radiated outward from the crater like a broken china dish. Second, and perhaps more concerning, the moon seemed to hang far larger in the sky than Wanderer thought reasonable.
Wanderer initially attributed this to some kind of optical aberration related to the dust in the sky. But the effect only increased. Soon the moon was very visible during the day, and it occupied a region of the sky which vastly exceeded its long-observed custom.
Gale force winds buffeted Wanderer one day, then for several days in succession; finally, they blew without relent. The roar of distant tsunamis became constant, and walls of blue framed the horizon. The blue barriers loomed larger until they enveloped everything; all was water, and Wanderer was swept out to sea. He rolled, tumbled, descended to aqueous depths not meant for men, before another tsunami finally deposited him back on solid ground.
The moon was now monstrously titanic, the predominant feature of the entire sky, exceeding the remainder it did not occupy. Volcanic eruptions fumed upwards in multiple directions. The moon, suffused in an orange glow, grew larger still, seemingly on a trajectory straight towards Wanderer. He stood, arms outstretched, shouting soundlessly into howling winds, embracing the finality of a journey of eons.
*9*
Thing spent many happy years, hardly perturbed by even the painful rigors of hard-vacuum living. Once absent, purpose was now in abundance, neatly summed up in one word: Down!
Thing learned that the rocks were not uniformly distributed. Rather, there were clusters, oases of abundance surrounded by deserts of stone scarcity. Thing would cling to the former, carefully gathering the best rocks until it felt ready to journey to the next downward cluster. In this way it carefully traversed vast, floating landscapes, entire nations of stone.
As joyous years progressed a worrying trend emerged, first a nuisance in the periphery of awareness, then a real problem. The populations of stones, once thickly abundant, began to thin. At first Thing hardly minded. It was past master of stone navigation and relished testing its mettle against more difficult conditions. Thing was easily equal to the challenge of this bracing game. But inexorably the stones continued thinning.
Thing arrived at something of a lonely outpost. The next oasis was too far down for its liking. Another was only a few days to the left. Lateral motion maintained velocity and was thereby easy, and Thing zipped over to inspect. Sadly, downward prospects here were more dismal still, and it pensively made the rightward return journey.
Thing spent a year in furious concentration, gathering the very best stones, finding the most advantageous ways to lodge them in arms, between clenched legs, even one in the mouth.
Thus prepared, it began the most challenging inter-oasis transit yet. The trip went smoothly at first. But, somewhere in the middle, a miscast rock sent it spinning at an odd cant. In a moment of panic its clenched legs loosened, and several precious rocks floated free. It regathered them frantically, but three drifted above it, beyond reach. It retrieved two, at the cost of a smaller stone and some depth. The third required another stone to fetch, not worth it. It continued the journey with a deep sense of dread.
Thing neared the outskirts of the next oasis. The first rocks floated invitingly, several feet down. Only two small stones remained in its possession. It threw one after the other, both perfect tosses. The next stone was still several inches below. Just like that, it was stranded forever.
Had any trace of air remained in Thing's vacuum-clenched lungs, it would have expelled them in a scream of frustration and despair the likes of which the universe hadn't yet heard. Air was but a distant memory, and lacking this release, it had nothing. And so, it began the final, longest, most tedious sojourn through endless time, spinning in a celestial tomb, awaiting the end of the universe.
*10*
Laird W. Farthing was reeling, covered in sweat. "I can't fucking believe it! I can't fucking believe it! I can't..", repeated like a Buddhist mantra. Fifty. Fucking. Billion. Exactly like he asked. Sitting in his account, free and clear.
Laird had spent the day in bed, looking at his shockingly beautiful face and body in a mirror, masturbating to exhaustion. The sight of such a prodigious number in his account stirred his tired sex and jubilant soul. He was in heaven!
He tore open his drawer and grabbed the desiccated monkey paw, the provider of his nirvana. For a long time, he had mapped out various altruistic schemes, noble fantasies of worldwide peace and happiness, were he to acquire the paw. But now that he had it... well, what else was there to say, but... "FUCK THAT SHIT!" he shouted aloud. One of the paw's fingers was still outstretched, indicating the one wish that remained. There was no other real choice.
"Time to lock it in, baby!"
He held the paw aloft and shouted:
"I wish to live forever, in perfect health!"
Comments (47)
edit: ultimately I feel bad for him, though. Poor guy ended up slinging rocks in space while constantly suffocating and such
A scene of perverse over-the-top luxury consumption. We can't tell whether it's real or a fantasy, until we are told the POV of the narrator, who grounds it in an actual place on Earth. All this excess gives no real pleasure to the consumer and is observed without glee or censure by a peripheral participant.
2. A contrasting scene of pathos, reflecting on the horrors of a recent past, followed by a scene of present horror. We learn nothing of Wanderer's identity or previous adventures.
Is this happening in the same world and time as Scene 1? Can't tell.
All I know is that the author is leading up to something probably much worse - and it doing so with considerable skill.
3. Sounds as if it's relating the tortures of a heavenly body - Earth, for example - and in rather awful anthropomorphic detail. (Maybe a bit too much?) But we don't yet know whether this is the case, why and in what context it's told. We'll have to wait and see.
Since it's long and complex and requires attention, I have to leave this for now and return later today. Don't yet know what I think of the story.
Aha! Something different.
Quoting Noble Dust
There is a matron monitoring the consumer's entourage, and presumably his well-being. Lord seems to be an impotent potentate, sucking up pleasure but inactive. The onlooker/participant Valmira becomes more real, anchored to a dystopian world. We get a hint at location - presumably a mountain stronghold, possibly on Mars or a - satellite, safely distant from the conflicts of Earth.
5. Wanderer, who should be dead, is back. A terrestrial flying Dutchman? An extraterrestrial observer? Sisyphus? Whoever he is, there has been more devastation since his last appearance, more extinctions, And the war (?) has moved on to the moon with apocalyptic consequences.
6. One consequence is the awakening of Thing, who now definitely seems planet-like in some ways, though obviously not in the the ability to hurl rocks into space. And Thing is determinedly suicidal - which can't be good news for its inhabitants.
7. And suddenly, Lord and his entourage are no longer safe: their haven is destroyed in total war.
8. Wanderer comes around again, to find a hopelessly barren environment - which I cannot construe as any sense of normalcy... I mean, what do people eat? Yet he still cannot die.
And so Thing is the moon - except for having legs and lungs (?) - no longer unhappy since it has found a purpose. It seems to be damaged - perhaps fatally. But it seems also too close for any possibility of escape.
9. Until it runs out of rocks to throw. (Why am I thinking of https://en.wikipedia.org/wiki/The_Moon_Is_a_Harsh_Mistress ?) Then it's doomed to failure.
What happens to to the Earth and anyone - perhaps only Wanderer - who still may be on it?
This is making no sense to me.
The punch-line, even less.
10. Laird has a bank account. In what frickin bank? Where is he? Where and how does he intend to live forever, all alone?
I remember the Monkey's Paw, but this Laird business is far too big for one little dead monkey.
It was an interesting, intriguing, absorbing story. But ultimately, the pieces didn't fit.
Kudos to the writer for a captivating piece. As other mates pointed out, I first put more attention to the style and the writing, because it is very well written, and the story is a pleasure to read. Also, it is interesting how the author used numbers to distinguish each evolution or phase of the story. I interpreted these as chapters, but maybe it is something different in the author's mind.
The skillful narrative not only weaves a compelling story but also pleasantly surprises with a mention of Albania, adding a refreshing touch. I like when folks use exotic places.
Am assuming the Thing is the moon and Wanderer is witnessing its gradual fall to Earth, but how does this square with Lord and Laird with the monkey paw at the end? There are scenes that weave together, possibly, and some that don't, but despite this the world still feels unified and ornate.
Maybe Laird becomes the Lord by monkey paw wish, which initiated the Lunar apocalypse. Those damned monkey paws.
Congrats on the piece. :party: :flower:
Now that I have the monkey paw... I'd like to steal this author's facility... All will be fine in the short term.
My impression was that Laird, Lord, Wanderer and Thing are all the same person. Laird got his wish to live forever in perfect health and becomes Lord, turning to constant indulgence in sex, drugs, and alcohol with no negative consequences to his health. Then eventually the apocalypse occurs and Lord becomes Wanderer who is at one point devoured by huge moths but continues life somehow, since he got his wish to live forever. Then eventually, once earth has been destroyed, Wanderer becomes Thing floating in space, perhaps the blown to pieces bits of the man he was, but still alive. A hellish prospect indeed. That was my interpretation anyway.
Agreed with the commendation of the author's writing prowess. Very well done.
Wow, I think you may be right, if the details hold up. This theory of plot unification would give it a bump indeed. The lunar catastrophe would unite the moon, earth and the wanderer into the Thing. Yikes! :scream:
Quoting Noble Dust
Yes, I think this is obvious when thinking about how each individual story connects. Wish stories always have the bad consequence for the wishes, but in this case I think the consequence becomes much more epic than expected of such a story. Instead of just some moral backlash in the here and now, the backlash is the consequence of eternal existence, with an irrelevant fraction of that life lived as a demigod. The moths may be the reason of mutations from long ago nuclear warfare, and the resulting evolution of wildlife long past us.
I really really enjoyed this story, it reminded me of the dark poetry writing in films like Mandy:
But set within a kind of realistic fantasy/sci-fi setting.
Absolutely worth five points in my opinion, concept and execution is top tier quality. The poetic craft alone is enough for a five. :cheer:
I'm very curious what sparked the original idea.
I viewed the moth event as almost promethean. He could be devoured but yet reassemble in some way and good health. I guess he would be obliterated into gas and then just reassemble in good health again. The final question would be what happens at heat death or the end of the universe. As a thought experiment, could he still be "immortal in good health" if reality end and definitions of immortality and good health lose all meaning as time and space dissipates into nothing? It's the fun in taking a concept like immortality and trying to find its logical conclusion.
I imagine that this entry is your own, here offering your own self-evaluation, like "Hey guys, look at me! You've not given me enough credit! Give me a second read." Well done!
Compliment detected. Thank you :pray:
I'm with you, the writing was good I guess, but I just didn't get it.
Who could engage with such characters? Part of the issue is that there is practically zero dialogue in this whole long story. As far as I remember, there were only a few spoken sentences at the end, and even that not true dialogue but rather micro monologues.
Well, okay. Still makes no sense. The Lord part I can see, but what wrong wishes could lead to those other outcomes? And what's the girl with her individual POV doing in it?
That's a good point, her POV is out of place in the narrative. If anything, I guess not having a Lord POV helps keep him distant from us in all of his indulgences. I'm not sure if that intentional, though.
Its a choice of POV to describe him externally. Internally he would just come off as a raging Caligulan asshole that would justify his deeds and be impossible to identify with. The choice of her POV for that part makes his endevours as an immortal asshole be much more intense, which is more effective for the purpose of showing how awful and powerful he actually is.
Intrigued by a capitalised 'thing' without a definite or indefinite article. I'll leave the title for now. Following the helpful comments, I'll head straight to the end.
[Grateful to the author for clarifying the structure and bolding the 4 main characters. 4 in 1.
All the better to follow...into a maze...or amazing scenery.]
Main character: Laird W. Farthing
A laird is the owner of a large, long-established Scottish estate. But owners are not always Scottish and some are called 'green lairds'. A change in how the Scottish Highlands are managed and valued. Less grouse shooting and burning of heather.
https://www.reuters.com/investigates/special-report/scotland-environment-green-lairds/
Increasingly owned by billionaires but not all are rich.
Our Laird is a W (with) a Farthing.
A farthing being a quarter of a penny coin. (Thinking of that winning Plum Pie story again!)
We find him sweating in ecstasy. The monkey paw, he acquired (how?) has granted him his penultimate wish:
50 billion pounds. Other wishes granted have been based on the 7 deadly sins:
Pride, Greed, Wrath, Envy, Lust, Gluttony and Sloth. Or the basic motivators: Fear and Desire.
Fear of physical and financial deterioration/poverty and death. Desire to overcome the fears. To be happy.
Laird had given some thought to less selfish schemes:
Quoting Noble Dust
His repetition of disbelief - ''I can't fucking believe it!'' is compared to a Buddhist mantra. But spiritual it is not. Materialism is the order of the day. In what he mistakenly calls 'nirvana' (provided by the paw) his last wish is: To live forever, in perfect health'. Apparently, 'there was no other real choice'. The choices we make are central to this story.
Cause and effect. Unintended consequences. Be careful what you wish for...
***
It looks like the author has structured the rest of this story in 3 Parts [*] relating to the other 3 characters or wishes? Always in the same order: Lord, Wanderer, Thing.
[*] corresponding to story numbers 1-3; 4-6; 7-9.
Might help to understand the Laird's connecting wishes, if we take each in turn. Who or what does he become. Allons-y!
Part 1:1 Lord
What an entrancing...er...entrance into the hallucinatory high world of luxury and drugs.
Holographic munchins...over 3 lines of pure magic. Quoting Noble Dust
Valmira is introduced as a secondary character - but important as she is kept 'in service' despite another ascending 'star' replacing her in the harem of playgirls. She acts as 'spectator'; the reader sees the Lord through her eyes. And it ain't pretty. The wastrel consuming quantities of uppers and downers that would kill others. 8 girls work hard to stimulate his 'ardor'. Love their:Quoting Noble Dust
Quoting Noble Dust
There is no sense of reality. And Laird/Lord might wish to be elsewhere. More grounded. To travel the world of Earth - feeling, exploring all its joys as a globe-trotter.
The Consequence:
Part I:2 Wanderer
After getting to know the characters in Part 1, less time will be given to the rest. Life's too short!
Starts with an italicised flashback to W as an 'impaled figurehead', a 'living totem', victim of bald-headed barbarians. But all things must pass.
He entered the valley. In stark contrast to the high living of Lord. The setting appears to be Earth. The shade is under the fierce noon Sun. He drinks from a stagnant pool; he is hungry and eyes the crow but not as prey. Its wily nature impossible to snare. Turns to a 'glossy brush' of vegetation. Looks appealing but bitter. No pleasure but pain. He vomits. The sound or scent attracts carnivorous moths:
Quoting Noble Dust
Monstrous beings whose sting poisons W.
Quoting Noble Dust
The author makes us feel the horror, the terror. And think about ourselves as cruel carnivores. Can we escape the nature of the beast? All this is way too much for Laird W (Wanderer).
Earth has changed. It is not a good place to be. (why has it deteriorated?)
What will he wish for? Anything but here. Fly me to the moon!
The Consequence:
Part 1:3 Thing
:flower: :hearts:
:smile:
This story requires a moving soundtrack...
Thing. Is this the THING of the title? Hmmm...
A thing not human. Hanging around in space. A human as Moon. Ouch!
Pierced by Cosmic rays. The author's description is out of this world. What a Creation!
Quoting Noble Dust
Imagine seeing all of this wonder - apparently, the work of God - and being left in a state of 'forbidden breath'. Who or what is it that is experiencing this 'sentence of retrial'. A mind with no exit and bored to the darkest despair. Tender lungs.
Quoting Noble Dust
Pink Floyd - The Dark Side Of The Moon (50th Anniversary) [2023 Remaster] {Full Album}
For relevant concepts and tracks, read: https://en.wikipedia.org/wiki/The_Dark_Side_of_the_Moon
Lyrical themes include conflict, greed, the passage of time, death and insanity, the last inspired in part by Barrett's deteriorating mental state.
Each side of the vinyl album is a continuous piece of music. The five tracks on each side reflect various stages of human life, beginning and ending with a heartbeat, exploring the nature of the human experience and, according to Waters, "empathy".
"Speak to Me" and "Breathe" together highlight the mundane and futile elements of life that accompany the ever-present threat of madness, and the importance of living one's own life "Don't be afraid to care".
Quoting Noble Dust
No wish made. Memories the only escape.
In My Life - the Beatles
There are places I'll remember
All my life though some have changed
Some forever, not for better
Some have gone and some remain
All these places have their moments
With lovers and friends I still can recall
Some are dead and some are living
In my life, I've loved them all
Mid-story.
4. Lord From a female perspective. Valmira and Matron. Women in their place as subsidiary characters. Observing, learning, reading, caring, judging character. Control over lives. Power and conflict. Choices.
Lord and the rich lifestyle are no longer desired. No longer 'starry-eyed' - the truth hits.
Quoting Noble Dust
Caprice. When a wish is granted there is still a lack. Can we have it all? Perfect mind, body and soul?
The monkey paw, the joke of the gods. Perhaps. Or just what happens...
If/when Matron dismisses her with a ticket to leave, to a destination of her choice, Valmira wouldn't know where to go. She is not happy, even with money accumulated. Better the devil you know?
5. Wanderer returned to the valley. Still alive?! Has he 'circumnavigated Earth' as wished for?
How would that happen? As a man, or a thing, a moon?
No crow. Nothing to eat. A single moth - perhaps the last of its kind - remains. But lacks interest. It's dying but W crushes it anyway. A pitiful revenge against all his trauma.
The author takes us out of the darkness in a blaze of glory :fire:
Quoting Noble Dust
We see Wanderer in naked form. Primordial humanity - man as wonderstruck, yowling ape. Quoting Noble Dust
The eruption of the moon is signalling the End. He's happy with that. Bring it on!
6. Thing or the moon. Has a rude awaking from its reverie of memories. A rock wars against it, so it fights back with renewed energy. It experiments as if in a video game. Directing paths of travel. Joystick movements. Up/down/left right. Cause and effect.
Quoting Noble Dust
As Wanderer, its wish is to go DOWN towards the Sun. A suicidal death wish. Will it be fulfilled?
Will there be a Happy End to 'The Story of THING'? Next instalment coming up...
Bringing it to a close.
7. Lord Again from Valmira's POV.
The day had finally come. War grabs everyone's attention. Life plans or dreams on hold.
Valmira watches the news, as we all do. Or at least as much as we can stomach. War. This never-ending thing that doesn't go away. Reasons given are spurious.
Quoting Noble Dust
Of course. The only way. The only choice. According to stated beliefs; fabrications and justifications.
Who is given the choice? Everyday choices. On the best way to live. They mount up...our wishes have consequences. The desire to travel, to rape the Earth of its finite resources, the rich planning their escape to space. Or New Zealand. Power to the Moon!
We awake too late. Like Lord. A divine revelation :fire:
Quoting Noble Dust
8. Wanderer 'Following the lunar apocalypse'. Wait. What? I thought it was an Earthly nuclear event. Now, I'm Lost in Space. I'm beginning to think I'm immersed in a computer simulation.
I'm going mad in a collision of stories. Death and Memories in 'Dream of Me', 'The Moon is Broken' :chin:
*Breathe*
OK. Last I heard, the moon wanted to go down on the sun. Hmm. OK. Cutting to the chase. The Moon has taken over the sky:
Quoting Noble Dust
Excellent! The Moon is going Down on Earth. Whoopee! :fire:
9. Thing
With purpose. The result of a wish? A flying rock? Whatever.
Now using rocks to move about some.
Quoting Noble Dust
Again, we are in a virtual game. Quoting Noble Dust
Game over.
Quoting Noble Dust
Wow. Gamers really take things seriously, don't they?
Quoting Noble Dust
But, but...Thing is still here. And so is Wanderer. And, and Lord...
Back to the person at fault:
Part IV Laird W. Farthing. ( Lord. Wanderer. Far. Thing or Far-ting)
Quoting Noble Dust
Questions remain. And that's how it should be.
***
Thanks to all previous explanations, my thoughts haven't been as tangled as they might have been!
In particular the exchanges:
Quoting Benkei
Major thanks to @Vera Mont for the initial summaries and link to a simpler story the Monkey's Paw. https://americanliterature.com/author/w-w-jacobs/short-story/the-monkeys-paw
A great jump-start :up:
And the philosophical question:Quoting Christoffer
What a provocative piece of work. Full of magic and concepts, stringing us along. Making us think and feel. Left with burning images, particularly of Wanderer. Arms outstretched in freedom.
Quoting Noble Dust
Oh, and the title:
The Story of THING.
A Monkey's Paw. Indeed.
Many Congratulations to the author. Thanks for the monkey puzzle! 5. :fire: :heart: :sparkle:
You are far from dense. Your posts stimulated thinking. This is not an easy story to engage with, given the nature of its characters. And changing periods, settings, atmosphere...
Attempting this journey through space and time, following the damned THING, I decided to let go and have fun with it. Associations included music. For better or worse.
I asked myself what, if any, message the author was trying to send.
And came to the conclusion that it was related to ecophilosophy.
https://www.britannica.com/topic/deep-ecology
So, THING is us. The story is ours. The ascent and descent of human life. The interconnections.
How our actions have degraded the world in which we live. What can be done about it?
Who holds the monkey's paw. Who controls aspects of human experience. The power relationships between humans, animals, nature, technology and so on. Cause and effect.
Well, that's my take...for what it's worth. In the end, we are falling, flailing, failing down, down, down...
Where is the monkey's paw...?
Quoting Noble Dust
The world and humans put in their place. A spiritual/material take.
Yup. A false god, surveying his false creation. Nice connection.
By the way, the monkey paw i know from a collection of Dutch scary stories, funny, The wishes it grants always end bad. I thought that was just a one off thing, but here it comes around again, so must be something known. Congrats Hypericin, excellent.
I agree. I know some readers were confused by the non-linear telling, which is understandable. For me, the great writing helped me keep on track in sorting it out, and helped me want to figure it out. I thought it was pretty clear by the very end. Congrats, @hypericin!
I'm not sure what prompted me to make the story nonlinear like it is. I think it works, it would have been a different and probably lesser story if it had been told in a straightforward way from beginning to end. Its really tricky writing a story that relies on the reader "getting it". Part of the problem is, as the writer you know the answer, it is impossible to suppress the knowledge, and so it is impossible to ever read the story in the same way the reader reads it.
Quoting ToothyMaw
You only ever get 3.
Quoting Vera Mont
I admit, I was bummed you didn't get it!
Quoting Noble Dust
Yep!
Quoting Noble Dust
Still intact, the "perfect health" guarantees that.
Quoting Baden
Thanks!! It really was a lot of work, compliments like these make it worth it.
Quoting javi2541997
I have no idea why I chose Albania, I have no connection with the country. Glad it worked!
Quoting Benkei
:strong: Not a perfect hit rate, but totally worth it when it hits
Quoting Benkei
It was the monkey paw episode of the new Tales from the Crypt. It was lame, I don't recommend it. But I was casting for an idea, and it triggered this one. A bit of a "I can do better than that" thing.
Quoting Christoffer
Thanks for the glowing review, it really meant a lot!!
Quoting Christoffer
Indeed, I worried about that dissonance. The idea was triggered by another monkey paw, and I liked the idea of taking something schlocky and as you said drawing it to its utmost logical conclusion. And I wanted the reader at the end to go, "wait, this is a fucking monkey paw story???"
Quoting Christoffer
Yeah, I could have put more thought in. It was supposed to be a sly hint that it is a story of one person, therefore the characters are the same person. Thing being by far the longest portion of his life.
Quoting Christoffer
:love:
Quoting Nils Loc
Haha, it turns out that my writing is inextricably linked to all the problems in my life. Package deal.
I was wondering, did the rock throwing make sense to anyone? The idea was that he would throw rocks in his direction of travel, slowing down his velocity and therefore lowering his orbit until he fell into the sun. This was the hardest part for me to write, and maybe the least successful.
Quoting Vera Mont
The wrong wishes didn't lead to these outcomes, just to him having to endure all of them.
Quoting Vera Mont
Quoting Christoffer
Yes, I think it would have been harder to write compellingly from his POV. But really this is one of those intuitive decisions I just make without much justification. Sometimes they work, sometimes they don't.
Quoting Benkei
Originally I was going to have Thing make it down into the sun, and he [i]still[i] wouldn't die, and suffer in the ultimate agony until the universe ended. Too much, I thought.
Quoting Benkei
An epic, never before uttered sentence :clap:
Quoting Tobias
What a review, thanks!! Means a lot.
Quoting Tobias
The monkey paw "tradition" begins here, in the eponymous story by W. W. Jacobs. Worth a read.
Quoting Noble Dust
Originally he was called 'It', and I had my heart set on calling the story 'IT'. I think that would have worked better, but maybe I'm fooling myself! The problem with naming someone 'It' is that it becomes massively confusing, distinguishing proper and improper 'it', especially when 'It' is the first word of the sentence. So 'It' became 'Thing'. I didn't like 'THING' as a title, so it became 'The Story of THING", which in part was supposed to subtly hint that its about one person.
No, talent can only guide, it can never really write. Writing is always hard work and those who put hours into rewrites, into analyzing their text, making changes, rework whole sections etc. are the ones who succeed.
This is really the main point I've experienced reading all the stories. Most of those that weren't reaching top scores only had to go through some extra rewrites.
It's somewhat frustrating to see so many seeds of good stories that could have been worked on just a little more in order to make major improvements.
Your story is an example of what that process can achieve.
Quoting hypericin
Authorial intuition. Most of the time writers don't know why they do something in a specific way. Maybe because writing fiction is about ideas filtered through the heart instead of rationality. When you read something written by someone trying to rationally map out every single word before writing, it's almost unreadable. Trusting the intuition is important.
Quoting hypericin
:sweat:
Quoting hypericin
MONKEY PAW! :sweat:
Quoting Amity
Hah, thanks! I had no idea, Laird was the name I knew that sounded like "Lord".
Quoting Amity
Who knows!
Quoting Amity
So glad you liked this. I wrote these lines when I started then put the story away for 2 weeks. Why oh why didn't I keep writing, I was on fire!
Quoting Amity
I liked this line too, thanks.
Quoting Amity
It will be revealed!
Quoting Amity
The two best reviewers didn't get it! Arrgh. It makes me feel like I did something wrong.
@Vera Mont
The story is, Modern-day Laird wishes for beauty, wealth, and eternal life. He lives a dissipated life as Lord, into a futuristic time. Unfortunately, nuclear war eventually destroys modern civilization. Lord, now Wanderer, wanders the earth. After an interminable time, an asteroid collides with the moon, sending it into a collision course with earth. While the earth is shattered, Wanderer survives, and is now Thing. Thing eventually figures out how to commit suicide, by throwing rocks (the fragments of the Earth) to reduce his orbital velocity and send him spiraling into the sun. Sadly, the fragments thin out, and Thing is stuck forever.
Quoting Amity
I can only imagine how I would endlessly ruminate on my mistake in this scenario!
Quoting Amity
Great selection of a soundtrack!
Quoting Amity
Perhaps he could have chosen a "perfect mind and soul". But beauty, money, eternal youth won out.
Quoting Amity
After maybe 100s of thousands of years, he thought his self inflicted curse could be broken with a collision with the moon. Poor guy.
Quoting Amity
Yeah, it feels like that. It was supposed to be physical, but I think it is the weakest part of the story.
Quoting Amity
Quoting Amity
:rofl: Now you know how I felt with RW&B!
Quoting Amity
Absolutely *not* what I had in mind! And yet, 100% valid. What is happening to the planet terrifies me and breaks my heart, and it is not an accident that the story references climate change, nuclear war, the literal destruction of the planet, and the consequences of a stupid human wielding way more power than they are capable of. Even though I just wanted to make the ultimate, most extreme monkey paw story :monkey:
Damnit, that's the one! It wouldn't even give anything away. If I ever submit to a magazine, or whatever there is these days...
Yeah, the introduction was amazing!
Quoting hypericin
Are you talking about me and Vera? I can't speak for Vera but I think we both struggled with imagining and relating to the spacy characters and setting. Following the story was a tough nut to crack and I left it to the end. This, I hesitate to suggest, could be a gendered preference. Just as some found it difficult to empathise with or understand Vera's Dawn.
Quoting hypericin
Quoting hypericin
It made sense. However, my eyes glazed over at the bullet points. The 5 principles. That's when I decided to give it my own spin and rock'n'roll :cool:
Quoting hypericin
Well, you did both. You included your thoughts about the miserable world and how you might wish it to be. And made a space drama out of it. So, I think I got it right :joke:
You did very well to keep my interest given that my mind doesn't usually go there!
That's down to your talent and creativity. Magic with words.
Congratulations, again :fire:
Yes, I know I know...
Quoting Amity
Not quite how I wish! It went from post-apocalyptic hellscape to lifeless wasteland to total destruction!
Quoting Amity
Perhaps, perhaps. It's kind of the polar opposite of "chick lit".
The appeal of Dawn seems pretty universal. True, it was a "grower". On first read it felt a bit slight, I'm not sure but I may have given it a 4. In retrospect I regret that, it deserved a 5. Some anecdotal support for delaying the vote...
Quoting Amity
Thank you! :pray:
Exactly. Remember what the tale of the monkey's paw is all about.
The unintended consequences of human wishes. Or how our consumer choices have wreaked havoc.
Another interpretation could be that in going 'down, down, down' - this reflects an existential crisis or chronic depression. When the world reaches a critical turning point and all is chaos, then some might see destruction as the only solution. Either of self, others or the planet. A kind of euthanasia. Too deep?
Quoting hypericin
Perhaps. Let me think. 'Chick lit' is a derogatory, condescending term and inherently sexist. It fails to acknowledge the cultural value of women talking about themes like: romantic relationships, professional struggles told with humour, sex, laughter, friendships. Life, love and death. So, a better term is 'Romantic comedy'. Think 'Sex and the City'.
It goes without saying that 'Dawn' is deeper than that. I think the genre is 'Historical fiction'.
'The story of THING' - what genre is that? Surreal sci-fi? A weird mind-bending experience.
Encompasses stories such as Kurt Vonnegut's Slaughter House Five - which I found compelling.
So no, not polar opposites - just different. And I wonder if a story about a woman written by a woman would ever reach the heady heights of 'winner' in a male-dominated forum.
***
Quoting hypericin
Yes. Also support for giving any story a second, close read. Giving it a chance, getting over first impressions and current preferences.
OK. That's me done. Thanks again. :sparkle:
I certainly hope so. Submissions are anonymized. I don't feel Dawn was written in a distinctly female voice. What if Dawn had a male protagonist? Would that have changed the score? What if Vera's authorship was known? It would be very interesting to re-run the voting with these changes, if only we could.
What would definitely make a difference would be if the story was written in a female-centric genre. Winning would then be a major uphill battle. Not only would it note cater to men in a male-dominated forum, but there is the sense that girl's stories are given less respect overall than boy's stories.
Quoting Amity
I was trying to say that it catered to things men like, such as twisted plot, sci-fi trappings, and frankly violence and suffering, while omitting things many women look for (character, relationships, dialogue), mainly because of my limitations as a writer, rather than by design.