Bulbs in Pots by javi
Casey crossed the door. She wears a large black cotton coat, a white scarf and brown boots. Despite that the scarf is covering her face, the uncertainty and fear peer in her eyes. The band was not expecting her to come over, but the violinist did. They both know that they slept one night and this would have an effect afterwards. The violinist hoping to not face a drastic future. Casey hoping from the violinist not to change dramatically due to the drastic future. Their glances crossed. The violinist asked Casey to go to a private room to talk.
The room was cosy but cold. They sat on an old-fashioned couch. There were two cups of tea on a wooden table, and biscuits. It is difficult to gaze at something done in the past and then now when the consequences flourish. Casey is the first to start the conversation. 'Well, I honestly don't believe you could have a spangled mind. You haven't replied to my e-mails and my phone calls. I expected you to be an adult, at least.'
The violinist only said that he was busy because music could be a full-time job often. 'Don't you dare to think of a name?' Casey repeated.
'I think we have to find out how we name our consequence' -- but Casey was not brave enough to say this loudly. The violinist was trying to behave for the moment. He just wanted to let Casey accept the reality of the next nine months.
'It is odd I could play in front of thousands and now it is impossible to accept I changed the life of this girl forever. Maybe those thousand people are unnamable, unknown, face-less. But it is more intimidatory when there is only one person that you can feel with all your senses.' thought the Violinist. This was the first reflection he ever had towards this situation.
'Lily', shouted the violinist. Casey gazed at his eyes with a mix of hope and confusion. We don't even know the gender yet, but if he thought for a name, it could be that he actually wanted to manage the situation. Does this mean that our consequence would be materialised finally? Since we have already put a name, we could conclude that 'Lily' will be our bow rather than handcuffs.
But Casey only said: 'yeah, like lily of the valleys. A sweet flower. It leaves a fragrance that is impossible to forget.'
'Like what we did' -- thought the violinist but he didn't shout it. It wasn't the time to be ironical. Casey doesn't deserve it, and our consequenceLilyeither. Now, the violinist wanted to have a girl urgently. On one side, he felt guilty about an eventual aversion if the consequence turned out to be a boy, and on the other, he felt over enthusiastic. The violinist was realising that such a fool person didn't deserve to be a parent.
'Wait. I feel better when I listen to music while I talk.' -- the violinist puts 'The Nutcracker' suite. Music relaxes the ambience, like opium relaxes people.
There is a delicious aroma of burnt incense in the room. The smoke looks like a fog resting on an orchard.
Now Casey looks dreamy. She was sitting, but now she is lying on the couch. The violinist stands at the window, gazing at the rain. He doesn't see many folks out there, but a lone pedestrian is looking for a taxi. The violinist had a weird thought. He imagined that the misplaced person may be his consequence in the future. Years later, looking for a car to turn home because she/he feels helpless, but she/he might felt this way most of the time of her/his life. The violinist felt devastated and irresponsible. The consequencelet's call it by its real name! A persondoesn't deserve to end up looking for a taxi on a rainy night because she/has no one to call.
He turned to gaze at Casey. As she was lying on the couch, the violinist couldn't see her from the window. When he approached, Casey was not there.
The Violinist left the room in search of Casey. 'The Nutcracker' was still playing on the turntable.
The members of the band weren't there either. 'It is too late, and they decided to return to their homes, probably' The Violinst thought while he was feeling that there was something in the ambience that was off-site. When he opened the door, he gazed to the right and the left, searching not only for Casey but for someone. The Violinist was waiting in the corridor for the lift. He perceived through a small window that it was still raining outside.
'I am not mad'. Thought his inner self, trying to avoid the anxiety.
'Ground floor or basement?' The Violinist thought for a second that Casey might be in the parking. He opted to go there.
When the doors opened up, a light coming from different spotlights blinded him. It wasn't until the melody of a distant piano persuaded him to look around. There were tables with champagne, bartenders going to and fro; and the guests were wearing carnival masks. One bartender approached him jubilant. 'The band is waiting for you, Sir Violinist. They are gathered together in the room next to the toilet. But they will not open you if you don't tell them the password... -- The password is 'Bulb in pots.' Come on, relax yourself, have this glass of champagne and enjoy!'
The Violinist began to move slowly around the carnival hall. Most of the guests dressed as if they belonged to the past, but perhaps they were simply in disguise. Six ballerinas were performing a ballet. They were dressed up as swans. A group of guests were drawn to their aesthetic movements. The stage was a pond with a big sun in the middle. A few guests were close to clapping, but they rejected the idea in the end. Maybe they didn't want to interrupt the staging.
The doorthat the bartender talked about a few minutes agowas purple and the knob black. The Violinist knocked and whispered -- 'Bulb in pots.' Someone opened the door from inside, and in the gloom, a faint blue light illuminated everything.
'We were waiting for you. I hope Lily is OK. You know when they are toddlers they get sick easily. We appreciate that you actually showed up. We couldn't do this performance without you.'
'Thanks, Lily is better now! You know, I wouldn't miss this majestic night ever!'
But when the violinist answered, he felt that there was something unusual. Maybe he felt nervous about the performance. 'We are going to play 'Fidelio' because some guests requested it. But I would like to play The Nutcracker. It is a Christmas theme and my daughter will love it.' All the band members accepted the suggestion.
The Violinist went to the bathroom for a second. Just to wash his face. A random guest with a parrot mask also entered.
'It is raining cats and dogs outside. Luckily, you are a nice pal and invited me to join the taxi with you. I had no pennies in my wallet. Don't hesitate for my mask. It is part of the game. -- It is me! The person who was waiting in the street. Let me you know something. Casey is now happy, and everything around flows correctly. Like a perfectly improvised jazz piece. You are a musician, right? I think you understand what I am saying. Go there and play the suites. The band and the people who love you are waiting for you' said the random guest. Before leaving the bathroom, he handed to the Violinist a wipe that smelt like a garden flourishing in springtime. He rubbed his hands with it, and put the wipe folded in his pocket.
A mist starts to spread around, at foot-level. It feels a bit cold and feels like walking on clouds; or maybe like a couch. Well, he didn't feel that comfortable before.
Everything seemed weird at the beginning of the ceremony, but now the Violinist understood everything. Life is similar to a musical piece. We just have to know the right time to play our instruments, and these resemble our lives. If we play correctly, people clap at our performance. Don't they? The trick is to wait. Every year the garden blossoms, and the flowers will be waiting for me, like the guest with the parrot mask who was waiting for a taxi a few hours ago!
After playing 'Fidelio' and 'The Nutcracker', the audience started to cheer. In the first row, on the left, there were a woman and a little girl, both masked. One with a sheep mask, and the other with a cow mask. Yes, they could be Casey and Lily. Life can be that wonderful too. What a jazzy night!
One more! One more! Shouted the guests and the bartenders delightfully.
***
'I don't want to wake up! Someone, please stop tomorrow from coming!' shouted the Violinist in between sobs.
The room was cosy but cold. They sat on an old-fashioned couch. There were two cups of tea on a wooden table, and biscuits. It is difficult to gaze at something done in the past and then now when the consequences flourish. Casey is the first to start the conversation. 'Well, I honestly don't believe you could have a spangled mind. You haven't replied to my e-mails and my phone calls. I expected you to be an adult, at least.'
The violinist only said that he was busy because music could be a full-time job often. 'Don't you dare to think of a name?' Casey repeated.
'I think we have to find out how we name our consequence' -- but Casey was not brave enough to say this loudly. The violinist was trying to behave for the moment. He just wanted to let Casey accept the reality of the next nine months.
'It is odd I could play in front of thousands and now it is impossible to accept I changed the life of this girl forever. Maybe those thousand people are unnamable, unknown, face-less. But it is more intimidatory when there is only one person that you can feel with all your senses.' thought the Violinist. This was the first reflection he ever had towards this situation.
'Lily', shouted the violinist. Casey gazed at his eyes with a mix of hope and confusion. We don't even know the gender yet, but if he thought for a name, it could be that he actually wanted to manage the situation. Does this mean that our consequence would be materialised finally? Since we have already put a name, we could conclude that 'Lily' will be our bow rather than handcuffs.
But Casey only said: 'yeah, like lily of the valleys. A sweet flower. It leaves a fragrance that is impossible to forget.'
'Like what we did' -- thought the violinist but he didn't shout it. It wasn't the time to be ironical. Casey doesn't deserve it, and our consequenceLilyeither. Now, the violinist wanted to have a girl urgently. On one side, he felt guilty about an eventual aversion if the consequence turned out to be a boy, and on the other, he felt over enthusiastic. The violinist was realising that such a fool person didn't deserve to be a parent.
'Wait. I feel better when I listen to music while I talk.' -- the violinist puts 'The Nutcracker' suite. Music relaxes the ambience, like opium relaxes people.
There is a delicious aroma of burnt incense in the room. The smoke looks like a fog resting on an orchard.
Now Casey looks dreamy. She was sitting, but now she is lying on the couch. The violinist stands at the window, gazing at the rain. He doesn't see many folks out there, but a lone pedestrian is looking for a taxi. The violinist had a weird thought. He imagined that the misplaced person may be his consequence in the future. Years later, looking for a car to turn home because she/he feels helpless, but she/he might felt this way most of the time of her/his life. The violinist felt devastated and irresponsible. The consequencelet's call it by its real name! A persondoesn't deserve to end up looking for a taxi on a rainy night because she/has no one to call.
He turned to gaze at Casey. As she was lying on the couch, the violinist couldn't see her from the window. When he approached, Casey was not there.
The Violinist left the room in search of Casey. 'The Nutcracker' was still playing on the turntable.
The members of the band weren't there either. 'It is too late, and they decided to return to their homes, probably' The Violinst thought while he was feeling that there was something in the ambience that was off-site. When he opened the door, he gazed to the right and the left, searching not only for Casey but for someone. The Violinist was waiting in the corridor for the lift. He perceived through a small window that it was still raining outside.
'I am not mad'. Thought his inner self, trying to avoid the anxiety.
'Ground floor or basement?' The Violinist thought for a second that Casey might be in the parking. He opted to go there.
When the doors opened up, a light coming from different spotlights blinded him. It wasn't until the melody of a distant piano persuaded him to look around. There were tables with champagne, bartenders going to and fro; and the guests were wearing carnival masks. One bartender approached him jubilant. 'The band is waiting for you, Sir Violinist. They are gathered together in the room next to the toilet. But they will not open you if you don't tell them the password... -- The password is 'Bulb in pots.' Come on, relax yourself, have this glass of champagne and enjoy!'
The Violinist began to move slowly around the carnival hall. Most of the guests dressed as if they belonged to the past, but perhaps they were simply in disguise. Six ballerinas were performing a ballet. They were dressed up as swans. A group of guests were drawn to their aesthetic movements. The stage was a pond with a big sun in the middle. A few guests were close to clapping, but they rejected the idea in the end. Maybe they didn't want to interrupt the staging.
The doorthat the bartender talked about a few minutes agowas purple and the knob black. The Violinist knocked and whispered -- 'Bulb in pots.' Someone opened the door from inside, and in the gloom, a faint blue light illuminated everything.
'We were waiting for you. I hope Lily is OK. You know when they are toddlers they get sick easily. We appreciate that you actually showed up. We couldn't do this performance without you.'
'Thanks, Lily is better now! You know, I wouldn't miss this majestic night ever!'
But when the violinist answered, he felt that there was something unusual. Maybe he felt nervous about the performance. 'We are going to play 'Fidelio' because some guests requested it. But I would like to play The Nutcracker. It is a Christmas theme and my daughter will love it.' All the band members accepted the suggestion.
The Violinist went to the bathroom for a second. Just to wash his face. A random guest with a parrot mask also entered.
'It is raining cats and dogs outside. Luckily, you are a nice pal and invited me to join the taxi with you. I had no pennies in my wallet. Don't hesitate for my mask. It is part of the game. -- It is me! The person who was waiting in the street. Let me you know something. Casey is now happy, and everything around flows correctly. Like a perfectly improvised jazz piece. You are a musician, right? I think you understand what I am saying. Go there and play the suites. The band and the people who love you are waiting for you' said the random guest. Before leaving the bathroom, he handed to the Violinist a wipe that smelt like a garden flourishing in springtime. He rubbed his hands with it, and put the wipe folded in his pocket.
A mist starts to spread around, at foot-level. It feels a bit cold and feels like walking on clouds; or maybe like a couch. Well, he didn't feel that comfortable before.
Everything seemed weird at the beginning of the ceremony, but now the Violinist understood everything. Life is similar to a musical piece. We just have to know the right time to play our instruments, and these resemble our lives. If we play correctly, people clap at our performance. Don't they? The trick is to wait. Every year the garden blossoms, and the flowers will be waiting for me, like the guest with the parrot mask who was waiting for a taxi a few hours ago!
After playing 'Fidelio' and 'The Nutcracker', the audience started to cheer. In the first row, on the left, there were a woman and a little girl, both masked. One with a sheep mask, and the other with a cow mask. Yes, they could be Casey and Lily. Life can be that wonderful too. What a jazzy night!
One more! One more! Shouted the guests and the bartenders delightfully.
***
'I don't want to wake up! Someone, please stop tomorrow from coming!' shouted the Violinist in between sobs.
Comments (23)
The planting of bulbs in winter to surprise in spring with new life and colour. Or, I believe, some can be cooked and eaten...
Good descriptive start to Casey and her lover, the Violinist. The uncertainty of the consequences of a one-night stand. The change of lives. The prospect of a baby in 9 months, the need for a name. Both intimidated. The violinist took the leap of faith that it would be a girl. He is now invested in the future.
Casey is thankful:
Quoting Baden
The bow to play free and joyful music rather than a constraint to their lives. Lovely.
But she played it down with a relaxed "Yeah!" and spoke of the scent of lily of the valley. A sweet memory of that night, the violinist keeps to himself. He puts on the Nutcracker Suite, the ballet score.
A Christmas favourite. To relax his mind and atmosphere:
Quoting Baden
Sensitive and sensual analogies. The art of the author shines through. Are we being led into a dream?
The scene is changing. The violinist looks out and is hypnotised by the rain but is drawn to a lone figure waiting for a taxi. He imagines this could be his helpless daughter in the future. He already feels responsible, as if he has abandoned her...
He turns round to find Casey is no longer with him in the room. Was she ever there in reality?
This seems to be an anxiety dream the author is playing with. The search and the worry...
He takes the lift to the basement. Where else? The ground floor is too...well...grounded!
Right away, we face the surreal magic and music of a carnival. The intrigue of masks. Dazzling:
Quoting Baden
How strange, the specifying of the toilet. How many times does a toilet feature in our dreams? I admit to that anxiety, searching for one in the emergency of a full bladder. Time to wake up and go to the loo.
Haven't had the luxury of a band next door...the nearest thing, a radio. Never mind, I wander...
Bulb in pots. Ah, the bulb is Lily. The pot, Casey's womb. :chin:
The violinist goes through the door. Into the future?
Quoting Baden
This couldn't be happening without the violinist - and his mind?
The story progresses and the sense of another world grows stronger. Great dialogue and description.
Quoting Baden
Music is vital to the violinist. A metaphor for life. The garden blossoming yearly. The seasonal cycle.
He sees what he thinks are Casey and Lily in the audience. Everyone is happy.
But then, the heartbreak.
Quoting Baden
***
A work of art, well imagined and executed. Even with some halting words, the mood and story come through strong, clear and sensitive. Many Congrats! :flower: :up:
you can plant a bulb in a pot, but you're not guaranteed a flower in spring.
the story is sad - or maybe had a positive resolution - it's hard to tell. my guess is, he talked her into an abortion, and later regrets it and dreams about the family that might have been. that's only a guess : the story is too disjointed to be sure of anything.
i think i would have liked it more, had i been able to understand it better.
Yes, in my mind, the story is called 'The Violinist'. It centres around him and his importance.
Quoting Vera Mont
Ah, that is an option I hadn't considered. I imagined they might have died in a car crash.
Thanks for making me look again and reconsider previous thoughts. Returning to the the last sentence, I read it now and find it strangely hysterical:
Quoting Baden
And, perhaps, a bit too much 'telling' of the message of the story, incase the readers don't 'get' it?
Perhaps not :chin: :
Quoting Baden
Still, sensitive showing wonderful imagination and creativity! :flower:
Am personally afraid of the solipsistic nature of dreams. We need the real life Casey to challenge a private narrative. She could tell us the name of the violinist and give us her account of what happened.
Improvised dream jazz with a sad ending.
[quote=]Well, I honestly don't believe you could have a spangled mind.[/quote]
This is my favorite part. Didn't know it is already a word. Spangle sounds more like a wadded up line of thread, something disordered and not easily straightened out. Spangled jazz. Spangled minds. Spangled dreams. Spangled twine. Spangled wife. Spangled life. Spangled desire. Spangled child.
Spangle:
1: a small plate of shining metal or plastic used for ornamentation especially on clothing
2: a small glittering object or particle
Quoting Baden
The violist will continue to be the violist adored by many. But most likely, he would not be a part of the child's life with Casey. He loves the idea of "Lily", but certainly not the responsibility that comes with it.
It would have needed some serious touch up on getting the phrasing and English correct and I understand this might be complex, but with some AI tools for proofreading or getting someone more proficient in English to proofread it would help the storytelling tremendously.
Because I can sense real emotion underneath and a care for the story, I just can't get past the grammar problems as it's getting in the way of fully describing those emotions and perspectives.
My current favourite.
Or it might have been a childbirth disaster...both died.
Either way, it is a tragedy and a loss. Poignant.
Doesn't this ring a bell to you? :sparkle: :eyes:
Some writers used classical music themes to express dreamlike experiences. Thus, in Casares' The Invention of Morel, there was always a record player playing 'Tea for Two' and 'Valencia' often. When the protagonist listened to it, he felt sleepy or hallucinating with everything around him.
More thorough comments and replies to come in the following days. Thanks, mates. :heart:
I thought I did that a little:
Quoting Amity
Quoting Amity
******
Quoting praxis
Fantastic!
Well, first of all, I really appreciate you taking your time reading my story and giving feedback. Thank you!
You left some interesting comments, but most of you agree that the figure of the violinist is tricky and the plot is quite 'disjointed,' so I will explain some points:
- Why did I call one of the characters just by his occupation?
Kundera is guilty for that. I read The Farewell a few months ago, and the novel influenced me a lot. One of the characters is a trumpeter. Although he has a normal name (Ruznak), Kundera refers to him only by his occupation when he has to face a delicate situation such as cheating on his own wife. Maybe Kundera wanted to express anonymity or discretion. I wanted to do the same, but it is true that I didn't express it accurately. I guess this is why got confused. If only I had put a name to the musician in the beginning, everything could have gone differently.
Watch this video whenever you can. Kundera explains that discretion between women and men.
Digging deeper into anonymity: Remember that in my story appeared random guests with carnival masks, right? Well, this is another example of that. Casares on his novel The Dream of Heroes and Kubrick on 'Eyes Wide Shut' did a nice and subtle of masking characters.
Are we different when we wear masks? :eyes:
Do we reach anonymity when we cover our faces? :sparkle:
On the other handyes, as most of you noticed, there is a dream, and the dreamer is the violinist.
This is up to you, mates. I will accept whatever interpretation. :smile:
Quoting Nils Loc
Hmm... :sparkle:
Thank you so much, mates. :heart:
You can't imagine how happy it makes me feel that you liked the story. Since you understood the plot, and you found the story thematically pleasing, I would say it is well written and structured then. You are even native speakers! I suppose perhaps that if you would have seen some hiccups, you would have posted or reported it in the feedback.
Baden even mentioned that it is one of his favourites. This means so much to me. I can't even express it in words. :smile:
Interesting. Once you know that trick, it's an easy signal that there is a transition in consciousness. What follows is not 'real'. Perhaps, it can be overdone? And there are different ways to do this.
Quoting javi2541997
Good questions. Perhaps the whole story is a dream!
Sometimes, stories have un-signalled or unclear transitions. There are parts my brain/mind skip over. Annoying little pricks of something not being right but I want to read on. I call them 'mental glitches'.
It's difficult to stop when a story holds you in its thrall. I think I need to be more aware of this.
At least, slow down and mark with a question. What's happening here?
Quoting Amity
You seem not to have noticed this further feedback.
You didn't respond to it or the examples I gave. What are your thoughts?
Yes, I saw your further feedback. What I didn't see is that you actually gave relevance to the role of music in my story. I forgot it. I had to say that everyone but you didn't notice the importance of the music playing while everything was going on.
If I am not mistaken, I guess you have perceived a weird dreamlike feeling when the music started to play on the record player. I wanted to invite the reader to that complex and dreamy atmosphere. I guess I got it with you and with too.
I have to be honest: I decided to put 'Tea for Two' when I wrote the first draft. But I realised that it would be plagiarism to Casares then. So, I tried with 'The Nutcracker' because it is a Christmas theme, and their tones are soft. :smile:
I think that the story was a good snapshot of music, romance and whatever may follow. I enjoyed reading and don't think that you should worry about English not being your first language because it was extremely clear to read.
Furthermoreand since you are from the UK. Thus a native speaker of Englishit cheers me up that you found my story pleasing to read. I promise I made a big effort this time because I wrote everything straight in English. I declined the option of writing in Spanish and then translating using AIor whatever toolbecause it could deteriorate the sense and meaning.
Yes, I am glad that you avoided using AI for translating from Spanish, AI is taking over so much, as if were the god of all creativity, almost excluding humans from the art processes as redundant, outmoded creatures.
Good decision. :cool: :up: