Dispatch UK-028: A Report on the Case of Ivan Ivanovich Ivanov by Jamal
- FOR THE ATTENTION OF THE HOLY CUSTODIAN
- SECOND CYCLE
- ON THE FEAST OF THE PROCESSION OF THE PRECIOUS WOOD OF THE LIFE-GIVING CROSS (AUGUST 1st)
- IN THE YEAR OF OUR LORD 1999
Further to our reports concerning the disappearances of Russian nationals in Glasgow, Scotland, we present here a supporting narrative based on our own supervisory oversight, specifically regarding the case of Ivanov. We ask that any prideful exercise of poetic license be met with the esteemed Custodians gracious understanding.
We shall interpolate the relevant excerpts from the transcript of conversations between the two Observers assigned to the case, Hieromonk Theophanes and Novice Makarios. This is not only for context but also to shine a light on the operations failures, and more generally on the privation of monastic commitment and decorum in the earthly Brotherhoods of Holy Orthodoxy.
§
BROTHER OBSERVER MAKARIOS: Where is Father Yuri? I thought he was meeting Ivanov and taking him to the church?
FATHER OBSERVER THEOPHANES: Please be quiet, Brother. Im seeing a disturbance, and our Ivanov is heading straight for it.
MAKARIOS: I cant see anything.
THEOPHANES: What a surprise.
MAKARIOS: I just think Id be able to do a better job if I knew what was going on. Did you send that bulletin yesterday?
THEOPHANES: Your dedication is an inspiration to us all, Brother.
MAKARIOS: Respectfully Father, what I am wanting is a straight answer.
THEOPHANES: Oh, you are wanting all right. Wanting in patience, for one thing.
MAKARIOS: You dont have to put up with me, Father. Im happy to ask for reassignment. I want very much to get on with the job.
THEOPHANES: Again, you want. Want want want want want.
MAKARIOS: Respectfully Father, I wonder if you are quite secure in your understanding of the concept of mentorship. From whom can I learn but you?
THEOPHANES: Permit me to suggest a mutually beneficial arrangement. I shall impart to you with good grace the secrets of the Brotherhood, and in return you shall: one, endeavour to conceal your overactive talent for irksomeness; and two, adorn your endless Respectfully Fathers with some actual respect.
MAKARIOS: You are a paragon of fairness, Father.
THEOPHANES: Now, kindly keep your eyes to your Sightglass and allow me to do likewise.
§
And here he is: Ivanov, wandering in quiet business district streets. It is getting close to the close of the twentieth century. It is mostly empty buildings and empty corner cafés, all closed, because it is Sunday in the business district. It has been hot and dry for many days, and the as-yet unswept and unhosed working weeks dust rises and falls with the tabloid pages and bus tickets in the street-funnelled breezes, golden where caught in chinks of sunlight admitted by gaps up high.
But look: an anomalous shop, anomalously open for business, its door wide open to the street. A skateshop, selling skateboards, parts, accessories and apparela natural configuration. A shop, then, which is anomalous in context but is in itself coherent, thus resting within the order appointed by Christ Himself.
And listen: they are playing aggressive rock music, which echoes off the streets high walls of glass and polished cladding, the sound waves unscattered by traffic and unsoftened by pedestrians. Ivanov, buffeted by them, his memory in turn nudged awake by this buffeting, now remembers the scrap of paper in his shorts pocket, and is no longer wandering. With singular purpose, he enters.
Meet the two men within: Crawford and Murdoch. To the rhythm of the music, young Crawford is sawing through a short plank of timber clamped to the counter. Murdoch, a moderately older man on the staff side of the counter, is watching Crawford and smiling.
Now look closer: What neither Ivanov nor our Observers have seen is that there is also a young woman in the shop. Dressed unseasonably in a camel coat several sizes too big for her slight frame, she stares out from behind a display, as alert and furtive as a weasel.
Interrupted by the appearance of a stranger, Murdoch turns off the music and Crawford stops sawing. They watch Ivanov as he walks up to the counter.
Lost? says Murdoch.
Good day. You are very perceptive.
Well, my foreign friend, youre no skater, thats for sure.
Yes, I am hoping you can help me. I would like to know where is this address. It is a church of the Orthodox faith. I know it is near the Russian Consulate, but I do not know where that is.
He shows the scrap of paper to Murdoch, who reads it and shakes his head and then passes it to Crawford, who reads it and nods.
Its hard to get to.
Perhaps you can write the directions for me.
Nah, Id have to show you. Im going that way in a minute, but Ill be on my board, otherwise you could tag along.
I can run.
In flip-flops? I dont think so.
Murdoch says hold on, goes to another room, and returns with an old skateboard.
You can borrow this. The decks seen better days, but the rest is solid.
Oh, are you sure?
Skater or not, I know an honest man when I see one. He turns the board over. Look, its got low trucks so its nice and stable.
That is ideal, as I am a novice.
You want a helmet? Pads?
No, I will take the risks.
Have it back by five thirty, Murdoch says, and then adds, Shred it bro! He laughs and looks to Crawford for approval.
Crawford laughs too, then gathers up the plank of wood, the saw, and the clamp, puts them in his backpack, and grabs his board.
Out on the street, they mount the boards and head West.
§
MAKARIOS: How do I
THEOPHANES: Hes moving faster now, so you have to continuously refocus. Thats it. Contrary to expectations, you are making progress.
MAKARIOS: Entirely owing to your solicitous guidance, Father.
THEOPHANES: Now watch. The zone of disturbance hasnt followed them, which means this skateboard fellow is likely harmless.
MAKARIOS: Must have been the guy in the shop. Better send a bulletin.
THEOPHANES: Not so fast, my tender-footed colt. Consider, first, that spiritual disturbances emanate from places and things as much as from people, also that there might have been people in the back rooms of the shop, and that there are dozens of floors above the shop, containing who knows how many people.
MAKARIOS: Its just empty offices.
THEOPHANES: It is worse than merely impertinent for a servant of the Lord to lay claim to omniscience. It is just empty offices as far as you know, which is not very far. The Sightglass is limited, and certainty is always elusive. Ivanov is by no means out of the woods yet.
§
The surface is smooth, but Ivanov has never been on a skateboard and struggles to keep up and stay on. He is going as fast as he can, but Crawford is now far ahead.
The business district comes to an end at the edge of a wide urbanized ravine. The ground drops away and the road curves down on stilts into the sprawling highway interchange that occupies the depths below, but Ivanov follows his guide in the direction of Heavenfor Crawford has just reached the high crest of a parabolic footbridge, which traverses the great gap on slender piers. Crawford stops for a moment to look back at Ivanov, then carries on, disappearing over the bridges horizon.
Ivanov in this period of his souls jeopardy often suffers from both vertigo and sensory overload. On the bridge, a sublimely terrifying view begins to open up around and below. It is as if he is flying, pushing up through the air, further and further from the security of the ground. To take his mind off the vast openness he fixes his eyes on the rising bridge deck ahead, and keeps on pushing.
When he gets to the top he dismounts to rest. The breeze up here is refreshing, and the view is magnificent. The entire Western half of the city is spread out before him: the lush greens of the park and the botanic gardens, the university and its salubrious environs, and the sandstone villas receding into haze. But it is too much for Ivanov. Even with the support of the handrail, which he grips desperately, he is now even more unstable on his feet than he was on the board. To steady himself he focuses on the end of the bridge, and sees Crawford waiting on the sidewalk only half a block beyond, waving to him. He remounts and begins the descent.
Worse than the feeling of flying, the feeling now is more like falling, a growing loss of control as he picks up speed. But, as if his body is acting autonomously to overcome his mental weaknesses, he suddenly snaps into a flow state and coasts down the gentle slope in an effortless sinusoidal sweep. It feels good. He wonders if he has just now become an expert skateboarderand if, despite the shaky start, he has always been a natural, just waiting to be discovered. But as the concrete bollards at the end of the bridge loom, he regains a sense of how fast he is going, and in his resurgent fear he cuts his losses and jumps off the board to avoid crashing.
It was probably a good decision, but he has landed painfully on his knees on the bare concrete. Eager to reach solid ground, he gets up quickly, collects the skateboard, and continues on foot.
Crawford is grinning when Ivanov reaches him.
Looks like you had a rough ride!
It is nothing. Is the church near this place?
Down the alley there, through the tunnel to the courtyard, then theres a wee passageway on the right, leading to another courtyard. Thats where the church is. Last summer I had a job selling stuff door-to-door, used to come around here sometimes. Only good thing about it was finding all the hidden places.
I appreciate your help.
I know that girl, by the way.
Which girl?
The one in the shop.
I did not see anyone.
She was staring at you the whole time. She gives me the creeps. Sounds weird but I think shes living across the road there, in the library.
Well, I must visit the church now.
Say hi to Jesus for me.
Thank you again.
Crawford mounts his board and continues West. As he skates away he laughs, and shouts, Shred it bro!
Ivanov walks down the alley. Lying on the cobbles at the entrance to the tunnel is a broken wooden box with small Orthodox icons spilling out of it. One of them catches his eye, a cheap reproduction of Our Lady of Kazan, depicting the Mother of God with the infant Christ as a tiny man. He bends down to pick it up.
Dont touch that! Its dirty.
A womans voice from the street behind him. He stands up straight and looks around. She is small, with black hair, a face devoid of colour save for full red lips, and an ill-fitting coat.
Please come back to the street, she says.
I do not understand.
I saw you in the shop and have something to say to you. There is nothing down there. You can have no business there.
But there is a church here, no?
No, there is nothing. Come out of the alley and back to the street.
I am sorry, but I must try to find this place.
Then just let me talk to you for a minute. Please.
As he returns to the street she stands there biting her fingernails, her eyes fixed on him.
§
THEOPHANES: Its her.
MAKARIOS: Are you sure?
THEOPHANES: Shes at the centre of a large disturbance.
MAKARIOS: She does look weird, I have to admit. Well, since Father Yuri hasnt turned up, couldnt we get a message to the priest at the church?
THEOPHANES: Father Alexei is not an Intercessor, Brother. You know the rules. Anyway, hes busy tending his flock, small though it is. We must trust in Father Yuris plan, whatever it is.
MAKARIOS: We dont even know if he has one. Cant you request a direct intervention?
THEOPHANES: And by direct you mean...
MAKARIOS: Yes.
THEOPHANES: Your naivety is almost endearing. These days, we and the Intercessors together constitute the standard manifestation of angelic intervention. Only once in a hundred years do they take things into their own hands.
MAKARIOS: I have a bad feeling about this, Father.
§
Your knee is bleeding, the woman says.
Oh. Yes, I fell from the skateboard.
It has to be cleaned. Come over to the library with me and I will do it for you.
I am not certain it is a good idea.
You will have an infection. Come. It wont take long.
She takes hold of his arm and leads him across the road, then past the steps that sweep down from the librarys colonnaded portico, stained by black algae and a hundred years of soot. She drags him down a flight of smaller, meaner steps descending to basement level, and then along a mossy sunken passage to the corner of the edifice. Hidden under the foliage and loaded branches of a crab apple tree is a neglected door, where she releases him and rummages for the key in the pocket of her coat.
Inside, it is as cold as a cave, and the air is rancid. Something scuttles to a nook. He follows her along the corridor and into a small room, where light from a frosted window in the adjoining toilet room dimly illuminates a folding bed in a mouldy corner, and piles of clothes and books on the floor.
You live here? Why?
Other parts of the library have cameras now, and nobody comes down here.
But why do you live in a library?
Why not? Im a librarian. She nods in the direction of an orange plastic stackable chair. Sit down there and I will get something for your knee.
He does as he is told.
As she heads for the door, Ivanov says, You sound Russian. Vy russkiy? Ukrainets?
She turns and stares at him. Her white face, with crimson lips and bloodshot eyes, seems to float in the air, unnaturally bright in the murk.
Just wait there.
She goes out and closes the door. Now that Ivanov has been left alone with his thoughts, we shall take a moment to examine his soul. That is what this is all about, after all.
He looks down at his bare arm, where she held him. He does not know if he can really still feel the physical traces (a burning cold and a persistent deformation of the flesh) or if the mental impression left by her touch is so strong that he merely imagines he canor if there is any difference. He thinks about the last time he felt a womans touch. He was back home, sitting on a beach on the Samara Bend after a swim, when Katya came up behind him, put a hand on his wet shoulder, and gave him an enormous wedge of watermelon.
And the sand between his toes. And in the evening, Katyas look of concentration as she balmed his sunburnt ears with beeswax.
§
MAKARIOS: Father, Im having trouble seeing inside.
THEOPHANES: On this occasion, it is not just you. She has performed an enchantment on the building to hide it from the eyes of God, which in this case means us.
MAKARIOS: Magic spells? That stuff is real?
THEOPHANES: Of course. Any tradition surviving for millennia contains some genuine wisdom.
MAKARIOS: Then I fear we have lost him. Lord grant rest to his soul.
THEOPHANES: Again, you judge too quickly.
MAKARIOS: He is in her lair. Its hopeless.
THEOPHANES: I also fear the worst, Brother, but still, Id like to see with my own eyes, wouldnt you?
MAKARIOS: See what, his body? Dont they eat it?
THEOPHANES: Usually just the blood, and sometimes the heart if theyre hungry. But no, I mean we need confirmation from his absence where wed expect his presence were he alive.
MAKARIOS: What?
THEOPHANES: If he fails to reappear outside the building in the next hour or two, we can conclude with some justification that he has lost his life, and that we may have lost another soul. But let us pray for him, Brother.
MAKARIOS: Pray for what, though? Not only his life, but his souls protection, yes? And since you already said that direct intervention is out, its up to us!
THEOPHANES: Brother, please remember your title. We are the Observers. We have observed, and we have set down our observations and transmitted them in our bulletins, thus discharging our duty. It is up to the Intercessors now. This, Brother, is the division of labour ordained by the Lord.
MAKARIOS: Right now, I find I am questioning whether we have correctly interpreted His plan.
THEOPHANES: Right now, I find I am needing a drink. Theres nothing to see at the moment. Care for one?
MAKARIOS: Go on then, youve twisted my arm.
§
Ivanov hears her approaching. The door opens a fraction, and then there is silence. She is watching him from the corridor, holding her breath. It might be a matter of only a few seconds, but time has become distended, an abyssal dream of temporality.
She enters. But it is not her, not exactly. Her eyes have become milky globes, saccading in pus. In place of her red-lipped mouth there is a gaping orifice, where the tongue writhes in a sheath of slime behind pointed teeth. Her bitten-down nails are now bony hooks. Ludicrously, she is still wearing the coat, now spotted with fresh suppurations.
I love you.
It is her voice in his head, a relict utterance from an age before language.
Sheitcharges.
As if he is a spectator, Ivanov finds he is using the skateboard as a shield against the claws. He deflects the first swipe, springs to his feet and pushes the creature back with full force. It falls into a mound of clothes and squirms to right itself, knocking over a pile of books. While it is vulnerable, he swings the skateboard up and back, but before he can bring it down on its head it pounces with an unhinged swiftness. It is going for his exposed chest, its fangs and claws poised to penetrate him, tear him open, and rip out his heart.
But then its body begins to jerk incomprehensibly. It is being beaten. Ivanov thinks he might be doing it himself without being aware of it.
Gimme some help!
The voice of a fellow human being, it snaps him out of his detachment. And there is Crawford, smashing the thing with his skateboard. His strikes are wild, not all of them effective, and the creature is fighting back, flailing and lunging. Ivanov joins Crawford in the assault, swinging down the edge of his skateboards wooden deck, hacking at the grasping talons.
Most of its body is protected by the overcoat, which functions as cushioning armour, so in an effort to do some serious damage, they begin to batter its head and face. It screams and retreats, and they advance and attack harder, forcing it against the wall. The rhythm of their alternating blows builds to a frenzy. Even while they continue to break and mutilate, the two men look at each other and grin, intoxicated with the camaraderie of violence.
It sinks to the floor.
I love you, the primeval voice sounds in his head. He drops the skateboard and picks up the plastic chair, then drives one of the metal legs down into its skull. We shall not make the mistake of saying that it dies in this moment, but whatever power was animating the lifeless clay has gone, leaving a motionless rotting carcass.
A long time goes by before they have recovered enough to speak.
What the fuck is it? Crawford says.
The girl. I think she is an Upyr.
Oo-peer.
Like a vampire, but they drink only Slavic blood. At least, the legend says so. My grandmother told me the stories.
So what now?
We must cut off the head.
Jesus.
If we do not, it can awaken again. Or the spirit could leave this body and enter another.
The cadaver has begun to move, contracting into a foetal position in a series of spasmsan accelerated rigor mortis. An incidental fact, which the men will at no point become aware of, is that there is a more subtle kind of movement too: a certain agitation, softly undulating the coat where it covers the torso.
Crawford opens his backpack and takes out the saw.
Here, use this.
Ivanov finds the beheading more physically demanding than he expects. Crawford, more skilled with the saw, has to take over before Ivanov has even reached the vertebrae. But Crawford himself struggles with the task, the saw being ill-suited for cutting through cartilage, bone, and rapidly stiffening muscle.
When it is done, they go to the sink to wash off the blood, gristle, and splinters of bone that stick to their hands. Then Ivanov covers the corpse, the head, and the saw (which Crawford has decided not to keep) with the blanket from the folding bed.
I must go to the church now, Ivanov says. Perhaps the priest will know what to do.
Ill come with you.
As they walk down the alley to the tunnel, Ivanov asks, Why did you return?
I looked around and saw you with her. Something didnt seem right, I dunno. Then I remembered those missing Russians and came back to check you were okay.
Later, having parted with Father Alexei and Crawford, Ivanov mounts his battered, bloody skateboardwhich, being of good quality, is still running smoothlyand heads back to the skateshop, riding now with confidence and grace. There is plenty of time to get to the shop before five thirty, so when he reaches the top of the bridge he stops for a while to enjoy the view.
§
THEOPHANES: One of us should be watching.
MAKARIOS: Dont worry old man, have another drink!
THEOPHANES: Brother, you forget yourself. You are drunk.
MAKARIOS: No more than you are, Father. The whole things over anyway. The vampire bitch made a banquet of his body, gobbled down his heart and had his balls for dessert!
THEOPHANES: Enough of that. Even if you are essentially right, as seems likely, Ivanovs passing is not an occasion for gleeful vulgarity. And keep your voice down. Im the one who will get in trouble with the Igumen. By the way, dont call it a vampire. An Upyr isnt quite the same thing.
MAKARIOS: Oh here we go. Theo ... Theopopadopoulos the Sage, regale us with your pagan lore!
THEOPHANES: You should already know the lore yourself. Tell me, my ardent pupil: what are the differences between the Central European vampire and the Eastern Upyr?
MAKARIOS: Is this an exam?
THEOPHANES: No no, entirely informal. Now lets hear it.
MAKARIOS:
THEOPHANES: Brother?
MAKARIOS: I dont feel well, Father. I shall go to my repose, with Gods blessing.
THEOPHANES: Well and good. Oh and dont bother with Vespers or Midnight Office. Ill tell them youre ill. Go with God, Brotherbut pass me that bottle first.
§
Ivanov has chosen a window seat on the right side of the plane so he can see the Zhiguli mountains during the descent to Samara. But they are no more than hills to him now. Maybe Timur was right. Timur used to annoy everyone in geography class, including the teacher, by insisting that they were not mountains at all, that if they wanted to see mountains they ought to go to the Altai and the Tian Shan. Timur had not been to those places but his father had. Ivanov has now been to those placesand to the Caucasus, the Alps, the Andes and the Rockiesand sees that Timur had a point.
At the airport he calls Katya to say he has landed and will see her in an hour. He tells her to open a window and hang some garlic around the door. She laughs and says he is crazy, but he insists.
FOLLOW-UP ON KEY INDIVIDUALS
We received a bulletin from Father Theophanes late on the day in question, claiming that Ivanov had been killed by the Upyr. Obviously, this was a supposition made without observational support. It hardly needs to be said that this, among many other things, represents a serious dereliction of duty. Father Theophanes has now retired from Observational obediences and Brother Makarios is presently undergoing re-training.
Father Intercessor Yuri, who we later discovered was making an unauthorized pilgrimage to Cyprus during the events discussed, is no longer working as a field operative.
Donald Crawford, though not a member of the community of the faithful, nor even of Slavic heritage, is presently lending his assistance in the role of lay guardian.
As for Ivanov himself, we give praise that his soul was safeguarded on this occasion, and although we shall not take liberties with our role by attempting a full prophecy, all indications are that the couple will go on to be happy and fruitful in a log cabin surrounded on three sides by birch and pine, with Our Lady of Kazan placed over the cradle of their child and a view across the river to the Zhiguli mountains, if they are indeed mountains.
CONCLUSION
We regret that we cannot end on that happy note. This is not a time for complacency. Owing to our swift action on receiving the news from Father Alexei, proper disposal of the Upyr was effected promptlyhowever, the operation is ongoing. A clean-up team combining Intercessors, Sanctifiers, and lay guardians is taking the work to completion in accordance with the latest supplement to the Manuals of Ritual (see appendix). It is expected that new evidence will conclusively establish that the missing Russian nationals were victims of the Upyr; recovering their remains is the current priority. The possibility that these victims have themselves become Upyrs cannot be ruled out.
Taking a wider view, it is clear that there is much work ahead. The defeat of Soviet atheism has been a mixed blessing. Foreign travel from the countries formerly under its yoke has grown and will continue to do so, with the result that East Slavs will increasingly be exposed, without the syncretic protections operative in their homeland, to those of the enemys Slavic minions who remain in exile. And even in the Slavic lands themselves, there are signs of a growth in demonic activity.
Of course, we continue to be confident in the vitality of the faithful and the locally excellent track record of folkloric protection against malefic influence (and critics say we are intolerant of paganism!) But this cannot be a blind confidence. In general and as always, we must remain vigilant lest the children of Holy Rus go the way of their heterodoxor, let us speak plainly, ungodly and profaneWestern cousins.
There are matters demanding more immediate action. The shocking series of failures and improprieties apparent in our earthly institutions must be addressed. We recommend a root cause analysis following discussion at the forthcoming Assembly.
By the grace of Heaven, may this report serve in the ongoing protection of the faithful, entrusted to Your vigilance.
In Service and Humility,
Ithuriel, Senior Overseer, Observation and Intervention (UK)
APPENDIX: Proper Destruction and Disposal of an Upyr
Folklore being what it is, there are various myths surrounding this topic. We have established the correct procedure, and we include it here for convenience; it can also be found in the Manuals of Ritual.
Once the creature has been incapacitated by the ordinary methods, the following points must be observed. Note that proper disposal is mandatory, since destruction by itself is not permanent.
Options for destruction:
- Decapitation.
- Wooden stake through the heart. Contrary to the legends, the type of wood is unimportant: any sturdy pointed wooden shaft will do.
- Drowning.*
*WARNING: USE DROWNING ONLY IF THE CORPSE CAN BE RETRIEVED FOR DISPOSAL
Options for disposal, to be performed without delay:
- Bury the corpse securely nailed down in a coffin, applying holy water inside and out. For instances of decapitation, first place the head between the legs, facing down.
- Burn the corpse (including the head) and bury the ashes in an unmarked pit.
Comments (57)
I agree that the story was well-written, as to keep me going when it I struggle with reading a story of such length on a screen.The sectioning of it helped and the combination of different forms of presentation. The newspaper reporting style was also a good starting point for a story with a great post-apocalyptic feel.
Like Kafka meets Terry Pratchett meets Salem's Lot meets Hitchhiker's Guide meets Monthy Python.
Really enjoyed it and the writing, especially since it's done in a specific form of "report", flows really well.
Laughed at these types of passages.
Good job!
all of it is lucid and well articulated, but some gems of expression stood out for me :
now i have to go visit glasgow via google earth.
Quoting Noble Dust
I believe this is not a ploy, this is how the Upyr feels. She was watching the priest, biting her fingernails, infatuated. What does she do immediately before? Tends his wounds, taking care of the man she wants to be hers. The story plays on the intersection of horror, need, and eroticism that pervades the vampire mythos, that makes it a metaphor for the dark side of love and lust. The author's take is unusually blunt, and potent.
If I have a criticism, I think the Conclusion and Appendix were too much. The let the narrative steam slowly deflate, instead of ending the story on a high note. I would either severely truncate or eliminate. Just a quibble, however, to a piece I give: :up: :up:, Way Up!!!
there is something in folklore that captures the colour and mood of its culture as nothing else does, except perhaps music - which may have been the significance of the rock music.
the relationship of the two young men was also intriguing.
It was an excellent read. I loved everything about it. Initially, the length put me off but I shouldn't have worried. The author kept up a wonderful pace, easy to go with the flow, and I didn't fall off the skateboard and my knees and ears aren't bleeding. Excellent humour, horror and pathos.
Some pieces:
Love the fab alliteration:
Quoting Noble Dust
Sinuses are still good to go. Even with the flashback to trigonometry. The best giggle I ever had.
Brilliant description. We can see and smell the soot before we slide along the sunken moss:
Quoting Noble Dust
The author likes his sss- sweeps but widnae be one. No' in Glesgae, ony wy.
Ivanov is touched by this woman. And remembers the last time he felt a woman's touch.
We imagine something sweet and seductive. We're not wrong:
Quoting Noble Dust
The author has SO been there. Sand between the toes and in the sandwiches. Yup. Fair-skinned and easily burned. The sensitive sort. Hah!
Quoting Noble Dust
Saccading eyes, suppurations, slime and a slithering snake. Sounds suspenseful:
And an unexpected declaration:
Quoting Noble Dust
Masterful. This is where I cover my eyes. :monkey:
A merciless attack follows and the girl/woman/it
Quoting Noble Dust
This is terrifyingly sad. The love. Perhaps that of a missing Russian national now turned vampire or...
Quoting Noble Dust
I wonder if the love of the girl lessened the power of the Upyr. It seems to have been (relatively) easily beaten:
Quoting Wiki - Upiór
***
The dialogue reminded me of the banter in Pratchett's Small Gods. Loved this:
Quoting Noble Dust
***
There is so much that could be mentioned. The decapitation. Ouch!
The feelgood folklore (almost) final...
Keeping the garlic handy.
Excellent an' a' that, Jimmy! :cool: :100:
Quoting Noble Dust
Quoting Noble Dust
Quoting Noble Dust
Quoting Noble Dust
Quoting Noble Dust
You point out some important details highlighted by @Noble Dust, which could be overlooked. There is so much in this short story which needs to be pondered.
My favourite bit is probably:
Quoting Noble Dust
:clap: :clap: :clap:
Quoting Jack Cummins
Yes, I feel I'm missing a lot despite having read it twice.
There were two things though that snapped me out of the story: The fact that a Slavic priest mounts a skateboard at all. It made it indeed a bit Monty Pythonesque and I must confess I get annoyed when stories are serious but include a humoristic element. It detracted me from the atmosphere of alienation of the city which was in my view masterfully done.
The second was the sudden differing relationship between Theophanes and Makarios. Even when drunk a strict hierarchy does not turn into a rather boisterous sense of familiarity. Theophanes very acutely castigates Makarios for jumping to conclusions and the next thing you know he jumps to conclusions. Seemed out of character to me.
Other then those, I thought it was a great read and I read on. The reporting style worked well and if it were for a bit more consistency it would be for me a very atmospheric vampire mystery.
Why do you think Ivan is a priest? My impression was that he's an ordinary guy looking for an Orthodox church. It's Sunday, is why the business district is deserted.
I think the Observers are angels or something supernatural, who are supposed to report higher^^up on the movements of russian citizens being stalked by upyrs elsewhere in the world. i pictured Ivan as a young man, possibly on business in Scotland - on vacation, he would have brought his wife. doesn't know his way around and wants to attend sunday servive in his own religion.
Besides the easy rapport with the guy in the skateboard shop, here's why i think he's young: The Observers report
Quoting Noble Dust
Hmm, here I think they are clergymen, their titles being 'hieromonk' and 'novice'. They are special of course, in that they belong to a branch observing demonic activity. But the catholic church also employed exorcists. They report higher up in the chain of command. Angels getting drunk makes little sense to me. They are indeed dispatched to be watchful of Upyric activity and have some equipment (perhaps magical), they can detect disturbances and also through walls I think with 'looking glasses'.
Quoting Vera Mont
I think you are right there. I now think he also just looking for the church as have some of his fellow nationals. The upyr has taken up residence in the library and lures them. I like the detail about the upyr saying "it's dirty" when Ivan picks up a paper reproduction of the Lady of Kazan. Yes, he is probably a young man. I just did not and still do not, picture him as particularly handy. He suffers from vertigo and sensory overload and he does not look like a skater. But hey, these are just prompts that triggered my imagination of him...
Re which, have I mentioned that i usually run a mile when vampires are mentioned, but this story snuck up on me; i was caught up in the spirit of it before i knew what it was about. Really well done!
Quoting Vera Mont
It was a relief to see this comment. I absolutely did not intend to write a vampire story, it just happened.
Quoting Noble Dust
:cry:
Quoting Noble Dust
:blush:
Quoting Jack Cummins
Thanks Jack :up:
Quoting fdrake
High praise indeed! At least, I assume it is: that book's been on my list for years but I still haven't got around to reading it.
Quoting Baden
Thank you :smile:
Quoting Christoffer
Quoting Christoffer
Quoting Christoffer
Thanks Christoffer. I wasnt aware that Heaven-as-bureaucracy was such a worn-out trope, until I looked into it later. I don't know if I thought I was being entirely original, but I definitely wasn't aware of things like Terry Pratchett's Good Omens, even though it was made into a TV show recently. I was a bit dismayed when I found out.
Quoting Vera Mont
These comments gave me the dopamine hit I'd been miserably craving for days after the stories went up. Much appreciated.
Quoting hypericin
Quoting Vera Mont
Im delighted someone picked up on this. I originally wanted to include the Upyrs point of view, making her infatuation more explicit (and because she's much more interesting than Ivanov). The idea came out of my research: its mentioned somewhere that Upyrs, particularly the female ones, can get infatuated with their victims. Now I think about it, this is probably a theme in a lot of vampire fiction and lore.
One thing I hadnt really noticed but which I now see is important (thanks to your comment @hypericin) is the significance of tending his wound. Although the wound primarily functions to intensify her thirst for his Slavic blood, its also an echo of Katyas loving application of beeswax to his sunburnt ears. Which could make the confrontation with the Upyr a metaphor for a man confronting his fear of marriage, which he conquers and goes home to settle down with Katya. That could fit with what I was vaguely thinking it was about: Russia turning its back on the West.
Good job with this, really enjoyable!
I don't think Good Omens is like your vision here. That combo of writers is me trying to form a kind of idea of what it reminded me of, but there's no one of them that really fit the visuals I got while reading this. It had kind of the humor of death in Discworld doing things as if they were normal work grind, and the kind of telling the story through a document like in Hitchhiker's Guide, but the sense of the heavenly characters were of a much more mundane bureaucratic nature, treating this Salem's Lot kind of fight for your life against ancient Upyrs as just a normal sign-the-papers-between-coffee-breaks ordeal, and oh, isn't it beer o'clock?
No, I think yours had enough unique tone and qualities to warrant being its own thing. I even think that compared to Good Omens, the TV-series at least, this had a bit more edge and didn't fall into some sentimental tone that the TV-series unfortunately had. I prefer this more Monty Python-esque sensibility of characters in heaven.
Quoting Tobias
Quoting Vera Mont
The theology and hierarchy are quite elaborate for a short story, which is maybe why the roles and relationships weren't always clear.
These comments are correct:
Quoting Tobias
Quoting Vera Mont
In more detail...
The author of the report, Ithuriel, is a guardian angel reporting to an archangel, probably Michael (the "Holy Custodian").
A couple of levels down from Ithuriel, in the mortal human realm, Theophanes and Makarios are Russian Orthodox monks (in real life they often take Greek names when they become monks). Theophanes is a priest as well as a monk, so he's a priestmonk or hieromonk. They're members of the fictional Brotherhood of Observers, which is one of the earthly Brotherhoods of Holy Orthodoxy that work for the guardian angels.
Ivanov is not a priest but just a Russian everyman, hence the emblematic, extraordinarily ordinary name. He's in Glasgow, known by Heaven and the church to have become a danger zone for Russians, so they've put the earthly Brotherhoods on the case so as not to lose another soul, and to locate and destroy whatever forces of Lucifer might be lurking there. Im not sure why hes in Glasgow or what his profession is; he's kind of an absent centre in the narrative, largely an avatar or archetype.
The background fantasy is that Heaven sees the Russian Orthodox Church as the one true church, the primary inheritor of the Christian mission; and regards the Russian people or East Slavs in general as the only remaining uncorrupted Christians.
I found it amusing and interesting to combine this with Slavophilia and Slavic essentialism, treating them as if they were true. Russian theologians used to refer to Moscow as the Third Rome, and today there's the influential movement called Eurasianismwhich is entirely Russia-centric despite the nameassociated with ultranationalist thinkers like Aleksandr Dugin and also embraced to some degree by the current Primate of the Russian Orthodox Church, Patriarch Kirill.
[hide=Bonus paratheological musings]There's a tension here that I find interesting: ethnic exclusivity is technically heretical in Russian Orthodox Christianity (as in other kinds of Christianity) and yet it seems to flirt with it, whether out of a need to protect itself in times of a state-promoted nationalism, or a genuine ethnic chauvinism. In the story, according to the conclusion Slavs seem to be favoured by God and the angels for historical rather than ethnic reasons, but then at the same time there's the significance of "Slavic blood". So maybe Slavs really are the chosen people.[/hide]
Quoting Vera Mont
Yes. In my mind he's in his thirties, and probably on business. However, my thinking was that Katya was not his wife during the events of the story, that their relationship was on hiatus and that he marries her and settles down only after he has returned home, as predicted in the conclusion.
The reader might wonder why he'd be wearing flip-flops and shorts on his way to Church on a Sunday, but that's a problem I chose not to try and solve.
Quoting Tobias
Great, I'm glad that was noticed. Icons are not made of paper though, at least in my experience; I had wood or plastic in mind. They're often for sale in the shops attached to Orthodox churches.
Thanks for this, I'm taking it seriously. It's something I noticed myself, the anticlimax of having to read several paragraphs after the story's over. But I'm in two minds if I really want to change it. I quite like the appendix, so another option would be to sacrifice the verisimilitude of the "report" by removing a lot of the detail from the conclusion. It might be a matter of tasteI tend to go maximalistbut since I'm so close to it I can't be sure.
I actually liked the appendix. It felt like an epilogue that can be read as a fun little end note. If this story was published in book form, there's a nice opening to do proper formatting so that it looks like a paper going around in the heaven bureaucracy. Coffee stains on it, and maybe even lost somewhere like an "oh shit, did we forget to send this info!?" Like, triggering some further thoughts on how the story continues.
In a book form playing around with the format it would be really funny. And if expanded into a long story, more such things intersected between chapters adds a lot to the humor and world building of a story like this. Just imagine such notes and then we can read handwritten commentaries on the edges of their page; "why did I find this in my trash?? Please note name, celestial date and rank next time!"
I'd say, this concept is ripe for such a fun novel if you were ever to expand it. :cheer:
Nice idea. :grin:
So the book could be the case file for the Glasgow Upyr, containing a chronological series of reports, each one about a different victim.
Good to know :up:
Thank you Amity, I appreciate that.
Quoting Amity
Yes, a Samara Bend beach stop on a hot day in August on the Volga cruise I was on a few years ago.
Quoting Amity
Good point. I was worried that it seemed too easy to kill her. But it's not a stretch to imagine that the powers of the Upyr have been exaggerated in folklore, that in (fictional) reality they are actually not so powerful as that. But anyway, if it were not for Crawford it would've killed him without much trouble. Andis this an Easter egg?it's possible that Ivanov did in fact pick up the icon in the alley, and that it protected him. His love of Katya: that works too.
Quoting Amity
@Christoffer mentioned Pratchett too. I haven't read more than a few pages of his work and I find I'm beginning to resent him. :wink:
And to drive the bureaucratic humor even further, have more incompetent or tired "workers" in this heaven hierarchy, reports getting lost, people complaining about formatting etc.
Like, what I found the most funny was that heaven is all present and "could" intervene and help. And the contrast between this life and death struggle fight in the form of a more traditional horror story about fighting ancient Upyrs, against being witnessed from the viewpoint of slightly incompetent observers who rather drink beer than fully commit to their assignment.
As if the chaos on earth is kind of the result of a failing bureaucracy in heaven and there could even be some fun connections between the two; like a report getting lost in one chapter, which affects events happening on earth, then the report gets found later and angels blaming each other for the chaos that happened as a result.
And in the end the two worlds meet and the main character fighting Upyrs might believe to witness the glory of the mighty heavens only to be met by a tired accountant or desk clerk asking "and you had an appointment with... why are you here again?" :lol:
I think all of this would be an absolute hilarious gem of a book!
Sounds really cool. My trouble is I sometimes get bored with an idea quickly and want to move on.
You might be disappointed. The Glasgow of the story is the Glasgow of my mind, which is not very accurate. The highway traversed by the footbridge is in real life the M8 motorway, but it isn't really in a ravine even if that's how I think of it. The footbridge itself is a combination and exaggeration of two different ones in that rough location, which are not all that high and don't provide magnificent views. (Also, Glasgow has never had a Russian consulate.)
Quoting Vera Mont
That's interesting. Makes me think of the Soviet authorities' suspicion of rock music, so Ivanov could be standing for Russian tradition following the youth culture's embrace of outside influence in the nineties again, a turning away from the West. And the folklore fits nicely there.
I quite like that, but I can't say the music had any intentional significance. The whole skateshop scene was based on my visit to a record shop in Glasgow in the nineties, where there was a punk rocker sawing a piece of wood in time to the music an eccentric version of headbanging while the staff stood around him grinning. It was in the story before it had anything to do with vampires, religion, or Russians (and then without intending to I echoed it later on in the bit where they kill the Upyr in a rhythmic frenzy).
As @Vera Mont recognized, I didn't intend anything post-apocalyptic. I was describing what Glasgow's business district was like on a Sunday in the 90s and early 2000s, from my own experience.
Quoting Tobias
Thanks for this. I'm not yet willing to concede the first point, about their relationship (for boring reasons I needn't go into) but your second point is astute: I was already slightly worried about the credibility of Theophanes' contradictory behaviour. My rationale is just that he's a complacent hypocrite, dropping everything he has been teaching Makarios after a few drinks, and content to do the minimum to "discharge his duty". He turns out not to be the wise and upstanding mentor that he might seem at first. I actually had in mind Cephalus from the Republic, Book 1: an outwardly conscientious and moral man who is really just a self-satisfied box-ticker.
Quoting Tobias
I trust that all Pythonesque vibes can be eliminated by putting the image of a skateboarding priest out of your mind.
FWIW, I like the appendix too. For one thing, the monks were funny and I was curious how they fared. I always like to know, after a contest for example, what the participants went on to do. And I'm happy for Ivan - as cypher he may have begun, but I grew rather fond of him.
This pleases me :grin:
There's a crucial point when she becomes it. Originally I didn't have this switch, so the climax of the violence was like this:
This might be more powerful and disturbing, but I chickened out. In this version, they're effectively beating a young woman to death and loving it, so it could be read as a misogynist fantasy. But then I thought maybe that's exactly what it needs and it'll be seen as introducing a moral ambiguity, and as a critique of misogyny.
What do yous think?
I love you.
I think that is a powerful image. The shifting shape. We can imagine it changing to and fro. Being both. In the struggle.
And the perhaps conflicted feelings of Ivan. But he is fighting for his life.
And the female within the 'it' would want him to survive.
I can also understand re misogyny and violence. Not everybody would be comfortable with that. However, it is a realistic and prevalent issue. Femicide.
I think its introduction would disrupt the flow of the mystical.
Yes, getting tid of that image certainly helps! Thanks for your feedback Jamal!
Thanks, I shall ponder on. But one thing occurs to me:
Quoting Amity
Surely it does the opposite, almost literally objectifying her? From she, a person, to it, a thing.
In a way, yes. In another way, no.
Ok, I'll think about it.
Happy Hogmanay! :party:
Tae yin an' aw. Cheers !
Happy Hogmanay to you, and Happy New Year when it comes. :party:
Thank you! Sam the Embray witch will sweep away ony nasty business ! :wink:
The New Year will bring magic, so it will :sparkle: :hearts:
Or I will be having words...
Take care, y'all! :sparkle:
Thank you. If I recall correctly, I had those in the story before it was even a story. For no reason, I had a particular kind of narrative voice in mind, with imperative framing, i.e., each paragraph beginning with an imperative directing the readers attention so as to describe the scene. I wondered if it would be annoyingbeing told to look, then listen, then look closer, etc., could generate a no, get lost reaction in a reader, at least a reader like me.
I doubt most readers would have a problem either way. As soon as she/it attacks Ivan, she/it becomes a monster; I'm not sure anyone stills identifies her/it as a woman. I think it worked and never gave the gender issue any thought. Others may be more sensitive to it.
Every paragraph? Yes, I think it would become tiresome. But at scene and focus changes, it works.
To be clear, I originally had she/her but changed it to it for the submitted version. The earlier version is shown in my comment above. I was wondering which was best, and if the original version stank of misogynistic clichés. But if it doesnt matter, or if I made the right choice with it, cool :smile:
No, I never considered doing it throughout the story, I just meant in that scene-setting passage.
I don't think it matters. You started her as female, and I gather sex is part of the legend, so it would be fine to leave the pronoun in place throughout. I barely noticed the change to 'it' when I was reading the story, and didn't think that change signified anything more than the realization that this is monster.
As I say, I'm not too sensitive to gender-related nuance. Others may differ.
TBH, I really wouldn't tinker much more with this story. It works; it's intelligible; it's entertaining and pleasant to read. It's already very good.
Thank you, I do tend to obsess about details.
I distinctly recall receiving the 'it' as permission to relish the savage beating. I think your intuition was correct: 'her' would have been more uncomfortable, ambiguous, and ultimately stronger.
Happy to provide the service!
It's good to have my intuition confirmed by a reader. I suppose uncomfortable + ambiguous + stronger = better, but I'm still undecided if I want to go ahead. This is one of those things it might be good to come back to later, after time away from it.
Nope, two of us came up with it independently. Come on man, the people have spoken, he's gotta be a priest!
I'm happy for you to interpret it in your own way so long as you shower it with praise.
But my suspicionI'm a very suspicious guyis that @Tobias got it from you, that he saw your comment before reading the story. Same with the post-apocalyptic thing, which he may have got from Jack.
On the other hand, you both gave me some good feedback so...whatever!
True probably. I do not know what I read first, the comments or the story, but I frequently skip back and forth between them. So I guess you are right and I got the post apocalyptic sense (though I remember having that vibe when reading the description of the city) and the priest interpretation from the comments.
This might certainly be true too... Ivanov is certainly toying with the idea of becoming a priest... :wink: