Homeward by hypericin
The camp sprawled along the sidewalk, on the side of the street opposite the supermarket. Tents of various shapes, colors, and states of repair crowded the available concrete real estate. What space remained was filled by discarded tarp and cardboard, by bottles and wrappers, by dressers, lamps, and other markers of expired domestic lives, and by occasional objects d' art, earnestly hawked by some of the more creative and entrepreneurial residents.
Passers-by who braved proximity to the camp were assailed by an odor that was an admixture of BO, old urine, and something sickly-sweet and undefinable. The heady reek acted as a natural defense of the camp, and kept most of the square world well away. I only noticed it a little.
As I entered the camp's boundary, I saw Fudgy's dog face poke excitedly out of my tent. The day's drama melted away at the sight of my dopey boy. That was his magic. His snuffling snout, framed by two droopy brown ears, scanned the air and sniffed me out immediately. He bounded toward me lopsidedly while wagging his whole round bottom. I found Fudgy on the streets in Mexico, back when I only thought I was poor. I fed him, took care of him... poor my ass, I rounded up the money to fly him home with me! Now, he took care of me. I hugged him, ruffled his head and kissed his forehead. He sat contentedly on his butt, panting and beaming his handsome grin, delighted by my mere existence.
"OK boy, OK, down boy." I held him steady. I didn't want Fudgy making too much of a scene. I scanned the supermarket sidewalk, on the lookout for my friend Art. Art is a normie whose office is a few blocks north. Sometimes he stopped by on his lunch break. I fucked up today, big time, and I knew he had to be super pissed.
"Hey Whoomphs, you seen Art around?"
Big loud Whoomps was a vision of indigence out of our time. With his fingerless gloves, moth eaten scarf, and torn bowler hat capping matted curly orange hair, he might have been a hobo out of the Depression, hopping trains between desolate Midwestern factory towns. All he lacked was a skinny sidekick to complement his fatness.
"Naw man, haven't seen your civvy buddy. What's up, how'd your feet get so wet? Didya fall in the toilet? Hey r!", he shouted, "you seen Art?"
r hobbled forward, so-named by the twisted musculature of his back. Imprinted over countless nod-offs, it bent him into a living lower-case letter. With his white prospector's beard, he looked more at home in Whoomphs' outmoded milieu than my own.
"Yeah, I seen 'em." His throat was like a drain pipe almost completely rusted through, only grudgingly permitting the flow of language. "Was damn pissed. That bald head of 'is was like a big red balloon, har har har! Da fuck you do to 'em?"
***
Art had set me up with an interview with one of his colleagues, a manager at a local tech company. Even though we all knew I was homeless, I invested the cash to have my best outfit dry cleaned. Day-of, I was up at 6am sharp to sneak into the YMCA shower. Permutations of how the interview might play out ticked off in my head under the scalding, cleansing wash.
I arrived at 11. The office was fluorescent and clean, a house of work. Extremity of emotion had no place under this acoustic tiling. Neither joy nor wrath could couple into these rows of cubes, each equipped with its own captive soul, each with its pale face tuned screenward like a magnetic filing.
Art's friend, the manager, seemed like a decent enough guy. He took me to a meeting room, decorated by corporate art of oddly bloated figures billowing their way through idealized lives. (The fingers in my chest thrummed my airway like a bass string, picked out an uneasy ditty.)
He started right in and asked me some math questions. They were insultingly easy, but math was always easy for me. Then some behavioral questions. It was obvious what sort of answers he was looking for, and I gave them. In a blink the interview was effectively over. Art was talking benefits: 80k to start, but most employees earned 6 figures within a year. Full health, full dental. 4 weeks paid vacation. Wait 'til you see our Christmas party. (The fingers coiled round my lungs, gave a probing little squeeze.)
Whelp, I thought to myself, life was finally straightening itself out. I'd have money. More than enough, soon. An apartment, a car. Wife. We'd get a house, kids. Vacations with the little ones. Golf.
(My breath caught. The fingers made a fist, cruelly flexing their full strength. I gasped audibly. Hot, suffocating steam filled my chest, released from some rent in my inner tubing. Black spots flickered in and out of my visual field.)
Panicked, I had to get out of this, escape! I stood up, dropped my pants, presented my bare ass to the manager, and bellowed my best rendition of The Marcels:
"White moon! You left me shitting alone! Without a dream of a fart! Without a square of my own!"
The manager was beyond shocked, his brain had crashed. System error, no match found in social algorithm database.
Now everyone's favorite part, basso profundo: "Bop n'a bop uh bop ah bop bop, bang n'a bang uh bang uh ding dang, dinga dong dang white moon!" To this I synchronized the motion of my butt cheeks, skillfully enough that I was genuinely proud.
The manager's recovered, defaulting to a root-level, primordial algorithm. "LEAVE AT ONCE YOU SON OF A BITCH! I'M CALLING THE COPS!" I turned around. He was hyperventilating, his face was flushed deep red, flirting with apoplexy. Time to skedaddle.
Outside the meeting room, every face was turned toward me. Me, the scene, the shocking, hilarious embarrassment. I was on stage, and the show must go on.
"Baron von Dingleberry was the terror of the skies above Normandy!" I buzzed some likely targets with arms outstretched, making propeller noises: "Neeeeeah! Neeeeeraaah!"
Having surveyed the enemy positions to his satisfaction, the Baron attacked! "Duggata! Duggata! Duggata!" blazed his fearsome twin machine guns. I crashed into someone's desk, raking the surface with my outstretched arm. Papers went flying; framed pictures of wife and kids toppled and cracked; monitor, keyboard, and desktop tower all crashed gracelessly.
"Duggata! Duggata! Duggata!"
I intentionally collided with a shelf. It was heavier than I expected and only budged a little. I heaved, and it toppled, disgorging a manila heap onto the tightly wound carpeting.
Someone grabbed me by the collar from behind.
"GET THE FUCK OFF OF ME, MAN!"
I shoved him, hard. He fell back, crashing into a cubicle and collapsing one of its walls. I knew I'd gone too far. I ran to the nearest exit sign and pushed open its door. A fire alarm blared outrage.
I stumbled through the parking lot into the gravelly hinterland beyond, slid down-slope, splashed into a drainage ditch. The water was turbid and oily, tinged with an unhealthy green fluorescence, but it was mercifully frigid. I exhaled slowly, blissfully, my lungs dilating, as the baleful steam traversed down through my body and out my feet, inexorably drawn to the cold water. Turning around, I saw a row of faces staring back at me from the wide office window, made expressionless and grim by distance.
***
I gave Whoomphs and r the rough gist of how it went. Stimulated by my storytelling, or just some private heavy metal soundtrack, Whoomphs made the devils horns with one meaty, out-thrust hand, and violently rotated his head and upper body. "Fuck yeah!", he roared at the top of his lungs. "Whoomphs! Whoomphs!" Such outbursts were not uncommon here and drew little notice.
My friend Dave was a middle aged, half-black man who affected long stringy hair, draped over a balding crown in a manner that looked progressively Scrooge-like as the years passed. His penchant for crack cocaine marked him as irredeemably old-school. This was Fentanyl country. His most prized possession, apart from his paraphernalia, was a dog-eared, exhaustively annotated copy of Sartre's Being and Nothingness. Its covers were carefully wrapped in duct tape to maximize durability. To him it was a Gnostic store of life's deepest, most inscrutable truths, the study of which must eventually unlock the secrets of the universe.
Sometimes we would go for coffee. Meaning, we would go along a loosely defined route, passing the best coffee shops in the area. The Starbucks on 5th was our favorite. Not because the coffee was any good (it was execrable), but because the baristas there were particularly inattentive. We would wait outside and look in the window. When some coffees (if they were not lousy frappacinos or something) sat unattended on the pick up counter we would saunter in and casually take them. Occasionally the barista would recognize us and make a scene, but a bit of shouting slid off of us like water off a duck's ass.
Dave's tent was small and modest, he had few possessions to fret about. I announced myself:
"Hey yo Dave! Quit playing with yourself, lets grab a coffee! "
On opening the flap, an acrid plastic waft of crack launched a blitzkrieg assault on my nostrils. Dave's ashen face peered like a wight from from the tent's gloom. His red-rimmed eyes registered annoyance, as I had disturbed the study of his holy book. No doubt to chastise, he bestowed me an impromptu lecture:
"Coffee presents to the uncaffinated for-itself as pure possibility," he intoned, "and reveals the essential function of the for-itself: a being which nihilates the in-itself, itself pure positivity, transcending it by enfolding it in a layer of nothingness that is its own unrealized potential." He concluded: "This is the basic structure of freedom."
No no, this wasn't any good. "Right on, man." I let his tent flap fall back into place.
Alicia saw me and approached. She was a newbie, a freckled, vaguely hippyish girl who hitchhiked here from rural Illinois. While a recent arrival, the inevitable hard veneer was already coming in nicely: angular planes had begun sharpening her rounded, soft face; budding flints peered from eyes formerly luminous and limpid; expletives coarsened a dialogue once sweet with naivete. Even at her best, an overlarge jaw and nose saved her from an all too dangerous beauty. But to me, she still looked vulnerable, and pretty.
She was one of the camp's artists-in-residence. She loved the ubiquitous crows. She fed them whenever she had spare food, and could (she claimed) identify members of the local murder by name. She knew of their secret conclaves, and was on occasion granted the honor of invitation. She sold portraits of her inky loves, adorned with hearts, stars, and other tokens of her corvid affection.
"Hey babe, can you score some fetty for me? I'm fucking flush, this rad guy literally just bought two really sweet paintings."
She looked up at me coyly, and her eyes hinted at sex. This was a mirage. Not a calculated ploy as I had once thought, but reflex, done without thinking. Alicia handed me three 20s, enough for two baggies. Mama Judy's place held a particular terror for Alicia, and she never ventured there herself. I was clean for over a month now, but didn't mind performing this small service, especially for her.
Mama Judy lived in the "luxury" apartments right behind the camp, in fact she was the reason the camp sprouted here. The building was a giant box, partitioned into smaller boxes. A heavily made-up woman working in the lobby gave me a cold glance, and I sidled past her into the elevator. The noxious top-40 hit that was playing in the lobby continued into the elevator, plaintive auto-tuned whining over electronic thumps and bloops. Unbelievably, it extended into the third-floor hallway, wantonly subjugating all the residents.
A young couple walked by me. Despite my cleanish body and clothes they immediately registered my status and intention. Their studied indifference didn't quite mask the fear, anger, and contempt flitting across their faces in rapid succession.
I knocked on Mama Judy's door. "Yeah yeah, git in here!" came her loud, southern, raspy response. The squalor of her place was a brutal contrast to the minimalist sterility of the hall. Wrappers, fast food cartons, and soda bottles made for bespoke carpeting. Beyond a stained couch and wall mounted TV, no concessions were made to the niceties of habitation. On the couch sat her son Ambrose playing Call Of Duty. As always, his chubby, pockmarked, expressionless face, highlighted by a woeful teen mustache, was an impressive study in impassive stoicism.
Mama Judy herself sat in her Zippy behind her "desk", a battered kitchen table covered in the wares and tools of her trade: tiny baggies of white powder, micro scales, little plastic scoops, coffee grinders, bags of lactose, guns, and scattered wads of cash. Mama J resembled an extra large ice cream sundae, topped by the butterscotch syrup that was her greasy yellow=brown hair. Twin oxygen tanks supplemented her ever-expanding respiratory demands.
"Yer staring at me like a lovesick whore." Her throat sounded coated by razor-sharp phlegm. "How many fucking bags you need?"
"Just two."
There was a commotion out the window. A man shouted sonorously: "Capitalism, by consumerizing reality, inevitably consumes itself! This self-contradiction is the seed of its own destruction!" Three sharp cracks, that could only be gunshots. Holy fuck, that was Dave! With a sinking feeling, I handed Mama Judy the bills, pocketed two baggies and scrambled out.
The wait by the elevator was agonizing. The music ("Gimme some of that D, baaaby! Giiiiimme!") failed to complement my emotional state.
Fudgy ran to me as I stepped out the lobby door, whining and shaking, looking dolorously up at me with big scared eyes. I hugged him and petted his round head, tried to calm him.
Anxiety charged the air with an electric crackle. A knot of people gathered by the bank across the street, and more gawked on this side. I noticed two of the bank's floor-to-ceiling windows now sported spiderweb latticeworks of cracks. Sirens blared, and two cop cars screeched up to the curb, an ambulance following closely behind.
Whoomphs grabbed me, his big face flushed and frantic.
"Dave, man... he fucking shot him! He's always so peaceful. I knew he was packin', but never... Dave never hurt no one. Fuck! That cop was messing with him... Dave was tweakin', goin' off on capitalism, started throwing rocks at the bank. The cop saw him and started shouting, grabbed him real rough. Dave fucking blasted him, man. Fuck!" Whoomphs rapidly paced back and forth, shaking his great head. "This is bad, man. Real motherfucking bad... we're so fucked. so fucked..."
More cop cars skid to a stop, distant sirens announced more. They piled in, swarming like carrion birds to a fresh corpse. Still more arrived, impossibly more, more than I'd ever seen, strobing the darkness away with ominous blue.
Alicia approached. "Right right, I totally forgot". I handed her the two baggies. She looked up at me, her face was calm, radiant, her eyes twin wells of love. Despite everything a boner tented my pants. "Alicia?" She pressed one of the baggies into my palm, and smiled warmly. "Take it. Just for tonight. Just this once."
Fuck it. I went back to my tent and got my gear. Fudgy followed me in, still very upset. He saw what I was doing and whined, prodding my arm anxiously with his snout. "Just for tonight, buddy. Just tonight." Guiltily I tried to reassure him with an ear rub, but he let out a mournful groan, unpersuaded. I kissed the top of his dome head. "I'll be right back, Fudgy Boy. Don't worry." I powdered up the square foil, lit up, and nodded out.
***
Dad stormed home from the office. Rough day again, no doubt. He sniffed, sneered disapproval. "Chicken again? Dammit, can't you make something good for once?"
Dinner was a clanking of silverware drowned in the silence of our family three. Unbearable grim munching. Mom was the first to crack, and pierced the silence: "You know, I was talking to the girls, the Bassons are going to Cancun this year. Three whole weeks. Bert got a deal at The Mirage, everyone says it's the best resort."
Dad withheld his council for a long minute. The skin of his hand whitened as he held his glass of Pepsi in a death grip. Softly, his voice modulated into a mocking, girlish caricature: "Cancuuuuun! I wanna go to Cancuuuun!" His voice raised: "Do you even know what kind of mortgage I'm paying for this coffin? This deathtrap? Never mind what those HOA bastards are charging me? Do you even care?"
Mom's eyes turned venomous. With both hands she lifted her plate a little and clunked it down sharply. Lone peas scattered, scurrying for safety.
"I just... wanted.. a decent place... to raise the boy!" she hissed through clenched teeth. She had pushed hard for the house, and this was her Standard Defense whenever its excellence was brought to question.
"May I be excused?" What little appetite I had was gone. My chest was tightening miserably. Metallic, clawed fingers were stirring, probing. Mom looked disapprovingly at my plate of mostly uneaten cutlet and peas, but declined to comment. Dad grunted dismissal.
I ran down to my basement video game sanctuary, powered on my PC, and loaded Red Baron, a flight sim taking place in WW1. You could play as the Brits or Germans, but I always chose the good Baron himself. "Eat hot lead, limey! Duggata! Duggata! Duggata!" My twin machine guns blazed, and another Sopwith Camel plunged earthward, trailing black smoke. I felt my chest relax, dilate, breathe.
A door slammed above, so hard dust trickled down from the ceiling.
"Get Out! GET OUT!" mom shrieked.
"Damn straight I'll get out! Maybe I'll see Jan tonight, she knows how to treat me right! And she won't cook me tasteless slop neither!"
"You son of a bitch, you fucking cheating bastard!" Explosive crashes, as plates and glasses were hurled. A lull, I pictured dad raising a balled fist, barely restraining a blow, barely mollified by her cowering.
"You know where I'd be without you and that little SNOT-NOSE downstairs?". He emphasized "snot-nose" with a thudding kick, clearly directed at me. "Tahiti! On the beach, drinking margaritas! Not in this SHITHOUSE, with SHITHEADS!", at the top of his lungs.
A demonic grip cruelly seized the pipework in my chest, crushing, tearing, rending. Hot, poisonous steam escaped, filling my chest cavity, choking me.
I threw aside my flight stick, ran gasping out the side door and into suburban twilight. Shouting spilled out of our "McMansion" (dad's term), shamefully loud and clear in the dead, still air. I ran down self-similar streets of huge, identical houses, gasping and choking, tears blinding me.
In the vast manicured lawn of the clubhouse was an artificial pond, with a fountain in the middle. Lily pads, marble frogs, and summer mosquitoes comprised the ecosystem the pond could sustain. The water exhaled a white vapor on this frigid November evening. I threw off my shoes and plunged in, the shock of cold brought immediate relief. It condensed the baleful steam, drew it bubbling out of my feet and into the chill water.
I stayed for over an hour, feet blissfully submerged in the muck, breathing freely and fully. In a window across the street, the silhouette of Old Ms. Maverly watched me, her pruned face no doubt a caricature of schoolmarmish disapproval. Seeing me see her, she snapped her curtains shut.
I finally started home. It was late. The night had turned the sterile gated community somehow eerie. A silver dagger moon sliced open the sky, sad winds sighed forth from the wound. Row upon row of monuments to false opulence, each with their own captive souls. Well-fed, Stairmastered corpses, entombed in rococo mausoleums.
Through a window I watched a boy, illuminated by the TV he was tuned toward like a magnetic filing. Slowly, he turned toward me, stood, walked toward the window. I backed up, ran. Turning around, I saw him pressed against the window, his face made expressionless and grim by distance.
Back home, my stomach sank. Dread radiated like black light from my house. I opened the side door slowly, silently, hoping to evade notice, fearing my pounding heart would betray me. Behind stood mom, pale as death, staring at me with wild eyes, silent and unblinking. Her grimace evoked a life's full weight of sad bitterness.
I screamed, ran past her crying, scrambled upstairs to my bedroom. I slammed the door shut and dove under the covers, shivering violently. Thudding footsteps marched up the stairs, down the hallway, stopped at my door. It pounded with slow, methodical violence. An agonizing pause, charged with immanence. With a shocking crash the door collapsed along with part of the wall. Dad's bulk loomed in jagged doorway, breath steaming in the frozen night.
"Get UP! Get UP NOW!"
He shined a flashlight in my eyes, knifing them with harsh white light. I was so tired, so very tired. He kicked me roughly, toppling me from my bed. Fudgy, no fighting boy, growled his fiercest, lunged. A boot struck his head with a sickening crunch. I howled, lurched upright and swung wildly, grazing his cheek. He swung his nightstick, and the world exploded into light and dark.
***
A buzzer blared, signaling the release of the magnetic lock sealing the jail's inner gate. A guard pushed open the heavy doors and steered me by the elbow to the lobby. An Asian cop was working the front desk. He pushed a gray plastic tray at me, containing two dollar bills and two pennies, a crushed snickers bar, and a single condom, creased and faded with age.
"Here are your, uh, haha, things. You're damn lucky Kowalski isn't pressing charges. Now get the hell out of here."
His fat colleague stared at me with dull, beady eyes. "Junkie scum", growled through a walrus mustache.
I pushed through the front doors out into a gray noon. A light, cold rain splatted on the gray concrete, on the storage facilities and industrial depots that made up the city's southern end. I found a bus stop and waited, my stomach twisted in knots of dread. My dear, sweet Fudgy, hurt, alone. Whimpering, dying. Dead.
The bus finally lumbered down the wide, empty road, reluctantly acknowledging me with a stop. I begged on with my two dollars, and endured an excruciatingly long, halting journey north, transferring twice. My mind raced, reiterating images of that night, that black boot, Fudgy's head.
I finally made it back, and my heart sank. Workers wearing yellow and orange safety vests were water-blasting the sidewalk where the camp once was, removing every vestige of our taint. I ran up to one, he turned to me blankly. "Hey man... hey... you, you seen my dog?" He wordlessly shook his head, returned to his work. I accosted another worker, then a ped who veered sharply out of my way.
I called for Fudgy, screamed his name, teared at my hair. I frantically checked his spots: the bush growing embedded in the chain-link fence, the pocket of space behind the Supermarkets HVAC, his favorite piss tree around the corner... nothing. He was gone. I sat on the sidewalk against the store's rough limestone wall, holding my head in my hands, calling his name hopelessly. I tried to eat my snickers bar, but it tasted like cardboard in my mouth. I spat it out, tossed the bar. A passerby gave me a wider berth than strictly necessary, and I leaped up, loudly demanded he give me my fucking dog back. He hastened off.
Two supermarket security guards approached, one speaking over her shoulder into her walkie-talkie. I took off in the opposite direction, through the parking lot and into the forest park beyond it. The claw chose this moment to stir from its slumber and give a premonitory squeeze. I pounded my chest furiously.
The park was a narrow coastal forest. A long trail wound through it, following a creek, ending in a beach. We would trample little side trails, making forest retreats where we could nod off in peace, surrounded by nature. Happier days.
I shambled down the trail, a walking corpse, having nothing and no one. The few passers-by on this dreary afternoon stepped well aside to let me pass. They were shadows to me, signifying nothing.
The claw began methodically isolating slender tubes one by one, then mercilessly tearing them open. Hot black steam whistled from the damaged conduits, filling the empty spaces of my rib cage. I tramped onward dazedly, my head pounding, suffocating from internal pressure.
The trail terminated in a children's park overlooking a small beach. I was alone. Cold rain spattered on my face in greasy globules.
The claw achieved full potency, more terrible than ever before. It ripped at my chest wildly, clawing my tubing apart, destroying it irrevocably. I cried out, fell on my hands and knees. My heart pounded fiercely, pinwheels twirling in my fading vision. I stood up, the world whirling round my axis, and I stumbled forward drunkenly.
A metal bridge arched over train tracks and gave access to the beach proper. My destination gave me a desperate strength. I tossed my two pennies down to the tracks, crossed the bridge. A commuter train roared beneath me, infernally loud.
The gray Pacific lapped against the small beach, lovingly offered her icy bosom. I crossed the sand and entered into her. Twin spikes of cold impaled my feet, piercing through my legs, sliding past my innards, into my chest, into the claw. Shocked, it screeched in pain and loosened its grip. Steam roared out of my chest, rushing down the spikes and out into the water, making it bubble and seethe. Exultant, I waded in further, homeward. Up to my waist, to my chest. My breath was frantic, but joyous, fierce and free. The claw crumpled into dust, into the nothingness it always was. I effervesced.
A clap of insight. I spun around, and there was Fudgy, barking, jumping, bottom wagging with joy. I ran through water as light as mist, seized him, wrapped him in my arms. He squirmed happily, licking my face frantically as I sobbed into his fur. His warm softness banished the cold like it was never there.
All the sharp angles, pricking, scratching, piercing, cutting, melted away forever. Soft sunlight danced with the gentle breeze on my bare skin. We were as we should be. We were home.
Passers-by who braved proximity to the camp were assailed by an odor that was an admixture of BO, old urine, and something sickly-sweet and undefinable. The heady reek acted as a natural defense of the camp, and kept most of the square world well away. I only noticed it a little.
As I entered the camp's boundary, I saw Fudgy's dog face poke excitedly out of my tent. The day's drama melted away at the sight of my dopey boy. That was his magic. His snuffling snout, framed by two droopy brown ears, scanned the air and sniffed me out immediately. He bounded toward me lopsidedly while wagging his whole round bottom. I found Fudgy on the streets in Mexico, back when I only thought I was poor. I fed him, took care of him... poor my ass, I rounded up the money to fly him home with me! Now, he took care of me. I hugged him, ruffled his head and kissed his forehead. He sat contentedly on his butt, panting and beaming his handsome grin, delighted by my mere existence.
"OK boy, OK, down boy." I held him steady. I didn't want Fudgy making too much of a scene. I scanned the supermarket sidewalk, on the lookout for my friend Art. Art is a normie whose office is a few blocks north. Sometimes he stopped by on his lunch break. I fucked up today, big time, and I knew he had to be super pissed.
"Hey Whoomphs, you seen Art around?"
Big loud Whoomps was a vision of indigence out of our time. With his fingerless gloves, moth eaten scarf, and torn bowler hat capping matted curly orange hair, he might have been a hobo out of the Depression, hopping trains between desolate Midwestern factory towns. All he lacked was a skinny sidekick to complement his fatness.
"Naw man, haven't seen your civvy buddy. What's up, how'd your feet get so wet? Didya fall in the toilet? Hey r!", he shouted, "you seen Art?"
r hobbled forward, so-named by the twisted musculature of his back. Imprinted over countless nod-offs, it bent him into a living lower-case letter. With his white prospector's beard, he looked more at home in Whoomphs' outmoded milieu than my own.
"Yeah, I seen 'em." His throat was like a drain pipe almost completely rusted through, only grudgingly permitting the flow of language. "Was damn pissed. That bald head of 'is was like a big red balloon, har har har! Da fuck you do to 'em?"
***
Art had set me up with an interview with one of his colleagues, a manager at a local tech company. Even though we all knew I was homeless, I invested the cash to have my best outfit dry cleaned. Day-of, I was up at 6am sharp to sneak into the YMCA shower. Permutations of how the interview might play out ticked off in my head under the scalding, cleansing wash.
I arrived at 11. The office was fluorescent and clean, a house of work. Extremity of emotion had no place under this acoustic tiling. Neither joy nor wrath could couple into these rows of cubes, each equipped with its own captive soul, each with its pale face tuned screenward like a magnetic filing.
Art's friend, the manager, seemed like a decent enough guy. He took me to a meeting room, decorated by corporate art of oddly bloated figures billowing their way through idealized lives. (The fingers in my chest thrummed my airway like a bass string, picked out an uneasy ditty.)
He started right in and asked me some math questions. They were insultingly easy, but math was always easy for me. Then some behavioral questions. It was obvious what sort of answers he was looking for, and I gave them. In a blink the interview was effectively over. Art was talking benefits: 80k to start, but most employees earned 6 figures within a year. Full health, full dental. 4 weeks paid vacation. Wait 'til you see our Christmas party. (The fingers coiled round my lungs, gave a probing little squeeze.)
Whelp, I thought to myself, life was finally straightening itself out. I'd have money. More than enough, soon. An apartment, a car. Wife. We'd get a house, kids. Vacations with the little ones. Golf.
(My breath caught. The fingers made a fist, cruelly flexing their full strength. I gasped audibly. Hot, suffocating steam filled my chest, released from some rent in my inner tubing. Black spots flickered in and out of my visual field.)
Panicked, I had to get out of this, escape! I stood up, dropped my pants, presented my bare ass to the manager, and bellowed my best rendition of The Marcels:
"White moon! You left me shitting alone! Without a dream of a fart! Without a square of my own!"
The manager was beyond shocked, his brain had crashed. System error, no match found in social algorithm database.
Now everyone's favorite part, basso profundo: "Bop n'a bop uh bop ah bop bop, bang n'a bang uh bang uh ding dang, dinga dong dang white moon!" To this I synchronized the motion of my butt cheeks, skillfully enough that I was genuinely proud.
The manager's recovered, defaulting to a root-level, primordial algorithm. "LEAVE AT ONCE YOU SON OF A BITCH! I'M CALLING THE COPS!" I turned around. He was hyperventilating, his face was flushed deep red, flirting with apoplexy. Time to skedaddle.
Outside the meeting room, every face was turned toward me. Me, the scene, the shocking, hilarious embarrassment. I was on stage, and the show must go on.
"Baron von Dingleberry was the terror of the skies above Normandy!" I buzzed some likely targets with arms outstretched, making propeller noises: "Neeeeeah! Neeeeeraaah!"
Having surveyed the enemy positions to his satisfaction, the Baron attacked! "Duggata! Duggata! Duggata!" blazed his fearsome twin machine guns. I crashed into someone's desk, raking the surface with my outstretched arm. Papers went flying; framed pictures of wife and kids toppled and cracked; monitor, keyboard, and desktop tower all crashed gracelessly.
"Duggata! Duggata! Duggata!"
I intentionally collided with a shelf. It was heavier than I expected and only budged a little. I heaved, and it toppled, disgorging a manila heap onto the tightly wound carpeting.
Someone grabbed me by the collar from behind.
"GET THE FUCK OFF OF ME, MAN!"
I shoved him, hard. He fell back, crashing into a cubicle and collapsing one of its walls. I knew I'd gone too far. I ran to the nearest exit sign and pushed open its door. A fire alarm blared outrage.
I stumbled through the parking lot into the gravelly hinterland beyond, slid down-slope, splashed into a drainage ditch. The water was turbid and oily, tinged with an unhealthy green fluorescence, but it was mercifully frigid. I exhaled slowly, blissfully, my lungs dilating, as the baleful steam traversed down through my body and out my feet, inexorably drawn to the cold water. Turning around, I saw a row of faces staring back at me from the wide office window, made expressionless and grim by distance.
***
I gave Whoomphs and r the rough gist of how it went. Stimulated by my storytelling, or just some private heavy metal soundtrack, Whoomphs made the devils horns with one meaty, out-thrust hand, and violently rotated his head and upper body. "Fuck yeah!", he roared at the top of his lungs. "Whoomphs! Whoomphs!" Such outbursts were not uncommon here and drew little notice.
My friend Dave was a middle aged, half-black man who affected long stringy hair, draped over a balding crown in a manner that looked progressively Scrooge-like as the years passed. His penchant for crack cocaine marked him as irredeemably old-school. This was Fentanyl country. His most prized possession, apart from his paraphernalia, was a dog-eared, exhaustively annotated copy of Sartre's Being and Nothingness. Its covers were carefully wrapped in duct tape to maximize durability. To him it was a Gnostic store of life's deepest, most inscrutable truths, the study of which must eventually unlock the secrets of the universe.
Sometimes we would go for coffee. Meaning, we would go along a loosely defined route, passing the best coffee shops in the area. The Starbucks on 5th was our favorite. Not because the coffee was any good (it was execrable), but because the baristas there were particularly inattentive. We would wait outside and look in the window. When some coffees (if they were not lousy frappacinos or something) sat unattended on the pick up counter we would saunter in and casually take them. Occasionally the barista would recognize us and make a scene, but a bit of shouting slid off of us like water off a duck's ass.
Dave's tent was small and modest, he had few possessions to fret about. I announced myself:
"Hey yo Dave! Quit playing with yourself, lets grab a coffee! "
On opening the flap, an acrid plastic waft of crack launched a blitzkrieg assault on my nostrils. Dave's ashen face peered like a wight from from the tent's gloom. His red-rimmed eyes registered annoyance, as I had disturbed the study of his holy book. No doubt to chastise, he bestowed me an impromptu lecture:
"Coffee presents to the uncaffinated for-itself as pure possibility," he intoned, "and reveals the essential function of the for-itself: a being which nihilates the in-itself, itself pure positivity, transcending it by enfolding it in a layer of nothingness that is its own unrealized potential." He concluded: "This is the basic structure of freedom."
No no, this wasn't any good. "Right on, man." I let his tent flap fall back into place.
Alicia saw me and approached. She was a newbie, a freckled, vaguely hippyish girl who hitchhiked here from rural Illinois. While a recent arrival, the inevitable hard veneer was already coming in nicely: angular planes had begun sharpening her rounded, soft face; budding flints peered from eyes formerly luminous and limpid; expletives coarsened a dialogue once sweet with naivete. Even at her best, an overlarge jaw and nose saved her from an all too dangerous beauty. But to me, she still looked vulnerable, and pretty.
She was one of the camp's artists-in-residence. She loved the ubiquitous crows. She fed them whenever she had spare food, and could (she claimed) identify members of the local murder by name. She knew of their secret conclaves, and was on occasion granted the honor of invitation. She sold portraits of her inky loves, adorned with hearts, stars, and other tokens of her corvid affection.
"Hey babe, can you score some fetty for me? I'm fucking flush, this rad guy literally just bought two really sweet paintings."
She looked up at me coyly, and her eyes hinted at sex. This was a mirage. Not a calculated ploy as I had once thought, but reflex, done without thinking. Alicia handed me three 20s, enough for two baggies. Mama Judy's place held a particular terror for Alicia, and she never ventured there herself. I was clean for over a month now, but didn't mind performing this small service, especially for her.
Mama Judy lived in the "luxury" apartments right behind the camp, in fact she was the reason the camp sprouted here. The building was a giant box, partitioned into smaller boxes. A heavily made-up woman working in the lobby gave me a cold glance, and I sidled past her into the elevator. The noxious top-40 hit that was playing in the lobby continued into the elevator, plaintive auto-tuned whining over electronic thumps and bloops. Unbelievably, it extended into the third-floor hallway, wantonly subjugating all the residents.
A young couple walked by me. Despite my cleanish body and clothes they immediately registered my status and intention. Their studied indifference didn't quite mask the fear, anger, and contempt flitting across their faces in rapid succession.
I knocked on Mama Judy's door. "Yeah yeah, git in here!" came her loud, southern, raspy response. The squalor of her place was a brutal contrast to the minimalist sterility of the hall. Wrappers, fast food cartons, and soda bottles made for bespoke carpeting. Beyond a stained couch and wall mounted TV, no concessions were made to the niceties of habitation. On the couch sat her son Ambrose playing Call Of Duty. As always, his chubby, pockmarked, expressionless face, highlighted by a woeful teen mustache, was an impressive study in impassive stoicism.
Mama Judy herself sat in her Zippy behind her "desk", a battered kitchen table covered in the wares and tools of her trade: tiny baggies of white powder, micro scales, little plastic scoops, coffee grinders, bags of lactose, guns, and scattered wads of cash. Mama J resembled an extra large ice cream sundae, topped by the butterscotch syrup that was her greasy yellow=brown hair. Twin oxygen tanks supplemented her ever-expanding respiratory demands.
"Yer staring at me like a lovesick whore." Her throat sounded coated by razor-sharp phlegm. "How many fucking bags you need?"
"Just two."
There was a commotion out the window. A man shouted sonorously: "Capitalism, by consumerizing reality, inevitably consumes itself! This self-contradiction is the seed of its own destruction!" Three sharp cracks, that could only be gunshots. Holy fuck, that was Dave! With a sinking feeling, I handed Mama Judy the bills, pocketed two baggies and scrambled out.
The wait by the elevator was agonizing. The music ("Gimme some of that D, baaaby! Giiiiimme!") failed to complement my emotional state.
Fudgy ran to me as I stepped out the lobby door, whining and shaking, looking dolorously up at me with big scared eyes. I hugged him and petted his round head, tried to calm him.
Anxiety charged the air with an electric crackle. A knot of people gathered by the bank across the street, and more gawked on this side. I noticed two of the bank's floor-to-ceiling windows now sported spiderweb latticeworks of cracks. Sirens blared, and two cop cars screeched up to the curb, an ambulance following closely behind.
Whoomphs grabbed me, his big face flushed and frantic.
"Dave, man... he fucking shot him! He's always so peaceful. I knew he was packin', but never... Dave never hurt no one. Fuck! That cop was messing with him... Dave was tweakin', goin' off on capitalism, started throwing rocks at the bank. The cop saw him and started shouting, grabbed him real rough. Dave fucking blasted him, man. Fuck!" Whoomphs rapidly paced back and forth, shaking his great head. "This is bad, man. Real motherfucking bad... we're so fucked. so fucked..."
More cop cars skid to a stop, distant sirens announced more. They piled in, swarming like carrion birds to a fresh corpse. Still more arrived, impossibly more, more than I'd ever seen, strobing the darkness away with ominous blue.
Alicia approached. "Right right, I totally forgot". I handed her the two baggies. She looked up at me, her face was calm, radiant, her eyes twin wells of love. Despite everything a boner tented my pants. "Alicia?" She pressed one of the baggies into my palm, and smiled warmly. "Take it. Just for tonight. Just this once."
Fuck it. I went back to my tent and got my gear. Fudgy followed me in, still very upset. He saw what I was doing and whined, prodding my arm anxiously with his snout. "Just for tonight, buddy. Just tonight." Guiltily I tried to reassure him with an ear rub, but he let out a mournful groan, unpersuaded. I kissed the top of his dome head. "I'll be right back, Fudgy Boy. Don't worry." I powdered up the square foil, lit up, and nodded out.
***
Dad stormed home from the office. Rough day again, no doubt. He sniffed, sneered disapproval. "Chicken again? Dammit, can't you make something good for once?"
Dinner was a clanking of silverware drowned in the silence of our family three. Unbearable grim munching. Mom was the first to crack, and pierced the silence: "You know, I was talking to the girls, the Bassons are going to Cancun this year. Three whole weeks. Bert got a deal at The Mirage, everyone says it's the best resort."
Dad withheld his council for a long minute. The skin of his hand whitened as he held his glass of Pepsi in a death grip. Softly, his voice modulated into a mocking, girlish caricature: "Cancuuuuun! I wanna go to Cancuuuun!" His voice raised: "Do you even know what kind of mortgage I'm paying for this coffin? This deathtrap? Never mind what those HOA bastards are charging me? Do you even care?"
Mom's eyes turned venomous. With both hands she lifted her plate a little and clunked it down sharply. Lone peas scattered, scurrying for safety.
"I just... wanted.. a decent place... to raise the boy!" she hissed through clenched teeth. She had pushed hard for the house, and this was her Standard Defense whenever its excellence was brought to question.
"May I be excused?" What little appetite I had was gone. My chest was tightening miserably. Metallic, clawed fingers were stirring, probing. Mom looked disapprovingly at my plate of mostly uneaten cutlet and peas, but declined to comment. Dad grunted dismissal.
I ran down to my basement video game sanctuary, powered on my PC, and loaded Red Baron, a flight sim taking place in WW1. You could play as the Brits or Germans, but I always chose the good Baron himself. "Eat hot lead, limey! Duggata! Duggata! Duggata!" My twin machine guns blazed, and another Sopwith Camel plunged earthward, trailing black smoke. I felt my chest relax, dilate, breathe.
A door slammed above, so hard dust trickled down from the ceiling.
"Get Out! GET OUT!" mom shrieked.
"Damn straight I'll get out! Maybe I'll see Jan tonight, she knows how to treat me right! And she won't cook me tasteless slop neither!"
"You son of a bitch, you fucking cheating bastard!" Explosive crashes, as plates and glasses were hurled. A lull, I pictured dad raising a balled fist, barely restraining a blow, barely mollified by her cowering.
"You know where I'd be without you and that little SNOT-NOSE downstairs?". He emphasized "snot-nose" with a thudding kick, clearly directed at me. "Tahiti! On the beach, drinking margaritas! Not in this SHITHOUSE, with SHITHEADS!", at the top of his lungs.
A demonic grip cruelly seized the pipework in my chest, crushing, tearing, rending. Hot, poisonous steam escaped, filling my chest cavity, choking me.
I threw aside my flight stick, ran gasping out the side door and into suburban twilight. Shouting spilled out of our "McMansion" (dad's term), shamefully loud and clear in the dead, still air. I ran down self-similar streets of huge, identical houses, gasping and choking, tears blinding me.
In the vast manicured lawn of the clubhouse was an artificial pond, with a fountain in the middle. Lily pads, marble frogs, and summer mosquitoes comprised the ecosystem the pond could sustain. The water exhaled a white vapor on this frigid November evening. I threw off my shoes and plunged in, the shock of cold brought immediate relief. It condensed the baleful steam, drew it bubbling out of my feet and into the chill water.
I stayed for over an hour, feet blissfully submerged in the muck, breathing freely and fully. In a window across the street, the silhouette of Old Ms. Maverly watched me, her pruned face no doubt a caricature of schoolmarmish disapproval. Seeing me see her, she snapped her curtains shut.
I finally started home. It was late. The night had turned the sterile gated community somehow eerie. A silver dagger moon sliced open the sky, sad winds sighed forth from the wound. Row upon row of monuments to false opulence, each with their own captive souls. Well-fed, Stairmastered corpses, entombed in rococo mausoleums.
Through a window I watched a boy, illuminated by the TV he was tuned toward like a magnetic filing. Slowly, he turned toward me, stood, walked toward the window. I backed up, ran. Turning around, I saw him pressed against the window, his face made expressionless and grim by distance.
Back home, my stomach sank. Dread radiated like black light from my house. I opened the side door slowly, silently, hoping to evade notice, fearing my pounding heart would betray me. Behind stood mom, pale as death, staring at me with wild eyes, silent and unblinking. Her grimace evoked a life's full weight of sad bitterness.
I screamed, ran past her crying, scrambled upstairs to my bedroom. I slammed the door shut and dove under the covers, shivering violently. Thudding footsteps marched up the stairs, down the hallway, stopped at my door. It pounded with slow, methodical violence. An agonizing pause, charged with immanence. With a shocking crash the door collapsed along with part of the wall. Dad's bulk loomed in jagged doorway, breath steaming in the frozen night.
"Get UP! Get UP NOW!"
He shined a flashlight in my eyes, knifing them with harsh white light. I was so tired, so very tired. He kicked me roughly, toppling me from my bed. Fudgy, no fighting boy, growled his fiercest, lunged. A boot struck his head with a sickening crunch. I howled, lurched upright and swung wildly, grazing his cheek. He swung his nightstick, and the world exploded into light and dark.
***
A buzzer blared, signaling the release of the magnetic lock sealing the jail's inner gate. A guard pushed open the heavy doors and steered me by the elbow to the lobby. An Asian cop was working the front desk. He pushed a gray plastic tray at me, containing two dollar bills and two pennies, a crushed snickers bar, and a single condom, creased and faded with age.
"Here are your, uh, haha, things. You're damn lucky Kowalski isn't pressing charges. Now get the hell out of here."
His fat colleague stared at me with dull, beady eyes. "Junkie scum", growled through a walrus mustache.
I pushed through the front doors out into a gray noon. A light, cold rain splatted on the gray concrete, on the storage facilities and industrial depots that made up the city's southern end. I found a bus stop and waited, my stomach twisted in knots of dread. My dear, sweet Fudgy, hurt, alone. Whimpering, dying. Dead.
The bus finally lumbered down the wide, empty road, reluctantly acknowledging me with a stop. I begged on with my two dollars, and endured an excruciatingly long, halting journey north, transferring twice. My mind raced, reiterating images of that night, that black boot, Fudgy's head.
I finally made it back, and my heart sank. Workers wearing yellow and orange safety vests were water-blasting the sidewalk where the camp once was, removing every vestige of our taint. I ran up to one, he turned to me blankly. "Hey man... hey... you, you seen my dog?" He wordlessly shook his head, returned to his work. I accosted another worker, then a ped who veered sharply out of my way.
I called for Fudgy, screamed his name, teared at my hair. I frantically checked his spots: the bush growing embedded in the chain-link fence, the pocket of space behind the Supermarkets HVAC, his favorite piss tree around the corner... nothing. He was gone. I sat on the sidewalk against the store's rough limestone wall, holding my head in my hands, calling his name hopelessly. I tried to eat my snickers bar, but it tasted like cardboard in my mouth. I spat it out, tossed the bar. A passerby gave me a wider berth than strictly necessary, and I leaped up, loudly demanded he give me my fucking dog back. He hastened off.
Two supermarket security guards approached, one speaking over her shoulder into her walkie-talkie. I took off in the opposite direction, through the parking lot and into the forest park beyond it. The claw chose this moment to stir from its slumber and give a premonitory squeeze. I pounded my chest furiously.
The park was a narrow coastal forest. A long trail wound through it, following a creek, ending in a beach. We would trample little side trails, making forest retreats where we could nod off in peace, surrounded by nature. Happier days.
I shambled down the trail, a walking corpse, having nothing and no one. The few passers-by on this dreary afternoon stepped well aside to let me pass. They were shadows to me, signifying nothing.
The claw began methodically isolating slender tubes one by one, then mercilessly tearing them open. Hot black steam whistled from the damaged conduits, filling the empty spaces of my rib cage. I tramped onward dazedly, my head pounding, suffocating from internal pressure.
The trail terminated in a children's park overlooking a small beach. I was alone. Cold rain spattered on my face in greasy globules.
The claw achieved full potency, more terrible than ever before. It ripped at my chest wildly, clawing my tubing apart, destroying it irrevocably. I cried out, fell on my hands and knees. My heart pounded fiercely, pinwheels twirling in my fading vision. I stood up, the world whirling round my axis, and I stumbled forward drunkenly.
A metal bridge arched over train tracks and gave access to the beach proper. My destination gave me a desperate strength. I tossed my two pennies down to the tracks, crossed the bridge. A commuter train roared beneath me, infernally loud.
The gray Pacific lapped against the small beach, lovingly offered her icy bosom. I crossed the sand and entered into her. Twin spikes of cold impaled my feet, piercing through my legs, sliding past my innards, into my chest, into the claw. Shocked, it screeched in pain and loosened its grip. Steam roared out of my chest, rushing down the spikes and out into the water, making it bubble and seethe. Exultant, I waded in further, homeward. Up to my waist, to my chest. My breath was frantic, but joyous, fierce and free. The claw crumpled into dust, into the nothingness it always was. I effervesced.
A clap of insight. I spun around, and there was Fudgy, barking, jumping, bottom wagging with joy. I ran through water as light as mist, seized him, wrapped him in my arms. He squirmed happily, licking my face frantically as I sobbed into his fur. His warm softness banished the cold like it was never there.
All the sharp angles, pricking, scratching, piercing, cutting, melted away forever. Soft sunlight danced with the gentle breeze on my bare skin. We were as we should be. We were home.
Comments (57)
Quoting Noble Dust
I certainly was.
edit: I spoke too soon, didn't give all the stories a read yet
edit 2: I didn't speak too soon; this is my favorite by far
This is the best short story ever written in the annals of TPF history. And I've been here for all of them.
Carefully crafted, each word meaningful - a powerful portrayal of love, hurt and pain. Told with real insight and necessary humour. Fabulous. :fire: :100:
The question: Where is Home?
Part 1
The reader is drawn straight away into the detailed description of the sprawling, homeless camp. To the protagonist's current home. We see all the colours and shapes. The distinctive smell catches the breath. It's something you get used to, if you stay there long enough, and he has.
Quoting Noble Dust
We're introduced to his companion, Fudgy, the gorgeous, exuberant dog who loves and calms him.
Quoting Noble Dust
There is no word wastage here. The author has a nose and rhythm for poetry and prose.
[ from now on, the protagonist will be 'HG' for Homeless Guy]
HG has had a bad day and is anxious to appease his friend, Art, a 'normal' kind of square guy. He finds Whoomphs, the very opposite, and asks him if he knows where he is. Brilliant character description:
Quoting Noble Dust
I have images of Laurel and Hardy or the 3 Stooges. W. is a down-at-heel Oliver Hardy.
Is he still slap-stick? Well, he has a jokey sense of humour:
Quoting Noble Dust
Shouting down the line to 'r'. His body curled as Quoting Noble Dust
We get the sense of close camaraderie. OMG, this is to die for. We hear the rattling gurgle:
Quoting Noble Dust
The sound of the choked laughter and the amused question. So well done!
Part 2
We find out what happened.
HG had been given the chance of an interview, courtesy of Art, who knew someone who managed a local tech company. HG prepared himself physically and mentally for 5hrs. Right away, we get his immediate impression of a soul-destroying work place. This isn't where he wants to be. No way would he feel at home here:
Quoting Noble Dust
HG is taken to the interview room. The author presents us with the first signs of mental/physical anguish. Panic rising, as HG takes in the scene:
Quoting Noble Dust
He aces the interview. He sees his future. Mr. Corporate man with all the trimmings.
Full blown, hot panic:
Quoting Noble Dust
The heart and its arteries are constricted. The personal feel of this is alarming, and heightens the panic.
He had to escape. And so he did good-style. Back to brazen, uncaring childhood stuff, creating mayhem and chaos. Mooning and singing to the music:
Quoting Noble Dust
Other sounds as he acts out: Quoting Noble Dust
The reader appreciates the skill of the writer. This is filmic. We see it play out in glorious technicolour.
There is method in his madness. It escalates badly to physical aggression and attack:
Quoting Noble Dust
It ends with HG cooling off in a drainage ditch. Again, masterfully described.
The unhealthy, green water is frigid and his body heat steams out as he exhales. He sees the faces of the office workers looking down at him:
Quoting Noble Dust
Next up, Part 3. Later...
If you're not writing a novel by now, I'm asking you, what the hell are you doing? Get going, get rich, this is really good writing that gets the top shelves in book stores.
As other's have said (though I haven't read all stories yet), this gets my top spot if there was a contest in this. Remarkable :100: :fire: :cheer:
And I laughed out loud by the sheer brilliance of using the shape of letter as the describing factor of a character!
Quoting Noble Dust
Highest praise! Hat off to the author!
If the person I think wrote this wrote this, they probably are a writer already, or so I would guess from what little I know about them. I'm not going to speculate, though. They wrote an incredible story, and I'll just leave it at that.
I do find myself wondering what the literal "claw" is a metaphor of. Maybe panic attacks? It sounds like really bad panic attacks - or the feeling of being on the edge of one - to me based on my own experiences with them. Except those don't go away when one steps in a puddle, so I guess I'm not too sure.
Quoting Noble Dust
This is absolutely magnificent.
Quoting Noble Dust
I think it's a good stylistic choice to switch to more flowery description when dealing with the upper class area, but I found the transition a little jarring. I don't know if there's another way to create a sudden sense of enchantment without it being jarring though! Probs a me problem.
The imagery is nuts, hats off.
It better be that way, otherwise what a waste of talent it would be.
Quoting fdrake
That struck me too. I mean I like the introduction of a gothic flavour, and I'm not necessarily against the pathetic fallacy, but it was definitely noticeable. I think here it's partly a case of the reader by this stage being so on board that they'll grant the author permission to do absolutely anything. But what I might have objected to in that paragraph was that it was a bit on the nose. "False opulence" is a straight opinion, perhaps a bit too direct or even obvious.
I stress that this is a very minor criticism, and this story is still my favourite.
For myself I think such nuances went a bit over my head as it's a bit more advanced than my current English skills. For me, the poetic flow becomes more important, how the fluid of language sweeps by with vowels through consonantal hard stops like water hitting rocks in a river and continues on. Sometimes I don't mind anything on the nose if the flow means it reads well and becomes in sync with the flow of thoughts creating the atmosphere.
Part 3
HG tells his 2 friends of the Day's Drama...so far. Whoomphs seems to appreciate how it went down.
I don't know how the author did this, because I, for sure, would not have been able to describe the movement but it is one instantly recognisable. It makes me think of Jack Black in School of Rock:
Quoting Noble Dust
Then, it appears HG is still looking for help in finding Art. Yet another friend, Dave, and another fantastically detailed character description. How his drug-taking habits mark him out as 'old-school'. A preference for cocaine over fentanyl, the latter having spread through the country like an epidemic.
The author uses Scrooge as short-hand, we get the picture. And then, surprisingly or perhaps not, we find Dave the Philosopher. Hooked on Sartre and existentialism. 'Being and Nothingness' - is this home for him? A place of comfort? He studies it to find deep truths. Will he ever find them?
Quoting Noble Dust
'Going for a coffee' takes on a whole 'nother meaning. This sketch is so funny. We can see HG and Dave sloping down the street to Starbucks choosing the right moment to sneakily pick up a few choice coffees. 'Gratis'.
Right now, HG looks to Dave in his simple, homeless tent for what? Guidance...to Art?
All he gets is some philo preaching starting with Quoting Noble Dust Frustrated, he sees Alicia, a newbie. An artist with a penchant for murder. Her crow paintings sell well and she wants HG to buy some drugs from Mama Judy.
So many brilliant characters. I can't give them justice but the author sure does. You have to read them!
The outcome of this part is the death of Dave. Peaceful Dave turned and killed a cop. Fire was returned:
Quoting Noble Dust
So many crows to be painted at peace and in frenzy.
HG needed to escape. Back to his old drug habit. Fudgy is not happy. The last paragraph with man to dog dialogue. It hurts. I ache for them:
Quoting Noble Dust
Part 4, coming up.
Yes. But talking of flow---and I'm not totally disagreeing with you here---I think maybe flow is valued too highly, particularly when ChatGPT can produce easy flowing (though not poetic) words so easily. And I read a lot of stuff that is jarring, awkward, and difficult on first read, but which is actually brilliant.
Yes, true and I agree that some non-fluent texts are also brilliant. But in a case where a flow like this is apparent in the text I'm just saying I can buy something that's more on the nose if it helps the poetry of the flow. And I think I mean it to have a poetic flow, not just the grammar to do it, but a form of play with words that does not confuse or stop the reader, in a balance of enough and not too little in descriptions and sensory paint.
But for prose, I rarely find a text that's extremely choppy to end up being good. In those cases I rather they write an essay or philosophical text about what they want to say and not try their pen at storytelling. By choppy, I mean primarily texts that are almost impossible to get through because they require constant re-reads to even grasp the most minor idea of what is going on.
:up:
Quoting Christoffer
Quoting Christoffer
Well, I've read several books like that. There's one that springs to mind in which almost every sentence is interrupted by long parenthetical passages. It's rough at first but it works amazingly, at least it did for me. And yes, it did require rereading, both on a sentence level and the whole book. (I'm talking about Triton by Samuel R. Delany)
It's an interesting topic and I can see both sides, but I don't want to take this thread any further away from "Homeward". (Not your fault, just saying)
Part 4
The original home. But not so very homely. Dad, a real horror. It starts:
Quoting Noble Dust
The tension increases and this is where HG's panic attacks begin:
Quoting Noble Dust
HG finds relief in playing video games. He plays the part of Red Baron.
Quoting Noble Dust
He hears his parents shouting in a familiar scene of domestic abuse. It scares him:
Quoting Noble Dust
I wonder if the author's vivid portrayal means he has experienced this. I hope it is only his imagination.
HG again finds a way to calm his thundering heart and lungs. Near his home of relative wealth:
Quoting Noble Dust
This repetition of coping with panic. Is it sustainable. Will HG collapse? How did he get from here to there? And will he ever return? Another repeat. HG outside, looking at inside others, looking out:
Quoting Noble Dust
He feels the distance between himself and others. Office workers and a boy who gaze at him. Grey, robots usually turned towards screens like metallic filings. Is he himself screen-dependent?
An addict?
Back home, things have deteriorated. His sees his Mum terrified, and runs to his room. His brutal Dad comes after him. Crashing and collapsing the door and wall. We see it, hear it and feel it. All senses on wide alert. Emotions of anger and fear. Poor Fudgy doing his best to protect and is kicked hard.
The horror brilliantly captured by the author, in the final paragraph:
Quoting Noble Dust
The imagery was delightful and I liked the way the past would echo forward in the story, like the cold water first-aid, and the Red Barron (in retrospect).
Final Part
Where are we? Are we home yet? Which home? What happened to HG and Fudgy?
Present time. HG is being let loose from prison. He leaves with all he owns:
Quoting Noble Dust
HG journeys homeward bound. A gray day at noon. Everything gray. Concrete industrialised area. All he can think of is sweet Fudgy. Lying alone. Hurt, dying or dead? He takes a bus, transferring twice. A long ride with plenty to think about. Flashbacks:
Quoting Noble Dust
His home, the camp, has gone. Nothing left, water-blasted away. He is in shock and haltingly asks:
Quoting Noble Dust
This is sheer desperation. Fudgy is all he has left in the world. He searches to no avail. Rising panic:
Quoting Noble Dust
HG retraces familiar pathways. Peaceful coastal, forest sideways. Happier days in nature.
Now, the author describes the physical and mental pain HG increasingly endures. This is getting worse. We feel it and know it:
Quoting Noble Dust
He is looking to escape. From the pain, or life itself? HG has a destination in mind. But what is it?
He enters into a gray Pacific, her icy bosom enfolds him. The author brings us to a shocking climax:
The sheer physicality of fighting the claw, the release and swimming out to what?:
Quoting Noble Dust
My mind stopped at the strange, final sentence. What did it mean? It seemed out of place.
It seemed like something spiritual or gas escaping.
The power of mind over body.
He escaped from the pain into sparkling bubbles of freedom. And then...his intuition made him spin round...and there was Fudgy! Full blast emotion. Simply beautiful:
Quoting Noble Dust
The joy and love of pure consciousness. Unified as One in Nature.
Home is Where the :heart: is. - Pliny the Elder.
***
Homeward. To a place of poetry and music of the soul.
Homeward Bound
[i] I wish I was homeward-bound
Home where my thoughts are skipping
Home where my music's playing
Home where my love lies waiting silently for me
Silently for me[/i]
- Simon & Garfunkel
The song that has been with me throughout. Apart from the ear-worm 'Blue Moon' :monkey:
Thank you! :pray: :hearts: :sparkle:
I find I still have 8 stories still to read. How can that be? I feel like I've been here forever.
So, perhaps, I jumped the gun a little in my enthusiastic 'Best Short Story Ever Written!' :chin: :sweat:
On the other hand, you do write serial-post long reflections and feedback on each story that I would believe takes up a lot of your time, and is very much appreciated by everyone and there's really no rush though :cheer:
I am afraid it's a habit I can't get out of. No matter how much my brain complains.
Thanks for your support :sparkle:
Quoting Jamal
Really? :roll:
It's about as funny as crackhead Dave the existentialist philosopher committing suicide-by-cop.
And the homeless camp. Being, then not-being. Nothingness.
And how it will repeat. In the Eternal Return.
Homeward. A Tale of Fate and Farts. A Tale of Sound and Fury, signifying nothing.
The end of the story is the start of another.
We come from nothing, we return to... nothing. :death: :flower:
Carpe diem :pray:
You guys are so full of shit! Stuck up your own joint-arse-cheeks :mask:
Quoting Amity
Not sure how you mean? I thought it was great to introduce a character in writing with lower-case r and the confusion why it's lower-case then explained so that when looking back we get an actual visual representation of a character within the forms and shape of the writing itself. It's an inventive use of the text itself as a visual representation for the description of a character.
I'm still unsure whether it has a happy ending or whether reuniting with Fudgy was a final fantasy before succumbing to the oblivion of drowning. That said, I don't mind the ambiguity.
death was the only way they could be reunited. the cop killed his dog, as surely as his father [and his father's hated but bowed-to world] had killed his own prospects of ever being whole or fully functional in this world. it's an inevitable tragedy played out every day, with slight variations, on the streets of all our shining western cities.
it wasn't explicitly stated. in the prevailing global culture, none of us isfully functional, but most of us cope, most of the time - well or badly, depending on our circumstances. but more and more of us are falling through wider and wider cracks. i believe that's what this story is about.
Yes. I read the story again to pick up pieces of the puzzle. The 2 pennies. Dropped.
Quoting Noble Dust
HG is nearing his final destination. Death = Home.
The significance of the 2 pennies. Coins to pay the ferryman. HG is crossing over. The mundane and infernal world below him.
Quoting Noble Dust
Quoting Noble Dust
The dark, greyness of the material world has melted into sunlight, he is as naked as the day he was born. Perhaps to be born again...
I believe you are right. As ever, your close and careful reading is much appreciated.
They can destroy homeless camps but the homeless are still there. And growing.
More can be said.
The author is an intelligent reader of society and human nature. A skilled creator showing appropriate range of tone and voice in description and dialogue. This rocks! :cool: :victory: :100:
Quoting Noble Dust
Such a subtle touch here.
For pure skill and craftsmanship, this is the best I've read.
As an attempt at critique, I felt the narrative had more promise and the ending seemed a bit ad-hoc.
Absolutely proud that we have this level of writing on show in our activity here though.
Quoting Noble Dust
How it showed HG to have a sensitive awareness. Noting the physical changes but they didn't matter.
More important and attractive to him is internal beauty and spirit.
Quoting Baden
How did it seem ad hoc? Improvised? Unsatisfactory? How? What more could be said? I think it a fine mellow end after the orgasmic effervescence. The story slips away in a whispering sigh...
Quoting Noble Dust
I want to choose my words carefully here because my overall opinion of the story is positive and I don't want to give a contrary impression. But the ending is a bit too "Hollywood" for me. I don't like things wrapped up in a lovely package and handed to me at the end of a narrative. I want the end of a narrative to oppose my comfort, to discomfit me, to help me find something in myself I didn't know was there and it's the resolution of that as a secondary process that I find satisfying. "Bulbs in Pots" did that for me. This story doesn't. That doesn't stop me joining the consensus in admiring its brilliant qualities though.
I kinda understand. When I was trying to visualise 'I effervesced', the only way I could see the magic was via Disney. Complete with fountain of shooting stars.
Quoting Baden
Yes well. That was what this story required. After a damned heavy slog. The amazingly described signs and symptoms of increasingly severe panic attacks. A terrible story. How HG's body repeatedly released the pent-up steam of the heat. Frigid water. How many times? Coming to a final climax.
Then, the release...
Quoting Baden
It worked the opposite way. The discomfiting was there throughout and built up.
Sometimes, we need a happy ending. If that's what death is...
That's a perfectly reasonable analysis. And I can only imperfectly describe a very personal and subjective reaction to each story.
Yup. We are only ever exchanging different perspectives. That's what makes this cool :cool:
Aye. :cool:
It gives a glimpse into a subcultural underworld, making it have a certain feel of the cult fiction genre. The narrator's character is complemented by Fudgy, just as the Famous Five was by Timmy, the dog. It definitely works as a short story but it could probably be developed into a novel too.
Quoting Amity
Even when I take care and slow down for a re-read or two, I still slide over sticky bits and don't probe.
For example:
Quoting Noble Dust
Immanence - what does that mean? I took it as being in imminent danger. On a rethink: Is it metaphysical? A mystical, spiritual world? A dream?
Is HG's bedroom so cold that it seems like a 'frozen night' - or is this real. Are we in the mist/midst of an authorial transition? What is happening here? Are we in 2 places at once? Two worlds colliding?
Why would his father need a harsh flashlight? This is all happening too fast. What strength would it take to bring down part of a wall? When he only had to fling the door open and switch on the light?
Fudgy is kicked hard in the head by his booted foot. A sickening crunch means his skull is broken.
What hope of recovery? Slight to none. And yet he appears later.
Why is the Dad wearing such heavy boots in the house, late at night?
And why does he have a nightstick to hand? I think it must be some kind of a baton?
This sounds like a cop. Is his Dad a cop?
His father was a white-collar worker in a high-rise office block, an unimaginative, ineffectual man who took his frustrations out on his family. He flipped out at the job interview, because he pictured himself turning into his father. He's in his shanty, asleep in a drugged fog, reliving - for the who-knows-how-manieth time, a terrible experience from childhood. Is wakened by a police raid on the homeless encampment. The past trauma morphs into the present one.
Then, everything - the past, that inexcusable performance at the interview, letting down his friend, the loss of his temporary home and shaky support structure, the hopelessness of his condition and especially the loss of his faithful companion - zooms in on him. And he needs to escape.
Excellent! At reading and understanding the stories, communicating this to others, you are the very best.
As an author, too, you are right up there! :clap: :up: :flower:
I also added elements of myself: my feelings of being an outsider, my love of dogs and crows, and most of all the experience of conversion disorder, hypochondria's big brother, with its dramatic symptoms and lack of insight. The actual symptoms, the claw and steam-chest, are made up.
The scene where the narrator's flashback/nightmare transitions to the sweep was the seed of the story, everything else grew around that. I was flummoxed that several readers missed what was going on here, including the irl friends I asked to read. @Vera Mont got it perfectly, but she is an unusually attentive and astute reader. Writing these kind of things always feels like a tightrope walk between telegraphing and oversubtlety. I've decided I really don't like it when people miss central things like this, and so I'm going to err on the side of telegraphing in the future. I'd rather things seem over-obvious than missed entirely. What do you guys think about this issue?
I think the real trick is to make things obvious without them seeming obvious...
The idea was to be bittersweet tragic, that he (and poor fudgy) could only find contentment in death. Such things, and endings in general, are tough to land, especially for everyone...
Quoting Jack Cummins
So glad you enjoyed it Jack!
Quoting Jack Cummins
:chin:
Quoting fdrake
Yeah, I think I could have done better with that...
Quoting Janus
Thanks! I kind of have a thing for overblown language, I'm a big Jack Vance fan for instance. I don't have that level of skill though.
Quoting Jamal
High praise indeed, thank you!!
Quoting ToothyMaw
Thanks! It didn't start that way, but I'm considering expanding on it...
Quoting Vera Mont
Thank you!! :pray: Really means a lot to me...
Quoting Christoffer
Quoting Christoffer
:yikes:
In fact, I have only ever written fiction for TPF activities in my adult life. Maybe this will help light a :fire: under my ass. I'm really glad the prose worked so well for you! As you can imagine, it is as hard to write as it is easy to read. Very labor intensive stuff. Writing a novel like this is a formidable challenge indeed. At bare minimum, I should be writing outside TPF (as should everyone here).
Quoting praxis
Thanks! I like adding things like that, glad they landed for you.
Quoting fdrake
Way cool! I seem to have no problem writing bleak...
Please don't! The story - which btw, have I said? is magnificent as it stands - would lose a psychological dimension.
Quoting Amity
What an incredible honor for you to say so... thank you!!
Quoting Amity
I forgot to mention, I was going to rescue a street dog from Mexico. I was going to call him Fudgy. Unfortunately at the last minute the "owner" confronted me, and refused to let me take him. The "owner", who wouldn't let him inside, who wouldn't even touch him... I was going to take him anyway. But I didn't, in the end. Sigh.
Quoting Amity
It makes it easy when you draw from real life. "Whoomphs"'s reaction: "A picture of indigence? I like it. At least I seem like a nice hobo." Ok, this is not the real Whoomphs, but it is how I sometimes imagine the big loud guy who can never hold on to money.
Quoting Amity
Drawing from my own hatred of offices.
Quoting Amity
I've shown this to a few other tech workers, this was their favorite part. I think we all fantasize about a glorious meltdown like this. I was worried his breakdown was too abrupt and would seem incomprehensible, I'm glad it worked for a lot of people.
Quoting Amity
Whoomphs in fact does this, very atypically vs. the typical headbanger's move...
Quoting Amity
I had a friend whose name was indeed "Dave" (oops), who was homeless and a crackhead. He was a chess hustler who played in San Francisco, he would rope me into games when I was walking by his table, coming home from work. He was a chess player, not a philosopher (afaik). I learned chess by playing him and the other hustlers in that scene, now gone. Sadly he passed away several years ago.
Quoting Amity
Hehe, glad you liked this, I did too. We certainly didn't do this.
Quoting Amity
In my mind Dave ran away. But I realized I forgot to say this! So, it is (as usual) up to the reader to fill in the blanks.
Quoting Amity
Another very autobiographical detail. What an escape they were. These days every kid probably wastes their youth this way, but back then I was pretty atypical.
Quoting Amity
Mostly imagination. Originally I wanted the family life to be incredibly sterile and materialistic, not abusive. But for some reason the abuse stuff came out instead.
Quoting Amity
I can't seem to describe death in the first person in a typical way. I wanted it to be clear HG died, but not too clear. I also wanted to leave open an alternate interpretation: that HG did not die physically, but rather was reborn in the process of letting go of the mental illness that had been sabotaging him. This is pretty personal, and I doubt anyone received it this way.
Quoting Amity
Glad you caught this! Its hard to know if people will notice little things like that.
Thank you for again taking the time to let me into your head as you read my story!!
I used to think that writers made things obscure intentionally, and enjoyed the bafflement of the untutored plebs. Maybe some really do. But now I think plain skill might be a bigger factor.
I don't know that I ever commented on your story, so just wanted to drop a note that I also very much enjoyed it and agree it's one of the best we've had. I wanted to read it a second time before commenting, but that never happened, which was the case with pretty much all of them this year for me, so don't take it personally! Great work.
Im not sure what the issue is. Are you referring to this bit
Quoting Noble Dust
It seemed totally natural to me, very nicely done.
Yes, this is where the father of the dream/nightmare morphs into the cop of reality. Several people missed this, because there is no overt indication in the text, the reader has to be alert to it.
I definitely don't think it needs telegraphing beyond that; seems perfect.
I think so, yes.
I appreciate the time and energy it takes to reply in detail to all feedback.
Your story is made more compelling with autobiographical elements. As others have done, so very well!
As already stated, your story stands out - a real winner! One last thing:
Quoting hypericin
Mental health issues have a way of sticking around no matter what strategies are employed. Physical death is at the extreme; suicide the only release from unrelenting mental pressure.
Many here have talked of this. I am glad to hear how some rise up through the darkness. Some by medication, others by using imagination and being creative. Both, and more.
Always difficult to express in ways not obvious and in-your-face.
Your story is difficult but inspiring in so many ways. Thank you. :sparkle: :flower: