[TPF Essay]Part 1 & Part 2
Part 1:
Original Philosophical Investigation series
(1)
On Human Being.
(2)
The Extreme Humungousness of the Universe
As an Impossible Recipe.
(3)
Of Dreams Night and Day
(4)
Dancer or the Danced Upon?
(5)
When a Tree Falls in the Forest
(6)
Religions Restraint
(7)
Unfree Will
(8)
Time and its Blast
Prolog
In this lost haunt, on the Orion arm
Of the Milky Way, safe from the cores harm,
We philosophers meet in the tavern,
As sleuth-hounds, unweaving the Cosmic yarn.
We search for the Start of the Universe,
The End, the Before, the After, the Kinds,
The Measures, and All That Lies Between:
The Music of the Spheres Magnificat.
We follow every single avenue,
Whether its brightly lit or a dark alley,
Exploring one-ways, no-ways, and dead-ends,
Until cornered where the Truth is hiding.
Here we go
1.
The Map Showing the Progression
From the Reals Basis to Humans Being
Objective
A kind of pyramid is envisioned, with two oppositionals and two transitionals that cross to generate the humans being, via this and additional pairings of necessity derived that are basic, not complicated.
The Main Section
Heres the theory of how the Who of Being
Becomes of Existences Why and How,
Via the transitional Then to When
And the oppositional What and Where.
Where: Space
!
!
!
When: Future < Here & Now < Then: Past
!
!
!
What: Matter
Movements a must in quantums vacuum,
Otherwise naught would have gone on to bloom;
Stillness is impossible; Time must be!
Particles clump; in between, space makes room.
The Reals Why is that Nothing cannot be;
Its How is that of Possibility,
Since all methods must be open, due to
The Reals never-birthed eternity.
Matter vs. Space, of the Formless field,
Makes for Realm-of-Appearances yield,
Which, since crossed by Times passage, it builds lifes
Pyramid from Movement-of-Appearances.
Past that Was leads to Future that Will Be,
TransformationalNow in the middle,
Rolling smoothly, through recall, sensation,
And anticipation. Time is movement!
Space/Matter, oppositional, crosses,
As the Where/What top and bottom corners,
The left to right sweep of Past into Future,
Which is really as Then-into-the-When.
Where/What plus Then-to-the-When grows to blend
The Spirit-of-Life in the Pyramids core,
After some more pairing relationships,
Subsequent, toward the life of our species.
Then + What is Historywhat has occurred,
While When + What will become Progress.
Then + Where begets MemoryRemembrance,
While When + Where induces Wishes, as hopes.
Progress + Wishes combines into Vision;
Progress + History grants Change-in-Structure;
Memory + History makes for Learning;
Memory + Wishes births Change-of-Outlook.
Change-in-Structure + Vision = Planning,
Change-in-Structure + Learning = Creating,
Change-of-Outlook + Vision = Growth;
Change-of-Outlook + Learning = Direction.
Finally, Planning, Growth, Creating,
And Direction make for Beings Who.
( Matter - Space ) [ Being ] ( Future <- Past )
The Inspiration
Before the above analysis, I had mapped
The forces, noting that two are transitional,
The Electric and the Magnetic,
Each giving rise to the other,
And that two others are oppositional,
The Weak and the Strong,
The Weak promoting changeability,
The Strong promoting stability.
What about gravity, AWOL? Where is it?
It needs matter and motion to exist
And so it is the blended result of
All the forces, a secondary effect.
Gravity is the spirit-blend of all.
( Strong - Weak ) [ Gravity ] ( Electro <> Magnetic )
The strong force facilitates stability;
The weak force leads to changeability.
Electric action, leading to magnetic motion,
Adds to the Movement-of-Appearances.
The strong force binds the atomic nucleus,
Barely beating E/Ms repelling force.
The weak force counters strongs stability,
Through decay that promotes changeability.
It is the forces that count for everything,
Matter being but a secondary singing,
For atoms exert forces through space,
Especially of the electromagnetic race;
So then, it is forces that disburse
The currency of a rich universe.
Space is a kind of a large-scale limitation
Of an underlying discrete network of connections.
Atoms would not even know at all
That their companions existed, with no call,
Without the push or pull of the forces thrall,
For then they themselves would be as pall
As some ghosts passing through a wall.
The four forces hold our world together
In its diversity of shape, structure, form, and color.
Conclusion
So, would oppositional and transitional pairs
Work for our human being as well?
Yes!
The Duos and Duels of Nature:
Dualities seem to assist nature:
Good/evil, on/off, hot-cold, man/woman,
Up/down, left-right, here-there, past-future, and
So, none can exist without the other.
What, Where, Who, Then, and When:
What Matter particles the Where Space,
Begetting the Appearances-in-Motion pace,
As Then Past moves through Now to When Future
This Spirit-of-Life granting our Who face.
Past flows to Future through the rolling Now,
As Memory to Anticipations bow;
Through Sensations bridge they smoothly glide
Times essence is but Movement, this we vow.
Thus from the simplest oppositions flow
The complex patterns that let Being grow;
Through Times transforming touch they weave and blend,
Till consciousness can rise and wisdom know.
Like streams that join to form a mighty river,
These forces merge their gifts that they deliver;
From Why through How, from Then through Where and When,
Till Beings Who emerges whole forever.
The Pyramid of Being thus builds its throne
From basic blocks to patterns fully grown;
Each level adding new complexity,
Till Beings Who can claim its realm as known.
Mark well how from the simplest pairs arise,
The structures that let consciousness devise
Its plans and visions, learning as it grows,
Till Beings Who can open wisdoms eyes.
So ends this tale of transformations art,
How Beings Who found form in every part;
From cosmic forces paired and merged anew,
Till consciousness could make its upward start.
Overall Summation
Why Existence?
No Nothing.
+
How?
Possibility.
!
!
v
Where? Space. < Appearances > What? Matter.
!
!
v
Whos Being.
Yes, the Reals Basis is as simple as can be, but we are the most complex that can be, and thats where the Reals excitement is.
2.
The Impossible Recipe?
A Dialog About the Universes Free Lunch
Goal:
Explain the extravagant spendthrift Universe.
In the Main
The Cosmos spreads its feast beyond the sky,
An endless banquet none can quantify,
Where matter rises from energys deep
The greatest feast, yet none can tell us why.
Explaining the Cosmos is as easy as pie:
Its an endless extravagance beyond the sky,
Which shows that matters very readily made
Underlying energy raising the shades.
This All sounds rather like the ultimate free lunch,
For the basis is already made, with no punch,
It ever being around, as is, never a was
Everywhere, in great abundance quite unheard of.
Behold this cosmic lunch that comes for free,
Where something springs from what can never be;
The basis ready-made without a source,
Eternal present without history.
Really now, whys the universe so large
With trillions of galaxies of billions of stars,
About which so many planets whirl and twirl,
With so much dust swirling in between worlds?
There are vast multitudes, true, so easily made.
So, there are stars to burn, as with riches,
But why must this largest be so damn large?
It is because the infinitesimal, the smallest,
Must be so very tiny, so minuscule,
As simple, continuous fields of waves,
Neither composite nor of course complex.
So, there is a basic lightness of being
Because anything more would then be of parts
And thus beyond the fundamental arts?
Yes, it is that the base can only be as such
When its just a bit more than nothing.
This handy for flexibility of construction.
Where do we lie amid this scale so vast?
The largest is so large, near everywhere,
Since the smallest is so small, barely there.
At the mid-point, theres finite unity,
Were suspended there, hovering entirely.
What!
Infinity * Infinitesimal = 1, as Finite Unity
Is it too that there are then so many more chances
For arrangements, due to the extravagances?
Not as meant, but that falls out, too, as free,
For since the opposite Not cannot be,
It must then be Everythingof Possibility.
Im still astounded by the amount;
It seems to be an impossible recipe.
More numerous than thoughts can ever count,
Universes bubble past all amount;
In pockets vast beyond our universe,
New cosmos spring from every quantum fount.
What kitchen could produce this causeless cake?
What chef could such infinity awake?
There is no source from which it all could spring,
No recipe these worlds could undertake.
No turtles hold our cosmos from below,
No final cause makes all existence flow?
The buck stops at the edge of Nothings realm,
Where Being simply isthats all we know.
Not from Nothing?
Pure Nothing cannot give what Being needs,
No void can sprout existences first seeds;
Yet Something clearly dances here and now,
While Nothings barren garden grows no weeds.
Its too much!
In just our universe, at first there were
About 2x10**85 particles
Which is now 2x10**76, less annihilations,
Since there are one billion photons for every proton.
Cripes!
Theres even more of it than can be imagined
Of lavish big spenders, there in amounts unbounded:
Bubbles of universes within pockets more,
Across all the times and spaces beyond our shore!
What is the birthing source of this tremendous weight?
There is nothing from which to make the causeless cake!
Its nature is undirected, uncooked, unbaked?
There cant be a choice to that neer born and awaked!
There cant be turtles on turtles all the way down;
The buck has to stop somewhere in this town.
Nothing is unproductivecant even be meant;
All ever needed IS, with nothing on it spent!
Yes, none from nothing, yet something is here, true;
But, really, you cant have your cake and Edith, too!
And yet Ive still all of my wedding cake, I do
Its just changed form; what ever IS can never go.
My wedding cake remains through all its change,
Though forms shift through their transformations strange;
What IS can never slip to never-was,
As matter-energy cannot estrange.
Since theres no point at which to impart direction
The essence would have no limited, specific,
Certain, designed, created, crafted, thought out meaning!
Thus the Great IS is anything and everything!
Without a chef to guide creations art,
No recipe could give it form or start;
Thus Everything must be its own design,
When no Designer stood to play that part.
This All is as useless as Babels Library
Of all possible books in all variety!
Yes, and even in our own small aisle we see
Any and every manner of diversity.
Like Babels Library of endless books,
Where every possible combination looks
Both meaningful and meaningless at once,
All patterns swim in possibilitys brooks.
The information content of Everything
Would be the same as that of Nothing!
Zero. The bakes ingredients vary widely,
And so express themselves accordingly.
Each aisle contains all diversity,
Each shelf holds chaos and symmetry.
The information content of it all
Equals pure Nothings null density.
Through dimensions stacked like layer cake,
See how the possible paths undertake
Their dance through timeyour world-line stretching far
Through futures that your choices might yet make.
Whats Everything, detailed? Length, width, depth, 4D
Your world-line; 5th, all your probable futures;
6th, jump to any; 7th, all Big Bang starts to ends;
8th, all universes lines; 9th, jump to any;
10th, the IS of all possible realities.
The fifth dimension holds all might-have-beens,
The sixth lets jump between these parallel scenes;
The seventh spans all cosmic histories,
While eight contains all universe machines.
The ninth permits our leaps through space and time
To any cosmos in the grand sublime;
The tenth encompasses reality
In all its forms, beyond reason or rhyme.
We stand before infinitys grand horn,
Where endless plenty spills through endless morn.
Yet some stay hungry at this boundless feast
A cosmic irony that leaves us torn.
What IS must be because naught else could be;
Existence brooks no opposite, you see;
Like mathematics truth, it simply is,
Beyond all cause, eternally set free.
Each universe a bubble in times wine,
Each possibility allowed to shine;
When Nothings ruled impossible by logic,
Then Everything must endlessly combine.
The multiverse spreads wider than all thought,
More numerous than numbers ever wrought;
Each quantum choice spawns new reality,
Till every possible path is caught.
No chef controls this cosmic cuisines yield,
No recipe these realities wield;
The menu offers everything at once,
When all that could exist must be revealed.
In this grand feast where all must simply BE,
Each morsel holds eternal mystery;
For in the end, the simplest truth remains:
Something ISas none knows all, you see.
So here we dance in Beings endless light,
Where all that could exist takes form in flight;
No reason gives us rhyme for why its so
The cosmic cake bakes itself in the night.
Conclusion
Your elucidation is quite a piece of cake!
Yo, it exceeds, as well, and so it takes the cake.
Everything ever must be, because nothing cant?
Yes, its that existence has no opposite, Kant!
So, were here at the mouth of the horn of plenty,
For a free breakfast, lunch, and a dinner party;
Yet many starving are fed up with being unfed.
Alas, for now I have to say, Let Them Eat Cake!.
3.
What and How are Imaginations Dreams Night and Day?
Dreams
Dreams are the starlight of our minds,
A canopy of hope that shines
Above our lives to light our days,
And prove we are more than our daily ways.
Dreams are the starlight of our minds vast night,
A scattered glory burning clear and bright;
Above the mundane world of daily tasks,
They spread their constellations of delight.
Like stars that guide the sailors seeking eye,
Our dreams direct us through lifes clouded sky;
Each hope a beacon burning in the dark,
Each vision showing paths we might yet try.
The day may bind us to Earths solid ground,
In dutys chains and labors circle bound;
But dreams, like stars, reveal the infinite,
Where possibility knows no fixed round.
As astronomers chart heavens gleaming face,
So dreamers map the minds unbounded space;
Each vision adds another point of light
To guide us through times dark embracing grace.
These stellar fragments of our deeper souls
Burn holes through habits thick concealing folds;
Like distant suns they hint at worlds unknown,
Where wonders light its mystery unfolds.
By day we walk the well-worn paths of Earth,
Our feet upon the ground that gave us birth;
But nights reveal our truer, higher selves
In dreams that prove our more celestial worth.
Each hope that glimmers in our inner sight
Burns like a nova through doubts clouded night;
These cosmic sparks of possibility
Show paths beyond the bounds of wrong and right.
Our dreams outfit the ships of thought with sails
To catch imaginations star-born gales;
Beyond the harbor of the known they fly,
Through spaces where no Earthly map avails.
Like telescopes that pierce the cosmic deep,
Our dreams reveal the secrets that we keep;
Each constellation of desire and hope
Maps territories that our souls would reap.
The minds dark matter teems with dreams unborn,
Like nebulae from which new stars are torn;
Each vision waiting for its time to shine,
Each hope a sun to light some future morn.
These astral wanderings prove were more than dust,
More than our daily labors and their rust;
For who could dream of flight yet never fly,
Unless some star-born spirit earned their trust?
So let the night-sky of the mind reveal
Its chart of dreams, whose light can help us heal;
For in their glow we glimpse our higher selves,
And touch the truths that daily life conceals.
Imagination
Behold how heart and soul and mind combine
When touched by lifes sweet wonders, line by line;
As Love lifts heart toward inspirations peak,
The spirit takes its flight through realms divine.
Deep in the soul, unimaged whispers sing
Their wordless songs of every nameless thing;
Too vast for bounded thought to capture whole,
Yet in the depths their echoes ever ring.
These mysteries that no eye has ever seen
Flow through the subconscious, dark and green
As ancient forests where no path is marked,
Where meaning dwells in spaces in between.
If one but yields to wisdoms gentle source,
These whispers take a dual-flowing course:
Through senses gates they pour their precious wine,
While mind drinks deep their truth without remorse.
See how they merge like rivers joining seas,
As intellect and feeling find their keys;
Beyond mere joy they lift the spirit high
Where inspiration sets the vision free.
Here in this space where reason touches light,
Imagination spreads its wings for flight;
The minds cold logic catches fire at last,
As understanding blazes pure and bright.
The hearts wild wonder meets the searching mind,
While soul-songs leave their fingerprints behind;
In this sweet union poetry is born,
As all the fragments of our self align.
Like scattered stars that form one galaxy,
These separate powers join in harmony;
The hearts deep knowing guides the minds clear sight,
Till wisdom blooms in full maturity.
Conclusion
So let the wonders of this life inspire
Your heart to leap toward heavens distant fire;
While soul-songs echo through thoughts deepest caves,
Till mind and spirit join their sacred choir.
For in this merging lies creations art:
When logics light and feelings shadows part,
Then poetry springs forth like mornings dawn
To heal the rifts within the human heart.
4.
Am I the Dancer or the Danced Upon?
Objective:
Explain the Scribe of Being
Mainly
Whos the scribe; what slab is written upon?
Wheres horrid Hell, and gloried Heaven yon?
I asked Myself of such stylus and slate:
Youre both the dancer and the danced upon.
The mind that seeks itself in endless quest
Finds seeker, seeking, soughtall self-possessed;
No separation twixt the eye that sees
And that which is by seeings light caressed.
We chase our shadows round the cosmic hall,
Like cats that chase their tails and sometimes fall;
Not seeing that the watcher and the watched
Are one same dance against existences wall.
Who observes the thought that thinks this thought?
And who records the wisdom thereby caught?
The scribe who writes upon the slate of mind
Is but the slate on which the words are wrought.
Heaven and Hell we seek in realms apart,
Not seeing theyre but chambers of one heart;
The judge who weighs our deeds in final scale
Is weighed himselfof every judge a part.
Consciousness curves back upon its source
Like snake that swallows tail in endless course;
Subject and object merge in knowings light,
As river joins the sea without remorse.
The dancer whirls to musics mystic sound,
Not seeing that the dance itself spins round;
Both movement and the one who moves through space
Are one same flow above the spinning ground.
The stylus writes its message on the page,
Not knowing its the page that sets the stage;
The words that flow are both the ink and sheet,
As wisdom writes itself from age to age.
Conclusion
Look in the mirrorwho sees whom therein?
The eye that looks, the face that might have been?
Both viewer and the viewed are one same self,
Playing at two until the game wears thin.
So ask not where the scribe and slate may dwell,
Nor seek for separate Heaven, separate Hell;
All opposites unite in consciousness,
Where knower, known, and knowing weave their spell.
Original Philosophical Investigation series
(1)
On Human Being.
(2)
The Extreme Humungousness of the Universe
As an Impossible Recipe.
(3)
Of Dreams Night and Day
(4)
Dancer or the Danced Upon?
(5)
When a Tree Falls in the Forest
(6)
Religions Restraint
(7)
Unfree Will
(8)
Time and its Blast
Prolog
In this lost haunt, on the Orion arm
Of the Milky Way, safe from the cores harm,
We philosophers meet in the tavern,
As sleuth-hounds, unweaving the Cosmic yarn.
We search for the Start of the Universe,
The End, the Before, the After, the Kinds,
The Measures, and All That Lies Between:
The Music of the Spheres Magnificat.
We follow every single avenue,
Whether its brightly lit or a dark alley,
Exploring one-ways, no-ways, and dead-ends,
Until cornered where the Truth is hiding.
Here we go
1.
The Map Showing the Progression
From the Reals Basis to Humans Being
Objective
A kind of pyramid is envisioned, with two oppositionals and two transitionals that cross to generate the humans being, via this and additional pairings of necessity derived that are basic, not complicated.
The Main Section
Heres the theory of how the Who of Being
Becomes of Existences Why and How,
Via the transitional Then to When
And the oppositional What and Where.
Where: Space
!
!
!
When: Future < Here & Now < Then: Past
!
!
!
What: Matter
Movements a must in quantums vacuum,
Otherwise naught would have gone on to bloom;
Stillness is impossible; Time must be!
Particles clump; in between, space makes room.
The Reals Why is that Nothing cannot be;
Its How is that of Possibility,
Since all methods must be open, due to
The Reals never-birthed eternity.
Matter vs. Space, of the Formless field,
Makes for Realm-of-Appearances yield,
Which, since crossed by Times passage, it builds lifes
Pyramid from Movement-of-Appearances.
Past that Was leads to Future that Will Be,
TransformationalNow in the middle,
Rolling smoothly, through recall, sensation,
And anticipation. Time is movement!
Space/Matter, oppositional, crosses,
As the Where/What top and bottom corners,
The left to right sweep of Past into Future,
Which is really as Then-into-the-When.
Where/What plus Then-to-the-When grows to blend
The Spirit-of-Life in the Pyramids core,
After some more pairing relationships,
Subsequent, toward the life of our species.
Then + What is Historywhat has occurred,
While When + What will become Progress.
Then + Where begets MemoryRemembrance,
While When + Where induces Wishes, as hopes.
Progress + Wishes combines into Vision;
Progress + History grants Change-in-Structure;
Memory + History makes for Learning;
Memory + Wishes births Change-of-Outlook.
Change-in-Structure + Vision = Planning,
Change-in-Structure + Learning = Creating,
Change-of-Outlook + Vision = Growth;
Change-of-Outlook + Learning = Direction.
Finally, Planning, Growth, Creating,
And Direction make for Beings Who.
( Matter - Space ) [ Being ] ( Future <- Past )
The Inspiration
Before the above analysis, I had mapped
The forces, noting that two are transitional,
The Electric and the Magnetic,
Each giving rise to the other,
And that two others are oppositional,
The Weak and the Strong,
The Weak promoting changeability,
The Strong promoting stability.
What about gravity, AWOL? Where is it?
It needs matter and motion to exist
And so it is the blended result of
All the forces, a secondary effect.
Gravity is the spirit-blend of all.
( Strong - Weak ) [ Gravity ] ( Electro <> Magnetic )
The strong force facilitates stability;
The weak force leads to changeability.
Electric action, leading to magnetic motion,
Adds to the Movement-of-Appearances.
The strong force binds the atomic nucleus,
Barely beating E/Ms repelling force.
The weak force counters strongs stability,
Through decay that promotes changeability.
It is the forces that count for everything,
Matter being but a secondary singing,
For atoms exert forces through space,
Especially of the electromagnetic race;
So then, it is forces that disburse
The currency of a rich universe.
Space is a kind of a large-scale limitation
Of an underlying discrete network of connections.
Atoms would not even know at all
That their companions existed, with no call,
Without the push or pull of the forces thrall,
For then they themselves would be as pall
As some ghosts passing through a wall.
The four forces hold our world together
In its diversity of shape, structure, form, and color.
Conclusion
So, would oppositional and transitional pairs
Work for our human being as well?
Yes!
The Duos and Duels of Nature:
Dualities seem to assist nature:
Good/evil, on/off, hot-cold, man/woman,
Up/down, left-right, here-there, past-future, and
So, none can exist without the other.
What, Where, Who, Then, and When:
What Matter particles the Where Space,
Begetting the Appearances-in-Motion pace,
As Then Past moves through Now to When Future
This Spirit-of-Life granting our Who face.
Past flows to Future through the rolling Now,
As Memory to Anticipations bow;
Through Sensations bridge they smoothly glide
Times essence is but Movement, this we vow.
Thus from the simplest oppositions flow
The complex patterns that let Being grow;
Through Times transforming touch they weave and blend,
Till consciousness can rise and wisdom know.
Like streams that join to form a mighty river,
These forces merge their gifts that they deliver;
From Why through How, from Then through Where and When,
Till Beings Who emerges whole forever.
The Pyramid of Being thus builds its throne
From basic blocks to patterns fully grown;
Each level adding new complexity,
Till Beings Who can claim its realm as known.
Mark well how from the simplest pairs arise,
The structures that let consciousness devise
Its plans and visions, learning as it grows,
Till Beings Who can open wisdoms eyes.
So ends this tale of transformations art,
How Beings Who found form in every part;
From cosmic forces paired and merged anew,
Till consciousness could make its upward start.
Overall Summation
Why Existence?
No Nothing.
+
How?
Possibility.
!
!
v
Where? Space. < Appearances > What? Matter.
!
!
v
Whos Being.
Yes, the Reals Basis is as simple as can be, but we are the most complex that can be, and thats where the Reals excitement is.
2.
The Impossible Recipe?
A Dialog About the Universes Free Lunch
Goal:
Explain the extravagant spendthrift Universe.
In the Main
The Cosmos spreads its feast beyond the sky,
An endless banquet none can quantify,
Where matter rises from energys deep
The greatest feast, yet none can tell us why.
Explaining the Cosmos is as easy as pie:
Its an endless extravagance beyond the sky,
Which shows that matters very readily made
Underlying energy raising the shades.
This All sounds rather like the ultimate free lunch,
For the basis is already made, with no punch,
It ever being around, as is, never a was
Everywhere, in great abundance quite unheard of.
Behold this cosmic lunch that comes for free,
Where something springs from what can never be;
The basis ready-made without a source,
Eternal present without history.
Really now, whys the universe so large
With trillions of galaxies of billions of stars,
About which so many planets whirl and twirl,
With so much dust swirling in between worlds?
There are vast multitudes, true, so easily made.
So, there are stars to burn, as with riches,
But why must this largest be so damn large?
It is because the infinitesimal, the smallest,
Must be so very tiny, so minuscule,
As simple, continuous fields of waves,
Neither composite nor of course complex.
So, there is a basic lightness of being
Because anything more would then be of parts
And thus beyond the fundamental arts?
Yes, it is that the base can only be as such
When its just a bit more than nothing.
This handy for flexibility of construction.
Where do we lie amid this scale so vast?
The largest is so large, near everywhere,
Since the smallest is so small, barely there.
At the mid-point, theres finite unity,
Were suspended there, hovering entirely.
What!
Infinity * Infinitesimal = 1, as Finite Unity
Is it too that there are then so many more chances
For arrangements, due to the extravagances?
Not as meant, but that falls out, too, as free,
For since the opposite Not cannot be,
It must then be Everythingof Possibility.
Im still astounded by the amount;
It seems to be an impossible recipe.
More numerous than thoughts can ever count,
Universes bubble past all amount;
In pockets vast beyond our universe,
New cosmos spring from every quantum fount.
What kitchen could produce this causeless cake?
What chef could such infinity awake?
There is no source from which it all could spring,
No recipe these worlds could undertake.
No turtles hold our cosmos from below,
No final cause makes all existence flow?
The buck stops at the edge of Nothings realm,
Where Being simply isthats all we know.
Not from Nothing?
Pure Nothing cannot give what Being needs,
No void can sprout existences first seeds;
Yet Something clearly dances here and now,
While Nothings barren garden grows no weeds.
Its too much!
In just our universe, at first there were
About 2x10**85 particles
Which is now 2x10**76, less annihilations,
Since there are one billion photons for every proton.
Cripes!
Theres even more of it than can be imagined
Of lavish big spenders, there in amounts unbounded:
Bubbles of universes within pockets more,
Across all the times and spaces beyond our shore!
What is the birthing source of this tremendous weight?
There is nothing from which to make the causeless cake!
Its nature is undirected, uncooked, unbaked?
There cant be a choice to that neer born and awaked!
There cant be turtles on turtles all the way down;
The buck has to stop somewhere in this town.
Nothing is unproductivecant even be meant;
All ever needed IS, with nothing on it spent!
Yes, none from nothing, yet something is here, true;
But, really, you cant have your cake and Edith, too!
And yet Ive still all of my wedding cake, I do
Its just changed form; what ever IS can never go.
My wedding cake remains through all its change,
Though forms shift through their transformations strange;
What IS can never slip to never-was,
As matter-energy cannot estrange.
Since theres no point at which to impart direction
The essence would have no limited, specific,
Certain, designed, created, crafted, thought out meaning!
Thus the Great IS is anything and everything!
Without a chef to guide creations art,
No recipe could give it form or start;
Thus Everything must be its own design,
When no Designer stood to play that part.
This All is as useless as Babels Library
Of all possible books in all variety!
Yes, and even in our own small aisle we see
Any and every manner of diversity.
Like Babels Library of endless books,
Where every possible combination looks
Both meaningful and meaningless at once,
All patterns swim in possibilitys brooks.
The information content of Everything
Would be the same as that of Nothing!
Zero. The bakes ingredients vary widely,
And so express themselves accordingly.
Each aisle contains all diversity,
Each shelf holds chaos and symmetry.
The information content of it all
Equals pure Nothings null density.
Through dimensions stacked like layer cake,
See how the possible paths undertake
Their dance through timeyour world-line stretching far
Through futures that your choices might yet make.
Whats Everything, detailed? Length, width, depth, 4D
Your world-line; 5th, all your probable futures;
6th, jump to any; 7th, all Big Bang starts to ends;
8th, all universes lines; 9th, jump to any;
10th, the IS of all possible realities.
The fifth dimension holds all might-have-beens,
The sixth lets jump between these parallel scenes;
The seventh spans all cosmic histories,
While eight contains all universe machines.
The ninth permits our leaps through space and time
To any cosmos in the grand sublime;
The tenth encompasses reality
In all its forms, beyond reason or rhyme.
We stand before infinitys grand horn,
Where endless plenty spills through endless morn.
Yet some stay hungry at this boundless feast
A cosmic irony that leaves us torn.
What IS must be because naught else could be;
Existence brooks no opposite, you see;
Like mathematics truth, it simply is,
Beyond all cause, eternally set free.
Each universe a bubble in times wine,
Each possibility allowed to shine;
When Nothings ruled impossible by logic,
Then Everything must endlessly combine.
The multiverse spreads wider than all thought,
More numerous than numbers ever wrought;
Each quantum choice spawns new reality,
Till every possible path is caught.
No chef controls this cosmic cuisines yield,
No recipe these realities wield;
The menu offers everything at once,
When all that could exist must be revealed.
In this grand feast where all must simply BE,
Each morsel holds eternal mystery;
For in the end, the simplest truth remains:
Something ISas none knows all, you see.
So here we dance in Beings endless light,
Where all that could exist takes form in flight;
No reason gives us rhyme for why its so
The cosmic cake bakes itself in the night.
Conclusion
Your elucidation is quite a piece of cake!
Yo, it exceeds, as well, and so it takes the cake.
Everything ever must be, because nothing cant?
Yes, its that existence has no opposite, Kant!
So, were here at the mouth of the horn of plenty,
For a free breakfast, lunch, and a dinner party;
Yet many starving are fed up with being unfed.
Alas, for now I have to say, Let Them Eat Cake!.
3.
What and How are Imaginations Dreams Night and Day?
Dreams
Dreams are the starlight of our minds,
A canopy of hope that shines
Above our lives to light our days,
And prove we are more than our daily ways.
Dreams are the starlight of our minds vast night,
A scattered glory burning clear and bright;
Above the mundane world of daily tasks,
They spread their constellations of delight.
Like stars that guide the sailors seeking eye,
Our dreams direct us through lifes clouded sky;
Each hope a beacon burning in the dark,
Each vision showing paths we might yet try.
The day may bind us to Earths solid ground,
In dutys chains and labors circle bound;
But dreams, like stars, reveal the infinite,
Where possibility knows no fixed round.
As astronomers chart heavens gleaming face,
So dreamers map the minds unbounded space;
Each vision adds another point of light
To guide us through times dark embracing grace.
These stellar fragments of our deeper souls
Burn holes through habits thick concealing folds;
Like distant suns they hint at worlds unknown,
Where wonders light its mystery unfolds.
By day we walk the well-worn paths of Earth,
Our feet upon the ground that gave us birth;
But nights reveal our truer, higher selves
In dreams that prove our more celestial worth.
Each hope that glimmers in our inner sight
Burns like a nova through doubts clouded night;
These cosmic sparks of possibility
Show paths beyond the bounds of wrong and right.
Our dreams outfit the ships of thought with sails
To catch imaginations star-born gales;
Beyond the harbor of the known they fly,
Through spaces where no Earthly map avails.
Like telescopes that pierce the cosmic deep,
Our dreams reveal the secrets that we keep;
Each constellation of desire and hope
Maps territories that our souls would reap.
The minds dark matter teems with dreams unborn,
Like nebulae from which new stars are torn;
Each vision waiting for its time to shine,
Each hope a sun to light some future morn.
These astral wanderings prove were more than dust,
More than our daily labors and their rust;
For who could dream of flight yet never fly,
Unless some star-born spirit earned their trust?
So let the night-sky of the mind reveal
Its chart of dreams, whose light can help us heal;
For in their glow we glimpse our higher selves,
And touch the truths that daily life conceals.
Imagination
Behold how heart and soul and mind combine
When touched by lifes sweet wonders, line by line;
As Love lifts heart toward inspirations peak,
The spirit takes its flight through realms divine.
Deep in the soul, unimaged whispers sing
Their wordless songs of every nameless thing;
Too vast for bounded thought to capture whole,
Yet in the depths their echoes ever ring.
These mysteries that no eye has ever seen
Flow through the subconscious, dark and green
As ancient forests where no path is marked,
Where meaning dwells in spaces in between.
If one but yields to wisdoms gentle source,
These whispers take a dual-flowing course:
Through senses gates they pour their precious wine,
While mind drinks deep their truth without remorse.
See how they merge like rivers joining seas,
As intellect and feeling find their keys;
Beyond mere joy they lift the spirit high
Where inspiration sets the vision free.
Here in this space where reason touches light,
Imagination spreads its wings for flight;
The minds cold logic catches fire at last,
As understanding blazes pure and bright.
The hearts wild wonder meets the searching mind,
While soul-songs leave their fingerprints behind;
In this sweet union poetry is born,
As all the fragments of our self align.
Like scattered stars that form one galaxy,
These separate powers join in harmony;
The hearts deep knowing guides the minds clear sight,
Till wisdom blooms in full maturity.
Conclusion
So let the wonders of this life inspire
Your heart to leap toward heavens distant fire;
While soul-songs echo through thoughts deepest caves,
Till mind and spirit join their sacred choir.
For in this merging lies creations art:
When logics light and feelings shadows part,
Then poetry springs forth like mornings dawn
To heal the rifts within the human heart.
4.
Am I the Dancer or the Danced Upon?
Objective:
Explain the Scribe of Being
Mainly
Whos the scribe; what slab is written upon?
Wheres horrid Hell, and gloried Heaven yon?
I asked Myself of such stylus and slate:
Youre both the dancer and the danced upon.
The mind that seeks itself in endless quest
Finds seeker, seeking, soughtall self-possessed;
No separation twixt the eye that sees
And that which is by seeings light caressed.
We chase our shadows round the cosmic hall,
Like cats that chase their tails and sometimes fall;
Not seeing that the watcher and the watched
Are one same dance against existences wall.
Who observes the thought that thinks this thought?
And who records the wisdom thereby caught?
The scribe who writes upon the slate of mind
Is but the slate on which the words are wrought.
Heaven and Hell we seek in realms apart,
Not seeing theyre but chambers of one heart;
The judge who weighs our deeds in final scale
Is weighed himselfof every judge a part.
Consciousness curves back upon its source
Like snake that swallows tail in endless course;
Subject and object merge in knowings light,
As river joins the sea without remorse.
The dancer whirls to musics mystic sound,
Not seeing that the dance itself spins round;
Both movement and the one who moves through space
Are one same flow above the spinning ground.
The stylus writes its message on the page,
Not knowing its the page that sets the stage;
The words that flow are both the ink and sheet,
As wisdom writes itself from age to age.
Conclusion
Look in the mirrorwho sees whom therein?
The eye that looks, the face that might have been?
Both viewer and the viewed are one same self,
Playing at two until the game wears thin.
So ask not where the scribe and slate may dwell,
Nor seek for separate Heaven, separate Hell;
All opposites unite in consciousness,
Where knower, known, and knowing weave their spell.
Comments (16)
5.
When a Tree Falls in the Forest
Plan:
Show if the tree makes a sound when no one is around.
Mainly
When forests fall with none to hear their sound,
No ear converts their waves to thunders round;
No nose detects the scent of broken wood,
No retina makes colors dance and bound.
Without a brain to weave perceptions dance,
No form or texture catches conscious glance;
The world remains pure pattern, undefined,
Till mind gives chaos orders sweet romance.
See how the black holes entropy reveals
That surface, not volume, its nature seals;
Perhaps our depth is but projections art,
A hologram that solid space conceals.
Like photon pairs that mirror change through space,
Though seeming separate in time and place,
Remain one pattern in projections room,
Where separation yields to quantums grace.
The tree that falls, observed or standing free,
Is interference patterns mystery;
Until consciousness tunes its signal in,
Reality sleeps in possibility.
This explains how dreams feel just as real
As waking lifeboth patterns that we steal
From vast arrays of wavelengths interweaved,
Which mind makes solid as the things we feel.
All things connect in overlapping waves,
No true division marks what nature saves;
One vast united pattern fills all space,
While seeming borders mark illusory graves.
Like memory spread through neural matters field,
Where every part holds all thats been revealed,
The cosmos lives complete in every grain,
As Blakes world blazes in the flowers of yield.
We are the dance, the dancer, and the stage,
The cosmic story and the turning page;
Both author and the tale thats being told,
As universe peers through its human cage.
The past may hide in holographic whole,
While present moments endlessly unroll;
Each electrons shake sends ripples far,
As part and whole trade places, pole to pole.
Conclusion
This secret lies beneath realitys mask:
One fundamental pattern, should you ask,
Indestructible and everywhere at once,
Performing lifes interminable task.
For all is oneno piece can stand alone,
No fragment separate from all thats known;
The universe complete in every part,
As consciousness makes all its patterns shown.
6.
Religions Restraint
Aim:
Show how religion holds us back.
Main
The light of Heavn did the Earth illumine,
When He shaped human natures acumen.
Temptations He then placed everywhere,
But Hell punish us for being human!
He binds us in resistless Natures chain,
And yet bids us our natures to restrain;
Between these counter rules we stand perplexed:
Hold the jar slant, but all the wine retain!
What master sets a task impossible,
Then damns the slave who proves fallible?
Who plants the tree, then curses it for growth,
Or blames the river for being unstoppable?
He gave us passions burning fierce and bright,
Then commanded us to douse their light;
Like children told to swim with weighted feet,
We struggle in the depths of wrong and right.
Our maker filled our veins with wild desire,
Then bade us quench this self-implanted fire;
What potter shapes the clay to flow one way,
Then breaks the pot when it wont flow higher?
He set sweet fruits before our hungry eyes,
Then called it sin to feast on Paradise;
What gardener tends the vine with loving care,
Then damns the grape for making wine arise?
The cosmic jest grows deeper still to see:
He gave us minds to question and be free,
Then thunders wrath when we dare ask Him why,
Or seek to understand His mystery.
Our nature pulls us earthward like the tide,
While heavens law would have us turn aside;
Between these millstones of divine decree,
Were ground to dust, yet still must choose our side.
He gave us reason as our guiding light,
Then called it pride to trust our own insight;
Like birds commanded both to soar and crawl,
Were damned if we stay low or dare take flight.
What justice can there be in such design:
To make the cup, then curse it for the wine?
To shape the heart with longings burning core,
Then damn it for the very heat divine?
Concluding
The riddle stands: why plant forbidden trees,
Then punish those who follow natures keys?
Why give us wings, then clip them when we fly,
Or grant us sight, then scold us when we see?
7.
Unfree Will
Purpose:
Show that one cannot will the will.
Mainline
The cause of the experiential is done
By the physical neurological;
We are as tourists along for the ride,
Consciousness showing what is going on.
Our thoughts arrive like winds we cannot call,
From memorys web where old associations fall;
No will commands these patterns as they form
They spring from hidden springs beyond our thrall.
Consciousness lags three hundred beats behind
The neural vote thats already defined;
Our sense of choice is but a pleasant tale
We tell ourselves when truths too stark to find.
See how our moods swing on chemical tides,
As serotonin ebbs and flows and rides;
What meaning dwells in molecular chance,
When brain-soup determines how joy abides?
Jealousy and fear arrive unbid,
No choice in what emotions lift their lid;
While personalitys determined course
Runs fixed through sixteen channels, nature-hid.
The mirror neurons in our watching brain
Copy all they see, like falling rain;
Each observation rewires who we are,
Till watching others makes us in their strain.
That I we cherish as our deepest core
Merely watches what comes through minds door;
No unique subject sits behind these eyes,
Just awareness common to all before.
And Love, that seeming sacred mystery,
Flows from hormones sweet chemistry;
Oxytocin bonds our hearts as one,
While reason bows to biology.
We think we choose, we think we understand,
But science shows us mechanisms planned;
Each thought and feeling, every cherished choice,
Springs from causes we cant countermand.
In Conclusion
Yet in this clockwork dance of flesh and thought,
Some wonder still remains unbought:
How consciousness emerged from neural fire,
And why these mechanisms feel like ought.
For though were moved by forces we cant see,
The very knowledge sets some wisdom free;
Perhaps in seeing through our robots eyes,
We glimpse some deeper truth of what might be.
8.
Time and its Blast
Intro
Explain Time, the Now, and then Times Ravages
Main Part
Time moves in steps, not flowing smooth and free,
Each Planck-length jump too small for eyes to see;
No infinite division saves the hare
From catching up with Zenos theory.
The Now we know spans wider than we think,
As consciousness takes time to form its link;
Each present moment born from what has died,
As past dissolves in memorys swift sink.
Memorys ideas recall the last heard tone,
Sensation savors what is presently known,
Imagination anticipates coming sounds
The delight is such that none could produce alone!
No block-universe stores time on dusty shelves,
Though What IS might repeat its cosmic delves;
Each moment fresh-created from the last,
As reality continuous evolves.
Let thou thy certainty of the present be
Held mortgage for the Deed of Futurity,
For tomorrows just a gleam from afar
And yesterdays but a cold ash of thee.
The cosmos dances through eternal space,
Perhaps to find each pattern, every grace;
No genius plans the paths that life might take,
But time tries all till some find lasting place.
At first, you sleep in thy dear mothers womb;
At last, you sleep in the cold silent tomb.
In between, Life whispers a dream that says,
Wake, live, for the rose withers all too soon!
Alls thanks to Deaths prolonged sifting of dies,
Of the rest from the best, silly from wise,
The pointless from the pointedselection.
Oh, through ink-black rivers we had to rise!
Hopes flitter and flutter like butterflies
Whose forms show there can be a second guise,
Although still one chained to times sovereignty.
We cannot fly through times skies two-way wise.
Throw not life to the breeze; draft this day known,
For yesterdays winds have already blown
And futures currents have not yet stirred.
Forget dead airs; nows breath is all you own.
Each frame of time marks change or stays the same,
Yet stillness seems forbidden in this game;
Forever forward flows the arrows flight,
As What IS writes its ever-changing name.
From star-hearts forge to deaths selecting hand,
Time shapes all things that nature ever planned;
No blueprint laid in some primordial dawn,
But patient change writing in times swift sand.
When entropy claims its final victory,
And energys last loans no longer free,
The cosmos dims toward its darkening end,
While we arrange what brief light we can see.
The galaxies flee faster year by year,
As dark energy makes all disappear;
Each snapshot of the heavens grows more dim,
Till sister worlds can no more draw so near.
Time hurls its million waves of change sublime
Against existences rock time after time;
The entropic seas denude all that stands,
While we preserve what beauty we can rhyme.
Our higher mammal moment briefly shines,
A parenthesis in eternal lines;
Like Frost foretold through fire or through ice,
All paths lead where no star forever mines.
The protons fade, then electrons must go,
As particle by particle drops low;
The universe grows thin and ever cold,
While darkness claims all light we used to know.
She, last of all our kind to still persist,
Looks out upon the void where stars are missed;
The window shows but darkness absolute,
Where once bright galaxies kept cosmic tryst.
Conclusion
Yet in this death some hope may still remain,
For What IS cannot die nor show its strain;
No beginning means no final end,
As cosmic cycles turn to start again.
9.
What are the Feelings of the Seasons?
Prelude:
Explain the feelings of Spring Fever, Summer Joy, Autumn Color, and Winter Rest.
Once again, I have lived through winters chills,
To see another spring of daffodils.
Eager sap rises in my veins and thrills,
As the sun pours life into my tendrils.
Like trees that slumbered through the frozen night,
My spirit wakes to touch the growing light;
Each cell remembers ancient rhythms true,
As winters dormant dreams take verdant flight.
The same force lifting flowers toward the sun
Now stirs my bloodtwo currents merged as one;
No difference between my quickened pulse
And springs green tide that sets the sap to run.
My fingers spread like leaves to catch the ray
That coaxes sleeping buds to greet the day;
My roots, though city-bound in human shoes,
Still feel Earths call to join the springs display.
This body, winter-stiff, grows supple now
As warming breezes touch each waking bough;
The same sweet urgency that greens the grass
Smooths ages frost from every limb somehow.
Mark how the daffodils, so lately dead,
Thrust golden trumpets from their earthen bed;
While in my heart, joys yellow blooms unfold,
As winters grey thoughts flee my flowering head.
Each spring reminds us we are nature still,
Despite our walls and ways of human will;
The same wild force that breaks the seeds dark shell
Cracks winters ice around our spirits rill.
My bones, like branches, creak then grow more light
As springs warm magic melts the winters spite;
Each year this miracle returns anew:
Both gardens growth and human hearts delight.
The border blurs tween flesh and flowering things
When Aprils resurrection anthem rings;
Were all Earths children, reaching toward the light,
As lifes tide rises on its annual wings.
For what are we but natures knowing part?
The universe grown conscious, grown to art;
Yet still we share the daffodils wild joy
When springs sweet season sets the sap to start.
Joy and exuberance are springs largesse;
Sunlight, warmth, and growth are summers bequest;
Autumn brings wealth, with its mellow harvest;
Winters fruit is peaceits bounty is rest.
See how each season brings its special grace,
As Earth wheels onward through eternal space;
Each quarter of the year bestows its gifts,
As natures dance moves at its measured pace.
Spring scatters treasures with a lavish hand:
The crocus jewels that stud the wakening land,
The silver songs of birds returned from far,
And green flames spreading at the winds command.
Her wild exuberance knows no restraint,
As buds burst forth with joy that needs no paint;
Each morning brings another miracle,
As life responds to springs sweet, wild constraint.
Then summer stretches golden arms out wide,
As warmth and plenty spread on every side;
The long days overflow with growths delight,
While solar blessing bathes the countryside.
The gardens bounty swells beneath her touch,
As fruits and flowers ripen overmuch;
Each leaf spreads wide to drink the living light,
While verdant shadows offer cools sweet clutch.
When autumn comes with harvests mellow crown,
The fields bow heavy, dressed in russet gown;
Each tree presents its own particular wealth,
As natures riches rain their sweetness down.
The vineyards purple, orchards red and gold,
The granarys treasure more than barns can hold;
While nuts drop plenty on the forest floor,
And berries offer wealth of flavors bold.
Conclusion
At last comes winter with its gift of peace,
As natures frenzy finds its sweet release;
The busy world slows down to take its rest,
While snows white silence bids all striving cease.
Beneath the frost, life dreams in quiet deep,
As roots and seeds their hidden wisdom keep;
This toos a bountytime to pause and mend,
As nature shows us beautys quiet sleep.
BENEATH, BELOW, AND FURTHER
In succession due does the large give way and rule
To the ever smaller, the tiny, the minuscule,
And onto the negligibly insufficient awol
Of not really much of anything there at all.
Yet it was at this bottom here-from that the all
Of the upward progression began its call,
And so here the answer lies to the sprawl,
At the boundary where nature wrote its scrawl
Of existence upon the foam, and back and forth,
A place not necessarily like that we think it is,
A lawless, formless realm thats ever been the quiz.
Stability too has decreased woefully,
Melting within our descending journey,
And so we must meet the perfect instability
Of the potentially perfect symmetry that cannot be,
For not only is it that everything must leak
But that there can be not even one more antique
Of a controlling factor lurking about,
For of anything else weve totally run out.
Here then the pulsations and the throbbings
Of the so-called vacuum that must ever swing
Between here and there, ever averaging to not much
In its rise and fall, alternating here and varying.
Here Eternity and his elemental fellow rhymes
Of Anything and Everything bide their times,
Of which they have and always had continually
All of the time of everlasting perpetuity,
And so then if one waits long enough,
Which is but an instant in Forevers trough,
Say for a months of Sundays in donkeys years,
Then not only do the rarest of events come to pass,
But eventually so do all things possible that can last.
By: @PoeticUniverse
Parts of what? A poet's philosophical perspective of life, the universe and everything. Described as an:
Quoting Author
The explorer has returned from his bold journey, where no man has gone before. It is unique.
The terrain is shared, the tale told in a tavern - The Orion Arms, 42 Milky Way, The Universe.
Imagine that. The prologue sets the scene.
Quoting Author
Allons-y!
But not so fast. Where's the map? Ah, the 8 stages, or stations, are set out. Hold on. Where does Part 1 start and the other begin or end? [I've edited it to clarify] A quick scan reveals the layout of the land. Is this to be a Treasure Island? Where is the gold buried? Is there a pot at the end of the rainbow?
I believe gems are to be found along the way. In the poem, long and hard, rewarding for some...depending on patience, a squinted eye, fragments of a pointed impression. Zoom in and out.
It is up to the reader to find their own way of reading. I suggest this is a piece you can dip into, stay a while at any station, pass by the more analytical Part 1 to a more relaxed conclusion. The sleuth-hounds have untangled the yarn. The search is over. We knit the knits and purl the purls.
From the added Stage 9 - What are the feelings of the seasons?
[i]Conclusion
At last comes winter with its gift of peace,
As natures frenzy finds its sweet release;
The busy world slows down to take its rest,
While snows white silence bids all striving cease.
Beneath the frost, life dreams in quiet deep,
As roots and seeds their hidden wisdom keep;
This toos a bountytime to pause and mend,
As nature shows us beautys quiet sleep.[/i]
At the start of Stage 9 (18 4-line verses) the author sets out his aim.
This is the format most of the way through. A quick look at the titles, intro and conclusion of each stage will help you decide if the main is to your taste.
The map or outline:
PART 1
(1) On Human Being.
(2) The Extreme Humungousness of the Universe
As an Impossible Recipe.
Later changed to:
The Impossible Recipe?
A Dialog About the Universes Free Lunch
(3) Of Dreams Night and Day
(4) Dancer or the Danced Upon?
PART 2
(5) When a Tree Falls in the Forest
(6) Religions Restraint
I added the aim and conclusion as an example. Excellent!
[Aim: Show how religion holds us back
Concluding:
[i]The riddle stands: why plant forbidden trees,
Then punish those who follow natures keys?
Why give us wings, then clip them when we fly,
Or grant us sight, then scold us when we see?[/i] ]
(7) Unfree Will
(8) Time and its Blast
(9) What are the Feelings of the Seasons?
***
For me, the initial stage was the most difficult to traverse in my bouncy space-shuttle.
The author's objective:
Many questions of matter, time and space, when, where etc. crisscross and merge in my mind as total confusion. Perhaps, that's the idea. Perhaps, a diagram would help.
Anyway, I hope this snapshot has been of value to the author and any other passing detective.
I could murder a beer at the Orion Arms :party:
Edit to add:
This is too long, well over the 5,000 word limit. (approx. 5,810)
It also looks like a number of previous pieces stuck together with individual aims and conclusions.
Edited - well, yes, :roll: there is a big clue at the start: Quoting Author
I think it would be a clearer, more coherent philosophy piece with a solid introduction and conclusion. Also, a mix of prose and poetry would provide the reader some ease. Just my thoughts. It's too much. The enormity and strangeness can overwhelm. But then, what's wrong with that, if it makes you think and feel and wonder...
There is no doubting your creative spirit and passion. Never ending imagination and questions and responses in poetry and philosophy. A very fine mix. Thank you for sharing.
I decided to go with the flow, not to analyse, swim in the space and not mind the gaps in understanding.
Yes, it is! Much too.
But I like the rap.
Quoting Moliere
Quoting Moliere
and beautiful passages
Quoting Moliere
Quoting Moliere
It covers more territory than any poem or prose piece I've ever read.
I'm impressed by the ambition, the audacity and the sheer quantity of work that went into this entry.
:clap: :clap: :clap:
What a beautiful and encouraging thing to say. I love your choice of passages. I will be returning to this for some quiet meditation. I only have one more essay to comment on. After trudging through that, then I will need a peaceful sanctuary.
To enjoy the creative voice of the universe...
And then may we visit Pandora and ride a blue dragon? I'll settle for Carl Sagan's ship of the imagination.
Being!
Icarean poet; capture it all
A breadth so wide with Being as your bride
How can you speak this Truth without a fall?
Visions from which a muse in you confide?
But do not neglect basic rhythm-rhyme
The form speaks deep from the mouth of the muse
And though we can break form some of the time
We do so to demonstrate and bemuse
The world's ineluctable poetry
rather than being said is better seen
*****
As a lover of Lucretius I appreciate that someone attempted to tackle the poetic form of philosophy. But I think that for a poetic philosophy structure is very important to pay attention to. I would encourage you trying to tackle just one of these parts and turn it into some sort of structure just to see if there's one that speaks to you -- in a way it's more a preference on my part, but also I think it'd be a good exercise to try.
The poems are ten-syllable Rubaiyat-style (as I have extended The Rubaiyat); easy to contain with one breath.
Quoting Moliere
That could be in a video.
Quoting Moliere
I'm open to suggestion; do you have any in mind?
The last one is actually a dialog (I like that philosophic structure) that lost its formatting:
(There is a seemingly extravagant amount of material in the universe.)
The Impossible Recipe Accomplished
Explaining the Cosmos is as easy as pie:
Its an endless extravagance beyond the sky,
Which shows that matters very readily made
Underlying energy raising the shades.
[i]This All sounds rather like an ultimate free lunch,
For the basis is already made, with no punch,
It ever being around, as is, never a 'was
Everywhere, in great abundance quite unheard of.[/i]
Theres even more of it than can be imagined
Of lavish big spenders, there in amounts unbounded:
Bubbles of universes within pockets more,
Across all the times and spaces beyond our shore!
What is the birthing source of this tremendous weight?
There is nothing from which to make the causeless cake!
Its nature is undirected, uncooked, unbaked?
There cant be a choice to that neer born and awaked!
[i]There cant be turtles on turtles all the way down;
The buck has to stop somewhere in this town.[/i]
Nothing is unproductivecant even be meant;
All ever needed is, with nothing on it spent!
[i]Yes, none from nothing, yet something is here, true;
But, really, you cant have your cake and Edith, too![/i]
And yet Ive still all of my wedding cake, I do
Its just changed form; what ever IS can never go.
[i]Since theres no point at which to impart direction
The essence would have no limited, specific,
Certain, designed, created, crafted, thought out meaning![/i]
Thus the Great IS is anything and everything!
[i]This All is as useless as Babels Library
Of all possible books in all variety![/i]
Yes, and even in our own small aisle we see
Any and every manner of diversity.
[i]The information content of Everything
Would be the same as that of Nothing![/i]
Zero. The bakes ingredients vary widely,
And so express themselves accordingly.
Whats Everything, detailed? Length, width, depth, 4D
Your world-line; 5th, all your probable futures;
6th, jump to any; 7th, all Big Bang starts to ends;
8th, all universes lines; 9th, jump to any;
10th, the IS of all possible realities.
Your elucidation is quite a piece of cake!
Yo, it exceeds, as well, and so it takes the cake.
Everything ever must be, because 'Nothing cant?
Yes, its that existence has no opposite, Kant!
[i]So, were here at the mouth of the horn of plenty,
For a free breakfast, lunch, and a dinner party;
Yet many starving are fed up with being unfed.[/i]
Alas, for now I have to say, "Let Them Eat Cake!"
Heh, then it's my ignorance that skips over the structure.
Not your fault but mine.
Quoting PoeticUniverse
I think iambic pentameter works well in English -- but I like the old bard.
Whenever I write a poem I try to think about it as something that will be spoken -- so that the written poem is more like a musical score than the poem, something to be performed rather than read.
So I really like poems which pay attention to their phonic structure and attempt to build rhythms out of the words. There's a kind of magic that this produces in the hearer, and if you can pull it off while making sense it makes for a very captivating poem.
But it takes a lot of time to focus in on phonic structure while also making sense so I thought only 1 part of this epic would be enough of a challenge.
And, really, it's just a preference of mine. Yours was a harder piece to respond to because I could see what you were getting at, but I wanted to respond in kind: with a poem for a poem.
Such as changing it to a dialogue? Or to another structure? Suggestions?
Quoting Moliere
The Poetic Rubaiyat Form
The verses beat the same, in measured chime.
Lines one-two set the stage, one-two-four rhyme.
Verse threes the pivot around which thought turns;
Line four delivers the sting, just in time.
(Examples of my extended Rubaiyat quatrains):
Im the darkest, boasts the Shadow to the Night.
No, gloats Midnight, compared to me youre bright.
You floodlights! crows Starless Space, Stop your fight.
The darkest plight is the lack of Loves delight!
Good and Evil sprang from Wrong and Right,
When from naught twin Genii split day and night.
Oh, fear not that blacks might can vanquish white;
Darkest night cant een quench the smallest light!
Lifes a web, of whos, whys, whats, and hows,
Stretched as time between eternal boughs.
Gossamer threads bear the beads that glisten,
Each moment a sequence of instant nows.
Quoting Moliere
Suno AI can do a singing performance of a poem.
'Flow' can recite a poem with lip-sync'
If it were to my preferences then I'd ask you to do something like iambic pentameter where the main thoughts are in the rhyming form of ABAB CDCD EFEF etc. as needed and chosen, and when you reach a conclusion you finish it with a rhyming couplet.
Basically I like Shakespearean Sonnetts.
Beneath, Below, and Further
(With da-DUM da-DUM da-DUM da-DUM da-DUM rhythm.)
Beneath, below, and further down we find
?The large gives way to small by rule's design,?
To tiny forms and minuscule decline,?
To nothing much at all in absent line.
Yet from this bottom place the all began?
Its upward call through time's eternal span,?
And here the answer to our sprawl was planned,?
Where nature wrote with her creating hand.
Upon the foam existence carved its mark,?
A realm not like our thoughts in light or dark,
?A lawless place that questions ever spark,?
Where formless mysteries through ages hark.
Stability has fled our downward quest,?
And melted in descent without arrest,?
So perfect instability's our test?
A symmetry that cannot find its rest.
For everything must leak and flow away,?
No controlling force can ever stay,?
Of ruling factors we've run out today,?
Left empty-handed at the end of play.
Here pulsate rhythms of the so-called void?
That swings between the spaces unexplored,
?From here to there, its patterns never cloyed,
?In rise and fall, forever thus employed.
Here waits Eternity with ancient rhymes,?
With Anything and Everything's long chimes,?
Who have possessed through all the endless times?
The perpetuity that ever climbs.
And if one waits through Forever's night,
?Which is but instant in his endless sight,?
Through months of Sundays till the years take flight,?
Then rarest events shall come to light.
At last all things that possibly can be?
Will manifest in time's vast symphony,?
For in the realm of possibility,?
All potentials claim their destiny.
I am one of those who likes rhymes in poems because it makes them easier to speak aloud in a manner that captivates the audience. So when I read the above out loud to myself I could feel the rhythms carrying me through the ideas much better -- but that really may just be due to my own preferences and experiences with poetry, too. Thanks for indulging me!